Materiability Research Group

Materiability Research Group MATERIABILITY is about making. It is about understanding and actively learning from and about the world by physically engaging in it.

Materiability is about making. By experiencing it with our hands and all our senses. Materiability is about taking action. It is about not accepting the status-quo as given but instead speculate and dream about possible alternatives. It is about sharing these dreams with others. About communicating, exchanging and collaborating. About believing in a future that is shaped by our common efforts. Mat

eriability is about inspiration and open, unrestricted access to information. It is about testing ideas and visions. About treating challenges not as problems that need to be solved but as opportunities from which new can emerge. Materiability is a playground for probing tomorrow. The term materiability was first coined by Prof. Ludger Hovestadt in 2011, highlighting the abundance of possibilities emerging from the synthetic creation of new, active materials and the necessity for architects and designers to learn using and qualifying their potential. The materiability research network, as an attempt to bridge the gap in between design and science, was initiated by Manuel Kretzer in 2012. It emerged from a joint initiative between the Chair for Computer Aided Architectural Design, ETH Zurich and Interaction Design, Zurich University of the Arts. What was initially intended as a platform to provide access to emerging material developments, quickly grew into an international community, which by the end of May 2017 comprised almost 2000 active members. Since June 2017 the materiability research network has been renamed into materiability and its content is now split into a professional and an educational area. All information that is published in the projects, tutorials and materials sections is educational and will always remain free to use by anyone for non-profit purposes. This trinity, inspiration (projects), instructions (tutorials) and information (materials), is ought to help develop a common language in order to communicate across commonly disparate scientific and creative fields. Anybody working, researching or experimenting on related topics is highly invited to share their findings and support this hub in growing further. Besides the educational aspects a number of professional services have been introduced, which are intended to spread the knowledge in a more focused and specific context.

2025 highlighted a plurality of trajectories into future scenarios.At Materiability, we moved across many directions in ...
29/12/2025

2025 highlighted a plurality of trajectories into future scenarios.
At Materiability, we moved across many directions in parallel — through research events, fairs, conversations, experiments, and the people who shaped them.
We explored new technologies, critically questioned their implications, experimented with living materials, and developed ideas for livable futures in a constantly changing world.
Grateful for every collaboration, challenge, and insight along the way.
Onward.kretzer .et.ti

As part of the NEB project, Reallabor Zekiwa Zeitz, Weavium explores ornament not as applied decoration, but as material...
22/12/2025

As part of the NEB project, Reallabor Zekiwa Zeitz, Weavium explores ornament not as applied decoration, but as material intelligence that emerges directly from fabrication logic. Developed through large-scale Fused Granular Fabrication (FGF), the project turns the 3D-printing toolpath into a woven, spatial action. A branching, self-supporting column that functions as an organic lattice structure becomes the case study for discontinuous deposition, advanced retraction control, and support-free printing. The structure is printed using an uncontrolled 1:20 blend of grey PLA and natural PLA with 10% cellulose fibres. Rather than relying on fixed patterns, Weavium uses an image-driven weaving strategy embedded directly into G-code, enabled by a custom toolpath generator that allows full customization of the printing path. The density and amplitude of the woven toolpath respond to AI-generated seamless image data, creating localized variation, subtle irregularities, and a delayed sense of order.

Lattice structure R&D, FGF additive manufacturing:
Ali Etemadi .et.ti
Prof. Dr. Manuel Kretzer .kretzer

Tabletop CNC milling:
Christian Kirchner
Prof. Nicolai Neubert






models: Louis Möckel

photos: Paulina Schröder

"Engineering Resilience" Master thesis by Beyza Ecem Yilmaz —⠀Prof. Dr. Manuel Kretzer, Prof. Dr. Polat Darçın, SoSe 25,...
19/12/2025

"Engineering Resilience" Master thesis by Beyza Ecem Yilmaz
—⠀
Prof. Dr. Manuel Kretzer, Prof. Dr. Polat Darçın, SoSe 25, Master Integrated Design

.kretzer


Dear friends and colleagues, We are excited to inform you about our upcoming book release event for Synthetic Realities:...
30/10/2024

Dear friends and colleagues,

We are excited to inform you about our upcoming book release event for Synthetic Realities: New Frontiers in AI-driven Design, Fabrication, and Materiality, which will take place on November 12, 2024, 17:30, at the Köln International School of Design - KISD.

Synthetic Realities embarks on a groundbreaking journey on the profound impact of artificial intelligence on design, architecture, and art. The collection featuring contributions from renowned international experts, explores how AI is transforming creative disciplines, merging the digital with the physical, and redefining the boundaries of materiality and aesthetics. By examining AI’s influence on new aesthetic realms, bio-digital synergies, and innovative forms of materiality, the book invites readers to reconsider the evolving relationships between humans, technology, and creativity.

The event will include insightful presentations and discussions with several of the book’s contributors, each offering unique perspectives on how AI is shaping the future of creative fields.

