Performance Experience Presence

Performance Experience Presence

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Archived page of Performance.Experience.Presence (PEP) research group at University of Plymouth The Performance. Experience.

Presence (P.E.P) Research Group at the University of Plymouth focuses on embodiment, representation, culture and identity through the making and analysis of performance. It encompasses researchers of theatre, dance, popular performance, live art and interdisciplinary performance practices. Many members engage in practice-led research, and the group champions the value of rigorous reflexive practic

Programme - DRHA 2022 28/08/2022

Programme - DRHA 2022 programme Welcome to the DRHA 2022 programme. Below you can find the detailed schedule of events and panels that will take place during the conference days. Please note that it might be subject to changes.  Sunday 4 September – Open Day Location: Town House [go to map] 13:00 Coffee and Registrati...

FLORENTIS 11/02/2022

A new artistic research screendance by Ruth Way and Russell Frampton, arising from intergenerational somatic movement practice.

FLORENTIS Florentis - a practice research screendance outcome explores the theme of loneliness and the potential for somatic movement practice to resource individuals to…

CfP: TDPT Special Issue: Touch and Training 09/02/2022

CfP: TDPT Special Issue: Touch and Training Special issue: Touch and Training to be published June 2023 Call for contributions, ideas, proposals and dialogue with the editors Guest editorsDr Ha Young Hwang, Korea National University of Arts,…

27/01/2022

Adventures in Posthumanism

Wednesday 2nd February 2pm GMT (online)



Into the Clear



Visiting speaker Erin Manning



Research Chair in Speculative Pragmatism, Art, and Pedagogy and is Director of the SenseLab, Concordia University Canada



Erin Manning is a professor in the Faculty of Fine Arts at Concordia University (Montreal, Canada). She is also the founder of SenseLab (www.senselab.ca), a laboratory that explores the intersections between art practice and philosophy through the matrix of the sensing body in movement. Current art projects are focused around the concept of minor gestures in relation to colour and movement. Art exhibitions include the Sydney and Moscow Biennales, Glasshouse (New York), Vancouver Art Museum, McCord Museum (Montreal) and House of World Cultures (Berlin) and Galateca Gallery (Bucarest). Publications include For a Pragmatics of the Useless (Duke UP, forthcoming), The Minor Gesture (Duke UP, 2016), Always More Than One: Individuation’s Dance (Duke UP, 2013), Relationscapes: Movement, Art, Philosophy (Cambridge, Mass.: MIT Press, 2009) and, with Brian Massumi, Thought in the Act: Passages in the Ecology of Experience (Minnesota UP, 2014).





Please contact jocey.quinn (at) plymouth.ac.uk or joanna.haynes (at) plymouth.ac.uk for a zoom invite



All Welcome



For this year's programme and recordings of past events see



Adventures in Posthumanism Blog

https://adventuresinposthum.wordpress.com/

Revised Dictionary Supplement: a lecture performance 21/01/2022

A performance lecture by Mark Leahy!
Date: Tuesday 15 February 2022
Time: 19:30–20:30
Venue: The House Theatre, University of Plymouth
Ticket information: free admission

Revised Dictionary Supplement: a lecture performance Revised Dictionary Supplement: a lecture performance with Mark Leahy, University of Plymouth. Tuesday 15 February 2022, The House Theatre, University of...

03/01/2022

The TaPRA Postgraduate Essay prize deadline is midnight GMT on 7 January. Essays are welcome from PGs anywhere in the world, on any topic of relevance to theatre & performance scholars. You don’t have to be a TaPRA member to enter. For more info:

tapra.org

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Location

Address


Plymouth
PL48AA