Exist Accounting

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All business education students will be taught easy accounting, finance, Here 99% common suggestions and A + are guaranteed.

05/07/2022

Some relation 😀

13/04/2022

⧍ā§Ļā§¨ā§Š āϏāĻžāϞ⧇āϰ āĻāϏ. āĻāϏ. āϏāĻŋ āĻĒāϰāĻŋāĻ•ā§āώāĻžāϰ āϏāĻŋāϞ⧇āĻŦāĻžāϏ (āĻŦā§āϝāĻžāĻŦāϏāĻž āĻļāĻŋāĻ•ā§āώāĻž āĻļāĻžāĻ–āĻž)
āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋ -ā§§,⧍,ā§Š,ā§Ē,ā§Ŧ,⧝
āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ -⧍,ā§Š,ā§Ē,ā§Ģ,ā§Ŧ,ā§­,⧝,ā§§ā§Ļ
āĻŦā§āϝāĻžāĻŦāϏāĻžā§Ÿ āωāĻĻā§āϝ⧋āĻ—-ā§§,⧍,ā§Š,ā§Ē,ā§Ģ,ā§Ž,⧝,ā§§ā§§
āĻĢāĻŋāĻ¨ā§āϝāĻžāĻ¨ā§āϏ āĻŦā§āϝāĻžāĻ‚āĻ•āĻŋāĻ‚ -ā§§,ā§Š,ā§Ē,ā§Ģ,⧝,ā§§ā§Ļ,ā§§ā§§

09/04/2022

āĻ…āĻŦāϚ⧟/Depreciation:

āĻ…āĻŦāϚāϝāĻŧāσ āĻ¸ā§āĻĨāĻžāϝāĻŧā§€ āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ āϜāύāĻŋāϤ āĻ•ā§āώāϤāĻŋāϕ⧇ āĻ…āĻŦāϚāϝāĻŧ āĻŦāϞ⧇ āĨ¤

āĻ…āĻŦāϚāϝāĻŧ āύāĻŋāĻ°ā§āϧāĻžāϰāϪ⧇āϰ āĻŦāĻŋāĻŦ⧇āĻšā§āϝ āĻŦāĻŋāώāϝāĻŧāϗ⧁āϞ⧋ āĻšāϞ⧋āσ
1. āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āĻ•ā§āϰāϝāĻŧāĻŽā§‚āĻ˛ā§āϝ ( Cost of assets ): āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āύ⧀āϟ āĻ•ā§āϰāϝāĻŧāĻŽā§‚āĻ˛ā§āϝ, āĻĒāϰāĻŋāĻŦāĻšāĻŖ āĻ–āϰāϚ, āφāĻŽāĻĻāĻžāύāĻŋ āĻļ⧁āĻ˛ā§āĻ• , āϏāĻ‚āĻ¸ā§āĻĨāĻžāĻĒāύ āĻŦā§āϝāϝāĻŧ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāϰ āϝ⧋āĻ—āĻĢāϞ āĻšāϞ āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āĻ•ā§āϰāϝāĻŧāĻŽā§‚āĻ˛ā§āϝāĨ¤
2. āĻ…āĻŦāϚāϝāĻŧāϝ⧋āĻ—ā§āϝ āĻŽā§āĻ˛ā§āϝ ( Depreciable cost ): āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āĻ•ā§āϰāϝāĻŧāĻŽā§āĻ˛ā§āϝ āĻšāϤ⧇ āĻ­āĻ—ā§āύāĻŦāĻļ⧇āώ āĻŽā§āĻ˛ā§āϝ āĻŦāĻžāĻĻ āĻĻāĻŋāϞ⧇ āĻ…āĻŦāϚāϝāĻŧāϝ⧋āĻ—ā§āϝ āĻŽā§āĻ˛ā§āϝ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤ Depreciable cost = Cost – Salvage value (S.V)
3. āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āφāύ⧁āĻŽāĻžāύāĻŋāĻ• āφāϝāĻŧ⧁āĻˇā§āĻ•āĻžāϞ ( Estimated life of the assets ): āϕ⧋āύ āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋ āĻĨ⧇āϕ⧇ āĻĒā§āϰāĻžāĻĒā§āϤ āĻŽā§‹āϟ āϏ⧁āĻŦāĻŋāϧāĻžāϕ⧇ āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āφāύ⧁āĻŽāĻžāύāĻŋāĻ• āφāϝāĻŧ⧁āĻˇā§āĻ•āĻžāϞ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦāĻŋāĻŦ⧇āϚāύāĻž āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āϝ⧇āĻŽāύāσ āĻŦāĻ›āϰ , āĻ‰ā§ŽāĻĒāĻžāĻĻāύ āĻāĻ•āĻ• , āĻŽāĻžāχāϞ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤
4. āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āĻ­āĻ—ā§āύāĻŦāĻļ⧇āώ āĻŽā§āĻ˛ā§āϝ (Residual value of the assets ): āĻ•āĻžāĻ°ā§āϝāĻ•āϰ āφāϝāĻŧ⧁āĻˇā§āĻ•āĻžāϞ āĻļ⧇āώ⧇ āϕ⧋āύ āĻ¸ā§āĻĨāĻžāϝāĻŧā§€ āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋ āĻŦāĻŋāĻ•ā§āϰāϝāĻŧ āĻ•āϰ⧇ āϝ⧇ āĻŽā§āĻ˛ā§āϝ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāĻŦ⧇ āĻŦāϞ⧇ āϧāĻžāϰāύāĻž āĻ•āϰāĻž āĻšāϝāĻŧ āϤāĻžāχ āϏāĻŽā§āĻĒāĻ¤ā§āϤāĻŋāϰ āĻ­āĻ—ā§āύāĻŦāĻļ⧇āώ āĻŽā§āĻ˛ā§āϝāĨ¤

āĻ…āĻŦāϚāϝāĻŧ āύāĻŋāĻ°ā§āϧāĻžāϰāĻŖ āĻĒāĻĻā§āϧāϤāĻŋāσ
1. Straight line method ( āϏāϰāϞ āϰ⧈āĻ–āĻŋāĻ• āĻĒāĻĻā§āϧāϤāĻŋ )
2. Declining balance method / Diminishing balance Method (āĻ•ā§āϰāĻŽāĻšā§āϰāĻžāϏāĻŽāĻžāύ āĻœā§‡āϰ āĻĒāĻĻā§āϧāϤāĻŋ )
3. Double- decline balance method ( āĻĻā§āĻŦāĻŋāϗ⧁āĻŖ āĻšā§āϰāĻžāϏāĻĒā§āϰāĻžāĻĒā§āϤ āĻœā§‡āϰ āĻĒāĻĻā§āϧāϤāĻŋ )
4. Sum of the years digit method ( āĻŦāĻ°ā§āώ āϏāĻ‚āĻ–ā§āϝāĻžāϰ āϏāĻŽāĻˇā§āϟāĻŋ āĻĒāĻĻā§āϧāϤāĻŋ )
5. Insurance policy method (āĻŦā§€āĻŽāĻžāĻĒāĻ¤ā§āϰ āĻĒāĻĻā§āϧāϤāĻŋ )
6. Depreciation fund method ( āĻ…āĻŦāϚāϝāĻŧ āĻ­āĻžāĻ¨ā§āĻĄāĻžāϰ āĻĒāĻĻā§āϧāϤāĻŋ )
7. Annuity method ( āϏāĻŽāĻ•āĻŋāĻ¸ā§āϤāĻŋ āĻŦāĻžāώāĻŋāϕ⧀ āĻĒāĻĻā§āϧāϤāĻŋ )
8. Revaluation method ( āĻĒ⧁āύāĻ°ā§āĻŽā§āĻ˛ā§āϝāĻžāϝāĻŧāύ āĻĒāĻĻā§āϧāϤāĻŋ )
9. Production method ( āĻ‰ā§ŽāĻĒāĻžāĻĻāύ āĻĒāĻĻā§āϧāϤāĻŋ )
10. Activity Hour Rate method ( āĻ•āĻ°ā§āĻŽ āϘāĻ¨ā§āϟāĻž āĻšāĻžāϰ āĻĒāĻĻā§āϧāϤāĻŋ )
11. Machine Hour Rate method ( āϝāĻ¨ā§āĻ¤ā§āϰ āϘāĻ¨ā§āϟāĻžāĻšāĻžāϰ āĻĒāĻĻā§āϧāϤāĻŋ )
12. Replacement method ( āĻĒā§āϰāϤāĻŋāĻ¸ā§āĻĨāĻžāĻĒāύ āĻŦā§āϝāϝāĻŧ āĻĒāĻĻā§āϧāϤāĻŋ )
13. Mileage method ( āĻŽāĻžāχāϞ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻĻ⧈āĻ°ā§āĻ˜ā§āϝ āĻĒāĻĻā§āϧāϤāĻŋ )
14. Depletion Unit method ( āĻ•ā§āώāϝāĻŧāĻžāύ⧁āĻĒāĻžāϤāĻŋāĻ• āĻĒāĻĻā§āϧāϤāĻŋ )

