11/09/2025
Our shiny new issue has launched (https://researchjcb.com/content/). As ever, it's worth reading - especially if you are a social media layabout constantly chasing fleeting moments of professional validation. Go on give us a like, better still a love. The dopamine shot will do us the world of good, for today at least. Chris Hackley, captures this beautifully: "One day you are a national headline, your university cuttings office is thrilled skinny, and your VC mentions you by name in the ghostwritten university newsletter. Oh, the glory. The very next day, you're in the recycling bin with yesterday's junk mail."
The entire issue is populated with scholars, to again paraphrase Hackley, who have things to say that are genuinely interesting and relevant, and know how to say them. Chief curator, Stephen Brown, opens with reflections on the journal's three-year journey toward "readable radical research," Morris Holbrook dissects the tensions between artistic merit and commercial success, Kent Drummond explores different types of fame, and Arash Naghdi delivers a sharp critique of academic precarity. Alan Bradshaw responds to the debate he begun in a previous issue on para-academic work, while Himadri Roy Chaudhuri and Arindam Das offer a translated Bengali story exploring rural consumer behaviour. Ian FitzGerald contributes provocative poetry deconstructing brand slogans, Cristina Galalae and Tana Licsandru delightfully trace the biography of a Romanian spoon, Guy Warner nostalgically recalls Airfix models, William Walczak and Eric Ping Hung Li present experimental videography on time perception, Vikram Kapoor (PhD, FHEA) Kapoor offers dark poetic reflections, and Declan McGinty and Victor McClure champion Oscar Wilde's vision of the critic as artist. Brown closes with some often hilarious limerick-fueled reflections on creative expression in academic life.