Joanna García - Piano

Joanna García - Piano Piano teacher, Principal Tutor for the Piano Teachers’ Course UK, collaborative pianist, pedagogy coach and mentor, content creator, public speaker and writer.

Listen to me. Listen closely. You’re going to get up, get ready, remember who the hell you are, step into your own glori...
03/09/2026

Listen to me. Listen closely.

You’re going to get up, get ready, remember who the hell you are, step into your own gloriousness, and remind yourself why you do what you do.

You are going to remember that positivity attracts more positivity, and kindness attracts good people.

And good people make LIFE.

You are going to be unstoppable, brave, beautiful. You are going to make the world a better place.

Remember why you’re here.

It’s all going to be ok.

02/09/2026

Who the hell am I on here anyway?

02/09/2026

Discover the fascinating story behind how a grand Steinway piano was perfectly fitted into a purpose-built boat! Learn about the unique skylight designed specifically for this musical marvel and why measuring life in pianos might just be the best idea ever!

It’s the end of my second year at university. The options for Music History final year study have been posted: each lect...
02/09/2026

It’s the end of my second year at university. The options for Music History final year study have been posted: each lecturer has put forward one of their areas of expertise, and each of us on the course must pick one that aligns most strongly with our chosen specialism for our dissertations.

Crawford’s a lecturer who specialises in nineteenth-century music, and he’s put forward Wagner’s Meistersinger as an option. I know I want to write my dissertation on Schoenberg’s setting of the poet Dehmel in his early songs and Verklärte Nacht, and so I believe that Wagner is an interesting slant on this as it’s the whole tradition of where Schoenberg came from.

But I prefer Tristan and Isolde.

And so I go to Crawford, and I tell him that. And he smiles, and tells me he’ll change his offering if I do the course.

He does.

Three years later, I’m finishing my postgraduate studies at the RNCM, and I’ve been offered a two-year Junior Fellowship. That means that I get a stipend, I work for the college, but I also receive tuition. It’s absolutely fantastic - it means I effectively get four years of postgraduate study at the college, in addition to my three-year degree at the University. Such an opportunity.

The inimitable and formidable Renna Kellaway is Head of Keyboard Studies at this time. I see her on the corridor, shortly after I’ve received my letter offering me the Junior Fellowship. We chat for a moment, and then I ask her who will be my piano teacher for the next two years. She tells me she hasn’t had chance to decide that yet.

I gather up my courage, and ask her

- Would YOU teach me, Renna?

She visibly stops still, and fixes me with a gaze of such intensity that I’m almost frightened.

- That’s very forward of you, she says, her brow furrowed.

But then she says

- Yes. I will.

I tell these anecdotes now in utter disbelief at my audacity. The years have taught me to be more reverential. When you work in schools, you quickly learn the sense of hierarchy, and of being in your place. In the UK, in particular, people don’t always like you to put your head above the parapet. Humility is seen as an asset.

Yet, if I hadn’t asked Crawford to change, I wouldn’t have had some of the most wonderful tutorials with my three Wagner peers and him, discussing the deepest of themes in one of the greatest works known to mankind. We wouldn’t have laughed to the point of tears like we did, either. Happy, happy memories, and deep, deep learning.

If I hadn’t put that thought in Renna’s mind, I wouldn’t have benefited from one of the top piano teachers in the world, who was frequently on the jury of the Leeds International Piano Competition. She was exacting, terrifying, and wonderful.

So although I cringe now at my own cheek back then, I’m utterly grateful to that young woman that I was, for stepping up and being unafraid.

01/09/2026

Discover the touching story behind The Piano Boat, a unique venture that faced heartbreak and transformation. After the passing of co-founder Masayuki Tayama, Rhiana Tayama made the courageous decision to reopen this beloved venue, bringing music and beauty back to London's waterways.

Pianists - this is such a powerful concept. 🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯How far do we allow what we feel in the soul to reach the fingerti...
01/09/2026

Pianists - this is such a powerful concept. 🤯🤯🤯🤯🤯🤯🤯🤯🤯🤯

How far do we allow what we feel in the soul to reach the fingertips?

