Medieval Music Besalú

Medieval Music Besalú MMB offers the possibility of studying Medieval Music at the highest possible level.

Did you know medieval singers didn’t read music the way we do today? (There’s a free gift for you at the end of this pos...
31/08/2026

Did you know medieval singers didn’t read music the way we do today? (There’s a free gift for you at the end of this post 🎁)

Instead, they relied on a system of eight “modes”, eight melodic personalities, each with its own home note and its own habits.
Learn a melody’s mode, and you already know how it’s supposed to move, where it’s likely to end, even before you’ve heard the whole thing.

It sounds complicated. It isn’t, once you know the two clues that unlock it:

👉 The 𝐟𝐢𝐧𝐚𝐥𝐢𝐬, the note a chant almost always ends on
👉 The 𝐫𝐞𝐜𝐢𝐭𝐢𝐧𝐠 𝐭𝐨𝐧𝐞, the note where the melody “parks” during recitation

That’s it. Those two notes are usually enough to identify any of the eight modes at a glance.

🎁 Here’s your gift: we put together a 𝐟𝐫𝐞𝐞 𝐛𝐞𝐠𝐢𝐧𝐧𝐞𝐫’𝐬 𝐠𝐮𝐢𝐝𝐞 walking through exactly this, no prior music theory needed. Grab your copy here: https://www.medievalmusicbesalu.com/modes-guide/

IMAGE: Montpellier. Inter-university Library, Medicine Section, H 196, fol.001

Chant did not arrive with instructions. It arrived with a legend attached.Swipe through the real story behind Gregorian ...
24/08/2026

Chant did not arrive with instructions. It arrived with a legend attached.

Swipe through the real story behind Gregorian chant, alliances, failure, and a myth that stuck for over a thousand years.

𝐅𝐮𝐥𝐥 𝐬𝐭𝐨𝐫𝐲 (𝐚𝐧𝐝 𝐭𝐡𝐞 𝐦𝐮𝐬𝐢𝐜 𝐢𝐭𝐬𝐞𝐥𝐟) 𝐢𝐧 𝐨𝐮𝐫 𝐇𝐢𝐬𝐭𝐨𝐫𝐲 𝐨𝐟 𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐌𝐮𝐬𝐢𝐜 𝐜𝐨𝐮𝐫𝐬𝐞.

𝐈𝐌𝐀𝐆𝐄𝐒
Paris, Bibliothèque Nationale de France, MS Latin 1112, fol. 108v
Castres, Bibliothèque Municipale, MS 3, fol. 106
B**a de Cruïlles, Museu d’Art de Girona, Catalunya
London, British Library, Royal MS 10 E IV, fol. 222r
London, British Library, Harley MS 3011, fol. 69v
St. Gallen, Stiftsbibliothek, Cod. Sang. 390, p. 13 — Antiphonarium officii
𝘎𝘳𝘦𝘨𝘰𝘳𝘺 𝘵𝘩𝘦 𝘎𝘳𝘦𝘢𝘵 𝘸𝘪𝘵𝘩 𝘚𝘤𝘳𝘪𝘣𝘦𝘴, 10th century, Kunsthistorisches Museum, Vienna

Same Bible story. Same dance. Two illuminators. Two very different choices.This is Salome. The young woman whose dance s...
12/08/2026

Same Bible story. Same dance. Two illuminators. Two very different choices.

This is Salome. The young woman whose dance so pleased King Herod that he granted her literally anything she wanted. The Gospels describe her dance in exactly zero detail, no music, no instruments, nothing.

In a 12th century Swiss fresco, Salome twists and contorts her body dramatically, alone, no musician anywhere in sight.

In a 14th century missal from Amiens, an illuminator paints the same acrobatic contortion, but adds something the text never mentions: a musician playing the vielle right beside her.

Same silence in the Bible.
One artist filled it with movement alone.
The other filled it with music.

That gap between what a text says and what an artist chooses to add is exactly what medieval musical iconography studies, images are never neutral illustrations, they carry choices, context, and meaning of their own.

This is one full course here at Medieval Music Besalú, reading manuscripts and artwork the way historians read texts.