1. Straight line method ( āϏāϰāϞ āϰ⧈āĻ–āĻŋāĻ• āĻĒāĻĻā§āϧāϤāĻŋ ):

āϝ⧇ āĻĒāĻĻā§āϧāϤāĻŋāϤ⧇ āĻĒā§āϰāĻ¤ā§āϝ⧇āĻ• āĻŦāĻ›āϰ āĻ…āĻŦāϚāϝāĻŧ⧇āϰ āĻĒāϰāĻŋāĻŽāĻžāύ āϏāĻŽāĻžāύ āĻšāϝāĻŧ āϤāĻžāϕ⧇ Straight line method ( āϏāϰāϞ āϰ⧈āĻ–āĻŋāĻ• āĻĒāĻĻā§āϧāϤāĻŋ ) āĻŦāϞ⧇āĨ¤

Example: 1
One asset purchase price Tk.25000, Estimated life 5 years. Salvage value is Tk.5000. Depreciation Rate 20%. Depreciation charge is straight line Method. (āϏāϰāϞ āϰ⧈āĻ–āĻŋāĻ•

08/04/2022

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ
āφāĻ°ā§āĻĨāĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦ āϏāĻ‚āϰāĻ•ā§āώāĻŖ, āĻŦāĻŋāĻļā§āϞ⧇āώāĻŖ āĻ“ āĻĒā§āϰāϤāĻŋāĻŦ⧇āĻĻāύ āĻĒā§āϰāĻŖāϝāĻŧāύ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻšāϞ āĻ…āĻ°ā§āĻĨāύ⧈āϤāĻŋāĻ• āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ āϝ⧇āĻŽāύ āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ āĻŦāĻž āϏāĻ‚āϘāĻŦāĻĻā§āϧ āĻĻāϞ⧇āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻ“ āĻ…āύāĻžāĻ°ā§āĻĨāĻŋāĻ• āϤāĻĨā§āϝ āĻĒāϰāĻŋāĻŽāĻžāĻĒāĻŖ, āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϜāĻžāϤāĻ•āϰāĻŖ āĻ“ āϝ⧋āĻ—āĻžāϝ⧋āϗ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽāĨ¤ āφāϧ⧁āύāĻŋāĻ• āĻļāĻžāĻ–āĻžāϟāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞ āĻŦ⧇āύ⧇āĻĄāĻŋāĻ•ā§āϟ āĻ•āϟāϰ⧁āϞāĻœā§‡āĻ­āĻŋāĻ• āĻ•āĻ°ā§āϤ⧃āĻ• ā§§ā§Ēā§Ģā§Ž āϏāĻžāϞ⧇, (āχāϤāĻžāϞāĻŋāϝāĻŧāσ āĻŦ⧇āύ⧇āĻĻ⧇āĻ¤ā§āϤ āĻ•āĻŸā§āϰ⧁āĻ—āĻŋ; ā§§ā§Ēā§§ā§Ŧ-ā§§ā§Ēā§Ŧ⧝), āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧā§€, āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāĻŦāĻŋāĻĻ, āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀, āϕ⧁āϟāύ⧀āϤāĻŋāĻ• āĻāĻŦāĻ‚ āĻŽāĻžāύāĻŦāϏ⧇āĻŦā§€ āĻĻ⧁āĻŦā§āϰāĻ­āύāĻŋāĻ• (āĻ•ā§āϰ⧋āϝāĻŧ⧇āĻļāĻŋāϝāĻŧāĻž) āĻāĻŦāĻ‚ āχāϤāĻžāϞāĻŋāϝāĻŧāĻžāύ āĻ—āĻŖāĻŋāϤāĻŦāĻŋāĻĻ āϞ⧁āĻ•āĻž āĻĒā§āϝāĻžāϏāĻŋāĻ“āϞāĻŋ ā§§ā§Ē⧝ā§Ē āϏāĻžāϞ⧇ āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ⧇āϰ āĻ­āĻžāώāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ¸ā§āĻŦā§€āĻ•ā§ƒāϤ, āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻ•āĻ°ā§āĻŽāĻ•āĻžāĻ¨ā§āĻĄā§‡āϰ āĻĢāϞāĻžāĻĢāϞ āĻĒāϰāĻŋāĻŽāĻžāĻĒ āĻ•āϰ⧇ āĻāĻŦāĻ‚ āĻāχ āϤāĻĨā§āϝ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀, āϝ⧇āĻŽāύ – āĻŦāĻŋāύāĻŋāϝāĻŧā§‹āĻ—āĻ•āĻžāϰ⧀, āĻ‹āĻŖāĻĻāĻžāϤāĻž, āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻāĻŦāĻ‚ āύāĻŋāϝāĻŧāĻ¨ā§āĻ¤ā§āϰāĻ• āϏāĻ‚āĻ¸ā§āĻĨāĻžāϰ āĻ•āĻžāϛ⧇ āĻĻāĻŋāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āϚāĻ°ā§āϚāĻžāĻ•āĻžāϰ⧀āĻ—āĻŖāϕ⧇ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻĻ āĻŦāϞāĻž āĻšāϝāĻŧāĨ¤ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻ“ āφāĻ°ā§āĻĨāĻŋāĻ• āĻĒā§āϰāϤāĻŋāĻŦ⧇āĻĻāύ āĻ•āϰāĻŖ āĻĒā§āϰāĻžāϝāĻŧāĻļāχ āϏāĻŽāĻžāĻ°ā§āĻĨāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤

