The Art Room

The Art Room The Art Room is more than an Art School.

Weโ€™re a welcoming community of artists and educators here to support your creative journey with care, encouragement, and expert guidance.

๐—ฌ๐—ข๐—จ๐—ฅ ๐—ง๐—”๐—ฅ ๐—–๐—Ÿ๐—”๐—ฆ๐—ฆ ๐— ๐—œ๐—š๐—›๐—ง ๐—™๐—œ๐—ก๐—œ๐—ฆ๐—›. ๐—ฌ๐—ข๐—จ๐—ฅ ๐—ง๐—”๐—ฅ ๐—–๐—ข๐—ก๐—ก๐—˜๐—–๐—ง๐—œ๐—ข๐—ก ๐——๐—ข๐—˜๐—ฆ๐—กโ€™๐—ง ๐—›๐—”๐—ฉ๐—˜ ๐—ง๐—ข.TAR Membership is for staying connected to The Art Room...
04/09/2026

๐—ฌ๐—ข๐—จ๐—ฅ ๐—ง๐—”๐—ฅ ๐—–๐—Ÿ๐—”๐—ฆ๐—ฆ ๐— ๐—œ๐—š๐—›๐—ง ๐—™๐—œ๐—ก๐—œ๐—ฆ๐—›. ๐—ฌ๐—ข๐—จ๐—ฅ ๐—ง๐—”๐—ฅ ๐—–๐—ข๐—ก๐—ก๐—˜๐—–๐—ง๐—œ๐—ข๐—ก ๐——๐—ข๐—˜๐—ฆ๐—กโ€™๐—ง ๐—›๐—”๐—ฉ๐—˜ ๐—ง๐—ข.

TAR Membership is for staying connected to The Art Room beyond the classroom.

Whether youโ€™re currently taking a class, have been part of TAR in the past, are developing your practice independently, or simply want more art in your life, Membership gives you ways to keep learning, making and connecting.

๐— ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ๐˜€๐—ต๐—ถ๐—ฝ ๐—ถ๐—ป๐—ฐ๐—น๐˜‚๐—ฑ๐—ฒ๐˜€:

๐ŸŽฅ 70+ artist talks, workshops & professional development videos
๐ŸŽจ Private TAR Alumni & Member community
๐Ÿ“š Access to the TAR library
๐Ÿ–ผ๏ธ Members events & annual Members Exhibition
โœจ Discounts on studio classes - ๐—ถ๐—ป๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜€๐—ถ๐—ป๐—ด ๐˜๐—ผ ๐Ÿฎ๐Ÿฌ% ๐—ถ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ

And because The Art Room is an independent, artist-run organisation, every Membership also helps us keep building and sustaining the studio, programs and community we care about.

๐—™๐—ผ๐—ฟ ๐Ÿณ ๐—ฑ๐—ฎ๐˜†๐˜€ ๐—ผ๐—ป๐—น๐˜†, ๐—ท๐—ผ๐—ถ๐—ป ๐—ณ๐—ผ๐—ฟ $๐Ÿฎ๐Ÿญ๐Ÿต ๐—ถ๐—ป๐˜€๐˜๐—ฒ๐—ฎ๐—ฑ ๐—ผ๐—ณ $๐Ÿฎ๐Ÿฐ๐Ÿต.

Stay connected. Keep making.

โ†’ https://www.rfr.bz/f8deb67ed

๐Ÿ’ป ๐˜œ๐˜ด๐˜ฆ ๐Ÿณ๐——๐—”๐—ฌ๐—ฆ ๐˜ข๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ถ๐˜ฑ๐˜ฐ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฅ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ฑ๐˜ฑ๐˜ญ๐˜บ
๐Ÿ•› Ends midnight 12 September

03/09/2026

๐—ง๐—ต๐—ฒ ๐—”๐—ฟ๐˜๐—ถ๐—ฒ๐—ฟ ๐—ฆ๐—ถ๐—ฑ๐—ฒ - ๐—ฃ๐—ผ๐—ฑ๐—ฐ๐—ฎ๐˜€๐˜
๐˜›๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ฆ๐˜ณ ๐˜š๐˜ช๐˜ฅ๐˜ฆ is a series of stories and insights from creatives in the west. In each episode Ilona Nelson sits down with a local creative to learn more about who they are, what they do, and the story behind their practice. Along the way, we'll uncover the people, passions, and perspectives that help shape the culture of the West.

