06/20/2022
Four things that separate good from bad drummers
1. Good drummers listen.
This may sound matter of fact but it isn’t. As the drummer in any band, you are contributing to the whole. Often times a vocalist will bring charts but is not uncommon that they don’t have the drum chart. This is where the drummer has to pay particular attention to the rest of the band or he is going to mess things up. In my case, from playing so many years I know most of the standards that a vocalist may have chosen. As the drummer, if you don’t know the tune, then right off the top ask the bass player if the tune is a swing, shuffle, or rock? He will have this written on his chart. Get as much information from the bass player or vocalist as you can before the count-in. Play softer behind the vocalist until the instrument solos where you can crank it up a bit. Be prepared by listening hard in case there are breaks in the song. Pay particular care to the ending.
Count in’s are not that hard but endings can be tricky. With no chart, this is where your eyes and ears have to be ready. Watch the band leader or keyboard player for arms waving that will give you the ending feel.
2. Good drummers have learned all the different rhythms.
If you want to stay employed as a drummer you will need to know all the various rhythms. There is more to life than rock n roll. A good drummer knows how to play swing, shuffles, rock, funk, and Latin and knows the difference between them all. Swing and shuffle rhythms are different but both have a triplet kind of feel. Funk is often similar to rock but a lot more syncopated. In funk, the bass and drums have to be very coordinated. Now Latin rhythms played well by a drummer let him or her shine. But there is quite a difference in the feel between a Samba, a Bollero, and a Cha Cha. Make sure you are equipped to handle whatever is given to you. There are many great drum books that can teach you all of the above take the time to learn it all. Drummer Mike Michalkow has some great books on Latin rhythms. Remember, you are not going to learn these rhythms overnight. You will need to schedule many hours of practice to become proficient at all of them.
3. Good drummers discipline their practice time.
This is where many drummers fall down. I would say that 80% of most drummers sit down to practice and spend most of their time playing what they know. They should be warming up with what they know and then dig into the work of learning something new. I often tell my students to mark on a weekly calendar the days and times of their practice times. Then circle these times in red. Nothing should interfere with this drum practice schedule. I’ve heard it all: “I couldn’t practice because I had to”… blah blah blah. If you want to succeed you simply have to make you're drumming a priority and whatever comes second, keep it second. Monday’s, Wednesday’s, and, Friday’s for an hour each time is a good start. Monday to Friday for two hours is better, much better. How bad do you want it?
One very well-known drummer was in my town recently with his trio. He is well into his 60s and still practices three hours. A day. That’s why he is a well-known drummer.
4. Good drummers have learned the essential rudiments and how to apply them.
There are over 35 different rudiments. What is a rudiment? It is a variety of sticking methods other than but including single strokes. There are a number of these that are essential and that every drummer should know and play well. They are the paradiddle (RLRR-LRLL) The single stroke (RLRLRLRL) The double paradiddle (RLRLRR-LRLRLL) The paradiddle-diddle (RLRR-LL) The triplet (RLR-LRL-RLL-LRL) double strokes (RR-LL-RR-LL). Learning these and other rudiments is the backbone of drumming. Once mastered then you can apply these different sticking patterns to the varied voices of a drum kit. I’m speaking here of snare drum, hi-hat, small tom, medium tom, floor tom, bass drum, cowbell, and ride cymbal. This is where your creativity starts. The patterns and rhythms you can create while experimenting with rudiments are endless and can provide you with some of the most rewarding practice sessions.
you’ll ever have. Contact me for your free half-hour introductory lesson, and I promise, I will not pressure you to sign up.
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https://www.barrycasson.com/drum-boy/
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