𝐈𝐌𝐀𝐆𝐄𝐒: 𝘛𝘩𝘦 𝘋𝘢𝘯𝘤𝘦 𝘰𝘧 𝘚𝘢𝘭𝘰𝘮𝘦 𝘢𝘯𝘥 𝘏𝘦𝘳𝘰𝘥’𝘴 𝘉𝘢𝘯𝘲𝘶𝘦𝘵. Monastery of Saint John in Müstair, c. 1160.
Festal Missal 78 D 40, fol. 108r, Amiens, c. 1323, Koninklijke Bibliotheek, The Hague

dance

Can you guess who this is?This portrait comes from a medieval songbook, painted right next to his verses, exactly as rea...
04/08/2026

Can you guess who this is?

This portrait comes from a medieval songbook, painted right next to his verses, exactly as readers saw him centuries ago.

He was not a bard humming background music. He was 𝘢 𝘵𝘳𝘰𝘶𝘣𝘢𝘥𝘰𝘶𝘳: a poet, a composer, and a performer who rolled into one, writing about love, politics, and everything in between, often for very specific and very real audiences at court.

Troubadour songs survive today the same way, in illustrated manuscripts pairing portraits with poems. Reading one is part music history, part detective work, and part literature.

This is just one corner of what we study at Medieval Music Besalú. Notation, performance, history, iconography, we cover the full picture, not just one instrument or one century.

👉🏾 Take a guess in the comments, we will reveal the answer in stories.

IMAGE: Paris, BnF, Français 12473 f.102r

Ever seen music notation from a thousand years ago?👉🏾 Aquitanian notation is one of the earliest ways medieval scribes t...
27/07/2026

Ever seen music notation from a thousand years ago?

👉🏾 Aquitanian notation is one of the earliest ways medieval scribes tried to put sound on parchment, centuries before the staff notation we use today existed.

👉🏾 At Medieval Music Besalú, this is exactly the kind of thing we study up close, straight from the manuscripts.

👉🏾 Swipe through to see how it worked.

IMAGES: 𝘗𝘳𝘰𝘴𝘢𝘦, 𝘵𝘳𝘰𝘱𝘪, 𝘤𝘢𝘯𝘵𝘪𝘭𝘦𝘯𝘢𝘦, 𝘭𝘶𝘥𝘪 𝘭𝘪𝘵𝘶𝘳𝘨𝘪𝘤𝘪 𝘢𝘥 𝘶𝘴𝘶𝘮 𝘚𝘢𝘯𝘤𝘵𝘪 𝘔𝘢𝘳𝘵𝘪𝘢𝘭𝘪𝘴 𝘓𝘦𝘮𝘰𝘷𝘪𝘤𝘦𝘯𝘴𝘪𝘴, Bibliothèque nationale de France, Latin 1139, ff.53r-55r

22/07/2026

Meet the vielle, one of the ancestors of the modern string bowed instruments, alive and well 800 years later.

Performed here by the wonderful Filipa Meneses.

We are bringing medieval music back exactly as it sounded, no reconstruction, no guesswork, straight from the source.

Follow along all month, more instruments, more history, more surprises.

𝐖𝐡𝐚𝐭 𝐢𝐬 𝐦𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐦𝐮𝐬𝐢𝐜, 𝐫𝐞𝐚𝐥𝐥𝐲?If you pictured a lone monk chanting in a cold stone hall, you are not entirely wrong. Yo...
20/07/2026

𝐖𝐡𝐚𝐭 𝐢𝐬 𝐦𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐦𝐮𝐬𝐢𝐜, 𝐫𝐞𝐚𝐥𝐥𝐲?

If you pictured a lone monk chanting in a cold stone hall, you are not entirely wrong.

You are just missing most of the story.

Monks did chant.
But they also staged full liturgical dramas, complete with characters, dialogue, and music written to bring biblical scenes to life inside the church itself.

Medieval music had range.

Outside those walls, it got louder still. Court minstrels. Wandering troubadours. Traveling performers who danced to it, argued about it, and improvised it on the spot.

It had rhythm.
It had personality.
It even had drama in the modern sense too, composers were not above a little musical gossip in their lyrics.

At Medieval Music Besalú, we study this entire world exactly as it sounded. From monastery to marketplace. Straight from the original manuscripts, not from someone’s guess about it centuries later.

Curious what a 12th century audience really heard, whether in a cloister or a courtyard?

Follow along this month.
We are about to show you.

