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https://n1info.rs/vesti/humanitarni-koncert-za-desetogodisnjeg-bogdana-rajica-5-maja-u-kc-cukarica/

Humanitarni koncert za desetogodišnjeg Bogdana Rajića 5. maja u KC Čukarica Četvrti humanitarni koncert za desetogodišnjeg Bogdana Rajiċa održaće se u utorak, 5. maja 19.30 časova u Kulturnom centru Čukarica. Bogdanu je potrebna naša po

Dodjite, uživajte i pomozite🫵
Najmanje sto možete da uradite za sebe tog utorka, a mnogo za drugare koji ċe vam ulepšati to veče na čelu sa malim Bogdanom Rajiċem kojem, evo već 4.san postaje uspomena....🫶
Svako treba da ima jednog Boleta u životu, i svaki Bole treba da ima jedne nas sve.
909 na 3030!
Uz popularne domaċe i strane hitove, 11 drugara koje okuplja jedan veliki Bogdan 4. godinu već,nema sedenja i tišine, žurka je žurka!💥🔥
Radujemo se i jedva čekamo da se okupimo 4 Bole!
🎹🎷🎸🎻🎙️🥁
Dodjite, delite, obavestite🗣️
Pulsirajte u ritmu humanosti 💓

https://www.instagram.com/reel/DXcDgSkAElT/?igsh=MWJxeXh5cHQ4YXhjYg==

Music must never sound pompous.” 🎹🏛️ Words of wisdom from the legendary Arthur Rubinstein during a historic 1978 masterclass at the Jerusalem Music Centre. Rubinstein argues that the absolute character of music is Nobility. Whether it is a grand concerto or popular music, it must possess dignity, greatness, and love. He even touches on the technical brilliance of Franz Liszt—noting that while Liszt loved to show off technique, there was always profound music hidden behind the notes. 🎼🔥 It’s a masterclass in musical philosophy that every performer and listener needs to hear. ✨🕊️ 👇 Do you agree? Can “show-off” music still be noble? Let’s discuss! 💾 Save this post to remember these principles and follow for your daily dose of classical excellence. #ArthurRubinstein #PianoMasterclass #MusicPhilosophy #ClassicalMusic #PianoWisdom

Časovi klavira...
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share this with your special person 🌹 happy valentine’s day! #asmr #music #love

https://www.instagram.com/reel/DVL8ANPAQ5o/?igsh=N2pobDN2bGlrdTJk

✨🎼 Franz Liszt – Hungarian Rhapsody No. 2 in C♯ minor Valentina Lisitsa – piano 🎹 • For thirty seconds, those hands forgot they were human. The final Friska of the Second Rhapsody is the moment the piano stops being an instrument and becomes an arena: cascading octaves sweeping across the entire keyboard, accelerating relentlessly into a prestissimo that defies what ten fingers should be capable of. The close-up on the hands — no face, no identity — turns the performance into pure physical phenomenon. You're not watching someone play. • You're watching a body operating at its limit. Liszt composed the Hungarian Rhapsodies based on the structure of the csárdás — the traditional dance that begins slow, almost ceremonial, and gradually builds speed until it becomes collective frenzy. No. 2 takes that logic to the extreme: the Lassan opens grave and solemn, and the Friska answers like a controlled detonation. In the 19th century, this piece was a gatekeeping test — if you couldn't play it, you didn't belong in the top tier of piano. Liszt wrote it to prove that a single pianist could generate the effect of an entire Romani ensemble: strings, cimbalom, tambourines — all condensed into ten fingers and a keyboard. • Valentina Lisitsa is the right interpreter for this repertoire because her career is, in itself, a story of limits. No label, no manager — she rebuilt everything through YouTube — over 200 million views, alone, with a piano and a camera. Her technique doesn't seek softness: it seeks impact, clarity at absurd speed, every note articulated even at twelve per second. In this recording, you hear and see exactly what Liszt envisioned — the piano as an impossible machine operated by flesh and bone. • 👉 Follow us for the best of classical music, daily in your feed. • • • #classicalmusic #pianist #piano #liszt