āĻĒāĻŖā§āϝ āĻ•ā§āϰāϝāĻŧ, āĻŦāĻŋāĻ•ā§āϰāϝāĻŧ, āĻŽāϜ⧁āĻĻāĻ•āϰāĻŖ, āĻšāĻŋāϏāĻžāĻŦ āύāĻŋāĻ•āĻžāĻļ, āĻŽāĻžāύāĻŦ āϏāĻŽā§āĻĒāĻĻ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϏāĻš āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ⧇āϰ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻšāĻŋāϏāĻžāĻŦ āϏāĻ‚āϰāĻ•ā§āώāύ⧇āϰ āϜāϟāĻŋāϞ āĻāĻŦāĻ‚ āĻ•ā§āϞāĻžāĻ¨ā§āϤāĻŋāĻ•āϰ āĻ•āĻžāϜāϗ⧁āϞ⧋ āφāϜāĻ•āĻžāϞ āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰ⧇āϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇ āĻ…āύ⧇āĻ• āĻĻā§āϰ⧁āϤāϤāĻžāϰ āϏāĻžāĻĨ⧇ āĻ•āϰāĻž āϝāĻžāϝāĻŧāĨ¤ āĻāχ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰāϗ⧁āϞ⧋ āϏāϚāϰāĻžāϚāϰ āĻĒā§āϰāĻ¤ā§āϝ⧇āĻ•āϟāĻŋ āĻĒā§āϰāϧāĻžāύ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽā§‡āϰ āϏāĻžāĻĨ⧇ āĻ…āĻ¨ā§āϤāĻ°ā§āύāĻŋāĻšāĻŋāϤāĻ­āĻžāĻŦ⧇ āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻĨāĻžāϕ⧇; āĻāϤ⧇ āĻ•āϰ⧇ āĻāĻ•āϟāĻŋ āϤāĻĨā§āϝ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāĻžāϞ⧇ āϤāĻž āϏāĻŽāĻ¸ā§āϤ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧāĨ¤ āĻāχ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰāϗ⧁āϞ⧋ āĻĻāĻŋāϝāĻŧ⧇ āĻāĻ•āϜāύ āĻ•āĻ°ā§āĻŽā§€ āĻĒā§āϰāĻžāϝāĻŧ ⧍ā§Ļā§Ļ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ•āĻžāϜ āĻāĻ•āĻžāχ āĻ•āϰ⧇ āĻĢ⧇āϞāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤ āĻāχ āϧāϰāύ⧇āϰ āĻāĻ•āĻžāωāĻ¨ā§āϟāĻŋāĻ‚ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āĻ•āĻžāϜ āĻ…āύ⧇āĻ• āϏāĻšāϜ āĻ•āϰ⧇ āĻĻ⧇āϝāĻŧ āĻāĻŦāĻ‚ āĻāϤ⧇ āĻ•āϰ⧇ āĻĒāĻŖā§āϝ āĻ“ āϏ⧇āĻŦāĻžāϰ āϗ⧁āĻŖāĻ—āϤ āĻŽāĻžāύ āĻŦ⧃āĻĻā§āϧāĻŋ āĻāĻŦāĻ‚ āĻ…āĻ°ā§āĻĨ āϏāĻžāĻļā§āϰāϝāĻŧ āĻšāϝāĻŧāĨ¤

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻĒā§āϰāĻžāϝāĻŧ āĻšāĻžāϜāĻžāϰ āĻŦāĻ›āϰ āϧāϰ⧇ āϚāĻ°ā§āϚāĻŋāϤ āĻāĻ•āϟāĻŋ āĻŦāĻŋāĻĻā§āϝāĻžāĨ¤ āĻĒā§āϰāĻžāĻšā§€āύ āĻŽā§‡āϏ⧋āĻĒāĻŸā§‡āĻŽāĻŋāϝāĻŧāĻž āϏāĻ­ā§āϝāϤāĻžāϝāĻŧ āĻ‰ā§ŽāĻĒāĻžāĻĻāĻŋāϤ āĻĢāϏāϞ āĻāĻŦāĻ‚ āĻŽāĻ¨ā§āĻĻāĻŋāϰ⧇ āϏāĻ‚āĻ—ā§ƒāĻšā§€āϤ āĻļāĻ¸ā§āϝ⧇āϰ āĻšāĻŋāϏāĻžāĻŦ āϰāĻžāĻ–āĻžāϰ āϜāĻ¨ā§āϝ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻĒā§āϰāĻžāĻšā§€āύāϤāĻŽ āĻĒāĻ¨ā§āĻĨāĻžāϗ⧁āϞ⧋ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻšāϤ⧋āĨ¤

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻ‰ā§ŽāĻĒāĻ¤ā§āϤāĻŋ:

āĻāχ āĻŦ⧈āĻœā§āĻžāĻžāύāĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦāĻļāĻžāĻ¸ā§āĻ¤ā§āϰ⧇āϰ āĻĒā§āϰāϚāϞāύ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύ āχāϤāĻžāϞ⧀āϝāĻŧ āϰ⧇āύ⧇āϏāĻžāρāϰ āĻ—āĻŖāĻŋāϤāĻœā§āĻž āĻ“ āϧāĻ°ā§āĻŽāϝāĻžāϜāĻ• āϞ⧁āĻ•āĻž āĻĒā§āϝāĻžāϏāĻŋāĻ“āϞāĻŋāĨ¤ āϞ⧁āĻ•āĻž āĻĒā§āϝāĻžāϏāĻŋāĻ“āϞāĻŋ āĻ›āĻŋāϞ⧇āύ āϞāĻŋāĻ“āύāĻžāĻ°ā§āĻĻā§‹ āĻĻāĻž āĻ­āĻŋāĻžā§āϚāĻŋ’āϰ āĻāĻ•āϜāύ āύāĻŋāĻ•āϟāϤāĻŽ āĻŦāĻ¨ā§āϧ⧁ āĻ“ āĻ—ā§ƒāĻšāĻļāĻŋāĻ•ā§āώāĻ• āĻāĻŦāĻ‚ āχāϤāĻžāϞ⧀āϝāĻŧ āύāĻžāĻŦāĻŋāĻ• āĻ•ā§āϰāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻžāϰ āĻ•āϞāĻŽā§āĻŦāĻžāϏ āĻāϰ āϏāĻŽāϏāĻžāĻŽāϝāĻŧāĻŋāĻ•āĨ¤ āϞ⧁āĻ•āĻž āĻĒā§āϝāĻžāϏāĻŋāĻ“āϞāĻŋāϰ ā§§ā§Ē⧝ā§Ē āϏāĻžāϞ⧇āϰ āĻŽā§‚āϞāĻĒāĻžāĻ  āĻ˛ā§āϝāĻžāϟāĻŋāύ āĻ­āĻžāώāĻžāϝāĻŧ (āĻŸā§āϰ⧇āĻ•ā§āϏāĻŸā§) (summa de Arithmatica Geometria,proportionet proportionalita) āϏ⧁āĻŽā§āĻŽāĻž āĻĄāĻŋ āĻāϰāĻŋāĻĨāĻŋāĻŽā§‡āϟāĻŋāĻ•āĻž, āϜāĻŋāĻ“āĻŽā§‡āĻŸā§āϰāĻŋāĻ•āĻž, āĻĒā§āϰāĻĒā§‹āϰāϏ⧋āύāĻŋāϝāĻŧ⧇āϟ, āĻĒā§āϰ⧋āĻĒā§‹āϰāϏāύāĻžāϞāĻŋāϟāĻžāϤ⧇ āĻāχ āĻĒā§āϝāĻžāϏāĻŋāĻ“āϞāĻŋ āĻŦāĻ°ā§āĻŖāύāĻž āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύ āĻĻ⧁'āϤāϰāĻĢāĻž āĻĻāĻžāĻ–āĻŋāϞāĻž āĻĒāĻĻā§āϧāϤāĻŋ āϝ⧇āϟāĻž āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰ⧇ āĻ…āĻ°ā§āĻĨāύ⧈āϤāĻŋāĻ• āϤāĻĨā§āϝ āϰ⧇āĻ•āĻ°ā§āĻĄ āĻ•āϰāĻž āĻšāϝāĻŧ āĻĻāĻ•ā§āώāϤāĻžāϰ āϏāĻžāĻĨ⧇ āĻāĻŦāĻ‚ āϝāĻĨāĻžāϝāĻĨāĻ­āĻžāĻŦ⧇āĨ¤ āϞ⧁āĻ•āĻž āĻĒā§āϝāĻžāϏāĻŋāĻ“āϞāĻŋāϰ āĻ¸ā§āĻŦāĻ°ā§āĻŖāϏ⧂āĻ¤ā§āϰ āĻĻā§āĻŦāĻžāϰāĻž āϖ⧁āĻŦ āϏāĻšāĻœā§‡āχ āϏāĻŽā§āĻĒāĻĻ, āĻĻāĻžāϝāĻŧ, āφāϝāĻŧ, āĻŦā§āϝāĻžāϝāĻŧ āĻāϰ āĻĄā§‡āĻŦāĻŋāϟ-āĻ•ā§āϰ⧇āĻĄāĻŋāϟ āύāĻŋāĻ°ā§āĻŖāϝāĻŧ āĻ•āϰāĻž āϝāĻžāϝāĻŧāĨ¤

