The Claiborne Avenue History Project (CAHP) is a multi-platform documentary project that collects and curates cultural history about North Claiborne Avenue
Why is CAHP important? The story of North Claiborne Avenue in New Orleans is a narrative with parallels in every major American city with a significant Black community, but the Claiborne story is unique because of the exceptional memories of its residents who hold tight to their history and to the Avenue’s rich and original cultural traditions. New Orleans was segregated into the 1960s and white e
xclusion of African Americans from commercial districts resulted in the Avenue becoming the main thoroughfare for Black communities living in the immediate surrounding neighborhoods and across the entire city. Claiborne connected uptown and downtown like an artery, the oldest part of which – North Claiborne – ran directly through the historic neighborhood of Tremé. The Avenue became well known as the site for Black Mardi Gras; Indians; Zulu floats; Baby Dolls; Skeletons, and community figures such as the Batiste Brothers. Celebrated and key players from New Orleans music and cultural history have long shared a deep connection to North Claiborne’s theatres, restaurants, bars, venues, surrounding streets and cemeteries. However, between 1966 and 1969 the construction of the Interstate 10 highway initiated the speedy demise of this important thoroughfare; steel reinforcing rods now occupy the spaces where the roots of live oaks once spread, concrete pillars replaced their trunks, and the shadow of the interstate highway now towers above the neutral ground where generations of families used to walk to work, interact, picnic and socialize. Claiborne has been at the heart of the New Orleans African American cultural, commercial and political experience for over two hundred years, and its communities’ stories are emblematic of the ultimate American experiences: the broad themes of construction and expansion, cultural and economic boom, obliteration and devastation, and then potential resurrection, and the opportunity for art and its enduring traditions to triumph in the face of adversity. CAHP seeks to address and redress these ever-present wounds by capturing and transforming today’s human stories behind North Claiborne Avenue’s history and weaving these voices into our multi-platform interdisciplinary project creating a community of voices to deepen a collective understanding of what it means culturally to be connected by a physical geographical space for over two hundred years. Few resources exist that fully document 20th Century cultural, economic, and social exchange within this space; and none has sought to accumulate existing sources in one place with community mechanisms for ongoing data-gathering. Given the continuing discussions in post-Katrina New Orleans concerning bringing down the section of the I-10 over North Claiborne as well as the current work-force development studies and initiatives taken on by Livable Claiborne Communities about the future of this corridor and its residents, we believe that CAHP’s focus on community, identity and agency is well-timed. The Claiborne Avenue History Project (CAHP)
CAHP collects, curates, distributes, and provides access to the general public all information to date about the rich history of North Claiborne Avenue. The information collected by CAHP includes present-day and archival oral histories and video interviews, maps, photographs, clips from films and documentaries, newspaper articles, academic research papers, and architectural and development studies. The project will be carried out in 3 stages:
Stage 1 : Gathering
Stage 2 : Interacting
Stage 3 : Exhibiting
The general public will be able to access and interface with the project across a variety of different platforms, which will include an an ongoing Four-Part Documentary Film Project shown online as “webisodes”, an app, an Interactive Website with Dropbox component, Social Media, and the CAHP Quarterly E-newsletter. We are also exploring including case study comparisons of what happened to North Claiborne Avenue communities in the wake of the construction of the I-10 highway with similar stories of highways destroying African American neighborhoods in other American cities.
Tonight is St. Joseph's Night, so it's time again for one of our favorite archival images: St. Joseph's Night at the Gypsy Tea Room in 1940.
The Black Masking Indian tribe in this photo is unidentified, but we assume they were based downtown; the Gypsy Tea Room was two blocks from North Claiborne, then a tree-lined promenade for downtown Indians (the Lafitte public housing development at Orleans and Claiborne was under construction at the time).
You'll notice that their suits are more or less flat. For decades now, the suits of many downtown tribes have featured three-dimensional elements, but that innovation came from Tootie Montana sometime after he started masking on his own in 1947. Before that, the prevailing style allowed for more movement.