When do we hold it back?

Does it change? Could this performance have sounded different, let’s say, the day after?

If you think about this (a comment I’ve only just seen), it’s utterly mind blowing.

A big thank you to Suzy Rees for such a thought-provoking comment.

It makes me humble and grateful.

With the glorious human being that is Sally Cathcart. Coffee, brunch and chat in Settle.
01/09/2026

With the glorious human being that is Sally Cathcart. Coffee, brunch and chat in Settle.

(I wrote this a year ago, but I like it so am sharing again). We watched Educating Rita again yesterday, for the first t...
01/09/2026

(I wrote this a year ago, but I like it so am sharing again).

We watched Educating Rita again yesterday, for the first time in decades. It touched me deeply.

It set me off, of course, on a rabbit hole of thought about change and transformation.

Rita, or, actually Susan, is a rough diamond: a working class young woman with nonetheless an intensely enquiring mind. The film - the play - hinges on the relationship between her and her Open University tutor, Frank (a flawed, world-weary character as it is, who is rather struck, to say the least, by Rita’s authenticity, rough-and-ready humour, vigour and intelligence).

We see this transformation taking place, with such an important moment in the middle of the play where Rita has the most incredible monologue that she delivers to Frank:

‘I went into the pub an’ they were singin’, all of them singin’ some song they’d learnt from the juke- box. An’ I stood in that pub an’ thought, just what the frig am I trying to do? Why don’t I just pack it in an’ stay with them, an’ join in the singin’?´

She feels out of place in her milieu - what is familiar is not necessarily what defines her any more, and yet she was too afraid and self-conscious to attend a dinner hosted by Frank, her tutor, at his house.

Her dilemma is of course whether to accept her station in life, or to have the courage and tenacity to forge ahead with something that will necessarily change her and, even, affect her relationships…

I think that change and transformation are keenly on our minds as we get older. Many of us can identify with this sense of aspiration - seeing Rita’s non-acceptance of the status quo is powerful, and her defiance of the social trends of the time such as the pressure from both her husband and her father to have a baby (she hides her pill under the floorboards as she knows she needs to find who *she* is first before becoming a mother) is touching.

Much to ponder.

My train of thought then changed to the role of the teacher…that great catalyst of change in society.

Frank believes he has nothing to teach Rita, and yet it is evident that both characters learn much from their relationship - far more than ´just’ English literature, profound and life-changing as that is! The scene at the end where Rita gives Frank the most heartfelt thanks is loaded; there’s a sense of what the pair had to learn being greater even than the romantic relationship it never actually became. Both have affected each other in ways too deep to fathom.

Because teaching is always reciprocal, isn’t it? I very much hope that, when I teach, my students develop in ways that are even greater than the music we are studying (because music is just that: an agent of change, and that’s the catalyst for change in lessons). But I learn from them, too.

And, like Rita, my own desire to learn, to better myself, has always been a hunger that has consumed me. Some people don’t get it. They can’t see why I’m not, at fifty, wanting to slow down, or consider early retirement.

Retirement? I’m just starting!

My hunger to learn from life, from music, and, more beautifully, from the relationships around me, is all-consuming.

Does this resonate?

31/08/2026

This piece literally makes me shake with adrenaline by the end! Such a rush.

Don’t force it. I’m at the point where I want to be goal setting for the year. I sat there early yesterday morning with ...
31/08/2026

Don’t force it.

I’m at the point where I want to be goal setting for the year. I sat there early yesterday morning with my laptop, staring at it, willing it to encourage my brain to formulate ideas.

I have various thoughts on what I want to achieve, complete, develop, grow this year. But they’re fuzzy at the moment.

I action planned last year, and it kept me focused in a busy, hugely positive academic year.

And yet right now I’m not quite feeling it. This makes me feel guilty.

So I shall hold off for now. Why? Because I feel that positivity attracts positivity, and that plans need to come from a place of joy and optimism.

And so we have to find that place before embarking on the big stuff. The big plans; the intentions; the stuff that makes us pivot.

Until then, there’s a quiet contemplation, a gentle allowing, a sitting-in-the-moment.

And that’s ok.

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