āχāϤāĻŋāĻšāĻžāϏ:

āĻŽā§‚āϞ āύāĻŋāĻŦāĻ¨ā§āϧ: āĻšāĻŋāϏāĻžāĻŦāϰāĻ•ā§āώāϪ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ:

āĻ…āϤāĻŋ āĻĒā§āϰāĻžāĻšā§€āύāĻ•āĻžāϞ āĻĨ⧇āϕ⧇ āĻŽāĻžāύ⧁āώ āϞ⧇āύāĻĻ⧇āύ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧāϤāĻž āĻ…āύ⧁āĻ­āĻŦ āĻ•āϰ⧇ āĻ“ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύāĻ­āĻžāĻŦ⧇ āϤāĻž āϏāĻ‚āϰāĻ•ā§āώāϪ⧇āϰ āωāĻĒāĻžāϝāĻŧ āĻŦ⧇āϰ āĻ•āϰ⧇ āĨ¤ āĻĻāĻ•ā§āώāĻŋāĻŖ āφāĻĢā§āϰāĻŋāĻ•āĻžāϰ āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻžāĻšā§€āύ āϗ⧁āĻšāĻž āĻĨ⧇āϕ⧇ āωāĻĻā§āϧāĻžāϰāĻ•ā§ƒāϤ āĻ•āĻŋāϛ⧁ āϞāĻŋāĻĒāĻŋ āĻĨ⧇āϕ⧇ āĻŦā§‹āĻāĻž āϝāĻžāϝāĻŧ āϝ⧇ āĻĒā§āϰāĻžāϝāĻŧ ā§­ā§Ŧ,ā§Ļā§Ļā§Ļ āĻŦāĻ›āϰ āφāϗ⧇āĻ“ āĻŽāĻžāύ⧁āώ āĻšāĻŋāϏāĻžāĻŦ āϏāĻ‚āϰāĻ•ā§āώāϪ⧇āϰ āĻšā§‡āĻˇā§āϟāĻž āϚāĻžāϞāĻŋāϝāĻŧ⧇ āĻ—āĻŋāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ āĻāϟāĻŋ āĻ›āĻŋāϞ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ⧇ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āĻĒā§āϰāĻžāĻšā§€āύ āύāĻŋāĻĻāĻ°ā§āĻļāύāĨ¤

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āύāĻŋāĻĻāĻ°ā§āĻļāύāϗ⧁āϞāĻŋ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧ āĻŦā§āϝāĻžāĻŦāĻŋāϞāύāĻŋāϝāĻŧ, āĻāĻļāĻŋāϰ⧀āϝāĻŧ āĻ“ āϏ⧁āĻŽā§‡āϰ⧀āϝāĻŧ āϏāĻ­ā§āϝāϤāĻžāϝāĻŧāĨ¤ āĻāχ āϏāĻ­ā§āϝāϤāĻžāϗ⧁āϞ⧋ āĻĒā§āϰāĻžāϝāĻŧ ā§­,ā§Ļā§Ļā§Ļ āĻŦāĻ›āϰ āĻĒā§‚āĻ°ā§āĻŦ⧇ āĻŽā§‡āϏ⧋āĻĒāĻŸā§‡āĻŽāĻŋāϝāĻŧāĻž āύāĻĻā§€āϰ āϤ⧀āϰ⧇ āĻ—āĻĄāĻŧ⧇ āĻ“āϠ⧇ āĻāĻŦāĻ‚ āĻŦāĻŋāĻ•āĻžāĻļ āϞāĻžāĻ­ āĻ•āϰ⧇āĨ¤ āωāĻ•ā§āϤ āϏāĻ­ā§āϝāϤāĻžāϰ āϞ⧋āϕ⧇āϰāĻž āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻ•ā§ƒāώāĻŋ āĻ‰ā§ŽāĻĒāĻžāĻĻāύ āĻĒāϰāĻŋāĻŽāĻžāĻĒ āĻ•āϰāϤ⧇āχ āĻšāĻŋāϏāĻžāĻŦ⧇āϰ āφāĻĻāĻŋāĻŽ āĻĒāĻĻā§āϧāϤāĻŋāϗ⧁āϞ⧋ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāϤāĨ¤ āϏ⧇āχ āφāĻĻāĻŋāĻŽ āĻĒāĻĻā§āϧāϤāĻŋāϗ⧁āϞ⧋ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āĻĢāϏāϞ āĻ—āϤ āĻŦāĻ›āϰ⧇āϰ āϤ⧁āϞāύāĻžāϝāĻŧ āĻ•āĻŽ āĻšāϝāĻŧ⧇āϛ⧇ āύāĻž āĻŦ⧇āĻļāĻŋ āĻšāϝāĻŧ⧇āϛ⧇ āϤāĻž āύāĻŋāĻ°ā§āĻŖāϝāĻŧ āĻ•āϰāĻž āϝ⧇āϤ⧋āĨ¤ āĻ‰ā§ŽāĻĒāĻžāĻĻāĻŋāϤ āĻĢāϏāϞ⧇āϰ āĻāĻ•āϟāĻŋ āĻ…āĻ‚āĻļ āĻŽāĻ¨ā§āĻĻāĻŋāϰ⧇ āĻĻāĻžāύ āĻ•āϰāϤ⧇ āĻšāϤ⧋āĨ¤ āφāϰ āϕ⧇ āĻ•āϤ⧋āϟ⧁āϕ⧁ āĻĻāĻžāύ āĻ•āϰāϞ āĻŽāĻ¨ā§āĻĻāĻŋāϰ āĻ•āĻ°ā§āϤ⧃āĻĒāĻ•ā§āώ āϤāĻž āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ⧇ āϚāĻŋāĻšā§āύ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϞāĻŋāϖ⧇ āϰāĻžāĻ–āϤ⧋āĨ¤ āĻāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ āĻ–ā§‹āĻĻāĻžāχāϗ⧁āϞ⧋āϕ⧇āĻ“ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻĒā§āϰāĻžāĻšā§€āύ āĻĒā§āϰāĻšā§‡āĻˇā§āϟāĻž āĻŦāϞāĻž āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

āĻļā§āϰ⧇āĻŖā§€ :

āφāĻ°ā§āĻĨāĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ:

