Chris Head Comedy Coaching & Directing

Chris Head Comedy Coaching & Directing

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Comedy courses, training and development - stand-up, sketch, sitcom and more. Online, London, Stroud

Relaxed Stand-Up Comedy Workshop STROUD | Chris Head Comedy 18/03/2026

Statistics as a Springboard for Writing Stand-up

I originally wrote about this within my viral blog on creating one-liner jokes. (Over 17,000 reads of a blog is definitely viral for me!)
https://www.chrishead.com/post/2018/02/23/lesson-11-writing-wordplay-one-liners Here I go into more depth on this stimulating starting point for gags.

An inspiring yet often overlooked source of joke material is statistics. A stat can be the perfect setup for a surprising, absurd or subversive payoff.

A good statistic immediately engages the audience. It offers a relatable, fascinating or unexpected piece of information about the world, and your job is to add your own twist. Take this example from a great character act, Troy Hawke:

“Nine out of ten people in Britain suffer from imposter syndrome. It's a sense that you don't deserve what you have, you're not entitled to what you've earned, and you're just not good enough. That’s 90% of British people. The other 10% were privately educated.”

The statistic sets up a serious, common psychological affliction. The punchline doesn't dispute the statistic but instead provides a dark, socio-economic reason for the minority who are immune—implying that a privileged education instils an unearned sense of entitlement that negates the self-doubt. The statistic is the factual set-up; the observation on class is the comedic afterthought

Statistics often come with an implied 'moral' or a commonly accepted meaning. A key technique for comedic writers is to deliberately ignore or invert that meaning. Consider the classic line from Joan Rivers:

“Half of all marriages ends in divorce. And then there are the really unhappy ones.”

The original statistic—the 50% divorce rate—is almost universally quoted as a negative, a sign of failure or societal decay. Rivers flips this entirely. By suggesting that the other half of marriages, the ones that survive, are the "really unhappy ones," she repositions divorce as the positive outcome, the escape, injecting a cynical comedic commentary on the reality of long-term partnership.

Another powerful statistical strategy is the literal, sometimes wilfully obtuse, interpretation of the data. You understand what the statistic actually means, but choose to treat it in the most literal, absurd way possible. Here's a great example from Mark Smith:

“Apparently, one in three Britons are conceived in an IKEA bed, which is mad because those places are really well lit.”

The statistic clearly refers to beds purchased from IKEA that are then taken home and, ahem, s**gged upon there. However, Smith takes this to mean the acts of conception are happening on the display models in the showroom.

What makes this a well-written joke is that he gives the audience just enough information in the payoff—the observation about the lighting—for them to make the leap and work out what he’s saying. He artfully avoids the on-the-nose trap, e.g. saying, "I'd never be brave enough to s**g on one of those display beds", which just makes the point directly.

Finally, here’s a classic stat joke, often attributed to Tim Vine or Don McMillan:

“One in five people in the world are Chinese. I've got four brothers. One of us is in for a big surprise.”

This joke also uses misunderstanding, but this time by treating a global proportion as a localised certainty.

Here are some stats for you to play with. Use them as a set-up and try writing payoffs – and look up more stats of your own. Your task is to find the angle—the cynical truth, the absurd misunderstanding, or the surprising twist.

60% of people can't get through a 10 minute conversation without lying.

The average office desk has 400 times more bacteria than a toilet seat.

80% of drivers consider themselves above average at driving.

Approximately 500,000 people in Italy report being possessed by demons every year.

You are twice as likely to be killed by a falling vending machine than by a shark.

It would take the average person 76 workdays to actually read all the privacy policies they agree to in a single year.

More Monopoly money is printed every year than actual British currency.

Finally, here’s a stat from me:

My blog on one-liners has been read 17,656 times.

And here’s my gag on the back of this…

My blog on one-liners has been read 17,656 times. By the same man. (He’s a slow learner.)

