Celebrating Baron Wolman's Legacy

e world. This clarity sets them apart. Life experiences

hold the key to unveiling purpose and truth. The journey you are experiencing is your

life....savor it and live it to the fullest.


- Kristin Johnson, owner June 25, 1937) is an American photographer best known for his work in the late 1960s for the music magazine Rolling Stone, becoming the magazine's first editor of photography from 1967 to 1970. Wolman's professional photographic career began in West Berlin in the 1960s where he was stationed with the military. From Berlin he sold his first photo essay, images of life behind the then-new Berlin Wall. He then wanted to be a photo-journalist. After his discharge he moved from Germany to Los Angeles and then to San Francisco then to New Mexico. It was in San Francisco, in April, 1967, that Wolman, then 30, met a 21-year-old Cal Berkeley student and freelance writer named Jann Wenner. Wolman had been photographing rock bands and Wenner had plans to form a new kind of music periodical with San Francisco Chronicle music writer, Ralph Gleason. Wolman agreed to join the new periodical, Rolling Stone, and work for free. He also insisted on ownership of all the photos he took for Rolling Stone, giving the magazine unlimited use of the pictures. Wolman began working for Rolling Stone from its first issue was published, and continued for another three years. Because of Wolman's virtually unlimited access to his subjects, his photographs of Janis Joplin, the Rolling Stones, Frank Zappa, the Who, Jimi Hendrix, Joan Baez, Iggy Pop, Pink Floyd, Bob Dylan, the Grateful Dead, Phil Spector, Jim Morrison, Ike & Tina Turner, and other musicians were the graphic centerpieces of Rolling Stone's layout. For the most part, Wolman eschewed the studio and never used on-camera strobes, preferring informal portraiture, a style appropriate to both the musicians he was documenting as well as the audience for these photographs. Wolman's approach was gradually supplanted by highly stylized, mostly studio image makers, whose pictures were published only upon the approval of the musician and of his or her management. This evolution can be traced on the subsequent covers of Rolling Stone through the years. Although his work at Rolling Stone has come to define his photographic career, Baron has been involved in numerous non-music projects. After leaving Rolling Stone in 1970, Wolman started his own fashion magazine, Rags, housed in Rolling Stone's first San Francisco offices. Rags was a counterculture fashion magazine ahead of its time, focusing on street fashion rather than the fashion found in store windows. Creative and irreverent, the magazine's 13 issues (June 1970 through June 1971) were an artistic success. Baron followed Rags by learning to fly and making aerial landscapes from the window of his small Cessna. These photographs were the basis of two books, California From the Air: The Golden Coast (1981), and The Holy Land: Israel From the Air (1987), published by Squarebooks which Wolman founded in 1974, and which continues to publish an eclectic selection of illustrated books. In 1974, Wolman spent a year with the Oakland Raiders football team, using his full-access status to photographically document the entire 1974 season. The result was Oakland Raiders: The Good Guys, published in 1975. In 2001, Wolman moved to Santa Fe, New Mexico, where he continues to photograph and publish.