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3D Preservation Expert 3D scanning for digital heritage preservation. Preserving historical landmarks, statues, and public art with high precision at 3dpreservation.com

I was out today and come across an old church so i had to stop and take a walk around and i was drawn to this Grave ston...
08/07/2026

I was out today and come across an old church so i had to stop and take a walk around and i was drawn to this Grave stone so i got out the Sermoon P1 and started scanning i could not see the words until i processed the scan so with a little digging around i found a story ...

Scanned using the Sermoon p1 in Texture mode ...
Everything has a story you only have to look:
Grave stone scan in St Andrew graveyard in Maghull, we are looking at a profound family story hidden beneath a permanent historical error.

The carved text tells us that James Winstanley died in January 1893. However, the official parish burial register records his burial in January 1892. It seems the family or the stonemason made a classic new year typo that remains etched in stone over a century later.

Behind the dates is a story of incredible resilience. In 1873, James lost his young wife and his eldest daughter in the space of just four weeks. Left alone with two babies, his family rallied around him. His sister and his brother in law, Henry Turner, who was a wealthy industrial tycoon and the Mayor of Stockport, helped ensure James surviving sons were deeply cared for.

One of those baby boys, Robert, grew up to achieve incredible things. He trained in architecture and emigrated to Australia, where he became the City Engineer for Brunswick in Melbourne. Instead of just designing a single building, Robert actively shaped the civic bones and street layouts of a rapidly expanding city. He became an early pioneer for progressive town planning, advocating for visual harmony in modern urban design.

The exceptional detail visible in these captures shows how digital heritage can connect a quiet churchyard in the North West of England to the infrastructure of a major global city. Every stone has a story, and digital preservation ensures these narratives are never forgotten.

03/07/2026

Watch Paddington Bear come to life with this 3d scan
Scanned using the Creality Sermoon P1 in one Minute 30 seconds...

🎉 Your Chance to Win a Creality Pika Early Is Here! 🎉 You have to be in it to win it.Scanned my older Son using the Crea...
20/06/2026

🎉 Your Chance to Win a Creality Pika Early Is Here! 🎉 You have to be in it to win it.
Scanned my older Son using the Crealy Otter Lite ..

Scan the Pose. Become the Legend. Win a New Pika!
Soccer legends have their iconic poses. Now it’s your turn to recreate one — and turn it into 3D.
Join our challenge by creating a duet-style video with Creality: recreate a classic soccer pose, scan it with any Creality 3D scanner, generate your 3D model, and make your own legendary pose video.
🥳How to Join?
Follow Creality 3D Scanner, get the official materials, create your video, and post it with in our group.
👉Full rules, official materials, and entry submission are available through the link
https://crscanner.net/4fHbHcw
Get the official co-creation video materials:
https://drive.google.com/drive/u/0/folders/11sBGJ2cjzKyfX-1MpxGxp5SoKBsH6l1j
🏆Results will be announced on July 17, 2026.
MyLegendaryPose

31/05/2026

I scanned this last night and just got around to sorting it out.. its my Wife's Nemesis Now Dragon and Pentagram box scanned with the Sermoon P1 in Blue Laser mode, resolution 0.35 .. Scan was very fast no tracking loss .. very impressed with the P1 the scan come out fantastic :)

27/05/2026

3D scanning a masterpiece inside Liverpool’s iconic cathedral.

​Blown away by the speed of the Creality Sermoon P1, which captured this stunning, intricate bronze Abraham sculpture by Sean Rice in just over 5 minutes.

​The absolute best feature on this hardware is the real time feedback. Being able to check the screen and know instantly that you captured every single angle perfectly before packing up is a massive plus for digital preservation. No missed spots, no re scanning later.

​

24/05/2026

what happened.....?
The world traded artistic beauty for fast efficiency, and now most things look purely functional.
Artistry didn't disappear overnight; it faded through the objects we buy and the buildings designed to be cheap and quick to make.
The shift happened when modern design started following a strict rule: function matters more than looks.

The same pattern now fills our cities, where hand carved details have been replaced by flat concrete, glass, and simple shapes.
What looks like a modern style is actually economics, because losing the art makes things much cheaper to build, scale, and maintain.

