Skokstudio Vocal Instruction

Skokstudio Vocal Instruction Skokstudio offers private Vocal Instruction in-person in Mentor, OH, and all over the world via Zoom. Ms.

Skokstudio delivers individual and group vocal instruction to emerging and professional singers, in-person at the Mentor studio location and virtually/online using Zoom. Master Instructor Heidi Skok has over 25 years of experience teaching privately, at colleges and artist programs. Heidi Skok is a gifted “diagnostician” and a solid and knowledgeable technician for ALL voice types and many divers

e genres. She specializes in solving vocal difficulties, vocal transitions, and larger voices, and can build a solid chest voice belt for Broadway and pop. She has successfully helped many singers make Fach transitions. This was due to her own unique transitional experience to mezzo-soprano after having spent twenty years as a soprano, twelve of those years at the Metropolitan Opera. Skok has previously taught at the New School University on the Voice Faculty of the Actors Studio MFA Program, on the faculty of the New England Conservatory in Boston, Curtis Institute, the University of Kentucky, Bennington College in Vermont, the College of Saint Rose in Albany, NY, and Baldwin Wallace University in Berea, Ohio. Skok is also currently head of the Voice faculty at Fairmount Center for the Arts. Her students have sung at such opera houses as the Metropolitan Opera, English National Opera, Deutsche Opera Berlin, Leipzig Opera, New York City Opera, Washington National Opera, Glimmerglass Opera, Chautauqua Opera, Steans Institute at the Ravinia Festival, Santa Fe Opera, Glyndebourne, and San Diego Opera. Her students sing on Broadway, at the Metropolitan Opera, and in recording studios.

08/19/2026

It’s OK to not have ventures work out that you try or even to be fired from a job as I was. It’s not the end of the world. Never cut people off or act emotional towards them because of a situation that you think has not gone the right way for you. I became very good friends with someone who fired me and that person ended up supporting me with all kinds of repertoire suggestions When I found my true voice as a Contralto, I had so much support from people because I never blamed anybody for the soprano journey. I had so many people to turn to because I never cut them off, and they all helped me and cheered me on . YOU NEVER KNOW WHO IS GOING TO END UP SUPPORTING YOU AND HELPING YOU SO WHY BURN A BRIDGE? I think I’ve only burned two bridges in my life and that’s because I was treated horribly.Be very wise. Only good can come and if you never try the venture, how will you know if it would’ve worked - you have to try even if it doesn’t work and that’s OK.

08/14/2026

For me, it’s all about the technical capacity. One has to have the technical skills in their voice then everything can be filled out and figured out. Every voice wants to sing a certain way that is right, right exactly right for that voice. The same goes for the repertoire. One must possess the technical capacity in their voice in order to be able to really figure it out and that’s what our job is to do and to find. Sometimes that takes a long time and that’s OK. skills

08/07/2026

With cold and flu season coming up and the school year starting this is a great exercise to implement when you feel a stuffy nose or have a cold that you need to work through 🙊

08/03/2026

Are you trying to master coloratura or in modern pop music riffing?? These are excellent tips to start implementing during your practice - drop your goal below!! 💗

07/29/2026

Nasal breathing is the way to go not only in singing but in life. Nasal breathing gives a very long capacity and elasticity to my airflow and allows me to sing very long phrases which my Contralto repertoire requires, especially in that lower middle part of the voice. If you can’t sing long phrases in one breath intake, you are doing something technically incorrectly. I do all kinds of breathing exercises to have this type of airflow capacity and I teach this to my students too. Read the book called BREATH by James Nestor. You will do all you can after reading the book to never mouth breathe again. Sometimes though if the phrase is moving very quickly and the next entrance for you is right upon you then yes of course you have to breathe in through your mouth, but that I call taking in hot air which blows just a hot breath over your throat. keep breathing! . Breathwork is the life of you and your singing! ❤️❤️❤️❤️

07/22/2026

Pay attention to the critics and visual helps to make your notes stand out, showcasing your true voice and giving you all the confidence to sing loud and proud!!

07/01/2026

Contrary to popular belief, support doesn’t come from “singing from your diaphragm.” True vocal support comes from proper 360° breathing and engaging your lower abs as you sing.
When you learn to use your breath this way, you’ll gain more control, consistency, and freedom in your voice.
Try this exercise and let me know how it goes in the comments! 👇

06/20/2026

COMMENT and share some love with our favorite voice teacher ❤️

06/16/2026

COMMENT if you struggle to practice/why or why not?!

06/16/2026

COMMENT if you have bought into one of the biggest singing myth!🎤
You don’t sing from your diaphragm.
True vocal support comes from proper 360° breathing and engaging your lower abs (transverse abdominals). When you learn to support correctly, your voice becomes stronger, freer, and more powerful.
The voice you’ve been dreaming of starts with breath. ✨

Address

8789 Mentor Avenue
Mentor, OH
44060

Telephone

+14402908893

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