āύāĻŋāĻŽā§āύ āĻ“ āωāĻšā§āϚ āĻŽā§‚āĻ˛ā§āϝāĻšā§āϰāĻžāϏ āĻ“ āĻŽā§‚āĻ˛ā§āϝāĻŦ⧃āĻĻā§āϧāĻŋāĻ•āĻžāϞ⧇ āύāĻžāĻŽāĻŽāĻžāĻ¤ā§āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻāĻ•āϕ⧇ (āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻŦā§āϝāϝāĻŧ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻŦāĻž āϐāĻŦā§āϝāϝāĻŧāĻšāĻŋ) āĻ•āĻŋāĻ‚āĻŦāĻž āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āφāĻ°ā§āĻĨāĻŋāĻ• āĻĒā§āϰāϤāĻŋāĻŦ⧇āĻĻāύ⧇āϰ āύ⧀āϤāĻŋāĻŽāĻžāϞāĻž (International Financial Reporting Standards) āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻ…āĻ¤ā§āϝ⧁āĻšā§āϚ āĻŽā§‚āĻ˛ā§āϝāĻŦ⧃āĻĻā§āϧāĻŋāĻ•āĻžāϞ⧇ āĻ§ā§āϰ⧁āĻŦ āĻ•ā§āϰāϝāĻŧāĻ•ā§āώāĻŽāϤāĻžāϏāĻŽā§āĻĒāĻ¨ā§āύ āĻāĻ•āϕ⧇ (āĻ§ā§āϰ⧁āĻŦ āĻ•ā§āϰāϝāĻŧāĻ•ā§āώāĻŽāϤāĻž āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻŦāĻž āĻ§ā§āϰ⧁āĻ•ā§āϰāϝāĻŧāĻšāĻŋ) āĻ…āĻ°ā§āĻĨāĻžāϝāĻŧāĻŋāϤ āĻŽā§‚āϞāϧāύ āϰāĻ•ā§āώāĻŖāĻžāĻŦ⧇āĻ•ā§āώāĻŖāϕ⧇ āφāĻ°ā§āĻĨāĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻŦāϞāĻž āĻšāϝāĻŧāĨ¤ āφāĻ°ā§āĻĨāĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āϐāĻŦā§āϝāϝāĻŧāĻšāĻŋ āĻŦāĻž āĻ§ā§āϰ⧁āĻ•ā§āϰāϝāĻŧāĻšāĻŋ āĻ…āύ⧁āϏāĻžāϰ⧇ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āϤāĻĨā§āϝāĻžāĻŦāϞāĻŋāϰ āĻĒā§āϰāϤāĻŋāĻŦ⧇āĻĻāύ āϤ⧈āϰāĻŋ āĻ•āϰ⧇ āϤāĻž āĻŦāĻšāĻŋāσāĻ¸ā§āĻĨ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀āĻĻ⧇āϰ, āϝ⧇āĻŽāύ āĻŦāĻŋāύāĻŋāϝāĻŧā§‹āĻ—āĻ•āĻžāϰ⧀, āĻĒāϰāĻŋāϚāĻžāϞāĻ•āĻŦ⧃āĻ¨ā§āĻĻ āĻāĻŦāĻ‚ āϏāϰāĻŦāĻžāϰāĻšāĻ•āĻ—āϪ⧇āϰ āύāĻŋāĻ•āϟ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰāĻžāϰ āωāĻĒāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻžāϰ⧋āĻĒ āĻ•āϰ⧇āĨ¤ āĻāϟāĻŋ āϏāĻ°ā§āĻŦāϜāύāĻ—ā§āϰāĻžāĻšā§āϝ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āύ⧀āϤāĻŋāĻŽāĻžāϞāĻž āĻŦāĻž āϏāĻšāĻŋāύ⧀ (Generally accepted accounting principles or GAAP) āĻ…āύ⧁āϏāĻžāϰ⧇ āĻŦāĻšāĻŋāσāĻ¸ā§āĻĨ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧāĻŋāĻ• āϞ⧇āύāĻĻ⧇āύ āĻĒāϰāĻŋāĻŽāĻžāĻĒ āĻ“ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻāĻŦāĻ‚ āφāĻ°ā§āĻĨāĻŋāĻ• āĻŦāĻŋāĻŦāϰāĻŖā§€ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇āĨ¤ āϏāĻšāĻŋāύ⧀ āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ“ āĻĒā§āϰāĻžāϝāĻŧā§‹āĻ—āĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āĻŦ⧃āĻšā§Ž āĻŽāϤ⧈āĻ•ā§āϝ āĻšāϤ⧇ āϧāĻžāϰāĻžāĻŦāĻžāĻšāĻŋāĻ•āĻ­āĻžāĻŦ⧇ āĻ‰ā§ŽāĻĒāĻ¨ā§āύ āĻšāϝāĻŧ⧇āϛ⧇, āϝāĻž āϏāĻŋāĻĻā§āϧāĻžāĻ¨ā§āϤāĻĒā§āϰāϪ⧇āϤāĻžāĻĻ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύāĻžāύ⧁āϝāĻžāϝāĻŧā§€ āĻ•āĻžāϞāĻ•ā§āϰāĻŽā§‡ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāĻŋāϤ āĻšāϝāĻŧāĨ¤

āφāĻ°ā§āĻĨāĻŋāĻ• āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇ āϏāĻžāϧāĻžāϰāĻŖāϤ āĻŦāĻžā§ŽāϏāϰāĻŋāĻ• āĻŦāĻž āĻ…āĻ°ā§āϧāĻŦāĻžā§ŽāϏāϰāĻŋāĻ• āϏāĻŽāϝāĻŧ⧇āϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋāϤ⧇ āϕ⧋āύ⧋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āĻĒā§‚āĻ°ā§āĻŦāĻ•āĻžāϞ⧀āύ āĻĒā§āϰāϤāĻŋāĻŦ⧇āĻĻāύ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤ āĻ•āϰāĻž āĻšāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤ āϝ⧇āĻŽāύ, ⧍ā§Ļā§Ļā§Ŧ āϏāύ⧇ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤāĻ•ā§ƒāϤ āφāĻ°ā§āĻĨāĻŋāĻ• āĻŦāĻŋāĻŦāϰāĻŖā§€ āĻŦāĻ°ā§āĻŖāύāĻž āĻ•āϰāĻŦ⧇ ⧍ā§Ļā§Ļā§Ģ āϏāύ⧇āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻ…āĻŦāĻ¸ā§āĻĨāĻžāĨ¤

āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ :

āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āϏ⧇ āϏāĻ•āϞ āϤāĻĨā§āϝāĻžāĻĻāĻŋ āĻĒāϰāĻŋāĻŽāĻžāĻĒāĻŖ, āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ“ āĻŦāĻŋāĻŦāϰāϪ⧇āϰ āωāĻĒāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻžāϰ⧋āĻĒ āĻ•āϰ⧇ āϝ⧇āϗ⧁āϞāĻŋ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāĻ•āĻĻ⧇āϰāϕ⧇ āϤāĻžāĻĻ⧇āϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āĻ•āĻžāĻ™ā§āĻ•ā§āώāĻŋāϤ āϞāĻ•ā§āĻˇā§āϝ āĻ…āĻ°ā§āϜāύ⧇āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āϏāĻŋāĻĻā§āϧāĻžāĻ¨ā§āϤ āĻ—ā§āϰāĻšāϪ⧇ āϏāĻšāĻžāϝāĻŧāϤāĻž āĻ•āϰ⧇āĨ¤ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇ āĻŦā§āϝāϝāĻŧ-āωāĻĒāϝ⧋āĻ—āĻŋāϤāĻž āĻŦāĻŋāĻļā§āϞ⧇āώāĻŖ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻ…āĻ­ā§āϝāĻ¨ā§āϤāϰ⧀āĻŖ āĻšāĻŋāϏāĻžāĻŦāύāĻŋāĻ•āĻžāĻļ āĻ“ āĻŦāĻŋāĻŦāϰāĻŖā§€ āϤ⧈āϰāĻŋ āĻ•āϰāĻž āĻšāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻāĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āϏāĻšāĻŋāύ⧀ āĻ…āύ⧁āϏāϰāĻŖ āĻ•āϰāĻž āĻŦāĻžāĻ§ā§āϝāϤāĻžāĻŽā§‚āϞāĻ• āύāϝāĻŧāĨ¤

āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻ­āĻŦāĻŋāĻˇā§āĻ¯ā§Ž āϏāĻŽāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻŦāϰāĻŖā§€ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇, āϝ⧇āĻŽāύ ⧍ā§Ļā§Ļā§Ŧ āϏāύ⧇āϰ āĻŦāĻžāĻœā§‡āϟāϟāĻŋ ⧍ā§Ļā§Ļā§Ģ āϏāύ⧇ āĻĒā§āϰāĻŖāϝāĻŧāύ āĻ•āϰāĻžāϟāĻž āĻ āϧāϰāύ⧇āϰ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻ•āĻžāϜāĨ¤ āĻāĻ•ā§āώ⧇āĻ¤ā§āϰ⧇, āϏāĻŽāϝāĻŧ⧇āϰ āĻĒāϰāĻŋāϏ⧀āĻŽāĻž āĻŦā§āϝāĻžāĻĒāĻ•āĻ­āĻžāĻŦ⧇ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāĻŋāϤ āĻšāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻāϰ⧂āĻĒ āĻŦāĻŋāĻŦ⧃āϤāĻŋāϤ⧇ āφāĻ°ā§āĻĨāĻŋāĻ• āĻ“ āĻ…āύāĻžāĻ°ā§āĻĨāĻŋāĻ•, āĻĻ⧁'āϧāϰāύ⧇āϰ āϤāĻĨā§āϝāχ āĻĨāĻžāĻ•āϤ⧇ āĻĒāĻžāϰ⧇ āĻāĻŦāĻ‚ āωāĻĻāĻžāĻšāϰāĻŖāĻ¸ā§āĻŦāϰ⧂āĻĒ āĻŦāĻŋāĻļ⧇āώ āϕ⧋āύ⧋ āĻĒāĻŖā§āϝ āĻŦāĻž āĻŦāĻŋāĻ­āĻžāϗ⧇āϰ āωāĻĒāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻžāϰ⧋āĻĒ āĻ•āϰāĻž āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

āύāĻŋāϰ⧀āĻ•ā§āώāĻŖ :

āĻ…āĻ¨ā§āϝ⧇āϰ āĻĻā§āĻŦāĻžāϰāĻž āϏ⧁āύāĻŋāĻļā§āϚāĻŋāϤ āωāĻ•ā§āϤāĻŋ āĻ“ āĻĻāĻžāĻŦāĻŋāϰ āϏāĻ¤ā§āϝāĻĒā§āϰāϤāĻŋāĻĒāĻžāĻĻāύāϕ⧇ āύāĻŋāϰ⧀āĻ•ā§āώāĻŖ āĻŦāϞ⧇āĨ¤ āĻ āĻ•āĻžāϜāϟāĻŋāϰ āĻĒā§āϰāϤāĻŋāĻĻāĻžāύ⧇ āύāĻŋāϰ⧀āĻ•ā§āώāϪ⧇āϰ āĻĻāĻžāϝāĻŧāĻŋāĻ¤ā§āĻŦ⧇ āύāĻŋāϝāĻŧā§‹āϜāĻŋāϤ āĻŦā§āϝāĻ•ā§āϤāĻŋāϕ⧇ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻĒāϰāĻŋāĻŽāĻžāĻŖ āϏāĻŽā§āĻŽāĻžāύ⧀ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰāĻž āĻšāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤[ā§Ģ] āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āϧāĻžāϰāĻŖāĻžāϝāĻŧ āύāĻŋāϰ⧀āĻ•ā§āώāĻŖ āĻšāϞ⧋ "āϕ⧋āύ⧋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻŦāĻŋāĻŦāϰāĻŖā§€āϰ āĻĒāĻ•ā§āώāĻĒāĻžāϤāĻšā§€āύ āĻĒāϰ⧀āĻ•ā§āώāĻŖ āĻ“ āϏāĻ‚āĻ–ā§āϝāĻžāĻ¤ā§āĻŽāĻ• āĻĒāϰāĻŋāĻŽāĻžāĻĒāĻŖāĨ¤"

āφāĻ°ā§āĻĨāĻŋāĻ• āĻŦāĻŋāĻŦāϰāĻŖā§€āϰ āύāĻŋāϰ⧀āĻ•ā§āώāĻžāϰ āϞāĻ•ā§āĻˇā§āϝ āĻšāϞ⧋ āφāĻ°ā§āĻĨāĻŋāĻ• āĻŦāĻŋāĻŦāϰāĻŖā§€āϟāĻŋāϰ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ¸ā§āĻŦā§€āĻ•ā§ƒāϤāĻŋ āĻŦāĻž āĻ…āĻ¸ā§āĻŦā§€āĻ•ā§ƒāϤāĻŋāĻŽā§‚āϞāĻ• āĻŽāĻ¨ā§āϤāĻŦā§āϝ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰāĻžāĨ¤ āφāĻ°ā§āĻĨāĻŋāĻ• āĻŦāĻŋāĻŦāϰāĻŖā§€ āϝ⧇ āϏ⧁āĻˇā§āϠ⧁āϤāĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻšāĻŋāύ⧀ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻ“ "āϏāĻ•āϞ āĻĻā§āϰāĻŦā§āϝāĻŦāĻžāϚāĻ• āĻĻāĻŋāĻ•" āĻšāϤ⧇ āϕ⧋āύ⧋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ āĻŦāĻž āĻŦā§āϝāĻ•ā§āϤāĻŋāϰ āφāĻ°ā§āĻĨāĻŋāĻ• āĻ…āĻŦāĻ¸ā§āĻĨāĻž, āĻ•āĻžāĻ°ā§āϝāĻĢāϞāĻžāĻĢāϞ, āĻ“ āύāĻ—āĻĻ āĻ…āĻ°ā§āĻĨāĻĒā§āϰāĻŦāĻžāĻš āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰ⧇, āĻāĻ•āϜāύ āύāĻŋāϰ⧀āĻ•ā§āώāĻ• āϏ⧇āϟāĻŋ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ…āĻ­āĻŋāĻŽāϤ āĻĻāĻŋāϝāĻŧ⧇ āĻĨāĻžāϕ⧇āĨ¤ āύāĻŋāϰ⧀āĻ•ā§āώāĻ•āϕ⧇ āϏ⧇ āϏāĻ•āϞ āĻ•ā§āώ⧇āĻ¤ā§āϰāϏāĻŽā§‚āĻšāĻ“ āĻļāύāĻžāĻ•ā§āϤ āĻ•āϰāϤ⧇ āĻšāϝāĻŧ āϝ⧇ āϏāĻ•āϞ āĻ•ā§āώ⧇āĻ¤ā§āϰāϗ⧁āϞāĻŋāϤ⧇ āϧāĻžāϰāĻžāĻŦāĻžāĻšāĻŋāĻ•āĻ­āĻžāĻŦ⧇ āϏāĻšāĻŋāύ⧀ āĻŽā§‡āύ⧇ āϚāϞāĻž āĻšāϝāĻŧ āύāĻŋāĨ¤[ā§­]

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āϤāĻĨā§āϝ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž :

āϕ⧋āύ⧋ āĻāĻ•āϟāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āϤāĻĨā§āϝ āĻĒāĻĻā§āϧāϤāĻŋāϰ āϝ⧇ āĻ…āĻ‚āĻļāϟāĻŋ āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āĻĒāϰāĻŋāĻŽāĻžāĻŖāĻŦāĻžāϚāĻ• āϤāĻĨā§āϝ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāĻ•āϰāϪ⧇āϰ āωāĻĒāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻžāϰ⧋āĻĒ āĻ•āϰ⧇ āϤāĻžāϕ⧇ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āϤāĻĨā§āϝ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻŦāϞ⧇āĨ¤

āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āϤāĻĨā§āϝ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāϝāĻŧ āĻĻ⧁āϟāĻŋ āĻĒāĻ•ā§āώ āϜāĻĄāĻŧāĻŋāϤ āĻĨāĻžāϕ⧇; āϤāĻĨā§āϝ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤāĻ•āĻžāϰ⧀ āĻāĻŦāĻ‚ āϤāĻĨā§āϝ⧇āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀āĨ¤ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ⧇āϰ āĻ­āĻžāώāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻ‚āĻļā§āϞāĻŋāĻˇā§āϟ āĻĒāĻ•ā§āώ⧇āϰ āύāĻŋāĻ•āϟ āϤāĻĨā§āϝ āϏāϰāĻŦāϰāĻžāĻš āĻ•āĻžāĻœā§‡ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻšāĻ“āϝāĻŧāĻžāϝāĻŧ āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύāϕ⧇ āĻāĻ•āϟāĻŋ āϤāĻĨā§āϝ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āϏāĻ‚āĻœā§āĻžāĻžāϝāĻŧāĻŋāϤ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āĻšāĻŋāϏāĻžāĻŦāĻŦāĻŋāĻœā§āĻžāĻžāύ āϤāĻĨā§āϝ⧇āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀ ⧍ āϧāϰāύ⧇āϰāσ

āĻ…āĻ­ā§āϝāĻ¨ā§āϤāϰ⧀āĻŖ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀: āϝāĻžāϰāĻž āϏāĻ‚āĻļā§āϞāĻŋāĻˇā§āϟ āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻ“ āĻŽāĻžāϞāĻŋāĻ•āĻžāύāĻžāϰ āφāĻ“āϤāĻžāϭ⧁āĻ•ā§āϤ āϤāĻžāĻĻ⧇āϰāϕ⧇ āĻ…āĻ­ā§āϝāĻ¨ā§āϤāϰ⧀āĻŖ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀ āĻŦāϞāĻž āĻšāϝāĻŧāĨ¤

āĻŦāĻžāĻšā§āϝāĻŋāĻ• āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀: āϝāĻžāϰāĻž āĻŦā§āϝāĻŦāϏāĻžāĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āϏāĻžāĻĨ⧇ āϜāĻĄāĻŧāĻŋāϤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŽāĻžāϞāĻŋāĻ•āĻžāύāĻž āĻāĻŦāĻ‚ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϰ āĻ…āĻ‚āĻļ āύāύ āϤāĻžāĻĻ⧇āϰāϕ⧇ āĻŦāĻžāĻšā§āϝāĻŋāĻ• āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀ āĻŦāϞāĻž āĻšāϝāĻŧ; āϝ⧇āĻŽāύāσ āĻĒāĻžāĻ“āύāĻžāĻĻāĻžāϰ, āĻ•āϰ āĻ•āĻ°ā§āϤ⧃āĻĒāĻ•ā§āώ, āϏāϰāĻ•āĻžāϰ, āύāĻŋāϰ⧀āĻ•ā§āώāĻ• āĻĒā§āϰāĻŽā§āĻ–āĨ¤

21/03/2022
09/03/2022

đ˜ŧ𝙘𝙘𝙤đ™Ēđ™Ŗđ™Šđ™žđ™Ŗđ™œ đ™›đ™§đ™šđ™šđ™Ąđ™–đ™Ŗđ™˜đ™žđ™Ŗđ™œ
(āĻāĻ•āĻžāωāĻ¨ā§āϟāϟāĻŋāĻ‚ āĻĢā§āϰāĻŋāϞāĻžāĻ¨ā§āϏāĻŋāĻ‚)-

āĻāĻ•āĻžāωāĻ¨ā§āϟāϟāĻŋāĻ‚ āĻĢā§āϰāĻŋāϞāĻžāĻ¨ā§āϏāĻŋāĻ‚ āĻ•āĻŋ āφāĻŽāĻŋ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦā§‹? āĻāϟāĻž āĻ•āϰāĻžāϰ āϝ⧋āĻ—ā§āϝāϤāĻž āĻ•āĻŋ āφāĻŽāĻžāϰ āφāϛ⧇? āĻ•āĻŋ āĻ•āĻŋ āĻĻāϰāĻ•āĻžāϰ?āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻļ⧁āϰ⧁ āĻ•āϰāĻŦā§‹? āϕ⧋āĻĨāĻž āĻšāϤ⧇ āĻļ⧁āϰ⧁ āĻ•āϰāĻŦā§‹?

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āφāĻŽāϰāĻž āĻŦā§āϝāĻžāĻŦāϏāĻžāϰ āĻļāĻŋāĻ•ā§āώāĻžāϰ āĻ›āĻžāĻ¤ā§āϰāϰāĻž Graphic design, web design, social media marketing āĻāϰ āωāĻĒāϰ āϏāĻŽā§Ÿ āĻĻāĻŋāϤ⧇ āĻĒāĻžāϰāĻŋ āύāĻžāĨ¤ āϤāĻžāχ āφāĻŽāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ freelancing āĻ•āϰāĻžāϰ āϏ⧁āϝ⧋āĻ— āϰāϝāĻŧ⧇āϛ⧇, (fiverr, upwork, freelance) website āĻ Accounting freelancing āĻ•āĻžāϜ āϗ⧁āϞ⧋ āĻ•āϰāĻž āϝāĻžāĻŦ⧇

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*đ‘Ē𝒐𝒎𝒑𝒂𝒏𝒚 𝒊𝒏𝒕𝒆𝒈𝒓𝒂𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝒂𝒄𝒄𝒐𝒖𝒏𝒕𝒊𝒏𝒈 𝒔𝒐𝒇𝒕𝒘𝒂𝒓𝒆.
*đ‘Ŧ𝒏𝒕𝒊𝒓𝒆 𝒕𝒓𝒂𝒏𝒔𝒂𝒄𝒕𝒊𝒐𝒏 𝒊𝒏 𝒔𝒐𝒇𝒕𝒘𝒂𝒓𝒆 & 𝒓𝒆𝒄𝒐𝒏𝒄𝒊𝒍𝒆 𝒃𝒂𝒍𝒂𝒏𝒄𝒆𝒔.
*𝑷𝒓𝒆𝒑𝒂𝒓𝒆 𝒃𝒖𝒅𝒈𝒆𝒕𝒔
*𝑷𝒓𝒆𝒑𝒂𝒓𝒆 𝒂𝒄𝒄𝒖𝒓𝒂𝒕𝒆 𝒘𝒐𝒓𝒌 𝒑𝒂𝒑𝒆𝒓𝒔
*đ‘ē𝒆𝒏𝒅 𝒊𝒏𝒗𝒐𝒊𝒄𝒆𝒔 𝒕𝒐 𝒂𝒄𝒄𝒐𝒖𝒏𝒕𝒔 đ‘Ŧ𝒏𝒇𝒐𝒓𝒄𝒆 𝒑𝒂𝒚𝒎𝒆𝒏𝒕 𝒕𝒆𝒓𝒎𝒔 𝒘𝒊𝒕𝒉 𝒂𝒄𝒄𝒐𝒖𝒏𝒕𝒔
*đ‘ē𝒕𝒂𝒚 𝒖𝒑-𝒕𝒐-𝒅𝒂𝒕𝒆 𝒐𝒏 𝒔𝒕𝒂𝒕𝒆 𝒂𝒏𝒅 𝒍𝒐𝒄𝒂𝒍 𝒕𝒂𝒙 𝒍𝒂𝒘𝒔
*đ‘Ŋ𝒂𝒕 & đ‘ģ𝒂𝒙
*𝑹𝒆𝒄𝒐𝒓𝒅 𝒑𝒂𝒚𝒎𝒆𝒏𝒕𝒔 𝒂𝒏𝒅 𝒅𝒊𝒔𝒃𝒖𝒓𝒔𝒆𝒎𝒆𝒏𝒕𝒔
*𝒑𝒂𝒚𝒓𝒐𝒍𝒍
*đ‘Ē𝒍𝒆𝒂𝒏 𝒖𝒑 & 𝒄𝒂𝒕𝒄𝒉𝒆 𝒖𝒑 & 𝒆𝒕𝒄.

