Ars Scutae

Ars Scutae Manufacture of shields with a very high level of archaeological accuracy. Specialized in (laminated) Roman shields and homemade natural glues and paints.

Archaeological accuracy is very important to me, so I constantly study archaeological, literary, and iconographic sources. This allows me to create truly accurate replicas when the shield's state of preservation, available information, and specialized studies permit it. I pay close attention to detail and work quality, taking care of every aspect: aesthetic, practical, and historical. I control th

e entire manufacturing process from start to finish, from sawing the wood and making the core, to making and applying the paint, stitching the rim, and forging the umbo. I can use nothing but natural materials for the shields, getting as close as possible to the same materials found in the remains of the specific find you want to replicate. However, I also offer modern materials like plywood at a more economical price. If you have any questions about any of these aspects when ordering your shield, please let me know so I can advise you.

𝗥𝗲𝗰𝗼𝗻𝘀𝗶𝗱𝗲𝗿𝗮𝘁𝗶𝗼𝗻𝘀 𝗼𝗻 𝘁𝗵𝗲 𝘀𝗰𝘂𝘁𝗮 𝗮𝗻𝗱 𝘁𝗵𝗲𝗶𝗿 𝗲𝘅𝘁𝗲𝗻𝘀𝗶𝗼𝗻Recently, a student preparing his BA thesis contacted me to inquire abo...
19/08/2026

𝗥𝗲𝗰𝗼𝗻𝘀𝗶𝗱𝗲𝗿𝗮𝘁𝗶𝗼𝗻𝘀 𝗼𝗻 𝘁𝗵𝗲 𝘀𝗰𝘂𝘁𝗮 𝗮𝗻𝗱 𝘁𝗵𝗲𝗶𝗿 𝗲𝘅𝘁𝗲𝗻𝘀𝗶𝗼𝗻

Recently, a student preparing his BA thesis contacted me to inquire about the weight of Roman shields. Much of the literature, especially the older scholarship, mentions surprisingly high weights of around 10 kg for the large shields of the Republican period. This figure has persisted over time and has influenced numerous works, often leading to exaggerated or erroneous conclusions. In contrast to this tradition, some more recent researchers have reduced the estimate to between 5 and 7 kg, although in many cases the materials used in the calculations are not specified, making it difficult to confirm their reliability.

It was in the context of this debate that my interlocutor pointed me to an article I had glanced at years ago and which I have now reread carefully, along with another that formed part of the same publication. The author examines a broad sample of Germanic and Roman umbos and observes that the fl**ge of the umbos rarely forms a 90° angle; on the contrary, it typically exceeds 5° of inclination, sometimes reaching as much as 125°. For his analysis, he discarded those umbos with evident deformations and selected only those that preserved at least three-quarters of the fl**ge, thus ensuring the reliability of the measurements.

However, upon examining his work closely, I find two main objections. The first is that the article does not specify the proportion of Roman umbos analyzed relative to Germanic ones, nor the ratio between square/rectangular and round umbos. This aspect is critical, since it determines whether the curved scuta presented -apparently- a certain lenticularity in addition to the curvature we already know, or whether, on the contrary, the sample of square/rectangular umbos with this characteristic was too limited to draw general conclusions. The second objection is more substantive: although the hypotheses proposed to dismiss the idea that umbos with inclined fl**ges were associated with flat boards have greater solidity than the mere opposite assumption, the author takes for granted that an inclined fl**ge necessarily implies a lenticular board. This equivalence is not without nuances.

The existence of lenticular shields in Roman contexts appears to be demonstrated by archaeological remains, and medieval iconography undeniably shows shields of this type. Their existence, therefore, is beyond doubt. The relevant question, rather, is whether the curved scuta shared that lenticularity or whether, on the contrary, they were curved exclusively on a single axis. This is where shield no. 15 from Dura Europos may offer some answers.

