The Mayan Calendar And Horoscope

The fireball "what channels the waters with it's centre from mars", what's like the central fireplace of CHAOS, which will be the base of everything...
Shoots randomly in the heart of the dead world, and causes the nature, like scavenger arouse from the dead.

"The identity of the lady has remained a mystery. William Miles, in his invaluable Chronological History of the people called Methodists, quoted the above paragraph, and added 'It would give me pleasure if I could record this lady's name, but though I cannot, I hope it is enrolled in the Lamb's Book of Life; and that her example will be followed by those who have it in their power to do good unto all men'."
/"The Sons of Our Principal Friends"
Kingswood School
In Wesley's Day and Since
A. G. Ives/

I am of old Europe,
Before the nonsense;
My ancestor Duncan broke the line
At Camperdown.
He came thru the snow
On a sledge
To take his pretty cousin to a ball
One Perthshire night.

Mare Meum, my sea;
The first time I saw the Mediterranean,
At Sete in '62
On the way to Spain
In my black Ford Popular.
A car I drove thru Milan in the rush hour;
Down the Champs-Elysée with a blown cylinder head gasket;
Wrong way drunk up a one-way street Freiburg.

Paris in '89
The Pompidou, Rodin, and the Eiffel Tower.
Jessye Norman singing 'The Marseillaise'
From Place de la Concorde.
My French ancestors, the farmers,
Would have loved it.
A garret in Baudelaire's city was my ambition in '62
But I am not one of the crowd.
/Douglas Clark
DISBANBDED
Piper at the Gates of Down
Europe/

The river of Phosphorus

The Greek underworld was not a single destination but a layered geography of rivers, plains, and judgment halls, and getting there required navigating it correctly.

At the boundary between the world of the living and the realm of the dead sat Charon, son of Erebus and Nyx, the primordial darkness and night, a daemon bound to a single purpose since before the Olympian gods existed.

He was the ferryman, and he was not pleasant. Ancient sources describe him as an ugly, bearded old man in a filthy tunic, holding an oar, his eyes like furnaces.

He moved his skiff across the Acheron, the river the Greeks called the river of woe, and across the Styx, the river of oaths, and he did not do it for free.

The coin placed in a dead person’s mouth before burial was the obol, a small denomination worth one-sixth of a drachma, the kind of coin a laborer might earn for a day’s work and then spend on bread.

The Greeks understood that this coin had to travel with the soul. The family of the dead were responsible for ensuring it was there, placed in the mouth or on the eyes before the body was closed in the earth.

Without it, Charon would refuse passage. He could be charmed past this rule, as Orpheus charmed him with music, or forced past it, as Heracles forced him with strength, but for ordinary souls the obol was the only currency that worked.

The five rivers of the underworld each had distinct properties. The Acheron carried woe. The Styx, by whose waters even the gods swore unbreakable oaths, formed the main boundary.

The Lethe caused forgetfulness in souls preparing for reincarnation. The Cocytus was the river of lamentation. The Phlegethon ran with fire.

Plato’s Phaedo describes their geography in detail, rivers flowing under the earth, connecting to vast lakes, merging and separating in a system that mirrored the world above but inverted it.

Ovid's Venus goes hunting with Adonis to please him, but otherwise is uninterested in the out-of-doors. She wears "tucked up" robes, worries about her complexion, and particularly hates dangerous wild animals. Shakespeare's Venus is a bit like a wild animal herself: she apparently goes naked, and is not interested in hunting, but only in making love to Adonis, offering her body to him in graphically explicit terms. In the end, she insists that the boar's killing of Adonis happened accidentally as the animal, impressed by the young hunter's beauty, gored him while trying to kiss him.

The story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting.



Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is considered likely to be Shakespeare's first publication.

"Loki carved a spear from mistletoe"

Baldr was everything the other gods were not. Odin's son, radiant and beloved, untouched by malice, so pure in character that light seemed to emanate from him wherever he stood.

Every living thing in the nine realms had sworn an oath not to harm him — his mother F***g had traveled through the world extracting that promise from stone, metal, fire, water, wood, and every creature she could find.

