01/19/2026
School of Art Gallery welcomes Derek Dunlop as Director/Curator ๐
Please join us in welcoming Derek Dunlop, who began his role as Director/Curator of the School of Art Gallery on January 5, 2026. Dunlop brings curatorial experience, research excellence, and a national exhibition history to the position.
โI was drawn to the School of Art Gallery because of its position at the intersection of studio practice, art history, and critical theory within a major research university,โ Dunlop says. โThat combination creates the conditions for programming that is intellectually rigorous while remaining closely connected to making, teaching, and public conversation.โ
Looking ahead, Dunlop is excited to build on the Galleryโs strong foundationโdeepening its role as a welcoming public space and an active site of learning, research, and collaboration.
Read the announcement: https://umtoday.ca/stories/school-art-gallery-welcomes-derek-dunlop-directorcurator
School of Art Gallery welcomes Derek Dunlop as Director/Curator
Dunlop brings research-driven curating and a commitment to local art histories to the Galleryโs next chapter.
08/21/2025
โจCBC Arts: School of Art Assistant Professor Anna Binta Diallo reflects on her grandfather, renowned architect รtienne Gaboury, in Heliophile โ her new glass-based exhibition at Galerie Buhler Gallery. On view until August 22.
Read more โฌ๏ธ
CBC Manitoba: To Canadians, heโs Manitobaโs greatest architect. To this artist, heโs grandpa
Anna Binta Diallo, an assistant professor at the University of Manitobaโs School of Art, is opening a new exhibition at Galerie Buhler Gallery that reflects on the legacy of her grandfather, renowne
07/23/2025
Spotlight on Research ๐๐
Congrats to Professor Grace Nickel on receiving a SSHRC Insight Grant for her project โ16th Century Meets the 21st Centuryโ, which explores the historical and contemporary impact of Anabaptist/Haban ceramics.
Read the full story โ
Spotlight on Research: Professor Grace Nickel Awarded SSHRC Insight Grant
Congratulations to School of Art professorย Grace Nickel, who has been awarded an Insight Grant through the 2024 SSHRC competition. Her project,ย 16th Century Meets the 21st Century โ the Hi
06/06/2025
๐ Huge congratulations to our 2025 School of Art grads!
It was such a joy to celebrate with you at convocation this weekโwhat a moment. Youโve brought curiosity, care, and bold ideas into our studios, lecture halls, and galleries. Weโre so proud of everything youโve accomplished.
๐ฌ๐ผ๐ ๐ฑ๐ถ๐ฑ ๐ถ๐. Keep in touchโweโll be cheering you on from here. ๐
06/05/2025
๐ Shout-out to School of Art alum ๐๐ต๐๐ธ๐๐๐ฑ๐๐ฏ๐ฒ๐บ ๐จ๐ธ๐ฎ๐ถ๐ด๐๐ฒ (BFA Hon. โ22), shortlisted for the 2025 ๐ฆ๐ผ๐ฏ๐ฒ๐ ๐๐ฟ๐ ๐๐๐ฎ๐ฟ๐ฑ!
gallery.ca/whats-on/sobey-art-award/artists-2025
Representing the Prairies, Dubemโs multidisciplinary work explores identity, history, and connection through painting, video, performance, and more. Drawing on influences ranging from experimental music and literature to history and futurisms, his practice engages with themes of semiotic dissonance, shared authorship, and global aesthetics. His work will be featured this fall in the ๐ฆ๐ผ๐ฏ๐ฒ๐ ๐๐๐ฎ๐ฟ๐ฑ ๐ฒ๐
๐ต๐ถ๐ฏ๐ถ๐๐ถ๐ผ๐ป ๐ฎ๐ ๐๐ต๐ฒ ๐ก๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐๐ฎ๐น๐น๐ฒ๐ฟ๐ ๐ผ๐ณ ๐๐ฎ๐ป๐ฎ๐ฑ๐ฎ.
So proud โ and cheering you on, Dubem!
06/03/2025
Think you could spot a fake Tom Thomson?
Students in ๐๐ฐ๐ฑ๐ช๐ฆ๐ด, ๐๐ฐ๐ณ๐จ๐ฆ๐ณ๐บ, ๐ข๐ฏ๐ฅ ๐๐ฑ๐ฑ๐ณ๐ฐ๐ฑ๐ณ๐ช๐ข๐ต๐ช๐ฐ๐ฏ (FAAH 3250) asked just that. Taught by Dr. David Foster, the course explores the history, theory, and ethics of copying, forgery, adaptation, plagiarism, and appropriationโfrom modernist ready-mades to postmodern pastiche and contemporary postproduction art. It also examines the harms of cultural appropriation through the lens of decolonization and postcolonial theory.
๐ธ Students examine a forged Tom Thomsonโunpacking questions of authorship, creativity, and appropriation.
