ESDIP

¡Conoce el trabajo de nuestros estudiantes en el Máster Profesional en Diseño Gráfico, Web y Motion Graphics que impartimos en colaboración con UDIMA!

ESDIP - Exposición de Diseño Gráfico Conoce el trabajo de nuestros estudiantes en el Máster Profesional de Diseño Gráfico, Web y Motion Graphics que impartimos en colaboración con UDIMA. En la e...

El colectivo La Venganza Del Pato Gallery, integrado por alumnos de ESDIP, gana el primer premio del certamen de arte urbano "Oficios de antaño" en Villanueva del Aceral. ¡Enhorabuena!

Villanueva del Aceral refuerza su arte urbano con 6 nuevos murales Participantes en la segunda edición del certamen 'Oficios de Antaño' | Cadena SER

¡Este jueves 12 de junio a las 19:50h inauguramos exposición en Santa Engracia!

Entra en nuestro blog y entérate de todos los detalles:

https://www.esdip.com/blog-escuela-de-arte/exposicion-esdip-tinta-de-verano/

Exposición ESDIP_: Tinta de Verano Hay cosas que marcan la llegada del verano: los días se alargan, se abren las terrazas, el sol castiga sin compasión...

📣 ¡Bases de participación en el 14º Concurso de Cómic ESDIP 2024/25!

Consúltalas en:

https://www.esdip.com/blog-escuela-de-arte/14-concurso-comic-esdip-2024-25/

Concurso Cómic ESDIP 2024-25 Se acercan los últimos meses del curso y eso significa que… ¡Comienza el Concurso de Cómic de ESDIP! Atento a las bases:

Hoy queremos darle al lunes un toque muy colorido con esta poción de amor modelada por María Lendinez durante el tercer año de la diplomatura Arte y Desarrollo para Videojuegos.

IG: .art

Hoy queremos compartir este trabajo de modelado en ZBrush realizado Angélica Jiménez, alumna del tercer año en Creación Artística, Gráfica y Digital.

🦖 ¿Qué te parece?

📣 ¡¡NUEVO TALLER GRATUITO DE DIBUJO!!

‼️ SOLO PARA ESTUDIANTES DE ESDIP

MONSTER FACTORY. Monstruos que enamoran (o no) 👻
Hay monstruos que asustan, otros que enternecen, y algunos que simplemente no te puedes quitar de la cabeza. En este taller vas a aprender a reinterpretar a los monstruos clásicos de
la literatura y el cine (Frankenstein, Pennywise, Nosferatu, el vengador tóxico, etc) desde un nueva y original perspectiva: con personalidad, detalles, carácter y color... ¡Mucho color! 🌈

Max Hierro, nuestro profe de color, te guiará, a través de técnicas y materiales tradicionales, en el proceso del diseño de tu criatura, desde el boceto inicial, hasta el acabado final.

🎨 Técnicas: Lápices de color, acrílicos y magia.
📅 Fecha: Miércoles 11 y 18 de junio
🕓 Horario: De 16:00 a 20:00h
📍 Aula 23 – Sede Magallanes
🎟️ Inscripción en Secretaría

¡Plazas limitadas!

Ilustración del post de

¡Llegan las Jornadas Laborales de ESDIP 2025!
Descubre a los increíbles profesionales que nos acompañarán la próxima semana.
Conferencias y revisiones de portfolio que no te puedes perder.
Toda la información y cómo apuntarse en:

https://www.esdip.com/blog-escuela-de-arte/jornadas-empleo-esdip-2025/

Jornadas de Empleo en ESDIP 2025 Jornadas laborales en ESDIP 2025: conferencias y revisiones de portfolio con estudios, editoriales y profesionales top.

🎨 ¡ATENCIÓN, AMANTES DE LOS DINOS! 🦕

¿Eres fan de los dinosaurios? ¿Sueñas con dar vida a criaturas prehistóricas con tus propias manos? Entonces este taller es para ti.

Prepárate para dos sesiones donde aprenderás a ilustrar dinosaurios como siempre has querido: mezclando técnicas tradicionales —acrílicos, acuarelas, lápices de color y más— con un enfoque profesional que te enseñará a dominar texturas, detalles y recursos visuales 🖌🔥

🦖 Taller GRATUITO y EXCLUSIVO para alumnos ESDIP
📅 Miércoles 4 y 11 de junio
🕓 De 16:00 a 20:00h
📍 Aula 22 – ESDIP Magallanes

Una oportunidad única de mejorar tus skills, disfrutar ilustrando y salir con tu propio catálogo jurásico 📚✨

👉 ¡Apúntate ya en secretaría y asegura tu plaza antes de que se extingan!

El pasado 30 de abril, recibimos la visita de la increíble ilustradora Yuko Shimizu en la escuela.
Gracias a nuestro profesor José Jose Fragoso Illustration por invitarla a inspirar a nuestros alumnos

YUKO SHIMIZU, ILUSTRADORA JAPONESA en ESDIP_ La ilustradora japonesa Yuko Shimizu, referente internacional y docente en la SVA de Nueva York, ofreció una clase magistral en ESDIP.

