Salvage Art Institute

"Broken Cindy" by Eileen Myles was commissioned by SAI for "No Longer Art: In A Coma" book it will have its bilingual premiere with Girls and Qu**rs to the Front at Butero next week in Warsaw!

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The world we live in:
"For all the art world’s supposed political engagement and radicalism, discussion of war and genocide was eerily absent. Gallerists reported sales to be “softer” than usual, given everything going on".

CHARMED, I’M SURE Frieze London keeps calm, carries on

https://www.haaretz.com/world-news/2023-10-16/ty-article/.premium/new-zealand-museum-apologizes-after-illuminating-building-in-israeli-flag-colors/0000018b-38f3-dd09-a1bf-3afb90040000

New Zealand museum apologizes after illuminating building in Israeli flag colors ***

Ben Lerner: «Siamo tutti poeti perché siamo esseri umani»

«l’attenzione poetica è preziosa in un mondo in cui la nostra attenzione è catturata, monetizzata e colonizzata dalla luce blu degli schermi e dagli algoritmi»

l tema del festival 2084 di quest’anno è “Cose da salvare”. Nel libro Nel mondo a ve**re (Sellerio) lei parla dell’Istituto per l’arte irrecuperabile, che si basa sull’Istituto per l’arte di recupero di Elka Krajewska (Elkita Krajewska ) La sua è una riflessione sul valore del prodotto artistico e sulla sua contestualizzazione, che definisce ciò che è arte e ciò che non lo è, o cessa di esserlo. Che cos’è l’arte per lei?

Lo scrittore. Ben Lerner: «Siamo tutti poeti perché siamo esseri umani» Per lo scrittore americano «l’attenzione poetica è preziosa in un mondo in cui la nostra attenzione è catturata, monetizzata e colonizzata dalla luce blu degli schermi e dagli algoritmi»

We are so excited about this and can't wait to get a copy of "Speculation" volume (2023, available June20) edited by . It features excerpts from our "No Longer Art:In a Coma" manuscript (intro and Chapter 7) and will hopefully help us find a publisher!
published by Whitechapel Gallery and MIT Press
https://mitpress.mit.edu/9780262545334/speculation/

“Let’s get to the juicy stuff: the yachts,” she told the forum dedicated to discussing law enforcement’s role in freezing and seizing Russian assets. “We’ve been finding some really interesting things … we recovered a Fabergé – or alleged Fabergé egg – on one of these [yachts] so it just gets more and more interesting.”

Suspected Fabergé egg found on Russian oligarch’s superyacht, US investigators say US deputy attorney general hails ‘interesting’ find on board yacht seized by US authorities and sailed from Fiji to San Diego

“Weird dancing in all-night computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earthworks as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects.”
https://www.nytimes.com/2022/06/11/us/peter-lamborn-wilson-dead.html?smid=url-share

Salvage Art Institute, through from our inventory (full ID below) will ask the question: What went wrong with Picasso's "Guernica".
Natalka Diachenko and Kateryna Lysovenko will answer in form of a workshop.
This is a Klasse für Alle event part of the "Drawing Is Political" series.
Places are limited. Register now!
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SAI 0063: materials: 23-carat gold, wood, fabric; size: pendant size: 3 x 3 in., case size: 6¼ x 6¼ x 1¼ in; damage: bent on impact, claim: circa Oct 2007, total loss: 2007; production: 1973; artist: Pablo Picasso (1881-1973), stamped with signature and the gold smith's mark of François and Pierre Hugo; title: Petit barbu (numbered 'Picasso 3/20' (on the reverse)