My next Zoom stand-up writing classes begin in April.
https://www.chrishead.com/post/write-sensational-stand-up-comedy-material-an-inspiring-writing-group-on-zoom

And you can work on stat jokes with me in my Sunday afternoon relaxed stand-up session in Stroud (Sunday 22nd March).
https://www.chrishead.com/service-page/relaxed-stand-up-comedy-workshop-stroud-1

Relaxed Stand-Up Comedy Workshop STROUD | Chris Head Comedy @ Centre for Science & Art, STROUD (Gloucestershire) A Creative Community Comedy Workshop Note: Each time I do this day I refresh the content, bringing new creative exercises each time. So you can come back as many times as you like. In this stimulating and entertaining 3 hour session, you will lear...

Stand Up Storytelling Workshop LONDON | Chris Head Comedy 26/02/2026

I have a LIVE and in real life (yes Zoom clients, you can actually touch me) session on stand-up storytelling in London on Saturday.

A chance to work on a new story or punch up an existing story as well as gaining some new tools and inspiration.

It's at Theatre Deli London near Liverpool Street on Saturday 28th from 10.45am-3.45pm.

Plus I have made this video breaking down the comedy techniques in a masterclass of storytelling from Kevin Hart. This will give you a flavour of the kind of things we'll be working on.
https://www.chrishead.com/post/tell-a-stand-up-story-like-kevin-hart

Plus check out my analysis of how Iliza Shlesinger takes a simple real life situation and elaborates it into a whole routine.
https://www.chrishead.com/post/ten-ways-to-turn-a-simple-observation-into-stand-up-with-iliza-schlesinger

And in this blog I write about all the storytelling techniques we'll be working with.
https://www.chrishead.com/post/storytelling-using-stand-up-comedy-techniques

If you do fancy the session you can book via the link below. It's £75 but you can claim £10 off using the code STORY.
https://www.chrishead.com/service-page/stand-up-storytelling-workshop-london

Stand Up Storytelling Workshop LONDON | Chris Head Comedy 10.45am-3.45pm, Saturday 28th February 2026 @ Theatre Deli, Leadenhall Street, London EC3A 4AF This is the workshop for you if you're a stand-up comedian wanting to sharpen your storytelling skills. A story can be anything from 1 minute, to 5 minutes to, on occasion, an entire show! You can either:....

16/02/2026

I have just made this depth video on Kevin Hart's storytelling, highlighting techniques that you can use in your own stories (whether one minute, five minutes or a full show!). Here is the accompanying blog:
https://www.chrishead.com/post/tell-a-stand-up-story-like-kevin-hart

And my London stand-up storytelling day is coming up on 28th February. Just £75 and you can claim £10 off with coupon code STORY. Booking and info:
https://www.chrishead.com/service-page/stand-up-storytelling-workshop-london

Call now to connect with business.

16/02/2026

I have made this video and written a blog about how what you wear as a comic communicates and accentuates your persona:
https://www.chrishead.com/post/why-your-clothes-matter-when-developing-your-stand-up-persona

And my two part Zoom persona sessions start on Monday if you fancy it!
https://www.chrishead.com/service-page/stand-up-persona-sessions-on-zoom-2

Here's a clip of the class in action:
https://www.chrishead.com/post/contradictions-extremes-likeability-in-your-stand-up-persona

10/02/2026

A group of fellow comedians analyse a stand-ups persona in my online Stand-up Persona class. You can do this process with your own persona on the form here. https://forms.gle/dXhm2CPS58U8DRwq7
This is a clip from my Zoom stand-up class where you work on your stand-up persona. Here's a blog about your persona with details of the next class on February 24th and March 3rd:
https://www.chrishead.com/post/contra...

Contradictions, Extremes & Likeability in Your Stand-up Persona 06/02/2026

Where are you on the spectrum from grown up to childish/ realist to dreamer/ wise to stupid? Find out in my upcoming Zoom Stand-up Comedy Persona sessions and have a look at this blog for an in-depth look at your stand-up persona.

