Wizzard_design

A coastal residence nestled within the dune landscape and framed by moonah trees.

One thing we wanted to show here is the transition from the greyscale render to the final visual.

The difference between the images reflects our workflow:
clients receive an early monochrome render while the project is still evolving — before every material, detail, or facade direction is fully resolved.

For us, that stage is important.

Because great architecture rarely arrives all at once.
It’s shaped through decisions, adjustments, testing.

The greyscale phase lets everyone focus on what actually matters first:
proportion, composition, light, atmosphere, and the feeling of the space itself.

That’s something we care deeply about as visualisers — and as people genuinely obsessed with architecture🪄

Architect |
Interiors |
Render | .design

One of our absolute favourite armchairs is UP (La Mamma), designed by Gaetano Pesce in 1969

Pesce described it as “the shape of a woman with a ball and chain” — a powerful image of social constraint, embedded directly into the form of a chair.

In 2019, a massive 50th-anniversary installation in Piazza del Duomo, Milan, was attacked by protesters. Pesce later responded that the work had been misunderstood — it was never meant to celebrate oppression, but to critique it.

Beyond its design, its genius lies in the packaging: vacuum-compressed flat, it expands into its full sculptural form when opened.

We keep a curated library of iconic 3D furniture like this, so your interiors feel intentional, editorial, and alive — even when the furniture schedule is still in flux 🪄

Designed in 1972 by a Swiss design collective,
this isn’t just a sofa.
It’s a creature.

The DS-600 by De Sede — affectionately called the Tatzelwurm,
a mythical alpine snake.

Modular. Endless. Iconic.
Even stretched far enough to earn its place in the Guinness Book of Records as the world’s longest sofa.

We keep a curated 3D library of pieces like the DS-600
so your interiors feel editorial, intentional, and quietly powerful —
long before the space exists.

Because the vision shouldn’t wait.

We help shape the styling inside your 3D renders,
even when the furniture list is still evolving.

Which sofa could you buy in the last century
and still have it look right in 2025?

Camaleonda.
B&B Italia.
1970.
Designed by Mario Bellini.

Soft. Modular. Still relevant.
Because good design doesn’t date.

I first experienced it properly at Salone del Mobile in 2021
The smile kind of says it all🫶🇮🇹

That’s how we approach our renders. So they don’t just sell faster —
they age better, feel more considered,
and quietly position your development as premium.

We don’t just visualise space.
We style it with intent —
choosing pieces, proportions, and atmospheres
that elevate your project. Even when the furniture list isn’t locked yet🪄

Average renders explain.
Good renders inspire.

Morning light.
First coffee.
A view that already feels like theirs.

Buyers trust spaces faster
when they recognise the people inside them.

That’s why we place founders and team members
directly into unbuilt homes —
so belief arrives before construction does.

Because people don’t buy plans.
They buy the feeling of being there🪄

Holiday mood🎄
Morning routine ☕️

The space holds both —
before it’s real.