Performance Experience Presence

28/08/2022

programme Welcome to the DRHA 2022 programme. Below you can find the detailed schedule of events and panels that will take place during the conference days. Please note that it might be subject to changes.  Sunday 4 September – Open Day Location: Town House [go to map] 13:00 Coffee and Registrati...

06/07/2022

A talk by Professor Roberta Mock: Greening Theatre Production through the Sustainable Use of Materials

09/03/2022

(2022). Testing scores for performing placestories. Studies in Theatre and Performance. Ahead of Print.

11/02/2022

A new artistic research screendance by Ruth Way and Russell Frampton, arising from intergenerational somatic movement practice.

Florentis - a practice research screendance outcome explores the theme of loneliness and the potential for somatic movement practice to resource individuals to…

09/02/2022

Special issue: Touch and Training to be published June 2023 Call for contributions, ideas, proposals and dialogue with the editors Guest editorsDr Ha Young Hwang, Korea National University of Arts,…

27/01/2022

Adventures in Posthumanism

Wednesday 2nd February 2pm GMT (online)



Into the Clear



Visiting speaker Erin Manning



Research Chair in Speculative Pragmatism, Art, and Pedagogy and is Director of the SenseLab, Concordia University Canada



Erin Manning is a professor in the Faculty of Fine Arts at Concordia University (Montreal, Canada). She is also the founder of SenseLab (www.senselab.ca), a laboratory that explores the intersections between art practice and philosophy through the matrix of the sensing body in movement. Current art projects are focused around the concept of minor gestures in relation to colour and movement. Art exhibitions include the Sydney and Moscow Biennales, Glasshouse (New York), Vancouver Art Museum, McCord Museum (Montreal) and House of World Cultures (Berlin) and Galateca Gallery (Bucarest). Publications include For a Pragmatics of the Useless (Duke UP, forthcoming), The Minor Gesture (Duke UP, 2016), Always More Than One: Individuation’s Dance (Duke UP, 2013), Relationscapes: Movement, Art, Philosophy (Cambridge, Mass.: MIT Press, 2009) and, with Brian Massumi, Thought in the Act: Passages in the Ecology of Experience (Minnesota UP, 2014).





Please contact jocey.quinn (at) plymouth.ac.uk or joanna.haynes (at) plymouth.ac.uk for a zoom invite



All Welcome



For this year's programme and recordings of past events see



Adventures in Posthumanism Blog

https://adventuresinposthum.wordpress.com/

21/01/2022

A performance lecture by Mark Leahy!
Date: Tuesday 15 February 2022
Time: 19:30–20:30
Venue: The House Theatre, University of Plymouth
Ticket information: free admission

Revised Dictionary Supplement: a lecture performance with Mark Leahy, University of Plymouth. Tuesday 15 February 2022, The House Theatre, University of...

08/01/2022

The new iteration of Circle 7 will be focusing on the experiential in artistic practice, its methods, knowledges and processes. From 2022 until 2024, we will host biannual symposia, with the aim to create opportunities to explore plurality of experiences through art practice and to gather methodolog...

03/01/2022

The TaPRA Postgraduate Essay prize deadline is midnight GMT on 7 January. Essays are welcome from PGs anywhere in the world, on any topic of relevance to theatre & performance scholars. You don’t have to be a TaPRA member to enter. For more info: