Before you can understand the potential of a material, you need to spend time getting to know it.
In Junior Author & Artist Studio, we began building a relationship with ink.
Not following a set of instructions, but exploring - with curiosity and openness - how ink reacts.
And what if feels like to play with it.
We started with mark making.
Holding the brush in different positions - near the end, on its side.
Drawing the thinnest line imaginable.
Started with the tip, then flattening the bristles - watching the stroke widen.
Rolling the bristles along the paper.
Stoking the ink on the page until nothing was left.
Then wetting a section of paper and adding a single drop of ink - watching it bloom.
Using the dirty rinse water for a wash of grey.
Standing while making marks.
Noticing what felt most natural.
At the end, three questions to sit with:
What was satisfying?
What was surprising?
What was challenging?
This is how a relationship with a material begins - with curiosity and time. Like making a new friend, the more time you spend together the better you get to know them.
Try these simple explorations on your own or with your team.
Pick up a brush. Get to know ink.
Notice what feels natural. Notice what surprises you.
And if you try it with the children in your care, sit alongside them. Explore together.
How does your own relationship with a material shape the invitations you offer children?
The Intentional Educator
Creative Studio is about meeting children where they are, fostering the love of learning, nature and self-expression.
Workshops, coaching,
Host of The Intentional ECE
https://open.spotify.com/show/7usbXnf7AooW2CHlKbduz2
https://podcasts.apple.com/us/podcast/the-intentional-ece/id1786003488
Ideas & resources to inspire ECE & Elementary Educators Play-based programs are geared to spark curiosity, exploration and self expression through play exploration, writing, art, nature experieinces and conversation. Program
08/20/2026
A successful week in Art Lab.
But what made it feel successful?
That question got me thinking about learning. How learning doesn’t move in a straight line - how it moves in circles, waves. Revisiting, building upon experience and knowledge - creating a depth of understanding.
And then, what it asks of the educator. Knowing when to teach, step back, facilitate.
Being a responsive educator.
The Shape of Leaning ~ link in bio.
Ripples, reflections, wonder, joy, shared experiences.
Play for the joy of it - and yes, there’s learning happening within.
But I think sometimes we just need to enjoy the moment together.
08/19/2026
A books can be a teacher directed, teachable moment.
Or it can be an invitation.
An invitation into curiosity, conversation, and the natural unfolding of ideas - where the children lead and the story simply opens the door.
Here are some of my favourites.
Each one captures attention in its own way, and creates the conditions for conversation to find its own direction.
Penny and Her Marble ~ Kevin Henkes
The moment you take something that isn’t yours and what happens inside you.
Outside My Window ~ Linda Ashman
A glimpse into different cultures around the world
Ella Who? ~ Linda Ashman
When adults don’t listen.
circle under berry ~ Carter Higgins
An invitation to look & think differently, and discover perspective.
Hug Machine ~ Scott Campbell
The joy of giving to others.
Window ~ Jeannie Baker
Wordless. Detailed. An invitation to look closely and create your own story.
Earth to Audrey ~ Susan Hughes
The discovery of friendship and what it means to truly connect.
What books do you reach for when you want to invite conversation?
(A shoutout to 𝙰𝚕𝚘𝚗𝚊 𝚈𝙸𝙻𝙳𝙸𝚁𝙸𝙼 || 𝙿𝚎𝚍𝚊𝚐𝚘𝚐𝚒𝚌𝚊𝚕 𝙰𝚝𝚖𝚘𝚜𝚙𝚑𝚎𝚛𝚎 who recommended a few of these books)
08/18/2026
One child wanted to splatter a colour but wasn’t quite ready.
And so another child offered to do it for them.
Just like that.
This is what Junior Author & Artist Studio is -
a space to come together.
To play, explore, experiment.
To follow an idea and feel joy when it takes shape.
To support someone. Connect with someone.
Finding a place of belonging.
On our first day together, the children learned by doing.
Stories shaped together on the carpet.
Narratives finding form through materials.
Colours mixed, explored, discovered.
Choice. Experimentation. Play.
The freedom to help each other shape a story, add a mark, make a suggestion.
Meaningful learning doesn’t happen at a desk with a worksheet - it happens in the making.
In the helping, offering.
In the quiet courage of trying something because someone believed you could.
What do you notice when children are given freedom to learn from and with each other? What does that kind of connection make possible?
On our first day of Stories in the Studio, the children arrived curious.
Wanting to explore and understand compliments. Inspiration. Connection.
And so we talked - and they said:
A compliment feels like “a warm cozy blanket”, “happy”, “good”
Connection is like “joining magnets together”, “like magnetic tiles”
Like “having a friend”
They’re wonderings, their words.
From there, we mixed colours, shared experiences and told stories while we painted,
discovered what we liked,
created stories from materials, and captured some of those stories in writing.
But underneath it all, a simple intention
Holding a space of permission.
Where there’s no such thing as a mistake.
Just experiments we learn from.
Where children can share discoveries, have opinions, ask questions, follow their curiosity, and arrive fully themselves.
Because when that space is held with care, children create meaningful learning experiences for themselves.
Not because it’s was planned, but because the space made room for it.
Human to human.
What does a space of permission look like in your setting? What do children bring when they know it’s truly safe to arrive as themselves?
08/15/2026
08/12/2026
Something else I’ve been working on over the last few months, and I’m excited to finally share.
We talk about creating community with children, families and the teams we’re connected to, but what does it actually feel like?
The Shared Canvas is an intimate, in-person collaborative art experience for a small group of ten. A space to slow down, connect with the materials, yourself, and others - and feel what true collaboration is like.
Have a look at the slides, and visit the link in bio to learn more and inquire about fall bookings.
To replenish. To connect. To thrive - together.
08/12/2026
What if we responded to behaviour with curiosity first?
Before correction, or consequence - before assuming we know what’s happening.
Simply curiosity.
Followed by empathy.
That shift is at the heart of trauma-informed practice. And it changes how we see children.
Megan Graham, Megan Graham, joined me to explore what it means to see the whole child.
The role of play in building a sense of self.
And why educators’ observational skills might be their greatest superpower.
But we don’t stop there.
Because we need systems that support it.
Smaller class sizes.
Designated roles like Child and Youth Care workers as part of the team - not called in when there’s a problem.
Time to observe, reflect, and actually apply what educators know.
When children’s developmental needs go unmet, the effect ripples far beyond the learning environment.
Let’s reimagine what’s possible - for children, educators, and for the systems that hold them both.
In your context, what’s one shift you can imagine that would place relationships at the forefront of?
Episode now available ~ link in bio. ✨
08/12/2026
Creative Play ~ The day before, the group had been building towers together.
Then A. arrived and announced, “I have an idea. We could build a big ferry. I was thinking about this at home last night.”
The group was immediately on board. A conversation followed - each child sharing their ferry experience. What had stayed with them: it was “a bit wobbly and it was windy.” “I saw people eating outside”.
And then they set off to create their ocean and ferry. “We need to put the sea down before we do anything else.”
One child began setting up the ground and beach. Another noticed the gems - deciding they would be sand and fish food. The green fabric became seaweed. Animals were needed for the ocean. Everyone seemed to migrate towards building the habitat together.
It was interesting to see their knowledge about the ocean ecosystem, and I wondered if they had abandoned the ferry idea.
Then A. realized there was no room for the ferry.
When others heard the disappointment, they tried offering a solution. Using paper and glue, they made small ferries. But A. wasn’t satisfied and the group became stuck.
I could see they needed support so I simply said, “we need a bigger ocean.”
They liked this and negotiations began. A. had ideas and the others agreed; the ocean expanded.
The block ferry got built - complete with propeller, and a White Spot restaurant with a secret code to get in. The sea animals came to eat. The ferry got extended to fit the cars.
One idea, shared at the start of the morning. Collective agreement. Disruption. Empathy. Problem-solving. Creative thinking. Compromise. Collaboration.
Collective autonomy.
All of it, the children.
The educator’s role?
To know the children. To be attentive and attuned. To offer support only when the play was stuck - and the children wanted to keep it going but didn’t quite have the skills yet.
What helps you pause long enough to let the children find their own way through?
What does attunement look like in your practice? What does it ask of you?
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3735 Capilano Rd
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