Contradictions, Extremes & Likeability in Your Stand-up Persona I have a two part comedy class on Zoom where I work with stand-ups on identifying and developing their persona (next dates February 23rd/ March 2nd). Here are some of the key takeaways around complexity, extremes, likeability and layers in your comic persona:What is your stand-up persona? Your stand...

We Deliver to Your Door 08/01/2026

Here's my first 2026 mailing out with 7 essential comedy writing tools and an image of two dogs artistically rendered in Japanese style.

We Deliver to Your Door Stay indoors and let the comedy coaching come to you. Okay, I don't deliver comedy coaching by moped. It's via Zoom.

05/01/2026

Iliza Schlesinger had the experience of asking a man on a date what his middle name was. He told her, but he didn’t follow up by asking hers. This didn’t feel right. How does the bare bones of this become stand-up – and how can you create stand-up out of your own simple observation?

In this excerpt from one of my Zoom stand-up comedy writing classes, I break down the techniques Iliza Schlesinger uses. Chances are lots of this was happening instinctively. But by consciously identifying the techniques you can use them yourself more readily.

Next course starts Monday 12th! https://www.chrishead.com/post/write-sensational-stand-up-comedy-material-an-inspiring-writing-group-on-zoom

1. Rule-of-Three
This is a classic that I describe this as the "Monday, Tuesday, Banana" technique.
The Structure: Establish, Reinforce, Surprise.
The Logic: Two items are the minimum needed to create a pattern; the third item is the curveball that breaks it.
Note that "Monday, Banana" doesn't work because there is no pattern to break, and "Monday, Tuesday, Wednesday, Thursday, Friday, Saturday Banana" is excessive! Sometimes being verbose is funny, but all things being equal comedy works best when it’s economical and tight.
Iliza Schlesinger example: She does two ‘threes to open the bit. This is a quick way of getting a couple of laughs as she sets-up her tale.
Try it: Set up a list of three, where one and two suggest what the third one is going to be… and then subvert that expectation. The bigger the surprise the bigger the laugh.

2. Misdirection
Rule-of-three contains misdirection. It’s the classic set-up/payoff device.
The Hook: You lead the audience down a garden path by making them expect something –
Payoff: - but then you go somewhere else.
In a ‘three’: In the rule-of-three the first two parts are the misdirection and the third is the payoff.
Try it: Aside from the three, always look to surprise your audience and misdirection is a great tool to achieve that.
3. What If?
This is the engine of premise-based comedy.
The Process: You take a real-life situation and ask, "What if...?" to find a comic angle.
Example: "What if you went into an antiques shop in year 3000?" or "What if a surgeon acted like a mechanic?" You can simply imagine a situation playing out differently – changing the How it happened. Or you can make a bigger change, altering the Who, Where or When.
Iliza Schlesinger examples: There’s a quick one earlier on: “What if he was asked why he didn’t ask my middle name?” Subsequently, “what if I could break up in my most perfect fantasy way?” (Changing How it happened) Also, “what if the magical ability to start an argument were literally a magic show?” (Changing Who & Where)
Try it: This is at the heart of comedy – what if things were different? Try taking a situation and change the how, the who, the where or the when.

4. What If? Inside/Outside
A classic device is to contrast what you’re doing or saying in a situation with what you’re actually thinking.
Outside: You might, for example be saying something polite and appropriate...
Inside: You’re thinking rude and aggressive thoughts.
Iliza Schlesinger example: On the date she is raging inside that he hadn’t asked her middle name, but on the outside, she is smiling and nodding.
Try it: Create a dramatic contrast between what you’re saying or doing and what you’re thinking. (Often the outside is moderate while the inside is extreme).
Note: She says she “planned the break-up… on the first date”, which highlights the inherent absurdity and sets up a question we want answering: “what was the plan?” Setting up a question (often at the start) is always great for audience engagement.

5. Is Likes (Comic Analogies)
I refer to these analogy jokes as "Is Likes" because they often literally link two ideas with the phrase "It's like..."
The Goal: To express a specific opinion through a vivid, surprising connection.
The Leap: The key is to be clear on the point you are making first, then find a distant, surprising comparison that illustrates it perfectly.
Iliza Schlesinger example: The female ability to create an argument out of nothing is like magic. Which leads to the above ‘what if?’ – what if it were literally a magic show. Which is itself a great example of an act-out (see below).
Try it: Get into the habit of exploring analogies, “is likes”. Many you come up with won’t feel that funny, but the good ones can become strong laughs in the set.

6. Act Outs
An act-out is when a solo comedian performs a dialogue between two or more characters, often using different voices, physicality and mime (or “object work”).
Showing then Telling: In stand-up it’s often a case of telling the joke, or describing the comic situation, then showing it. So, after you deliver a verbal joke, you "act it out" to escalate the comedy.
Iliza Schlesinger example: She does act-outs all the way through. She seldom just tells, she also shows. A striking example is the aforementioned magic act act-out.
Try it: If you’re not doing act-outs, you’re missing a massive trick. Start small with sprinkling in direct quotes in other people’s voices (you don’t have to be a great impressionist to do this). Build up to acting out dialogue and situations.

7. Undercutting
This is where something serious, dramatic, or high-status is abruptly undercut by something trivial or banal.
Build up and knock down: It involves some kind of big build up, which is misdirection because… it’s going to be undercut.
Iliza Schlesinger example: She builds up the question: how could you possibly make yourself cry….? And the answer is plucking out a nose hair.
Try it: Always look to be building things up and then knocking them down.
Note: As I note elsewhere, framing an absurd idea as advice for the audience can add to the comedy and she does that here.

8. Small to Big
It’s very common to start somewhere big then undercut it with something small, as above. But you can also go the other way round.
The small: You start with somewhere "small" and then abruptly jump to something “massive."
Iliza Schlesinger example: In her example of how women can create arguments out of nothing, she goes from an annoying “cough” to “World War III”.
Try it: If you’re going to say something really big, preface it with something really small to create a sudden leap.
Note: When she says she wants “to take the argument outside so the neighbours can see”, as she says to her boyfriend, “how you treat me”, she immediately says to the audience, “it’s fine, he treats me fine”. This suggests to me that in a previous telling the audience worried for her at this point, which would get in the way of the laugh. Sometimes the audience needs reassurance to laugh.

9. Tangents
A tangent is way of embedding a short routine or observation into a longer one.
Feeling of Spontaneity: They make the performance feel spontaneous. A tangent suggests you can't help but follow a side-thought which has the feeling of being unplanned.
Iliza Schlesinger example: She goes off on a tangent about The Bachelor.
Try it: Look for a short bit or joke that would work as a tangent off a longer piece and try folding it into the bit you’re working on. It’s often the case that it can get bigger laughs as an apparent spontaneous aside than it did as a stand-alone piece.

10. Callback
A callback is when you refer back to a joke or concept from earlier in the set, but in a new context.
The Reward: It rewards the audience for listening and creates a "you had to be there" intimacy.
Iliza Schlesinger example: The whole set has been building up to the middle name callback.
Try it: In the Schlesinger routine the beginning and ending are tied in together, and it feels like she knew the ending and then worked out how to build up to it. However, where this isn’t the case, if you are stuck for an ending, try looking for something from earlier that you can bring back in a new context.

