CuMMA

CuMMA Aalto University is located in Helsinki and Espoo in Finland. CuMMA is lead by Professor Nora Sternfeld in collaboration with lecturer Henna Harri.

CuMMA (Curating, Managing and Mediating Art) is a two-year, multidisciplinary Master’s degree programme at Aalto University focusing on contemporary art and its publics. CuMMA provides a structure for reflection and acting, learning and organizing in art institutions and the public sphere. We aim to explore possibilities to understand and shift the paradigms of contemporary art and the world around us. Thus we understand curating, educating and organizing as ways of being active, of creating relations and of being open for unexpected encounters, thoughts and knowledges. The CuMMA studies give the students the opportunity to learn with and from artists, activists, practitioners and theorists. The content is actively developed in relation to the changing demands of the curatorial and cultural field. We put an emphasis on developing ways to promote each student¹s own curatorial, theoretical and educational thinking. Our pedagogical models are based on shared expertise and exploratory learning and are applied in order to create an open, conversational and dialogic space for learning and acting. The CuMMA Masters’ Programme comprises theoretical lessons, workshops, practical projects, excursions and a thesis. Theoretical studies respond critically to the current practices of curating, educating and organizing in the field of contemporary art. Mutually, the practical side of the CuMMA studies aims to (re)conceptualize and challenge the conventions of the art world. Together with its curatorial and educational core content, the masters’ programme also gives its students insights in critical management studies of the cultural field. It employs experimental and intensive forms of study to give the students the opportunity to analyse institutional structures and invent new strategies of organizational thinking and practices. Lecturer Riikka Haapalainen also teaches the course, and Darja Zaitsev is its assistant. CuMMA’s visiting professor during the semesters 2012–2013, 2013–2014 and 2014–2015 is Professor Irit Rogoff from Goldsmiths College, University of London.

18/02/2020

William Greaves (dir.), First World Festival of Negro Arts (New York, distributed by William Greaves Productions, [1966] 2005) 40 mins, sound, black and white, 4 3/4 inch. English. The film is introduced by Minna Henriksson and Nora Sternfeld and the screening will be followed by a short di

23/10/2018

The anthology Curating as Anti-Racist Practice reflects upon museums and exhibitions from the perspective of postcolonial museology and critical migration and regime research. Beyond critical analysis, this collection of texts is about collecting strategies and forms of action that make it possible....

08/06/2018

The very last CuMMA paper is now online!

The 29th CuMMA Paper ‘Unframing the Artist”— an interview with Salima Hashmi by ViCCA student Uzair Amjad is out.

Salima Hashmi was one of distance lecturers at ViCCA for the course “Authorship and Agency: Learning from the Middle ‘East’—Art, Micropolitics and Everyday Aesthetics”. To extend the dialogue and further understand her views on the formal evolution of the artist’s role in societies, Uzair met her in Lahore.
Please follow the link to read the interview:
https://cummastudies.files.wordpress.com/2018/06/cumma_papers_291.pdf
And have a look at all CuMMA Papers here:
https://cummastudies.wordpress.com/cumma-papers/

A new text by Elham Rahmati is published in 'disputes' section of our blog! The paper "Notes on the Archeology of the Fi...
18/05/2018

A new text by Elham Rahmati is published in 'disputes' section of our blog!
The paper "Notes on the Archeology of the Final Decade
Retracing a Utopian Stage: Festival of Arts, Shiraz—Persepolis (1967-1977)" is written as a response to Vali Mahlouji’s confrontation of the controversial Festival of Arts, Shiraz – Persepolis (1967-77) under the ongoing curatorial platform of the Archeology of the Final Decade.

Please, follow the link to read Elham's text:
https://cummastudies.wordpress.com/disputes/notes-on-the-archeology-of-the-final-decade-retracing-a-utopian-stage-festival-of-arts-shiraz-persepolis-1967-1977/

and see Mahlouji’s project Elham is writing about here: http://www.archaeologyofthefinaldecade.com/

The Shiraz Festival of Arts was held annually for 11 years from 1967 to 1977 in the city of Shiraz in central Iran. Accompanied by symposia and debates, the festival program included music, dance, …

Excited to announce that the 28th CuMMA paper —“The Bright Lights of the Institution” — is out!The following compilation...
11/05/2018

Excited to announce that the 28th CuMMA paper —“The Bright Lights of the Institution” — is out!
The following compilation of texts is an attempt to approach the framework built for the CuMMA seminar ‘Theoretical Frameworks of Curating and Mediating Art’ in autumn 2016. The installation The Bright Lights of the Institution—A Framework for Being Together was created by Freja Bäckman, who is doing doctoral studies at the Department of Arts. This issue is published with a foreword by Nora Sternfeld and you are invited to read the paper here:https://cummastudies.files.wordpress.com/2018/05/cumma_paper_28.pdf

One more dispute is out on CuMMA blog! The text published is a part of the exhibition project by Else L***rspetz, Essi R...
21/02/2018

One more dispute is out on CuMMA blog!