Let me recall that this shield is not truly rectangular: its upper and lower sides present two subtle arcs, so that the height at the central axis is 106 cm, while at the lateral edges it reduces to 102 cm. Following the author's hypothesis and assuming that this lenticularity was lost due to its fragmentary and buried state, converting the shield's profile into a perfect rectangle would require postulating the existence of an arc on the vertical axis, such that the height would be uniformly 102 cm across its entire width. The maximum preserved depth of the shield is 231 mm. If we accept the author's hypothesis, the resulting lenticularity would be approximately half of that depth, that is, about 115 mm on each face. This figure is not negligible and would have notable implications for the total weight and mechanical behavior of the shield, thus meriting a more detailed treatment than the author affords it.

Finally, one of the umbos analyzed by the author is the square umbo from the River Tyne. As he himself notes, this umbo exhibits a lenticularity on its vertical axis. In my own experience making umbos, I have observed that this lenticularity arises naturally from the tensions in the metal sheet during the process of forming the dome. Nevertheless, I am aware that my craft practice does not rival that of professional smiths dedicated to this matter, so I do not rule out that my inability to eliminate or avoid that deformation may simply reflect a lesser technical skill. This subjective factor obliges me to be cautious when extrapolating my empirical observations to the author's conclusions. I expressed my doubts to the author via email, but received no response.

On the other hand, the number of documented square- or rectangular- based umbos is truly scarce, with only 16 identified specimens, whereas the sample of round-fl**ged umbos is much more extensive, representing approximately 80% of the total. Roman art inevitably leads us to associate these rectangular umbos with the plywood scuta of the legions, but this association requires some nuance.

On the one hand, several of these square- or rectangular-based umbos have been found in auxiliary camps, which could indicate the use of rectangular shields -whose use we know from shield covers remains- that could be flat, or could be the same as those used by legionaries, or could even have been employed on flat shields of other geometries. Specifically, three of these rectangular umbos associated with auxiliary contexts appear to have flat bases, although it cannot be ruled out that they were not originally so.

On the other hand, another series of square or rectangular umbos are linked to legionary camps, while others lack the archaeological context necessary to determine their attribution.

In summary, although I remain skeptical of the hypothesis of lenticularity applied to rectangular scuta -a possibility that, in my view, still lacks sufficient empirical support- I do consider the association of square and rectangular umbos with both legionary and auxiliary contexts to be plausible. This contextual ambivalence opens, nevertheless, several interpretive avenues worth considering: either the rectangular shield was not as predominant among legionaries as has traditionally been assumed, or its use was not exclusive to them, and it could have been employed by auxiliary troops as well. It is even possible that legionaries, at least in certain periods or regions, resorted to other shield typologies, so that the relationship between umbo type and military unit is less direct than classical iconography suggests. In any case, the scarcity of the sample and the lack of archaeological context for many specimens preclude, for now, drawing definitive conclusions.

Let me know what you think.

Source:
1. Die Schildbewaffnung römischer Legionäre im 2. Jahrhundert n. Chr
2. Neue Gedanken zur Rekonstruktion römischer Schilde

Image: My hypothetical reconstruction in 3D render.

22/07/2026

𝗧𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝘁𝗵𝗲 𝗙𝗮𝘆𝘂𝗺 𝗦𝗵𝗶𝗲𝗹𝗱

The discovery of the Fayum shield, together with specimen No. 15 from Dura Europos, constitutes one of the most relevant archaeological testimonies of the Roman military panoply. However, its cultural attribution remains a subject of debate.

Although Kimmig attributed the piece to Galatian Celtic mercenaries or to a Hellenistic Ptolemaic context, part of the subsequent historiography tended to classify it as Roman. This hypothesis has traditionally been supported by iconographic parallels, which show shields of comparable size and geometry, and by the construction technique of the core, made of plywood with thin wooden slats. This technique is attested in other specimens attributed to the Romans, such as those from Dura, Masada, Nubia, and Danum.

Despite this, its direct attribution to the Romans presents some doubts or gaps when analyzed from the point of view of ancient metrology, aligning more with what Kimmig attributed.

To learn more details about an object, it is necessary to approach it from the anthropometric measurement systems of its period of manufacture, and not from the decimal metric system.

