Oxford Kilns

Oxford Kilns Japanese inspired wood-fired (anagama) ceramics kilns at Oxford's Wytham research woodlands. A short cycle ride from Oxford City Centre.

Regular firings and courses from our experienced international team. Volunteers & participants welcome. Anagama kilns are a traditional single-chambered, wood-fired kiln constructed on a slope from clay or firebricks, and characteristic of the Bizen ceramics town of Japan, home of the unglazed ware for the tea ceremony and other uses. The activities of OXFORD ANAGAMA include firing traditional Japanese kilns alongside other wood-fired ceramics (including raku kilns and pit firing) in the heart of Oxford University’s Wytham Woods. The underlying academic purpose of the project is part of a study conducted by anthropologist Dr Robin Wilson to study processes of meaning-making in contemporary craft practice. For other participants in the project, there are opportunities to join a large team of volunteers in a range of activities from wood-firing, clay-building, to photography, archaeology, or film making. And we are always open to good suggestions. Modern Anagama kilns represent the latest stage in an ongoing evolution, which has involved several reinventions, and which supplies the anthropological side of this project with rich study material illustrating the complex and changing relationships between the making process and the commodification and use of objects within a social and aesthetic context. As well as academic research, the potters will be undertaking a strong component of practical research to help further understand and develop their own craft process. At a time when the arts are dominated by Concept, and the crafts seem impelled by commercial convenience to rely on increasingly complex machinery and bland, processed materials rather than on hand skills, this project is a reminder that simple, sustainable processes and lightly refined, local materials can offer a valid and powerful alternative source of inspiration to the artist. As Bernard Leach discovered a hundred years ago, Japan is home to an unrivalled craft tradition, despite changing lifestyles that threaten traditional markets and craft practice. Rooted in practical research into both materials and process, OXFORD ANAGAMA offers an international forum which will encourage the search for a new way forward. The purpose behind locating this project in the University Woodland is to place it within a robust and unique research context, provided by The Wytham Studio and the Department of Anthropology. For further information, contact Dr Robin Wilson directly.

The less glamorous side of keeping the kilns running…Every firing leaves behind a little archaeology of its own. Three o...
06/10/2026

The less glamorous side of keeping the kilns running…

Every firing leaves behind a little archaeology of its own. Three of these have finally reached the end of the road and gone in the bin; I’m spending today seeing whether the other five can be persuaded back to life with a bit of rewiring and some new bits and pieces. The thermometers are anyone’s guess.

There’s rather more to keeping a large woodfired kiln site running than putting wood in a kiln and hoping for the best. There’s a surprising amount of maintenance, repair and general fettling along the way. 🔥

From our September woodfiring course on the fastfire kilns, by  • Two weeks ago I did my second fast fire weekend with O...
06/10/2026

From our September woodfiring course on the fastfire kilns, by • Two weeks ago I did my second fast fire weekend with Oxford Kilns
A great few days meeting a lovely group of potters with some really pleasing outcomes for us all. Thanks to Robin Alexander Wilson Rosie Fairfax-Cholmeley for their direction and generously sharing their knowledge

Pots and pics from our 90th firing by E Dumitru Ceramics who says: You guys, I really like teapots. Some photos from unl...
05/10/2026

Pots and pics from our 90th firing by E Dumitru Ceramics who says: You guys, I really like teapots.

Some photos from unload day. It’s an overwhelming feeling to get so many one of a kind pots all at once, and to see all the work (both the pieces and the labour) everyone put into making this firing a success.

Hundreds of beautiful pieces came out of this beautiful kiln on Sunday. ❤️❤️ Already know I’m keeping the set in the third photo (fully unglazed exterior - that’s just the wildness of 62 hours of atmospheric firing).

took all these photos while we became increasingly distracted by our pots 😅

Many more photos to come but these are a few of my early favourites 🫖🐞🫖🫖

From the woodfirers course this week, text and pics by • Juliette • Spent the day sanding pots and generally taking them...
05/10/2026

From the woodfirers course this week, text and pics by • Juliette • Spent the day sanding pots and generally taking them in, I went into this not really knowing how pots would turn out and testing new clay bodies and flashing slips so it was so exciting during the unload and so lovely to be back with everyone and all marvelling as each new pot emerged out of the kiln. Now to figure out what to do with it all! Trying to stagger my posting about it abit so I don’t just show all pots at once and have nothing to post about for the next week ahah

Kiln opening day on the woodfiring course, and with the kiln already unloaded, students get to hear Svend’s lecture on k...
05/10/2026

Kiln opening day on the woodfiring course, and with the kiln already unloaded, students get to hear Svend’s lecture on kilns and kiln building as well as his own pottery story. A perfect end to a perfect course.

Some of the pots as they came out of the kiln from@our October woodfiring course led on this occasion by Svend Bayer and...
05/10/2026

Some of the pots as they came out of the kiln from@our October woodfiring course led on this occasion by Svend Bayer and Brigitte Colleaux 🔥

More shots from yesterday kiln unload from our 90th firing.
05/10/2026

More shots from yesterday kiln unload from our 90th firing.

Kiln opening yesterday. This was the 90th firing, and a woodfirers course taught by Svend Bayer with Brigitte Colleaux a...
05/10/2026

Kiln opening yesterday. This was the 90th firing, and a woodfirers course taught by Svend Bayer with Brigitte Colleaux at . The firing was 62 hours long, and you can see for yourself what the results were like. And now we’re beginning to load tge anagama test kiln today for the 91st firing, while Svend and Brigitte are loading the other anagama for the 92nd firing.

These from the fastfire kilns woodfiring vourse this week by Neil Burnwyn who writes: A few pics from the fast-fire kiln...
30/09/2026

These from the fastfire kilns woodfiring vourse this week by Neil Burnwyn who writes: A few pics from the fast-fire kiln Oxford Kilns last weekend. None came out as expected, but that’s probably why it’s so addictive, it’s like trying to harness chaos. The diagonal-cut one picked up more flashing than I expected. The crawled, crystalline patch inside the first bowl was a surprise, and I’m not sure yet whether I could repeat it. My best guess is the fly ash landed inside the bowl of the cup, subtly changing the glaze chemistry locally and allowing it to shift into a glass from the microcrystalline surroundings. Still learning what the kiln does with each bit of the chamber. I also trialed different clay bodies to see what worked best where. I’ll share the pics later in case they’re of any interest to anyone.

Some experimental work from the September woodfiring course, by Neil Burnwyn, who packed stacks of different clay tests ...
30/09/2026

Some experimental work from the September woodfiring course, by Neil Burnwyn, who packed stacks of different clay tests into different positions in one of our Fastfire kilns. These are just a small selection of the results.
Neil was back for his second course, which is a particularly good time to start thinking not just about how to fire a woodfired kiln, but also about what goes into it, and how different clays respond to the variations in temperature, atmosphere and position within the kiln. 🔥

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Wytham Woods
Oxford
OX28QQ

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