๐ŸŽง You can now listen to ๐—˜๐—ฝ๐—ถ๐˜€๐—ผ๐—ฑ๐—ฒ ๐Ÿฏ ๐˜„๐—ถ๐˜๐—ต ๐—•๐—ฒ๐—ธ ๐—›๐—ฒ๐—ฟ๐—ฟ๐—ผ๐—ป on TAR Spotify or the website - link in bio.

Ilona speaks to Bek about how art came into her life, and her project ๐˜๐˜ณ๐˜ข๐˜จ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ค๐˜ฆ: ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ž๐˜ช๐˜ต๐˜ฉ๐˜ช๐˜ฏ - where she is making 5,889 pinch pots with military veterans.
ann

02/09/2026

โœ๏ธ Look closely. Draw differently.

Drawing isnโ€™t just about learning to make things look โ€œrightโ€. Itโ€™s about learning how to really look - to notice shape, proportion, space, light, texture and all the little details.

๐——๐—ฟ๐—ฎ๐˜„๐—ถ๐—ป๐—ด ๐Ÿฎ builds on the foundations of drawing and gives you space to experiment, develop your skills and find your own way of working.

More looking. More drawing. More possibilities!

๐—•๐—ฒ๐—ด๐—ถ๐—ป๐˜€ ๐— ๐—ผ๐—ป๐—ฑ๐—ฎ๐˜† ๐Ÿฑ๐˜๐—ต ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ
Duration: 8 weeks
Tutor: Merryn Trevethan
Hours: 12 - 3pm / 6:30 - 9:30pm
Level: Intermediate

Come draw with us in Term 4 - places are limited.

๐˜Œ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜š๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฅ๐˜ข๐˜บ!Please join us ๐Ÿญ - ๐Ÿฏ๐—ฝ๐—บ ๐˜๐—ต๐—ถ๐˜€ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† for the opening of ๐˜œ๐˜ฏ๐˜ฐ ๐˜”๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ฐ by Anne Hastie.'My ...
01/09/2026

๐˜Œ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜š๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฅ๐˜ข๐˜บ!

Please join us ๐Ÿญ - ๐Ÿฏ๐—ฝ๐—บ ๐˜๐—ต๐—ถ๐˜€ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† for the opening of ๐˜œ๐˜ฏ๐˜ฐ ๐˜”๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ฐ by Anne Hastie.

'My abstract paintings emerge from an enduring fascination with the natural world. They inhabit a space between observation and imagination, evoking landscapes that shift in scale and perspectiveโ€”at times suggesting aerial terrain, at others the intricate structures of microscopic or underwater environments. Rather than depicting specific places, the works invite viewers to navigate their own associations and interpretations.'

Conduit Gallery
138 Cowper Street, Footscray

๐Ÿบ Make it with your hands.Roll it. Pinch it. Squish it. Build it up. Pull it apart and start again.๐—›๐—ฎ๐—ป๐—ฑ๐—ฏ๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด is all a...
01/09/2026

๐Ÿบ Make it with your hands.

Roll it. Pinch it. Squish it. Build it up. Pull it apart and start again.

๐—›๐—ฎ๐—ป๐—ฑ๐—ฏ๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด is all about getting to know clay through making - exploring form, texture and surface while learning how to turn a lump of clay into something entirely your own.

No pressure to make the perfect pot! Just time to experiment, make things and get your hands dirty.

Come and play with clay at The Art Room in Term 4.

๐Ÿ“ Footscray, Naarm/Melbourne
โœจ Beginners welcome

01/09/2026

What happens when you take cyanotype beyond the traditional blue and white print?

In ๐—˜๐˜…๐—ฝ๐—ฎ๐—ป๐—ฑ๐—ฒ๐—ฑ ๐—–๐˜†๐—ฎ๐—ป๐—ผ๐˜๐˜†๐—ฝ๐—ฒ, we experiment with colour, layering, bleaching, toning, textiles and turmeric printing - opening up a whole new world of possibilities within this beautiful photographic process.

A hands-on workshop for artists who already have some cyanotype experience and want to push the process further.

๐—ฆ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜† ๐Ÿฐ๐˜๐—ต ๐—ข๐—ฐ๐˜๐—ผ๐—ฏ๐—ฒ๐—ฟ
Tutor: Deanna Hitti
Hours: 10am - 4pm
Level: Intermediate

Come see where the process takes you!

