27/08/2026
Weekly Performer Focus: Vladimir Horowitz (1903-1989)
Officially born in Kiev, modern day Ukraine, then part of the Russian Empire, Vladimir Samoylovich Horowitz is considered the greatest pianist of the 20th century. While some sources place Horowitz's birth date at October 1st, 1904, this is a fabrication invented by his father to allow him to escape military service under the Bolsheviks. His birthplace, too, was changed to escape the stigma attached to his true birthplace, Berdichev (cf. research conducted by Glenn Plaskin).
He began his study of the piano young, first taught by his mother, Sophia, who was herself a musician. Later, in 1912, he entered Kiev Conservatoire, where he was a pupil under Vladimir Puchalski, Sergei Tarnowski, and Felix Blumenfeld. The young pianist gave his first solo recital in May, 1920, at the age of sixteen; and, having been well-received, he went on to tour Russia.
During the Russian civil war begun after the October revolution of 1917, Horowitz turned to performing to help his impoverished family, dispossessed by war. Horowitz himself always claimed that his first intention and desire had been to compose rather than interpret music. However, he excelled in the latter and performed twenty-three concerts in Petrograd alone during the 1922-23 season.
In 1925, Horowitz emigrated to Berlin to study with Artur Schnabel, although relocating served the dual purpose of allowing the pianist to move away from Soviet rule. And when he was selected by the Bolshevik government to perform in the first International Chopin Competition in Poland, 1927, he declined that he might remain outside of Soviet control.
His American debut concert was in Carnegie Hall in 1928. In this concert, Horowitz performed Tchaikovsky's first piano concerto, conducted by Sir Thomas Beecham. Despite tensions between conductor and pianist being noted, Horowitz's skill was recognised and he became 'the most talked about pianist of his time.'
It was during his first visit to the United States that he met the composer and celebrated pianist Rachmaninov. This meeting, between a Romantic composer and the pianist who became best-known for his interpretations of Romantic era composers, was fortuitous. It has been described by Plaskin as 'fortuitous', unlike his relationship with Toscanini.
Plaskin credits Toscanini with helping to destroy the pianists confidence, leading to his multiple hiatuses from public performance. These gaps took place in 1936-1938, 1953-1965, 1969-1974, and 1983-1985. He died on November 5th, 1989.