I work in encaustic (hot wax) and oil paint to create textural, yet painterly pieces. In her final days, my great-grandmother was asked to tell us a story. She shakily drew a map. She drew the boundaries of a property near Herkimer, New York and then drew The New York State Thruway cutting it in half. She then told the story of how the highway had split their 72-acre farm when it was built in the
1950s. They had built a large culvert under the highway that provided access to the other half of the property, but she had feared using it because the local deer would charge through it at top speed. That forever-poignant imagery is what I capture in my aerial landscapes. Every one of us, at the end of our lives, will still be able to sketch with gnarled hands the places that are burned into our memories. I awaken the memories and ask viewers to place themselves in another place and time. I want you to simultaneously see a place you know and be intrigued the perspective I have captured. I work in encaustic - hot wax - to create three-dimensional interpretations of the topography of a landscape and then layer oil paint into and onto the wax. Combining these two mediums allows me to ask the viewer to both place themselves in a representational map and to consider the conversation between the land and humankind. I talk with people all the time about the places that are most important to them and I learn more about humanity's connection to place through each conversation. If you have a place in your mind that is full of significance and memory, I would love to hear about it. Allowing me to tell your story through a commission deeply enriches the process. Traditionally, I was first educated to be an agricultural economist and then a science teacher. After graduate school, I came back around to art through reading artist blogs, then attending art workshops, and finally dedicating myself to learning a few mediums through independent teachers around the country. I began teaching art workshops and showing my work during an artist residency in Spain in 2012. As a creator of fine art, I have dedicated myself to producing archival quality paintings. My work is done on cradled panels that are ready to hang or frame. The cradles and the backsides are painted in a dark brown to seal the wood panel and give a finished look. Lake Tahoe, Pyramid Lake, the western coast of North America, and Nevada mining operations frequently capture my fascination when scanning the planet from space. The Black Rock Desert, Edinburgh, and Italy are among my recent commission work. Current work and commission information are found online at jessweems.com or by contacting me.