09/05/2026
🔊Sound on! 🎶
At Ubuntu Learning Village, Mr. Dyck and Dr. Freeborn were invited to gather in the kitchen for evening dandaro - beautiful, joyful, inclusive, intergenerational gatherings filled with music, dancing, singing, and connection! You will notice this in each of the videos shared here. 🎶
Dandaro cultivate a powerful sense of togetherness, reflecting the spirit of ubuntu through cooperation, humanity, affection, and caring (Matiure, 2021). This way of learning through place and community connects with the scholarship and work of Ubuntu Learning Village founder Dr. Moyo Rainos Mutamba (Mutamba, 2018). ❤️
It’s important to understand this music within its historical context. Mbira and Shona musical traditions are deeply connected to cultural knowledge, spirituality, and relationships between the living and their ancestors (Matiure, 2011; Kyker, 2009). During colonial rule, the cultural and spiritual significance of mbira, and its connections to land and generations, made it a target of harsh colonial suppression (Chikowero, 2015).
While Indigenous histories and cultures are unique and distinct, protecting Indigenous knowledge and heritage is a global challenge (Battiste & Henderson, 2000). 🌎 There are important connections here to Canada, where Indigenous children in residential schools were prohibited from singing their songs and the Indian Act criminalized singing and dancing associated with certain ceremonies (Robinson, 2022).
Music carries cultural knowledge, language, history, identity, spirituality, and relationships across generations. As our students engage with music from around the world, we encourage curiosity, care, and respect for the people, histories, cultural contexts, and knowledge systems connected to that music.
Our deepest gratitude to Moyo and the Ubuntu community for welcoming us with open arms and hearts into this very special community space. ❤️🇿🇼🎶
Brockton School
Moyo Rainos Mutamba
Ubuntu Learning Village
Jennifer Kyker
Mhoze Chikowero
Dylan Robinson
Sources & further reading 📚
Battiste, M., & Henderson, J. (Sa’ke’j) Y. (2000). Protecting Indigenous knowledge and heritage: A global challenge. Purich Publishing.
Chikowero, M. (2015). African music, power, and being in colonial Zimbabwe. Indiana University Press.
Kyker, J. W. (2009). Carrying spirit in song: Music and the making of ancestors at Zezuru kurova guva ceremonies. African Music, 8(3), 65–84.
Matiure, P. (2011). Mbira dzavadzimu and its space within the Shona cosmology: Tracing mbira from bira to the spiritual world. Muziki, 8(2), 29–49.
Matiure, P. (2021). The multiple meanings of the Shona traditional performance theatre (dariro): Unpacking the concept. Cultural Arts Research and Development, 1(1), 1–10.
Mutamba, M. R. (2018). In the breath of learning: Place-based social movements, learning, and prefiguration of other worlds [Doctoral dissertation, University of Toronto].
Robinson, D. (2022). The appropriation and incarceration of Indigenous songs. In Promoting and protecting the arts and cultural expressions of Indigenous Peoples: A compendium of experiences and actions.