My next stand-up comedy writing classes on Zoom begin on Monday 12th January.
Info and booking
https://www.chrishead.com/post/write-sensational-stand-up-comedy-material-an-inspiring-writing-group-on-zoom

28/12/2025

Here I discuss three key comedic elements as seen in a Peep Show Christmas clip. I’d meant to make this clip on Boxing Day but I’ve been in such a Christmas stupor that it’s taken me to the 28th. No matter, the comedy techniques discussed are timeless. And here they are:
• The "As-If" Dynamic: The "As If" technique as a powerful tool for generating comedic attitudes for characters. The characters act ‘as if’ they are different kinds of people. The clip features an "as-if" dynamic, with Mark acting as if he is the parent on Christmas morning and Jez acting as if he is the child.
• Undercutting: This is the classic Build-up and Knock-down comedy rhythm. In the cliip, the positive build-up of Jez giving thoughtful, generous presents is repeatedly undercut by Mark giving him s**t presents in return.
• Characters Behaving Out-of-Character: Once you have set up a clear, well defined comic character, you can then have fun with them acting out of character. In this case, Jez's thoughtful gift-giving is very out of character for him, which makes Mark's bad presents seem even worse.

When you next write a comedy scene or sketch try:
• The "As-If" Dynamic: One or more of your characters act ‘as if’ they are different kinds of people. (eg: a yoga teacher acts if they are a drill sergeant in the army).
• Undercutting: This classic tool can be used repeatedly. Build something up and then knock it down. (eg: a boss announces a big raise for their best employee – and it turns out to be a tiny amount).
• Characters Behaving Out-of-Character: Once you’re clear on who a character is, you can then create comedy with them behaving out of character. (In the Comedy Toolkit book, I give the example of Larry David incongruously behaving happily in Starbucks as part of an attempt to win Cheryl back).

This clip is an edited excerpt from a comedy scriptwriting course I did on Zoom leading up to Christmas. If you’d like to do a comedy writing course on Zoom with me you can see what’s coming up in the new year here:
https://www.chrishead.com/comedycourses

And click here for more on my new book, "the Complete Comedy Script Toolkit".
https://www.chrishead.com/post/the-complete-comedy-script-toolkit-my-new-book

Stand-up Comedy Writing Sessions: Tools & Inspiration (Live Zoom course) 17/12/2025

In this Christmas post, my gift to you is a breakdown of some classic stand-up techniques you can use in your comedy or speaking, based on examples found in a festive Jack Dee clip.

In this festive themed article I discuss:

* writing jokes based on found phrases, the technique of misdirection, telling then showing (doing an act-out following a verbal joke), framing Material as Advice/Tips and mismatched emotional reactions

A Jack Dee clip was nominated by a group member in one of my previous Christmas adjacent Zoom stand-up class, where he talks about Christmas that provided examples of all of these techniques in the first 1 minute 10 seconds. To get the most out of this section, view the clip first (watch all of it by all means, but all the techniques I discuss are found in the first 70 seconds!).

Watch the clip here
https://www.youtube.com/watch?v=T-Gc84R81PQ

1. Found Phrases

When writing a joke using a 'found phrase' you take as a springboard a phrase you heard or came across out there in the world. A classic example is to take an annoying phrase!

Annoying Setup: Identify annoying phrases spoken by others (generic people or specific individuals in your life) and use these phrases as a setup.

Payoff: Follow the annoying phrase with either a quick payoff or a series of comments and afterthoughts.

An excellent example of a found phrase joke comes from the material in the Jack Dee clip. In his example:

* Found Phrase (Set-up): "Is it a gift?" (an annoyingly obvious question often asked by a shop assistant during Christmas shopping).

* Punchline/Reaction: "No, I wear nighties." (Jack Dee's grumpy, sarcastic response to the obvious question).

The comedy comes from the exaggerated, uncooperative, and ridiculous reaction to a trivial, annoying question.

What phrases do you hear in the world that annoy you that could become the set-up for a joke or comedic reaction?

2. Misdirection

Classic Technique: Misdirection is a fundamental technique that relies on setting up an expectation and then surprising the audience with an unexpected punchline.

A excellent example of a misdirection joke is found in the clip from Jack Dee. The joke revolves around the "must-have present" for his children one Christmas:

* Setup (Misdirection): Jack Dee starts by saying he couldn't remember the name of the "must have present" that his kids wanted at Christmas. He then describes its attributes: "You have to pet them and look after them and feed them and stroke them and love them and if you leave them alone then they start pining for you and if you neglect them for too long they stop working all together..." (This detailed description, leads the audience to anticipate a reference to a virtual pet, like a Tamagotchi.)