The Fayum shield has dimensions of 128 cm in height and 64 cm in width. Another example from present-day Afghanistan shows a Hellenistic thureos dated to the 2nd century BC with the same dimensions of 128x64 cm, so we can observe a double pattern: shields twice as high as they are wide, and standardized measurements.

One of the most widely used measurements for small objects is the foot. Romans and Greeks had different measurements for the foot, although within the variety of feet used by both, there seems to be a standard of identical measurement for both.

How many feet do 128 and 64 cm correspond to? Their measurements coincide millimetrically with the Greek Olympic foot, which corresponds to 320.5 mm in our current measurement system, which makes it measure 4 feet high and 2 feet wide; that is, twice as high as it is wide. On the other hand, the Romans, to my knowledge, did not have an equivalent foot measurement at that time. The Drusian foot is later and larger, and the Gallic foot does not coincide either, though it comes close; other types of foot do not coincide either. Therefore, only the standard foot seems to be the plausible option. This foot measures 296 mm, giving a height of 1184 mm and a width of 592 mm. Therefore, if it were Roman, how is it that it was built with Hellenistic measurements?

These are just thoughts. Let me know what you think.

23/06/2026

𝗡𝗲𝘄 𝗵𝗼𝗿𝗶𝘇𝗼𝗻𝘀

I've been spending a few days re-reading all the papers I have on Roman finds and taking the opportunity to follow up on new bibliographic references, but I feel that my research will soon come to an end, or at least reach a point of difficult progress due to the exhaustion of academic sources. I'm thinking about new horizons and what type of shield or culture I should choose to focus my study on for the next 5-10 years. Should it be Celtic shields? Germanic tradition shields? Medieval shields in a broad sense, or just large kite shields (I love those shields)? Maybe Hellenistic shields/aspides? Each field has its pros and cons, both from an academic and a craft point of view. Should I choose the difficult path and focus on Hellenistic shields? Making aspides at the level I desire is not a simple task. Or should I lower the complexity and choose flat Germanic type shields? There are many possibilities.

I'm open to your comments.

I've been busy for a few days reading and laying out Spanish translations of some excerpts from recent publications on t...
18/06/2026

I've been busy for a few days reading and laying out Spanish translations of some excerpts from recent publications on the Dura shields, as well as unpublished reports that have been shared with me, and it's confusing to put everything in order since sometimes the information given for the wood, thicknesses, and other things seems contradictory, and it's hard to tell what might be errors and what are later corrections. Cross-referencing between my documents, notes, and references to other publications is starting to become difficult to follow. I wonder if it wouldn't be a better idea to create a new document for each of these shields, read everything again, and try to put everything in order so it serves as a definitive reference document for me.

Photo: Mr. Herbert J. Gute holding a fragment of shield no. 1 at the Dura site sometime between 1932-1935 while painting his watercolor reconstruction.

3,000 followers already!Thank you all very much for your support.
05/06/2026

3,000 followers already!

Thank you all very much for your support.

𝗧𝗵𝗲 𝗙𝗮𝘆𝘂𝗺 𝗳𝗶𝘁𝘁𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝘁𝗵𝗲𝗶𝗿 𝘂𝘀𝗲 𝗶𝗻 𝗰𝗼𝗺𝗯𝗮𝘁.Some photos of the shield in use.The fittings of the Fayum shield are relativ...
04/06/2026

𝗧𝗵𝗲 𝗙𝗮𝘆𝘂𝗺 𝗳𝗶𝘁𝘁𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝘁𝗵𝗲𝗶𝗿 𝘂𝘀𝗲 𝗶𝗻 𝗰𝗼𝗺𝗯𝗮𝘁.

Some photos of the shield in use.

The fittings of the Fayum shield are relatively well known. The usual name we give them is "transport fittings," but apparently their use is not limited to just that.