Chester Cathedral is a wonderful place for 3d scanning
23/05/2026

Chester Cathedral is a wonderful place for 3d scanning

Went out to test the Sermoon  P1 with a big Monument and it surprised me at how good this scanner is.. the quality is ou...
16/05/2026

Went out to test the Sermoon P1 with a big Monument and it surprised me at how good this scanner is.. the quality is outstanding the wider NIR field of view makes it so much easier and quicker.. feel like i am cheating on my Otter hahah

History

Unveiled on June 15 1924, this monument was originally housed in the magnificent central hall of Liverpool’s General Post Office. The massive Victorian sorting facility suffered catastrophic damage during the May Blitz of 1941, which destroyed the upper floors of the building.

When the site was redeveloped into the modern Metquarter shopping center, this vital piece of civic history was carefully preserved and moved to its current position. The monument honors the 156 members of the Liverpool post office staff who fell during the Great War between 1914 and 1918.

The sculpture is the work of George Herbert Tyson Smith, a legendary Liverpool sculptor who also created the Liverpool Cenotaph on St George's Plateau.

Carved from Échaillon limestone, the main figure features a woman in classical Greek costume seated in a contemplative pose, symbolizing Great Britain mourning her dead. Her arm hangs low, holding a symbolic poppy over a wreath at her feet.

The intricate square plinth, crafted from green Westmorland stone, is decorated with carved garlands and unique relief panels on each side:
The Sides: Feature a shield depicting Victory holding a trumpet and a palm branch, alongside a relief of a lion.
The Reverse: Depicts two carved sphinxes facing each other.

Was out today and come across this it looked interesting, and as i always say everything has a story you only need to lo...
15/05/2026

Was out today and come across this it looked interesting, and as i always say everything has a story you only need to look ..
Scanned with the Sermoon P1 done in must have been about a minute and it turned great the option to scan and properly check how it looks is next level.. this was just meant to be a quick scan to test it out .. 🙂

Bit of History
This is a memorial to the Jones family, located in Anfield Cemetery (also known as the City Cemetery) in Liverpool. Specifically, this grave is recorded in Section G, Grave 2.1113.

Based on the inscription and local records, here is the history of the
family members mentioned:

The Family Members
Jane Jones (c. 1820 – 1876): The matriarch, who passed away on December 15, 1876, at the age of 56.
John Jones (c. 1815 – 1903): The patriarch, who survived Jane by nearly 30 years, dying on December 6, 1903, at the age of 88.
Mary Jones (c. 1862 – 1911): The wife of Edward Jones. She lived at 294 Anfield Road, which is a house located just a short walk from the cemetery gates and very close to the Anfield football stadium. She died on September 10, 1911, aged 49.
Edward Jones (c. 1859 – 1913): Mary’s husband, who died on February 19, 1913, at age 54.
William Jones (c. 1874 – 1913): The son of John and Jane. His entry is particularly poignant as he was "Lost at Sea" on May 24, 1913, at the age of 39, just three months after the death of Edward.
The date of William's death, May 24, 1913, corresponds with the departure and subsequent casualties of several vessels from the Port of Liverpool. While the stone does not name his ship, a common occurrence for Liverpool mariners at the time was serving on merchant vessels or coalers.

Notably, the S.S. Maiorese left Langton Dock, Liverpool, on May 23, 1913 (the day before his recorded death) and was involved in a significant shipping casualty near the North Stack Rocks shortly after. It was common for families to list the date of the accident or the day the ship was officially declared missing as the date of death.

Historical Context of 294 Anfield Road
The address mentioned, 294 Anfield Road, still exists today. In the early 20th century, this area was a respectable residential district for middle-class families and skilled tradespeople, many of whom were connected to Liverpool’s booming maritime and shipping industries. Given that William was a mariner and Edward lived at this address, it is highly likely they were part of the vast network of sailors and ship officers that called Anfield home.

The headstone itself is a classic Victorian/Edwardian arched top monument featuring a "Thy Will Be Done" motif and a floral carving (likely a rose) at the top. The fact that William’s name is added at the bottom indicates he was remembered by his surviving relatives even though his body was never recovered for burial in the family plot.

This specific grave (G.2.1113) is part of the massive archival project of Anfield Cemetery’s monumental inscriptions, which are frequently used by genealogists to trace Liverpool's maritime heritage.

Address

Liverpool
L

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