Image: King David with a lyre, Worms Bible, fol. 3v, 12th century, British Library, Harley MS 2804

Today we are beyond excitement to share our 𝐁𝐑𝐀𝐍𝐃 𝐍𝐄𝐖 𝐂𝐎𝐔𝐑𝐒𝐄 with all of you :✨𝙒𝙤𝙢𝙚𝙣’𝙨 𝙑𝙤𝙞𝙘𝙚𝙨 𝙞𝙣 𝙈𝙚𝙙𝙞𝙚𝙫𝙖𝙡 𝙈𝙪𝙨𝙞𝙘✨Traditio...
15/07/2026

Today we are beyond excitement to share our 𝐁𝐑𝐀𝐍𝐃 𝐍𝐄𝐖 𝐂𝐎𝐔𝐑𝐒𝐄 with all of you :

✨𝙒𝙤𝙢𝙚𝙣’𝙨 𝙑𝙤𝙞𝙘𝙚𝙨 𝙞𝙣 𝙈𝙚𝙙𝙞𝙚𝙫𝙖𝙡 𝙈𝙪𝙨𝙞𝙘✨

Traditionally, it is thought that women didn’t contribute much to cultural life in the Middle Ages. However, women did play a significant role in all layers of society, its culture and its music. They were poets, composers, musicians, scribes, illuminators, and patrons of the arts, often making their mark from the margins.

In this course, we offer a comprehensive study of the different domains in which women were active, (re)discover their names, explore their repertoires where possible, and obtain a more inclusive image on music in medieval European society.

𝐖𝐡𝐚𝐭 𝐜𝐚𝐧 𝐲𝐨𝐮 𝐞𝐱𝐩𝐞𝐜𝐭 𝐟𝐫𝐨𝐦 𝐭𝐡𝐢𝐬 𝐚𝐦𝐚𝐳𝐢𝐧𝐠 𝐜𝐨𝐮𝐫𝐬𝐞?

👉 Learn about the different roles women had in the Middle Ages
👉 Place medieval women amongst the other women artists in history
👉 Analyse why women might have disappeared from view
👉 Study the women involved in book production across Western Europe
👉 Learn about the most famous medieval female composer and her music
👉 Explore the repertoires composed by religious women
👉 Take a closer look at courtly love and the poetry and music women made at court
👉 Explore music composed specifically for women
👉 Learn about the female performers and their place in medieval society

𝐅𝐨𝐫 𝐦𝐨𝐫𝐞 𝐢𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐮𝐫𝐬𝐞 𝐚𝐧𝐝 𝐭𝐨 𝐒𝐈𝐆𝐍 𝐔𝐏:
https://www.medievalmusicbesalu.com/womens-voices-medieval-music/

𝐈𝐦𝐚𝐠𝐞𝐬:
Dance of Miriam - London, British Library, Add Ms 27210
Comtessa de Dia - Paris, Bibliothèque National, Ms 854
Procession of nuns - London, British Library, Ms Yates Thompson 11
Hildegard von Bingen - Rupertsberg, Codex of Liber Scivias
Marie de France - Paris, Bibliothèque Arsenal, Ms 3142
Ordo Virtutum - London, British Library, Add Ms 15102

𝐒𝐨𝐮𝐧𝐝 𝐭𝐡𝐞 𝐭𝐫𝐮𝐦𝐩𝐞𝐭𝐬, 𝐫𝐚𝐢𝐬𝐞 𝐭𝐡𝐞 𝐛𝐚𝐧𝐧𝐞𝐫𝐬, 𝐰𝐞 𝐚𝐫𝐞 𝐁𝐀𝐂𝐊!Medieval Music Besalú returns to summon historians, musicologists, pe...
12/07/2026

𝐒𝐨𝐮𝐧𝐝 𝐭𝐡𝐞 𝐭𝐫𝐮𝐦𝐩𝐞𝐭𝐬, 𝐫𝐚𝐢𝐬𝐞 𝐭𝐡𝐞 𝐛𝐚𝐧𝐧𝐞𝐫𝐬, 𝐰𝐞 𝐚𝐫𝐞 𝐁𝐀𝐂𝐊!

Medieval Music Besalú returns to summon historians, musicologists, performers and researchers from every corner of the known world!
No mail carried by pigeon required, registration is fully online.