There are several reasons, but first let's review. The shield had 8 fittings still in situ, plus a 9th that is missing but whose position we know due to the hole left in the board and by its logical position. Four of these fittings form a square, which in turn can be interpreted, if a strap is passed through in a certain way, as intended to create a pair of straps for carrying the shield on the back like a backpack. Another pair of fittings is located at the top in the center, near the upper edge. The hypothetical use of this pair of fittings is to create a loop for hanging the shield. The relief of the Praetorian from Puteoli seems to show him carrying his shield in a way that seems to match what Fayum and its fittings allow.

But what about the other 3? Two of these fittings serve to create a handle with the cord, similar to the antilabe of a Hellenistic aspis. Gripping this handle together with the right strap of the backpack handle provides a fairly solid grip. The fittings intended for the handle are not the two on either side of the wooden handle - which would seem logical - but rather those located above it. This is explained by noting that the position of this upper handle fitting is aligned with the upper ones that make the backpack handles. Gripping the shield this way is comfortable, whereas if we force a grip on the shield by the ones on either side of the wooden handle, the shield pivots and becomes tilted, resulting in something uncomfortable to manage. Finally, the fitting below the handle seems intended to serve as a guide that aligns the cord in a better way, but it seems dispensable or with a not very clear use to me.

As for handling the shield this way, it is relatively comfortable and could allow for a free hand if positioned near the edge of the shield, which would enable the soldier to wield a spear with both hands or have a greater range of possibilities. For the shield to be comfortable, it must be as light as possible, but despite this, the strap that rests on the forearm ends up being somewhat uncomfortable and painful in the long run.

𝗔 𝗯𝗶𝗴 𝗯𝗼𝘆.A new shield finished in my workshop.The core was made with 2mm yellow pine slats glued with white glue. The c...
02/06/2026

𝗔 𝗯𝗶𝗴 𝗯𝗼𝘆.

A new shield finished in my workshop.

The core was made with 2mm yellow pine slats glued with white glue. The central layer is made of very wide slats, and the shield also replicates a notable feature of the Fayum shield: on both the back and front layers, the cap slats (the topmost and bottommost ones) are extra wide.
The handle is fixed at the geometric center of the shield -unlike Fayum, which is offset upward-. The front face was covered with a horsehide -a single piece- and glued with hide glue. The rim was made with a strip cut from the same hide and sewn with linen thread. The handle -made of oak according to the unique find of a Roman wooden handle from Dura Europos- was glued and nailed with a series of small nails similar to the Fayum shield.

The nails and transport fittings -based on Fayum- were forged, and a tight hand-braided linen cord was arranged through the rings. Unlike my previous reproduction of this system in my Opus Magnum, I wanted to separate the cord into two sections. The nails that secure the spina go through the entire core, are bent over on the back face, and the tip is driven back into the core.

The inspiration for the paint comes from two sources. On one hand, from a shield shown in the Fish Mosaic of Praeneste, and on the other hand, from the Sidon fresco of Salmas, a thureophoroi. The white paint -actually a soft beige- was made with a mixture of French chalk and Italian white earth. The blue was made with a mixture of modern synthetic blue pigment, Italian chalk, and magnetite. Finally, the back face was oiled with linseed oil.

25/05/2026

Drilling some holes by hand to make the central hole.

These were my first two shields: a Viking shield and a Celtiberian shield, in quotes, of course. The round shield was ma...
25/05/2026

These were my first two shields: a Viking shield and a Celtiberian shield, in quotes, of course. The round shield was made with thick oak planks with no facing, and the Celtiberian shield has a huge spina. Remember that we all start somewhere, but the important thing is to improve.

I needed to take inventory and reorganize my pigments. I just moved some supplies from my old workshop to my current one...
21/05/2026

I needed to take inventory and reorganize my pigments. I just moved some supplies from my old workshop to my current one so I can have everything in one place. Some of these large 1.5l containers are half-empty or less than one-third full, so I plan to transfer them to smaller containers to save space.
Under the table, on some plastic shelves, are my pigments in well-labeled glass jars, ready to use and easily accessible. The boxes are the leftovers I keep in a corner. All this boxes are full.

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