Glassmaking Tradition Meets Innovation

A new aesthetic in circular glass design

How can contemporary design unite sustainability, experimentation, and aesthetics? In our latest story, we showcase the work of Studio Amarzo and their approach to circular glass design, offering a fresh perspective on form and material.

Through innovative processes and considered use of materials, glass becomes a medium for exploring form, light, and sustainability resulting in objects that are simultaneously design, concept, and message.

Read the full story on our platform in teh first comment 👇👇👇👇👇👇

This story was created within the project Glassmaking Tradition Meets Innovation, implemented by FREN, Center Rog , Institut za kreativno preduzetnistvo i inovacije and Museum Sydøstdanmark and funded by the European Union. The views and opinions expressed are solely those of the author(s) and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

Pariški atelje La Soufflerie pokazuje kako savremeni dizajn može da ide ruku pod ruku sa tradicijom. Kroz ručno duvano staklo od recikliranih materijala, ovaj atelje ne samo da stvara autentične predmete, već sav svoj profit ulaže u očuvanje zanata ručnog duvanja stakla i podršku majstorima koji ga čuvaju od zaborava.

U vremenu masovne proizvodnje, La Soufflerie La Soufflerie insistira na sporom, promišljenom procesu i vrednostima koje nadilaze trendove – znanju, veštini i dugoročnoj održivosti. Njihov rad je podsetnik da dizajn može imati i kulturnu ulogu, kao i odgovornost prema zanatima i zajednici iz koje potiče.

Ako voliš dizajn, zanate ili jednostavno inspirativne priče – ovo je jedna od njih! ❤️

Cela prica dostupna je u prvom komentaru 👇👇👇

The Parisian atelier La Soufflerie demonstrates how contemporary design can coexist with tradition. Through hand-blown glass made from recycled materials, this atelier not only creates authentic objects but also reinvests all its profits into preserving the craft of hand glassblowing and supporting the master artisans who prevent it from disappearing.

In an era of mass production, La Soufflerie insists on a slow, thoughtful process and values that transcend trends – knowledge, craftsmanship, and long-term sustainability. Their work reminds us that design can play a cultural role and carries a responsibility toward traditional crafts and the communities they originate from.

If you appreciate design, craftsmanship, or simply inspiring stories, this is one of them! ❤️

The full story is available in the first comment 👇👇👇

This story was created within the project Glassmaking Tradition Meets Innovation, implemented by FREN, Rog Creative Hub, the Institute for Creative Entrepreneurship and Innovation (IKPI), and Museum Sydøstdanmark, and funded by the European Union. The views and opinions expressed are solely those of the author(s) and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

Nova godina nam stiže, a sa njom i naš Novodišnji Creative Glass LAB. 🎉🎊🎉🎉

Ove godine oslikavamo staklene ukrase za jelku, inspirisane paraćinskom staklarskom tadicijom. Koristićemo tradicionalne tehnike oslikavanja stakla, ecovanje i pigmente pozlate.

Ako volite staklo, ukrase za jelku i želite da se oprobate u njihovoj dekoraciji, prijavite se za učešće na našem Labu.

Druženje je zakazano za 23. decembar od 12 do 15h, Kanvas, Skadarska 40c, Beograd.

Lab vode:
Hristina Mikić Tradicionalne tehnike i motivi paraćinskog staklarstva
Tamara Ognjević Istorija proizvodnje i dekoracije staklenih ukrasa
Jelena Milošević, slikarka i dizajnerka

Broj mesta je ograničen, više informacija i formular za registraciju su dostupni na linku
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https://docs.google.com/forms/d/e/1FAIpQLSeBXbVHlPe81E3IrajP2YXxcFthXFePtojJfucDPqiKUD8ByA/viewform?pli=1



Lab se održava u okviru inicijative , kroz projekat Glassmaking Tradition Meets Innovation FREN, Center Rog, Institut za kreativno preduzetnistvo i inovacije - IKPI i Museum Sydøstdanmark finansiranim od strane Evropske unije. Izneti stavovi i mišljenja pripadaju isključivo autoru/autorima i ne odražavaju nužno stavove Evropske unije ili Izvršne agencije za obrazovanje i kulturu (EACEA). Evropska unija ni EACEA ne mogu se smatrati odgovornima za njih.

Donosimo vam novu priču iz nase edicije o studiju YaKUSH ukrajinske umetnice u staklu Marije Yakush.

U poslednjih nekoliko godina, staklo ukrajinskog brenda YAKUSH predstavljeno je na najznačajnijim svetskim sajmovima dizajna. Zahvaljujući Mariji Yakush, vlasnici i kreativnoj direktorki brenda, proizvodnja ovog umetnički obrađenog stakla nije stala ni uprkos izazovima koji se dešavaju u ovoj zemlji.

Od 2020. godine YAKUSH posluje po najvišim standardima održivog razvoja, koristeći isključivo reciklirano staklo. Materijal — odbačeno i upotrebljeno staklo — Marijin tim prikuplja iz zatvorenih fabrika širom zemlje i pretvara u unikatna, ručno izrađena umetnička dela.

Ovo nije samo dizajn. Ovo je priča o otpornosti, održivosti i stvaralačkoj snazi.
Priča dostupna na linku u prvom komentaru
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In recent years, glass by the Ukrainian brand YAKUSH has been showcased at some of the world’s most prominent design fairs. Thanks to Maria Yakush, the founder and creative director of the brand, the production of this artistically crafted glass has continued uninterrupted even in the face of the challenges in this country.
Since 2020, YAKUSH has operated according to the highest standards of sustainable development, working exclusively with recycled glass. The material -discarded and previously used glass — is collected by Maria’s team from closed factories across the country and transformed into unique, handcrafted works of art.
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Story available on the link in the first comment.

This story was created within the project Glassmaking Tradition Meets Innovation, implemented by FREN, Rog Creative Hub, the Institute for Creative Entrepreneurship and Innovation (IKPI), and Museum Sydøstdanmark, and funded by the European Union. The views and opinions expressed are solely those of the author(s) and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

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