Have you seen our course catalogue? 👇

𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐍𝐨𝐭𝐚𝐭𝐢𝐨𝐧𝐬 (Neumatic, Modal, Franconian, Ars Nova)
𝐓𝐡𝐞 𝐇𝐢𝐬𝐭𝐨𝐫𝐲 𝐨𝐟 𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐌𝐮𝐬𝐢𝐜 𝐚𝐧𝐝 𝐢𝐭𝐬 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 (𝟖𝟎𝟎-𝟏𝟑𝟎𝟎)
𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐑𝐞𝐩𝐞𝐫𝐭𝐨𝐢𝐫𝐞𝐬 (Troubadours, Cantigas de Santa Maria)
𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞 (Medieval Melodic Improvisation)
𝐀𝐩𝐩𝐥𝐢𝐞𝐝 𝐌𝐮𝐬𝐢𝐜𝐨𝐥𝐨𝐠𝐲 𝐚𝐧𝐝 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 (Musical Iconography)
𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐒𝐢𝐧𝐠𝐢𝐧𝐠
𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐌𝐮𝐬𝐢𝐜𝐚𝐥 𝐈𝐧𝐬𝐭𝐫𝐮𝐦𝐞𝐧𝐭𝐬 (Vielle, Citole/Gittern, Portative Organ, Harp, Bagpipe, Frame Drums)

And our main star, unchanged and still glorious: 𝐔𝐧𝐢𝐯𝐞𝐫𝐬𝐢𝐭𝐲 𝐒𝐩𝐞𝐜𝐢𝐚𝐥𝐢𝐬𝐭 𝐂𝐞𝐫𝐭𝐢𝐟𝐢𝐜𝐚𝐭𝐞 𝐢𝐧 𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥 𝐑𝐞𝐬𝐞𝐚𝐫𝐜𝐡 𝐚𝐧𝐝 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞, all credited by the University of Lleida (UdL).

🔥 But hark, there is more: A NEW COURSE rides into town this season, one such as this academy has never offered before. The heralds have been sworn to secrecy a while longer, so watch this space.

👉 𝐅𝐨𝐫 𝐨𝐮𝐫 𝐟𝐮𝐥𝐥 𝐜𝐨𝐮𝐫𝐬𝐞 𝐜𝐚𝐭𝐚𝐥𝐨𝐠𝐮𝐞 𝐚𝐧𝐝 𝐢𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐨𝐮𝐫 𝐩𝐫𝐨𝐠𝐫𝐚𝐦𝐬 𝐩𝐥𝐞𝐚𝐬𝐞 𝐯𝐢𝐬𝐢𝐭:
www.medievalmusicbesalu.com

📩 𝐎𝐫 𝐰𝐫𝐢𝐭𝐞 𝐭𝐨 𝐮𝐬 𝐚𝐭:
[email protected]

𝐈𝐦𝐚𝐠𝐞: MS 1044, fol. 67, Le Sermon, Bibliothèque Municipale, Rouen, France.

𝐄𝐱𝐭𝐞𝐧𝐝𝐞𝐝 𝐑𝐞𝐠𝐢𝐬𝐭𝐫𝐚𝐭𝐢𝐨𝐧 𝐟𝐨𝐫 𝐒𝐩𝐫𝐢𝐧𝐠 𝟐𝟎𝟐𝟔 𝐎𝐧𝐥𝐢𝐧𝐞 𝐂𝐨𝐮𝐫𝐬𝐞𝐬Good news! We’ve extended registration for our MMB/UdL Spring 2026 o...
17/02/2026

𝐄𝐱𝐭𝐞𝐧𝐝𝐞𝐝 𝐑𝐞𝐠𝐢𝐬𝐭𝐫𝐚𝐭𝐢𝐨𝐧 𝐟𝐨𝐫 𝐒𝐩𝐫𝐢𝐧𝐠 𝟐𝟎𝟐𝟔 𝐎𝐧𝐥𝐢𝐧𝐞 𝐂𝐨𝐮𝐫𝐬𝐞𝐬

Good news! We’ve extended registration for our MMB/UdL Spring 2026 online courses on medieval music! You now have until February 23rd to sign up.
Don’t let this one slip by ☝🏽

Did you know that our courses cover medieval music history, notations, repertoires, performance practices, and applied musicology? And of course, all online and at your own pace.

👉 Full catalogue at www.medievalmusicbesalu.com
📩 [email protected]

*Oxford University, Bodleian Library, MS Canon. Liturg. 216. f.168r

Dirección

Besalú

Notificaciones

Sé el primero en enterarse y déjanos enviarle un correo electrónico cuando Medieval Music Besalú publique noticias y promociones. Su dirección de correo electrónico no se utilizará para ningún otro fin, y puede darse de baja en cualquier momento.

Atajos

Compartir

Categoría