Becci Kaznowski Vocal Tuition

Becci Kaznowski Vocal Tuition Evidence-based voice teacher for all abilities in Norwich (Salvation Army Citadel, St Giles Street) and Carbrooke, Thetford. Qualifications
BMus Hons.

Rebecca has established a reputation for being a dedicated, knowledgeable and sought after singing teacher in Norfolk. Many of her students have been cast in main roles in local Musical Theatre Productions, have had success in auditions to the major London Theatre Colleges and she has a 100% pass rate in both Rockschool and ABRSM singing exams. She is passionate about developing and training singers of all genres of music through a holistic approach and communicating a clear understanding of how the voice works. Although she comes from a classical and operatic background her teaching style is science-based and influenced by the many different methods and ideals of modern vocal pedagogy. Singing lessons are tailored to each individualโ€™s needs and aspirations, whilst focusing on the development of good technique, performance skills and musicality. Rebecca runs a busy private teaching studio in Norwich and Carbrooke, Thetford as well as being on the teaching staff at Norwich High School for Girls, City of Norwich School and Wymondham High School. Norwich Singing Lessons are based at the Salvation Army Citadel on St Giles Street in central Norwich on Thursdays and she also teaches at her home in Carbrooke, Thetford on Wednesdays and alternate Saturdays. Rebecca is a member of the Musicians' Union and AOTOS (Association of Teachers of Singing). Grade 8 Singing
Grade 5 Theory

CPD/Training/Workshops
Estill Training โ€“ Teaching Belt Safely
CoreSinging (Foundation Course)
Changing Perspective with Mary King
Advanced Anatomy of the Larynx with Dr. Jenevora Williams

* Rebecca is constantly updating her personal training and learning of the voice
and how it works.

๐Ÿšจ Proud teacher alert ๐ŸšจIt was such a joy being in the audience for Echo Youth Theatre 's production of Footloose this af...
16/08/2026

๐Ÿšจ Proud teacher alert ๐Ÿšจ

It was such a joy being in the audience for Echo Youth Theatre 's production of Footloose this afternoon. A real triumph all around but particularly for my wonderful student Hedy - a mature, heartfelt and technically accomplished performance. You could hear a pin drop during your number. Anyone that went to see it, make sure you send this girl some high praise indeed as she is one of those infuriating students who has absolutely no idea just how good she is!

Bravo, Hedy! I can't wait to see you in your next endeavour!

Break a leg to student Hedy on her opening night playing Vi in Echo Youth Theatre's production of Footloose tonight. You...
14/08/2026

Break a leg to student Hedy on her opening night playing Vi in Echo Youth Theatre's production of Footloose tonight. You are going to smash it, can't wait to watch it myself on Sunday. ๐ŸŽญ๐ŸŽ‰

A huge well done to student Phoebe, who received a distinction in her recent Grade 8 ABRSM Singing for Musical Theatre e...
08/08/2026

A huge well done to student Phoebe, who received a distinction in her recent Grade 8 ABRSM Singing for Musical Theatre exam. A fantastic and well earned achievement ๐Ÿ‘๐Ÿป๐Ÿ‘๐Ÿป๐Ÿ‘๐Ÿป

โœจAUGUST AVAILABILITY โœจ I have some limited availability in Norwich for singing lessons over August. Get in touch via bka...
01/08/2026

โœจAUGUST AVAILABILITY โœจ

I have some limited availability in Norwich for singing lessons over August. Get in touch via [email protected] to book in or ask any questions.

23/07/2026

Singers. Sing from your throat. Yes you heard me correctly, I want you to enjoy the sensation and feeling you should get when your vocal folds and larynx are vibrating freely within your vocal tract. Trying to avoid this feeling can actually lead to unnecessary tensions for a lot of singers, so lean into the feeling. Enjoy it. Stop being scared of it!

17/07/2026

Part 2 - a more detailed explanation of why your larynx might be getting in the way of thinning the voice out as you go higher up in range with a couple of my favourite exercises demonstrated at the end.

Feel free to pop any questions you have in the comments ๐Ÿ‘‡๐Ÿป

13/07/2026

It's a common scenario in my teaching room. A student is aware that they are forcing or pushing the sound too much in the higher register but they don't know how to fix it. A lot of focus in the past has been put on either just muscling through it or thinning the folds out but neither is giving them the desired sound quality or outcome they are looking for.

The thing is, if the larynx is stuck in an overly high position, the acoustic set up won't lend itself to allowing the voice to thin out AND keep a full and strong sound. The sound will end up being reedy, weak or breathy. So, because the sound isn't what the student is looking for they go searching for it by adding extra weight back in at the point of the vocal folds. When actually what they need to be focusing on is getting that larynx to be free and released so they can find a different acoustic space to allow the sound to resonate in. This allows the student to thin the vocal folds whilst also keeping a full, strong and sustainable sound quality.

Does this resonate (pun intended) with you? Let me know in the comments ๐Ÿ‘‡๐Ÿป

09/07/2026

Nasality/Nasalised Vocal Exercises might be holding your vocal development back. A lot of people mistake nasal-like quality sounds (like twang and sob-influenced sound qualities) for actual nasality and this can end up being a bit of a sticking plaster for underlying technical issues. Here I talk about what you really need to be training instead.

How do you feel about nasality in your vocal training journey? Has it helped or hindered your progression? Let me know in the comments ๐Ÿ‘‡๐Ÿป

06/07/2026

I see SO much on social media about learning to belt or finding your "mixed voice" but I see very little about learning how to sing softly. So, here is a little tutorial on "With You" from Ghost the Musical. This song NEEDS soft singing in the first and last choruses to create contrast and sentiment. Hooting is going to help you find that. Let me know in the comments if it worked for you ๐Ÿ‘‡๐Ÿป

06/07/2026

Sorry Cynthia, but you have got it wrong here. There is no "safest" genre to sing in and although it's great that you are cross-training, Verdi will not be the reason that you aren't pushing or driving the voice. Your technique, experience and teacher will be the reasons for that.

Address

36 St Giles Street
Norwich
NR21LL

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