Luke Terence Scott Baritone

05/10/2026

Those who came before: Jerome Hines 🇺🇸

Singing Old man river 🎶

04/10/2026

Finally, you can listen to my debut performance of the 'Black Minister' in the Finnish premiere of Ligeti's Le Grand Macabre with the Finnish Radio Symphony Orchestra and the Helsinki Chamber Choir. This is a live performance recording taken during the Helsinki Festival in August of this year. Available on demand from Yle Areena, link below.

This is my first recording of a full opera that I have featured in and I am incredibly proud to have done so. Not only because it marked many debuts but also because I was allowed to perform the text in my own Scottish accent. If you are not based in Finland then consider using a vpn to listen.

Ligetin rajoja rikkova kulttiooppera sai viimeinkin Suomen ensiesityksensä Helsingin juhlaviikoilla elokuussa. Nicholas Collon johtaa Musiikkitalossa Radion sinfoniaorkesteria, Helsingin kamarikuoroa sekä kovatasoista kansainvälistä solistijoukkoa. Illan aikana haastateltavina ovat oopperan ohja...

04/10/2026

Who’s that now? Is it me & .shine.lee rocking it with the Finnish Radio Symphony Orchestra in the Finnish premiere of Ligeti’s Le Grand Macabre?!

Listen to the full concert on demand from Yle Areena now ☺️

29/09/2026

🌟October schedule for singing lessons is out!🌟

Follow the Calendly link in bio to book your lesson. Online, in Helsinki & Espoo? I got you covered. Let’s get singing and let’s have some fun ☺️.

28/09/2026

Exposing myself, long read:

A month ago today I debuted at Musikfest Berlin in the opening concert of the 75th Berliner Festspiele with the Yle Radio Symphony Orchestra. In this production of Ligeti’s Le Grand Macabre, I, as the Black Minister, was able to push and break down perceived boundaries between myself and the audience.

This moment captured by Fabian Schellhorn exemplifies just that. However for me, it is much more. I am a young artist who did not grow up in classical music, nor come from a rich background. Instead, I came from a small Scottish countryside working class town and found my way to classical music at 18. With no musical training and almost no exposure to opera, each step of my journey has been fraught with hardship. From working up to 3 jobs at once (which I still do) to dealing with moments of classism and xenophobia too. It’s been tough but it is important to note that I have met many wonderful colleagues and friends along the way who have guided and helped me. Therefore this photo, represents how I have exposed myself to not only an audience but a whole new world.

To enter the classical world was not a natural step for me, it was far from it. However, I am grateful that I allowed myself to try. I stepped out of safety and exposed myself to a new world. One that may be fraught with hardship but that is also incredibly rewarding. Therefore in this photo, I ask you to not just see a hilarious moment but a young artist who has given himself to this art form and exposed himself entirely to it. Just a lad, who found his way from Carluke in the Scottish Clyde river valley to the Philharmonie Berlin to open the 75th anniversary of the Berliner Festspiele.

26/09/2026

My first professional principal role, I can’t wait to dive into this piece and bring the music to life for the people of Manchester in November! ☺️

Jacob: Luke Terence Scott
Ohana: Natalka Pasicznyk
Oiwa: Olivia Moss
Osode: Vladyslava Yakovenko
The Father: John leuan Jones
Board Members: Clíona Cassidy, Joe Ashmore, Ryan Morgan

A new sci-fi opera in two parts, The Covenant and Yurei. Created and written by Alexandra Huang-Kokina, music by Ryan Morgan (The Covenant) and Atzi Muramatsu (Yurei), electroacoustic music by Harry O'Brien, directed by Alexandra Huang-Kokina and Nick Bond.

Nobody knows how this opera ends. Not even the cast. You decide, live, from your seat.

More information here:
https://operactive.co.uk/ghost-of-the-ai-empire

25/09/2026

My next role will be…🕺🏼

18/09/2026

I turned 32 lol 💁🏼‍♀️

17/09/2026

Phrase of the day: Amonasro in Verdi’s Aida