๐—ง๐—˜๐—”๐—–๐—›๐—˜๐—ฅ ๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ - ๐—ช๐—œ๐—Ÿ๐— ๐—” ๐—ง๐—”๐—•๐—”๐—–๐—–๐—ขWilma Tabacco was born in the province of Lโ€™Aquila, Italy and has lived in Australia sinc...
31/08/2026

๐—ง๐—˜๐—”๐—–๐—›๐—˜๐—ฅ ๐—™๐—˜๐—”๐—ง๐—จ๐—ฅ๐—˜ - ๐—ช๐—œ๐—Ÿ๐— ๐—” ๐—ง๐—”๐—•๐—”๐—–๐—–๐—ข
Wilma Tabacco was born in the province of Lโ€™Aquila, Italy and has lived in Australia since childhood. She received a Bachelor of Commerce from Melbourne University in 1972 and Diploma of Education in 1973. In 1979 she undertook a Diploma of Fine Art at Phillip Institute, Melbourne and whilst lecturing in painting and drawing at the University of Melbourne, continued studies at RMIT University where she completed a Master of Arts in 1995 and a PhD in 2006. Wilma has lectured variously in painting, drawing and printmaking at the University of Melbourne, Canberra School of Arts and at RMIT as part of the international programme in Hong Kong and in Melbourne.

She has received several grants from the Australia Council Visual Arts and Craft Board including a studio residency in Italy, and has also worked and exhibited in Seoul as the recipient of an Asialink residency in Korea.

๐˜ž๐˜ฆ'๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ช๐˜ญ๐˜ญ๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ž๐˜ช๐˜ญ๐˜ฎ๐˜ข ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ต๐˜ฐ ๐˜›๐˜ˆ๐˜™ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฆ๐˜ข๐˜ค๐˜ฉ ๐™๐™ค๐™ง๐™ข๐™–๐™ฉ๐™ฉ๐™ž๐™ฃ๐™œ ๐˜พ๐™ค๐™ก๐™ค๐™ช๐™ง: ๐™‡๐™š๐™จ๐™จ ๐™ž๐™จ ๐™ˆ๐™ค๐™ง๐™š ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด๐˜ฉ๐˜ฐ๐˜ฑ ๐Ÿฃ๐Ÿค - ๐Ÿฃ๐Ÿฅ ๐˜š๐˜ฆ๐˜ฑ๐˜ต๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ

โœ๏ธ CASUAL LIFE DRAWING IS BACK!Join us ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† or ๐Ÿญ๐Ÿฌ๐—ฎ๐—บ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† for a session of drawing, looking, experimentin...
31/08/2026

โœ๏ธ CASUAL LIFE DRAWING IS BACK!

Join us ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ ๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† or ๐Ÿญ๐Ÿฌ๐—ฎ๐—บ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† for a session of drawing, looking, experimenting and hanging out with our wonderful creative community. No experience necessary - just come along for a draw!

Want to make life drawing a regular thing? Our ๐Ÿฒ ๐—ฆ๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ฃ๐—ฎ๐˜€๐˜€ gives you 6 sessions for the price of 5.

โœจ Valid for 12 months from purchase
โœจ No need to book all 6 at once - choose any dates within the 12 months that work for you

Come for one session, come back every week, or dip in and out over the year. Places are limited.

๐—•๐—ข๐—ข๐—ž ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ช๐—˜๐—˜๐—ž๐˜ ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ, ๐˜Ž๐˜ช๐˜ง๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ: ๐˜ˆ ๐˜•๐˜ฆ๐˜ธ ๐˜Ž๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ดAntwaun Sargent (Editor)D.A.P./Distributed Art Publi...
30/08/2026

๐—•๐—ข๐—ข๐—ž ๐—ข๐—™ ๐—ง๐—›๐—˜ ๐—ช๐—˜๐—˜๐—ž
๐˜ ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ, ๐˜Ž๐˜ช๐˜ง๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ: ๐˜ˆ ๐˜•๐˜ฆ๐˜ธ ๐˜Ž๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด
Antwaun Sargent (Editor)
D.A.P./Distributed Art Publishers Inc.; The Lumpkin-Boccuzzi Family Collection of Contemporary Art, 2020

๐˜ ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ, ๐˜Ž๐˜ช๐˜ง๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ: ๐˜ˆ ๐˜•๐˜ฆ๐˜ธ ๐˜Ž๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now.

Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that "it has become undeniable that African American artists are making much of the best American art today," ๐˜ ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ, ๐˜Ž๐˜ช๐˜ง๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ takes stock of how these new voices are impacting the way we think about identity, politics and art history itself.

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