The text published is a part of the exhibition project by Else L***rspetz, Essi Ruuskanen, Paola Jalili, Saara Mahbouba, and Sheung Yiu realised within the course Exploring Historical and Theoretical Roots in 2018. "Together with the pamphlet titled Helsinki: Your Local How To Guide For Interacting With Monuments, this project was the result of a series of discussions and research about the meanings a monument can take and the rituals around them, as well as a proposal to engage with them in a critical manner".

click here to read the text and download the booklet!
https://cummastudies.wordpress.com/disputes/counter-ritual-de-sacralising-monuments-re-defining-meaning/

images: Sheung Yiu

Happy to announce a new publication on CuMMA blog! "Honour silence as a form of presence" - a text by María Villa is out...
14/02/2018

Happy to announce a new publication on CuMMA blog!

"Honour silence as a form of presence" - a text by María Villa is out in our 'disputes' section.

In María's own words "This essay responds to a series of discussions on the role of text in exhibitions, that is, how narratives are built around the works displayed, which is both a reflection on collective creative processes, and the mediations that curators, artists, and other professionals inevitably perform when they put together a show. Faced with an exhibition of contemporary painting that was rich in content and very scarce in contextualising information, the author tries to track down the decisions and ideas that were behind it, and provide a narrative for it. In the process, her text brings forward a reflection on curating, mediation practices, and the many ways in which painting operates in the contemporary"

read the essay here:
https://cummastudies.wordpress.com/disputes/honour-silence-as-a-form-of-presence/

image credit: Maunu Markkula, Installation view, from right to left?: Trees in Evening Light (n.d.), Building (n.d), The Brink of the Meadow (n.d.), On the Road to Alexandria (n.d.). From the Esko Jääsalo Collection. Image: María Villa.

CuMMA paper  #27 is out! Happy to announce that “The curator as arsonist” — an interview with a London-based curator and...
23/01/2018

CuMMA paper #27 is out!

Happy to announce that “The curator as arsonist” — an interview with a London-based curator and writer Vali Mahlouji is published on CuMMA blog. In the conversation with CuMMA students Mahlouji discusses his research, curatorial and educational platform Archaeology of the Final Decade (AOFTD), the questions it raises and the methodology it employs. In particular, Mahlouji speaks about the aspects of his curatorial practice that involve themselves with issues pertaining to power, radical democracy, conflict, activism, and art and cultural projects that evince social and political commitment.

Follow the link to read the interview:https://cummastudies.files.wordpress.com/2018/01/cumma-papers_27_super-final.pdf

image credit: Kaveh Golestan, Untitled (Pr******te series), 1975-77, Tehran; © Kaveh Golestan Estate; Courtesy Archaeology of the Final Decade

07/11/2017

  Last month CuMMA and Praxis students traveled to Venice to realise a collaborative project at the Research Pavilion of the Venice Biennale. Click here to read the description of the project …

Eager and proud to announce that a new ‘dispute’ has just been published on CuMMA blog!Please, follow the link to read a...
18/09/2017

Eager and proud to announce that a new ‘dispute’ has just been published on CuMMA blog!
Please, follow the link to read a text by Minna Henriksson and Nora Sternfeld titled: Poetic Amnesia. How an exhibition reminds its viewers to forget the crimes of the Wehrmacht:

https://cummastudies.wordpress.com/disputes/poetic-amnesia-how-an-exhibition-reminds-its-viewers-to-forget-the-crimes-of-the-wehrmacht/

The article is an in-depth analysis of the Deutsches L***r and Other Post Doc Stuff opened last month at the Exhibition Laboratory in Helsinki, and offers a highly nuanced questioning of the poetical and political dimensions of the exhibition as a system of representation.

Minna Henriksson and Nora Sternfeld1 On August 17, 2017, the exhibition Deutsches L***r and Other Post Doc Stuff opened in the Exhibition Laboratory in Helsinki. In the central work of the exhibiti…

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Espoo
00760AALTO

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