The gods celebrated his invincibility by throwing weapons at him for sport. Nothing could touch him. Then Loki noticed that one thing had been overlooked: mistletoe, too young and seemingly harmless for F***g to have asked it for a pledge.

Loki carved a spear from mistletoe, walked to where the blind god Höðr stood apart from the game, and guided his hand. The throw was fatal. Baldr fell and did not rise, and the Norse world fell into grief so total that even the rocks wept.

The gods sent a messenger to the realm of Hel to negotiate his return, and Hel agreed — on one condition. Every being in existence, alive or dead, had to weep for Baldr. They did, every one of them, except for a single giantess sitting in a cave who refused. The giantess was Loki in disguise. Baldr stayed dead.

When the gods finally cornered him, Loki had fled to a mountain and was hiding in the form of a salmon in a nearby waterfall. They dragged him back. His two sons, Narfi and Váli, were brought to the cave.

Váli was transformed into a wolf and tore his brother apart. The gods used Narfi's entrails, hardened by magic into iron, to chain Loki to three stone slabs bored through with holes.

Skadi, the goddess of winter who had her own grievances with Loki, fastened a venomous serpent to a stalactite directly above his face. The venom dripped without pause.

¤ 666: '6 sons married to 6 daughters living inthe ¤ Cyclops for 'Odysseus' is 1 eyed - Just as Goliath for 'David'
Aeoila is a floating island - the Aztec's central 'city built on water' - "Keeper of the winds"
"He was not a god but a mortal king with divine authority over the most ungovernable forces in the natural world."same place' - ergo 6 equals 'royal' household
6 is the number of the beast
6 is Chalchiuhtlicue, the serpent,
The goddess who is tge only one in the world
Equivalent with a worshippable dead baby girl...
Water of all rivers and springs
Radiant Wind
The wind what saves us from all the winds...
Hare Krishna, Hare Krishna...
Radiant Wind
'That' 'lives' in the sacred cows of India
"He gathered every wind that could cause harm — the northern, southern, and eastern gales, the storm-bringers and the ship-shredders — and sealed them inside a bag made from the hide of an ox, tied shut with a cord of silver so that nothing could escape. Then he sent the west wind, Zephyrus, to blow at Odysseus’s back and carry the fleet smoothly home."
"The bad held gold and silver"
Radiant Wind

"treasured the king"
Cyclops for 'Odysseus' is 1 eyed - Just as Goliath for 'David'

Aeoila is a floating island - the Aztec's central 'city built on water' - "Keeper of the winds"
"He was not a god but a mortal king with divine authority over the most ungovernable forces in the natural world."
10 is the number of the Magician, 'The Smoking Mirror' - 'The Black God' - 'For whom everyone is identical' - That's 'Jesus', or not?!:
"and on the tenth Ithaca appeared on the horizon. They could see the watch fires burning on the shore."
Planetary Wind

"9 dayes they sailed" - Bolon Ti Ku: sacred cycle of 9 days - 'the inner darkness' - "Nine days they sailed"
Solar Wind
¤ Milk:
Odysseus had been awake for all nine days, hand on the rope, unwilling to trust anyone else with navigation this close to the end. When land came into sight he finally allowed himself to sleep.
It was the worst timing of a voyage full of catastrophically bad timing.
His men had been watching the ox-hide bag for nine days. They had discussed it among themselves in low voices. They knew Odysseus had come back from Troy with spoils. They knew Ae**us had given him something valuable.

The conclusion they reached was obvious and wrong: the bag held gold and silver, treasure their king was planning to keep for himself while they returned empty-handed after ten years of war. When Odysseus’s eyes closed, they opened the bag.

Every wind in the world came out at once.

The fleet was thrown back across nine days of sailing in a matter of hours. When Odysseus woke and understood what had happened, Homer records that he considered throwing himself into the sea. He held back, wrapped himself in his cloak, and rode the winds back to Aeolia in silence.