05/21/2025
Weโre proud to celebrate faculty member and acclaimed ceramic artist ๐๐ฟ๐ฎ๐ฐ๐ฒ ๐ก๐ถ๐ฐ๐ธ๐ฒ๐น, named the inaugural recipient of the ๐ฅ๐ผ๐ฏ๐ฒ๐ฟ๐ ๐ฎ๐ป๐ฑ ๐ ๐ฒ๐ฟ๐ถ๐ฑ๐ฒ๐น ๐๐ฟ๐ฐ๐ต๐ฎ๐บ๐ฏ๐ฒ๐ฎ๐ ๐๐๐ฎ๐ฟ๐ฑ ๐ผ๐ณ ๐๐ถ๐๐๐ถ๐ป๐ฐ๐๐ถ๐ผ๐ป, presented by the Manitoba Craft Council as part of the 2025 Craft Awards earlier this month.
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The award recognizes an outstanding career in craft, and it was only fitting that Graceโa former student, colleague, and friend of Bob Archambeauโwas the first to receive this honour.
From international exhibitions to major public commissions and years of dedicated teaching, Graceโs impact has been felt across generations. As she shared in her remarks: โ๐๐ฉ๐ช๐ด ๐ช๐ด ๐ญ๐ข๐ต๐ฆ๐ณ.โ ๐๐ผ๐ป๐ด๐ฟ๐ฎ๐๐๐น๐ฎ๐๐ถ๐ผ๐ป๐, ๐๐ฟ๐ฎ๐ฐ๐ฒ! ๐
๐ Read the full article: https://news.umanitoba.ca/celebrating-grace-nickel-inaugural-archambeau-award-of-distinction-recipient/
05/20/2025
๐ก Opening this Friday at the School of Art Gallery:
Lisha Wang: ๐. ๐. ๐. ๐.
May 23โJune 20, 2025
Opening Reception: Friday, May 23 | 5:00โ8:00 PM
School of Art Gallery, 180 Dafoe Road, UM
ย
โ๐๐บ ๐ข๐ณ๐ต๐ธ๐ฐ๐ณ๐ฌ ๐ช๐ด ๐ข๐ฃ๐ฐ๐ถ๐ต ๐ญ๐ช๐ง๐ฆ,
๐ข๐ฃ๐ฐ๐ถ๐ต ๐ต๐ฉ๐ฆ ๐ข๐ต๐ต๐ฆ๐ฎ๐ฑ๐ต๐ด ๐ต๐ฐ ๐ณ๐ฆ-๐ฑ๐ณ๐ฆ๐ด๐ฆ๐ฏ๐ต ๐ช๐ต,
๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐ฒ๐ถ๐ฆ๐ด๐ต๐ช๐ฐ๐ฏ ๐ฐ๐ง ๐ฉ๐ฐ๐ธ ๐ต๐ฐ ๐ณ๐ฆ-๐ข๐ณ๐ณ๐ข๐ฏ๐จ๐ฆ ๐ช๐ต.โ
ย
In her MFA thesis exhibition ๐. ๐. ๐. ๐., Lisha Wang blurs the line between concept and form, creating subtle, immersive works that use text, photography, video, sound, and performance to reflect on the nature of being. Her minimal aesthetic and poetic gestures create space for quiet disruption and reflectionโraising questions about perception, time, and the fragility of experience.
ย
Originally from China, Wang studied contemporary jewellery in Italy and Germany before turning to conceptual art. Her interdisciplinary practice seeks not answers, but atmospheric provocationsโmoments that unfold slowly and linger.
ย
Public Thesis Examination:
Friday, June 6 | 1:00 PM
School of Art Gallery โ All are welcome.
ย
๐ umanitoba.ca/art/mfa-thesis-exhibitions
05/20/2025
๐ฟ Opening this Friday at the School of Art Gallery:
Netsanet Shawl: ๐๐ณ๐ฐ๐ฎ ๐๐ข๐ณ๐ต๐ฉ ๐ต๐ฐ ๐๐ณ๐ต
ย
May 23โJune 20, 2025
Opening Reception: Friday, May 23 | 5:00โ8:00 PM
School of Art Gallery, 180 Dafoe Road, UM
ย
In ๐๐ณ๐ฐ๐ฎ ๐๐ข๐ณ๐ต๐ฉ ๐ต๐ฐ ๐๐ณ๐ต, Netsanet Shawl explores the memory held in materialsโclay, cattails, and natural fibresโthrough sculptural vessels that bridge cultural identity, ancestral knowledge, and migration. Her process begins with the land: gathering local clay, weaving grasses, coiling by hand. Through these gestures, she honours the womenโs craft traditions of her Ethiopian heritage while reflecting on new relationships formed in Canada.
ย
Her work speaks across geographies, combining basketry and ceramics to challenge the division between craft and fine art. Each vessel becomes a carrier of care, resilience, and continuityโhandmade stories of belonging and cultural memory.
