01/12/2025
Making music out of thin air…
For recent run at the Saudi Pavilion, Expo 2025 in Osaka, produced by BrooksAudio was brought in to offer the ‘Spatial Artist Support’ service. The brief was to build the instruments to be controlled by Cosmicat, using the custom gesture control system built by .ldn
Her concept for the pavilion show was a blend of traditional Saudi instrumentation with environmental sound from the Red Sea. I took these samples from Cosmicat, processed, mixed and spatialised them, and built an Live performance project around them.
The process also included creating a set of bespoke Max for Live devices that ingested data from the laser harp instruments and a “conductor” controller, via Grid, and translated that data into control of the musical elements.
Gestures felt like a natural way to morph between sample layers, changed filter cutoffs, launched one shot music stabs or SFX, changed spatial FX sends, and created textural transitions all whilst maintaining a strong musical feel to the performance.
The whole performance system / sound design was then fed into the venue’s d&b audiotechnik Soundscape system, with various parts of the instruments and bed spatialised around the audience area. Of course PrePosition version 2 was on control duty here!
There is also video on my Patreon for subscribers, showing how the controller worked - patreon.com/brooksaudio