Fallin', dirigido por nuestro profesor CCarlos Navarro arty producido en EESDIP Animation Studio ha ganado el Premio a Mejor Cortometraje de Animación en el Festival de Cine de la Almunia (FESCILA). ¡Enhorabuena a todo el equipo y gracias a la organización del festival por una velada inolvidable!

https://www.heraldo.es/noticias/ocio-y-cultura/2025/05/10/festival-cine-la-almunia-premios-1822155.html

El Festival de Cine de La Almunia entrega sus galardones en una gran ceremonia ‘Pálpito’, de Marisa Crespo y Moisés Romera, se lleva el gran premio; Saúl Gallego, mejor realizador aragonés por su corto 'Huracán'.

¡¡No os perdáis las preciosísimas palabras que dedican desde Nevermore Film Festival, donde se proyectará Fallin'!! 😍

I am an avid clock collector. I have hundreds of clocks, some as recent as yesterday and others over a century old. I can honestly state that I love each one equally. Many of the them are cuckoos, especially the Lux Novelty models. Our next film opens with a cuckoo clock, or at least a variation of one, denoting the yearly seasons.

The venerable cuckoo clock has been around for hundreds of years - the first one ever described was in the early 1600s - reliably announcing the hours of the day with its cute, tiny mechanical bird singing out 1, 2, 3, etc., chirps for each hour that would then begin to pass. Timekeeping aside, symbolically the clocks represent a strong connection to nature, the rhythmic and cyclical passage of the four seasons, an assurance that life goes on. Aesthetically it was probably no accident that the early cuckoos were adorned in intricate leaf patterns, forest creatures, or spring flowers. They were representations of the rural countryside, pastoral peace, and nature’s beasts. They held special spiritual meaning for their keepers. Today, they are largely a novelty, simple tellers of time (if they work at all) and largely ignored by a public that prefers digital to analog.

However, like any clock, cuckoos can sometimes run fast or slow. If indeed they are intended to be a reflection of the world as it has and always will be, like Mother Nature, they can occasionally go off script. In Filmmaker Carlos Navarro’s enchanting animated short, FALLIN’, awakening in a season not its own - Nature's clock is apparently not quite in sync - the Winter Spirit must learn to discover beauty in an unfamiliar landscape, confronting personal biases and embracing the ever-changing cycle. They aren’t exactly amused or thrilled to discover that the Autumn Spirit is still around, believing they should now rule the realm, but they are curious, too. So with Autumn tagging along - Autumn views Winter as a peer, maybe even family, but Winter would never entertain such a notion - Winter wanders through the magnificent and expansive Irati Forest, with its rainbow-hued beech and fir trees, its lush environment a welcoming host to all creatures great and small [the locale is one of the last protected refuges for black and white-backed woodpeckers, and yes, we do spot one during Winter’s trek]. Winter is coming, but for the moment, Autumn still beckons. Initially, Winter appears to be in a hurry, but as their journey continues, they slow down to appreciate the stunning beauty of the woods. You know, stopping and smelling the roses. We aren’t going to relay to you the entire adventure - you must experience it fully - because you see, you shouldn’t be allowed a CliffsNotes version of this story. Winter is on the trail to enlightenment. Maybe you should share this awakening by walking with Winter. Take a little time and enjoy the view, to quote a popular daytime talk show.

In a “making of” documentary about “Fallin’,” several of the animators and the Director mention totems. Believed to have originated among indigenous peoples, the totem is an emblem of a hereditary clan, you know, the normal familial passage from one generation to the next. Like the cuckoo clock, the totem is a symbol, here a representation of family, symbolized by a natural object or animal. An ode to a different type of time passing. And contrary to popular contemporary thought, the idea that a totem is a symbol of social hierarchy is completely false. They are monuments to ancestry, nature, and time. Look at it this way. In “Fallin’,” if a totem were actually a reflection of social status, Winter would insist on being at the bottom, supporting the other seasons - Spring, Summer, and Autumn - stacked above on the pole. Again, we are simplifying things here because of space limitations, but Winter would be wrong. If anything, all four of the seasons would be at the bottom, sharing in supporting nature as it evolves through yearly birth, maturity, aging, and death. They are integral to each other, not really different, but absolutely necessary to each other. A totem is a lesson in intersectionality, that is, the intertwined relationships among social concepts, such as gender, identity, sexuality, and ability. Politics and religion often preach difference - in the current world order, they provide a reason to hate, erase, and destroy. Intersectionality reminds us that everything is connected, and that difference, as currently and cruelly defined, is, well, an illusion. And if we were to slow down and take a gander at what is happening outside, Nature would already have a plan for us to follow.

This year’s Nevermore is turning out to be a study in understanding that there is no other, just us. The narratives aren’t always so calm and mesmerizing as in “Fallin’,” but the pattern is unmistakable. We don’t think that was the plan, but somehow the results have been appropriate. Things aren't good out there right now, so let’s remember. Cuckoos aren't always about only time. Totems aren’t about social class, patriarchy, or any form of domination. The seasons are not discrete. Don’t rush through “Fallin’.” Enjoy its staggering elegance, its rich color palette, its soothing musical score, its perfection . . . but also, please truly think about what you are witnessing as you watch, if that makes sense. Navarro’s film is incredibly lovely, but it also so impressively instructive.

FALLIN’ will screen as part of the “It’s Only a Nightmare, Charlie Brown” shorts program, physically and virtually, at Nevermore, 2/28-3/2/2025!

Carlos Navarro art
ESDIP Animation Studio
https://carolinatheatre.org/festival/nevermore-film-festival/ -online