The camera flash gives you a feel for how the sunlight would have played off of these suits on Mardi Gras Day (there were no Super Sundays in 1940, so Mardi Gras was your only chance to see these suits in the sun).
The photographer was Robert Tallant, a writer who documented the city as part of the WPA Writers Project. He was a native New Orleanian, but an outsider to local Black culture. You can sense a distance between the photographer and the people he photographed here, and see it in the way that two of the observers off to the left eyeTallant as opposed to the tribe lining up for the shot.
On this day, March 12, 1864, free Black leaders Jean Baptiste Roudanez and Arnold Bertonneau presented a petition to President Lincoln at the White House demanding voting rights for all American citizens, “whether born slave or free.” This moment is illustrative of Louisiana’s long arc of civil rights activism, long preceding the sit-ins and other demonstrations nearly a century later.
Mark Roudane writes, “Surrounded by the howling madness of the Civil War, two newspapers ignited a crusade for racial justice in the Crescent City that reached far beyond the state’s borders. This inspirational saga is chronicled in the pages of L’Union, the South’s first Black newspaper, and its successor, the New Orleans Tribune, America’s first Black daily. Eloquent and powerful voices are preserved in these journals, revealing accounts of profound resistance and achievement. It’s an extraordinary story, deeply woven into the fabric of Louisiana history.”
About the image: Louis Charles Roudanez in 1857. HNOC
03/13/2026
03/03/2026
The intersection of Frenchmen Street and N. Claiborne Avenue has been named the "Jean Knight Honorary Intersection" by the New Orleans City Council. New signage should be up this spring.
Jean Knight, beloved around the world for the 1971 hit "Mr. Big Stuff," lived nearby on Frenchmen Street. The record made her career, though this photograph is from 1985, when she was back on the charts with her version of "My Toot Toot," another song in which the narrator makes clear that she is not to be messed with. Who do you think you are?
Incidentally, Knight's place at 1506 Frenchmen was a stone's throw from the childhood home of jazz legend Jelly Roll Morton at 1441 Frenchmen.
Concert: 7:30 p.m., St. Louis Cathedral (615 Pere Antoine Alley)
Preconcert Talk: 6 p.m., Williams Research Center (410 Chartres Street)
Free and open to the public
Treme's Petit Jazz Museum The Historic New Orleans Collection
Echoes of Innovation
Our award-winning Musical Louisiana concert series returns with a celebration of 19th-century Creole composers and innovators, presented in partnership with the Louisiana Philharmonic Orchestra and Treme’s Petit Jazz Museum.
02/23/2026
Yesterday marked the 90th anniversary of a glorious moment in the annals of rhythm and blues, and a perilous one for Charity Hospital, when Ernest Kador Jr. entered our mortal coil.
As biographer Ben Sandmel would later record, Ernie K-Doe offered this account of his birth: "On the second month, the twenty-second day, nineteen and thirty-six, eight-fifteen in the morning time, Charity Hospital went to rumblin' and a grumblin'! The building started to bendin', the walls started shakin', and the doctors said, 'What's wrong? What's happening?' The people told them doctors, 'A boy-child is being born on the third floor, at this particular time!' And I believe about that time the doctor had done finished what he had to do, and the nurses had done washed this beautiful body of mines down and brought it to my mother, and I believe my mother looked up at my father and said, 'Huh! What we gonna name the boy this morning?' And my father looked down at my mother and said, 'Hush! You can't name him nothin' but one thing, that's Ernie K-Doe Jr., and he's gonna be a bad motor scooter!'"
Happy birthday to the baddest motor scooter of them all!
Sandmel's biography, which we implore you to read, is called Ernie K-Doe: The R&B Emperor of New Orleans.
📸 courtesy of the Historic New Orleans Collection.
02/21/2026
02/18/2026
Norman C. Francis, who shaped Xavier and New Orleans, dies at 94
The longtime university president was a key figure in the city’s civic, cultural and economic life. Friends and family praised the leader for how he treated others.