Attached is a flyer with the full program, including details on speakers and session topics. We would be delighted to welcome you to join us for an evening of thought-provoking exchange and engagement with the ideas shaping our field.

You may purchase the book here:
https://aadr.info/product/synthetic-realities/

The master thesis of Louis looks at sustainable interior car design and proposes the  prototype of a multifunctional 3d-...
08/10/2024

The master thesis of Louis looks at sustainable interior car design and proposes the prototype of a multifunctional 3d-printed centre console.


Supervision: Prof. Dr. Manuel Kretzer, Prof. Nicolai Neubert
-printing

Otto's master’s thesis explores transforming plastic waste into newproducts using DIY methods and Makerspace culture. It...
07/10/2024

Otto's master’s thesis explores transforming plastic waste into new
products using DIY methods and Makerspace culture. It focuses on
building a plastic shredder and developing a 3D printer extruder to
demonstrate the challenges and potential of local plastic recycling.

Supervision: Prof. Dr. Manuel Kretzer, Dr. Ines Oehme Umweltbundesamt


.design

Packaging Futures by Leo Altmann examines the environmental impact of current food packaging and explores the elements t...
07/10/2024

Packaging Futures by Leo Altmann examines the environmental impact of current food packaging and explores the elements that contribute to more sustainable alternatives.

Supervision: Prof. Dr. Manuel Kretzer, Prof. Nicolai Neubert


09/09/2024
BIOPOLYESTERMoving beyond Sustainability into RegenerationHow can bio-based polyester support a truly circular fashion e...
11/05/2024

BIOPOLYESTER
Moving beyond Sustainability into Regeneration

How can bio-based polyester support a truly circular fashion economy?

Biopolyester is a master’s thesis by Vanessa Song, focused on the imperative need for transforming the fashion industry’s supply chain towards a circular production and consumption.

https://materiability.com/portfolio/biopolyester/

SOFT ROBOTICS by MengXi WangIn the first phase I mainly tested the entry sizes and some basic patterns for the connectio...
10/11/2023

SOFT ROBOTICS by MengXi Wang
In the first phase I mainly tested the entry sizes and some basic patterns for the connection parts. In the second phase I developed the basic patterns from the first phase and expanded on them by looking at the way the air moves in the cavity, in this phase I discovered the special behaviour of the S-shaped structure and tested it to disprove some initial hypotheses. In the third phase I developed and tested further based on some of the patterns I had already tested, and in the process discovered the peculiarities of the spiral cavity as it moved, and decided that the final project would be mainly about spiral and S-shaped structures. In the final stage I fine-tuned the pattern to make the entrance and the pattern more smooth, in order to prevent the cutting machine from cutting through the material. Based on the pattern and the machine characteristics, I used clear TPU to cut the S-shaped structure in the small laser cutting machine and non-transparent TPU to cut the spiral shape in the large laser cutting machine.

SYNTHETIC APPENDAGES by Mehiar BitariMy process started off with period of trial-and-error in order to achieve an optima...
08/11/2023

SYNTHETIC APPENDAGES by Mehiar Bitari
My process started off with period of trial-and-error in order to achieve an optimal collection of settings on either laser cutting machines for effectively melding the two versions of TPU. After that, I set out to test phalange-like forms and assess their interaction with several air pressures and intervals. Following various observations on the expected and undesirable reactions of the pieces my peers and I made, I started to investigate the effects of creating a sealed compartment by melding on both sides of the surface. This caused the artifact to have localized instances of increased surface tension. While I was anticipating the models to contract in both directions without any intervention, the results indicated that the piece will naturally flex on the side of higher complexity, which in this case meant more geometry and tension. Nonetheless, one advantage of these iterations was that when manually moved, the ‚limbs‘ retained their shape, causing the design to be easily manipulated. This discovery was then further probed by creating a series of small alterations in the variables within the parameters of boundary, interjection, and spacing, to test what configurations might lead to the best outcome.

FLEXIBOT by Oumaima Labben and Ezzeldeen Agha“In this exploration of soft robotics, we delve into the realm of using fle...
06/11/2023

FLEXIBOT by Oumaima Labben and Ezzeldeen Agha
“In this exploration of soft robotics, we delve into the realm of using flexible
materials to enable movement. Our expertise centers around the planning and
fabrication of inflatable structures known as soft robots, where we harness the
power of air pressure to dictate their behavior. By utilizing these innovative
techniques, we unlock a world of possibilities in creating dynamic and adaptable
robotic systems.

In the final product, the successful elements from these experiments were
integrated. The layers were connected at the center, and additional guiding lines
were added to enhance folding movements. This allowed for more controlled and
precise motions, transforming the design from a two-dimensional shape to
a more three-dimensional and organic structure. The final outcome was
a culmination of knowledge and insights gained from the iterative
experimentation process.”


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