25/04/2026
From collection research to exhibition install, Kiara’s internship is a great snapshot of how hands-on experience brings art, textiles, and stories to life
Since early March we have been hosting Fed Uni art student Kiara for an internship as part of her study. We asked Kiara to capture a snapshot of her internship so far – over to Kiara!
"Hi, I'm Kiara, a Visual Arts student at Federation University. I am an artist but mainly adore curating, and collection management and research! As an intern my focus has been on researching the TAMA Collection and maintaining the collection's digital records to help the gallery keep telling the stories of the beautiful and unique textile pieces it holds. However, I have also had the opportunity to engage with so many other areas, like exhibition planning and install, where I've been able to build a diverse practical base to apply to my academic experience and challenge myself. Especially working alongside such a supportive team has inspired me and shown how important public galleries are and the fabulous work they do!"
Thank you Kiara! 🤩 Kiara is pictured here with one of the artworks that she has been researching during her internship - 'Untitled (wall hanging)' c. 1975 by Ben Shearer.
Ben Shearer is a weaver, textile designer, watercolour painter and teacher. He studied textile design in Geelong and Scotland, and worked as a commercial carpet designer before becoming a full-time weaver and painter. Shearer produced woven artworks between 1962 and 1980, before shifting his practice focus to watercolour paintings.
While Shearer’s watercolour practice now focusses on his interpretations of the Australian landscape, the influence of his earlier studies and work with textiles can be seen in the textured surface of his paintings.
Ararat Gallery TAMA began collecting textile art in the 1970s, during a period when textiles and fibre were being redefined as a contemporary art form rather than confined to craft traditions. While this artwork was donated to the TAMA Collection in 1997, the work was made in the 1970s, representing that pivotal era in Australian art history.