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āφāĻĒāύāĻŋ āφāĻŽāĻŋāĻ“ āĻāĻĻ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻāĻ•āϜāύ āĻšāϤ⧇ āĻĒāĻžāϰāĻŋāĨ¤

23/02/2022

Accounting -01, life of Luca pacioli.
Luca Pacioli

Fra Luca Bartolomeo de Pacioli (sometimes Paccioli or Paciolo; c. 1447 – 19 June 1517)was an Italian mathematician, Franciscan friar, collaborator with Leonardo da Vinci, and an early contributor to the field now known as accounting. He is referred to as "The Father of Accounting and Bookkeeping" in Europe and he was the second person to publish a work on the double-entry system of book-keeping on the continent.He was also called Luca di Borgo after his birthplace, Borgo Sansepolcro, Tuscany.

Luca Pacioli
Portrait of Luca Pacioli
Portrait of Luca Pacioli, traditionally attributed to Jacopo de' Barbari, 1495[1]
Born: c. 1447
Sansepolcro, Republic of Florence
Died: 19 June 1517 (aged 69–70)
Sansepolcro, Republic of Florence
Citizenship: Florentine
Occupation: Friar, mathematician, writer
Known for:
Summa de arithmetica,
Divina proportione,
double-entry bookkeeping

Life:

A woodcut of Pacioli which appears throughout the Summa de arithmetica[5]
Luca Pacioli was born between 1446 and 1448 in the Tuscan town of Sansepolcro where he received an abbaco education. This was education in the vernacular (i.e., the local tongue) rather than Latin and focused on the knowledge required of merchants. His father was Bartolomeo Pacioli; however, Luca Pacioli was said to have lived with the Befolci family as a child in his birth town Sansepolcro.He moved to Venice around 1464, where he continued his own education while working as a tutor to the three sons of a merchant. It was during this period that he wrote his first book, a treatise on arithmetic for the boys he was tutoring. Between 1472 and 1475, he became a Franciscan friar.Thus, he could be referred to as Fra ('Friar') Luca.

In 1475, he started teaching in Perugia as a private teacher before becoming first chair in mathematics in 1477. During this time, he wrote a comprehensive textbook in the vernacular for his students. He continued to work as a private tutor of mathematics and was instructed to stop teaching at this level in Sansepolcro in 1491. In 1494, his first book, Summa de arithmetica, geometria, Proportioni et proportionalita, was published in Venice. In 1497, he accepted an invitation from Duke Ludovico Sforza to work in Milan. There he met, taught mathematics to, collaborated, and lived with Leonardo da Vinci. In 1499, Pacioli and Leonardo were forced to flee Milan when Louis XII of France seized the city and drove out their patron. Their paths appear to have finally separated around 1506. Pacioli died at about the age of 70 on 19 June 1517, most likely in Sansepolcro, where it is thought that he had spent much of his final years.

Mathematics:

The first printed illustration of a rhombicuboctahedron, by Leonardo da Vinci, published in Divina proportione

Woodcut illustrating the proportions of the human face from the second part of Divina proportione, which covers the Vitruvian system
Further information: Mathematics and art
Pacioli published several works on mathematics, including:

Tractatus mathematicus ad discipulos perusinos (Ms. Vatican Library, Lat. 3129), a nearly 600-page textbook dedicated to his students at the University of Perugia where Pacioli taught from 1477 to 1480. The manuscript was written between December 1477 and 29 April 1478. It contains 16 sections on merchant arithmetic, such as barter, exchange, profit, mixing metals, and algebra, though 25 pages from the chapter on algebra are missing. A modern transcription was published by Calzoni and Cavazzoni (1996) along with a partial translation of the chapter on partitioning problems.
Summa de arithmetica, geometria. Proportioni et proportionalita (Venice 1494), a textbook for use in the schools of Northern Italy. It was a synthesis of the mathematical knowledge of his time and contained the first printed work on algebra written in the vernacular (i.e., the spoken language of the day). It is also notable for including one of the first published descriptions of the bookkeeping method that Venetian merchants used during the Italian Renaissance, known as the double-entry accounting system. The system he published included most of the accounting cycle as we know it today. He described the use of journals and ledgers and warned that a person should not go to sleep at night until the debits equalled the credits. His ledger had accounts for assets (including receivables and inventories), liabilities, capital, income, and expenses – the account categories that are reported on an organization's balance sheet and income statement, respectively. He demonstrated year-end closing entries and proposed that a trial balance be used to prove a balanced ledger. Additionally, his treatise touches on a wide range of related topics from accounting ethics to cost accounting. He introduced the Rule of 72, using an approximation of 100*ln 2 more than 100 years before Napier and Briggs.
De viribus quantitatis (Ms. Università degli Studi di Bologna, 1496–1508), a treatise on mathematics and magic. Written between 1496 and 1508, it contains the first reference to card tricks as well as guidance on how to juggle, eat fire, and make coins dance. It is the first work to note that Leonardo was left-handed. De viribus quantitatis is divided into three sections: Mathematical problems, puzzles, and tricks, along with a collection of proverbs and verses. The book has been described as the "Foundation of modern magic and numerical puzzles," but it was never published and sat in the archives of the University of Bologna, where it was seen by only a small number of scholars during the Middle Ages. The book was rediscovered after David Singmaster, a mathematician, came across a reference to it in a 19th-century manuscript. An English translation was published for the first time in 2007.
Geometry (1509), a Latin translation of Euclid's Elements.
Divina proportione (written in Milan in 1496–98, published in Venice in 1509). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the golden ratio and its application in architecture. Leonardo da Vinci drew the illustrations of the regular solids in Divina proportione while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletal solids, which allowed an easy distinction between front and back. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da ForlÃŦ, and Marco Palmezzano.
Translation of Piero della Francesca's work Edit
The majority of the second volume of Summa de arithmetica, geometria. Proportioni et proportionalita was a slightly rewritten version of one of Piero della Francesca's works. The third volume of Pacioli's Divina proportione was an Italian translation of Piero della Francesca's Latin book De quinque corporibus regularibus. In neither case did Pacioli include an attribution to Piero. He was severely criticized for this and accused of plagiarism by sixteenth-century art historian and biographer Giorgio Vasari. R. Emmett Taylor (1889–1956) said that Pacioli may have had nothing to do with the translated volume Divina proportione, and that it may just have been appended to his work. However, no such defense can be presented concerning the inclusion of Piero della Francesca's material in Pacioli's Summa.

Impact on accounting and business:
Pacioli dramatically affected the practice of accounting by describing the double-entry accounting method used in parts of Italy. This revolutionized how businesses oversaw their operations, enabling improved efficiency and profitability. The Summa's section on accounting was used internationally as an accounting textbook up to the mid-16th century. The essentials of double-entry accounting have for the most part remained unchanged for over 500 years. "Accounting practitioners in public accounting, industry, and not-for-profit organizations, as well as investors, lending institutions, business firms, and all other users for financial information are indebted to Luca Pacioli for his monumental role in the development of accounting."

The ICAEW Library's rare book collection at Chartered Accountants' Hall holds the complete published works of Luca Pacioli. Sections of two of Pacioli's books, 'Summa de arithmetica' and 'Divina proportione' can be viewed online using Turning the Pages, an interactive tool developed by the British Library.

Chess:
Luca Pacioli also wrote an unpublished treatise on chess, De ludo scachorum (On the Game of Chess). Long thought to have been lost, a surviving manuscript was rediscovered in 2006, in the 22,000-volume library of Count Guglielmo Coronini-Cronberg in Gorizia. A facsimile edition of the book was published in Pacioli's home town of Sansepolcro in 2008. Based on Leonardo da Vinci's long association with the author and his having illustrated Divina proportione, some scholars speculate that Leonardo either drew the chess problems that appear in the manuscript or at least designed the chess pieces used in the problems.
Source : Wikipedia

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