* Punchline (Surprise/Misdirection): Then he remembers the name of them "...guinea pigs!"

The misdirection works because the description contains elements that belong to a virtual toy (malfunctioning if neglected) but are twisted to apply absurdly to a real pet (guinea pigs), creating the comedic surprise.

Stand-up is so much about hiding where you're going. Always look to misdirect the audience!

3. Tell, Then Show

Structure: In stand-up, the format is often Tell, then Show, rather than simply "Show, not tell."

This is where the comedian delivers the punchline verbally and then follows it up with a physical demonstration (an "act out").

The Shredder Joke

* The Tell (The Verbal Punchline): Jack Dee firstly states the absurd concept (framing it as a piece of advice or a "great tip", see below) – He says how much he dislikes receiving Christmas cards. Then in an example of comic problem solving he says, "I've attached a shredder to my front door. All the Christmas cards just go straight in there."

* The Show (The Act Out): Immediately after the verbal punchline, you can perform a casual, physical imitation to visually or aurally reinforce the joke. Here Dee imitates the postman and the shredder sound: "So, you know, when the Christmas cards came through, br-br-br-br-br-br-."

This structure allows the audience to first hear the joke, then instantly see it played out, which is a classic way to land the joke with a second wave of laughter.

Get more out a verbal joke by acting out the punchline. Perform the act out very casually to make it appear spontaneous and to avoid looking like you are trying too hard.

5. Framing Material as Advice/Tips

As per the above shredder applied to the letterbox to get rid of unwanted Christmas cards.

Shift the Angle: Frame an absurd idea or story as a "tip" or "advice" (e.g., "Here’s a great tip for you").

As a random, non-festive example, inspired by the fact that it’s raining right now: “When it’s raining, to act as a hands-free umbrella. I like to balance a dustbin lid on my head.” (This is something I actually did many years ago while walking down the street during an especially rainy Edinburgh Fringe). Instead of just stating it as a fact, it adds more comic value to frame it advice. “Here’s a tip for you. When it’s raining, to create a hands free umbrella...”

Effect: This subtle shift can change how the audience listens and adds an extra layer of humour.

As we saw the Jack Dee example, discussed above, is the Shredder Joke. He frames the absurd action as a helpful suggestion to the audience.

* Tip/Advice Frame:"I did this year. This is a great tip. You might want to do this."

* Material:"I've attached a shredder to my front door. All the Christmas cards just go straight in there."

By presenting the material as a "tip," the joke gains an added layer of humour from the comedian's seemingly genuine offer of ridiculous advice.

So, get more out of a comic idea by re-framing it as advice for the audience!

Hope you have a great Christmas (or maybe even better a sh*t Christmas that gives you lots of material).

This clip and discussion featured in a previous near-Xmas Zoom stand-up writing class. For more notes like this and to take part in Zoom comedy writing classes, see the latest course dates here - the next one starts in the new year.

Monday nights, 7pm UK time, 12th January 2026 - 9th February 2026 live on Zoom. More info & Booking:
https://www.chrishead.com/post/write-sensational-stand-up-comedy-material-an-inspiring-writing-group-on-zoom

Plus in 2026 I have monthly live stand-up comedy workshops in London, Stround and (probably) Bath too. More into & Booking:
https://www.chrishead.com/post/live-weekend-stand-up-comedy-workshops-in-2026-london-stroud-bath

Stand-up Comedy Writing Sessions: Tools & Inspiration (Live Zoom course) 5 x 2 hour sessions on ZoomMonday 12th January 2026 - 9 February 20267pm-9pm UK time 8pm-10pm European time11am-1pm Pacific time (PDT)2pm-4pm Eastern time (EDT) £135 (repeat fee £125)(see below for full info)BOOK A PLACE"Amazing. Just gotta say again. The class is fricken excellent. Definitely the...

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