When he returned to Ae**us and explained what had occurred, the king looked at him with a mixture of pity and finality. No man this thoroughly opposed by the gods was worth helping. He told Odysseus to leave the island at once.

After the horror of the Cyclops and the loss of men in his cave, Odysseus arrived at something unusual — a stroke of genuine luck. The floating island of Aeolia was surrounded by unbreakable bronze walls rising from sheer cliffs, and its ruler was Ae**us, son of Hippotes, whom Zeus had appointed keeper of the winds.

He was not a god but a mortal king with divine authority over the most ungovernable forces in the natural world.

His household was extraordinary even by epic standards: six sons, six daughters, all living together in the palace, the sons married to the daughters, everyone feasting contentedly in a domestic arrangement that horrified later commentators and apparently charmed Homer completely.

Ae**us received Odysseus as an honored guest and kept him for a full month, listening to the stories of Troy and the years of fighting. When the time came to leave, the king gave Odysseus a gift of extraordinary care and precision.

He gathered every wind that could cause harm — the northern, southern, and eastern gales, the storm-bringers and the ship-shredders — and sealed them inside a bag made from the hide of an ox, tied shut with a cord of silver so that nothing could escape. Then he sent the west wind, Zephyrus, to blow at Odysseus’s back and carry the fleet smoothly home.

Nine days they sailed, and on the tenth Ithaca appeared on the horizon. They could see the watch fires burning on the shore.
Odysseus had been awake for all nine days, hand on the rope, unwilling to trust anyone else with navigation this close to the end. When land came into sight he finally allowed himself to sleep.

It was the worst timing of a voyage full of catastrophically bad timing.
His men had been watching the ox-hide bag for nine days. They had discussed it among themselves in low voices. They knew Odysseus had come back from Troy with spoils. They knew Ae**us had given him something valuable.

The conclusion they reached was obvious and wrong: the bag held gold and silver, treasure their king was planning to keep for himself while they returned empty-handed after ten years of war. When Odysseus’s eyes closed, they opened the bag.

Every wind in the world came out at once.

The fleet was thrown back across nine days of sailing in a matter of hours. When Odysseus woke and understood what had happened, Homer records that he considered throwing himself into the sea. He held back, wrapped himself in his cloak, and rode the winds back to Aeolia in silence.

When he returned to Ae**us and explained what had occurred, the king looked at him with a mixture of pity and finality. No man this thoroughly opposed by the gods was worth helping. He told Odysseus to leave the island at once.

Before creation had settled into order, before the sun had completed its first crossing of the sky, Nehebkau was already there.

The Egyptians described him as one of the original primeval gods, ancient beyond reckoning, a serpent swimming through the waters of chaos before time itself had a shape.

His name translates as He Who Harnesses the Kas, and that title carried the full weight of his purpose.

The ka was one of the essential components of the human soul, the vital double that distinguished the living from the dead.

Without it reunited to the body after death, the journey to the afterlife could not begin. Nehebkau was the force that made that binding possible.

He first appears in the Pyramid Texts, written around 2400 BCE, and the portrait there is not a comfortable one.

He is described as a long, winding serpent of enormous power, one capable of breathing fire and devouring human souls.

Even the sun god Ra took precautions against him, designing his celestial boat to be wind-powered specifically to escape Nehebkau's coils. When a god builds specialized transportation to avoid you, the reputation is well established.

The transformation came through Atum, the creator deity, who subdued Nehebkau by pressing a fingernail against a nerve in his spine. That single act of dominance converted the primordial threat into a servant of the cosmic order.

From that point, Nehebkau switched sides entirely. He became a companion to Ra, a guardian of the dead, and one of the forty-two judges who assessed souls in the Court of Ma'at. His specific responsibility in that tribunal was the protection of the neck and throat of the deceased.

Once a soul was declared innocent, Nehebkau provided it with food, drink, and the ka needed to endure eternity.

His appearance reflected his dual nature. He was depicted as a serpent walking upright on human legs, or as a man with a serpent's head and tail, sometimes carrying offering vessels in outstretched hands.

.

"The house where we go to", 'from the house where we born',
One is Virgin Mary's...