TRANSIMAGE

16/07/2024

"Power Plays" at the Carnegie Museum of Art on Saturday on July 27, at 2pm!
Curated by Astria Suparak and Brett Kashmere.
Introduction by Zoé Samudzi, the Charles E. Scheidt Visiting Assistant Professor of Genoc1de Studies and Genoc1de Prevention at Clark University.
carnegieart.org/event/power-plays
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Notes from curators Astria Suparak and Brett Kashmere:
Tool for exploitation or arena of resistance? The paradoxical nature of sport—as a site of biopolitical control, collective struggle, and individualized fantasy—makes it a rich and captivating subject. This program challenges commonplace understandings of the sports film genre by focusing on artist-made media and counter-narratives rather than commercial documentary and fiction sports movies, which often service hagiographic or nationalistic agendas. "Power Plays" seeks to address some of the unseen political and economic flows of the globalized sports-media complex.

02/10/2023

𝗙𝗼𝘂𝗻𝗱 𝗙𝗼𝗼𝘁𝗮𝗴𝗲 𝗠𝗮𝗴𝗮𝘇𝗶𝗻𝗲 #𝟵 𝗶𝘀 𝗼𝘂𝘁!

And Doplgenger’s interview by Greg de Cuir in it! 🤓

Check it out and support the unsparing work of magazine editors and the extremely important contribution the magazine makes for the history, understanding and contemporary status of found footage film! ❤️💥

27/06/2023

22/05/2023

RADNA ŽENA 06 - RE:VIZIJA #4 JUGOSLOVENSKI SOCIJALIZAM I ŽENSKO PITANJE NA FILMU bavi se kontradikcijama i ograničenjima jugoslovenskog narativa o mestu i položaju žena u društvu. Performativno predavanje umetničkog dua Doplgenger ukazuje na napuštanje ideja ženske emancipacije, koja je prisutna u filmovima do početka šezdesetih, i na sve prisutniju retradicionalizaciju društva.

Sreda, 24.05.2023. u 18:00
Centar za kulturnu dekontaminaciju
Koncept i izvođenje: Isidora Ilić i Boško Prostran (Doplgenger)
Saradnica na izvođenju: Svetlana Ivanov
📷 Nada Kostić

12/05/2023

No trabalho do duo Doplgenger, a relação entre arte e política é explorada por meio de montagens e intervenções experimentais, que recuperam procedimentos das vanguardas históricas em materiais de arquivo, reelaborando principalmente a memória e a história da antiga Iugoslávia.

Fundado na Sérvia, o duo de artistas participante da 22ª Bienal Sesc_Videobrasil é composto por Isidora Ilić e Boško Prostran. Suas obras foram exibidas em instituições como a Bienal Ostrale, Dresden (Alemanha), Museu de Arte Moderna de Moscou (Rússia) e Centre Georges Pompidou (França). Saiba mais: https://bit.ly/3nTRPdC

❕️Nos próximos meses, conheça os artistas participantes da bienal, que chega ao Sesc 24 de Maio em 18 de outubro.

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In Doplgenger’s work, the relationship between art and politics is explored through montages and experimental interventions, which recover historical avant-garde procedures in archival materials, mainly re-elaborating the memory and history of the former Yugoslavia.

Based on Serbia, the artist duo is composed by Isidora Ilić and Boško Prostran. Their works have been shown at institutions such as the OSTRALE Dresden (Germany), Moscow Museum of Modern Art (Russia) and Centre Georges Pompidou (France). Learn more: https://bit.ly/42FKsFC

❕️In the next few months, get to know the participating artists of the exhibition, which will be held at Sesc 24 de Maio (Brazil).

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📷 Crédito da foto / Image credit: Uroš Miloradović

29/04/2021

Found Footage Magazine recommends found-footage films at the 67th International Short Film Festival Oberhausen!
Excited that Doplgenger is on the list with ‎𝔹𝕖𝕟𝕖𝕒𝕥𝕙 𝕒 𝕊𝕥𝕒𝕣𝕝𝕖𝕤𝕤 𝕊𝕜𝕪 𝕒𝕤 𝔻𝕒𝕣𝕜 𝕒𝕟𝕕 𝕋𝕙𝕚𝕔𝕜 𝕒𝕤 𝕀𝕟𝕜 🌗💥
Join the discussion on May 6th within Oberhausen 2021 Theme programme – Solidarity as Disruption

Internationale Kurzfilmtage Oberhausen 2021
Online edition/on-site - Oberhausen (Germany)
May 1-10, 2021

The 67th edition of the International Short Film Festival Oberhausen is about to start.

What a formidable combination, to face and deflect already existing media content through a myriad of found footage filmmaking techniques. Here one discovers, above all, the simple architecture of an imaginative core.

Among others:

▪️'Threshold' (Rania Stephan, 2018).
▪️'copia de la copia (de la copia)' (Rafal Morusiewicz, 2020).
▪️'The Pure and the Damned' (Oliver Pietsch, 2021).
▪️'Cause of Death' (Jyotti Mistry, 2021).
▪️'Edge of Doom' (Michaela Grill, 2020).
▪️'Phantasmagoria, 1945' (Karl Nussbaum, 2019).
▪️'Mediterranean Landscape' (Christiana Ioannou, 2020).
▪️'+x+=+' (Niyaz Saghari, 2020).
▪️'Mrs Yamahas Summer Tune' (Katharina Duve and Timo Schierhorn, 2020).
▪️'Apiyemiyekî?/Why?'(Ana Vaz, 2019).
▪️'Beneath a Starless Sky as Dark and Thick as Ink' (Doplgenger, 2015).
▪️'Covid Messages' (John Smith, 2020).
▪️'Misty Picture' (Christoph Girardet and Matthias Müller, 2020).
▪️'Satelitska stanica/Satellite Station' (Kosmoplovci collective, 2002).
▪️'Osobni rezovi/Personal Cuts' (Sanja Iveković, 1982).
▪️'Memory Also Die' (Didi Cheeka, 2020).
▪️'Broth of Vigour' (Daniel McIntyre, 2020).

More info: https://www.kurzfilmtage.de

* Still image from 'Phantasmagoria, 1945' (Karl Nussbaum, 2019).

28/03/2021

👉 https://5e.centre.ch/fr/works/?id=499 -14680

Vest | Ivana Momcilovic | Zeneva | ex-YU | Eksperimentalni film | Amateri | Kino klub 27.03.2021 | 23:12 Jugoslovenska prošlost na celuloidu Program posvećen jugoslovenskom amaterskom eksperimentalnom filmu od kraja 50-ih do danas, započet prošle jeseni u Centru za savremenu umetnost u Ženevi, ...