Born in Ethiopia and now based in Winnipeg, Shawl holds a BFA (Honours) and is completing her MFA at the University of Manitoba. Her work has been exhibited nationally and is included in upcoming international exhibitions, including with ITSLIQUID Group in Venice, Italy.
ย
Public Thesis Examination:
Thursday, June 5 | 1:00 PM
School of Art Gallery โ Everyone welcome.
๐ umanitoba.ca/art/mfa-thesis-exhibitions
ย
05/20/2025
๐ซ Opening this Friday at the School of Art Gallery:
Frankie May: ๐๐ท๐ฆ๐ณ๐บ๐ฅ๐ข๐บ ๐๐ช๐ง๐ฆ ๐๐ฆ๐ท๐ฐ๐ญ๐ถ๐ต๐ช๐ฐ๐ฏ
May 23โJune 20, 2025
Opening Reception: Friday, May 23 | 5:00โ8:00 PM
School of Art Gallery, 180 Dafoe Road, UM
ย
Through body performance, experimental photography, and video installation, Frankie May launches a full-scale critique of normalized society and ideological conditioning. Everyday Life Revolution is a conceptual rebellion against the monotony and control of capitalist lifeโa space where perception is disrupted, absurdity becomes strategy, and the body refuses to conform.
ย
Influenced by Dada and Fluxus, May employs humor not for relief but ruptureโinterrupting the passive gaze and exposing what society represses or refuses to see. His work is confrontational, provocative, and often unsettling, asking viewers to think with their bodies, not just their minds.
ย
Originally from Ningbo, China, May worked as an artist and curator in Hangzhou and Shanghai before moving to Canada in 2023. He completed his BFA and MFA coursework at the China Academy of Art and has exhibited widely across China, the UK, and Canada, including as a 2024 participant in Plug In ICAโs Summer Institute.
ย
Public Thesis Examination:
Wednesday, June 4 | 1:00 PM
School of Art Gallery โ All are welcome!
๐ umanitoba.ca/art/mfa-thesis-exhibitions
ย
05/20/2025
๐ผ Opening this Friday at the School of Art Gallery:
โจXianghui Guan: ๐๐ฉ๐ฆ ๐๐ณ๐ฐ๐ต๐ข๐จ๐ฐ๐ฏ๐ช๐ด๐ต
โจMay 23โJune 20, 2025โจOpening Reception: Friday, May 23 | 5:00โ8:00 PMโจSchool of Art Gallery, 180 Dafoe Road, UM
In his MFA thesis exhibition ๐๐ฉ๐ฆ ๐๐ณ๐ฐ๐ต๐ข๐จ๐ฐ๐ฏ๐ช๐ด๐ต, Xianghui Guan invites us into a deeply personal visual narrative. Through a series of painted scenes that blend still life, memory, and metaphor, he explores how the self is formed through loss, migration, and fractured language.
Treating images as both emotional residue and perceptual sites, Guanโs โpainted novelโ challenges the boundaries between word and image. His work centers on themes of childhood, family, illness, and dislocationโnot through nostalgia, but through visual disruptions that activate memory and affect.
Originally from Henan, China, Guan holds BFAs and MFAs from the Sichuan Fine Arts Institute and has exhibited widely across Asia and North America. A committed artist and educator, his practice reflects years of research into image-making as a form of storytelling and self-construction.
Public Thesis Examination:โจWednesday, May 28 | 1:00 PMโจSchool of Art Gallery โ All are welcome to attend!
05/20/2025
๐จ Opening this Friday at the School of Art Gallery:
โจLaila Fazal: ๐๐ฐ๐ท๐ฆ๐ฏ ๐๐ฐ๐ฐ๐ต๐ด (๐ด๐ถ๐ต๐ฐ๐บ ๐ฃ๐ฐ๐ฏ๐ข ๐ด๐ฉ๐ช๐ฌ๐ฐ๐ณ)
โจMay 23โJune 20, 2025โจOpening Reception: Friday, May 23 | 5:00โ8:00 PMโจSchool of Art Gallery, 180 Dafoe Road, UM
In her MFA thesis exhibition, Laila Fazal reflects on the emotional and cultural complexities of immigration, identity, and belonging. Drawing on the visual language of Bengali scroll painting and personal iconography, her vibrant, symbolic works weave together past and presentโmapping stories of memory, displacement, and resilience.
Fazalโs work honours lived experience while confronting the lasting effects of colonialism on tradition, gender, and cultural continuity. Through richly layered narratives, she reclaims space for voices too often overlooked and reframes inherited identity through her own lens.
Born in Bangladesh, Laila holds BFAs and MFAs from the University of Dhaka and is currently completing her MFA at the School of Art. Her work has been exhibited across South Asia and Canada and reflects a growing presence in diasporic and contemporary art conversations.
Public Thesis Examination:โจThursday, May 29 | 1:00 PMโจSchool of Art Gallery โ Open to all!
๐ umanitoba.ca/art/mfa-thesis-exhibitions