03/09/2026
Save your spot today in summer camp!
https://www.dalcrozemusicalarts.com/summer
Experience music by moving your own body, learn musicianship in a playful way, and enjoy an accessible movement experience with live music. For all ages!
03/09/2026
Save your spot today in summer camp!
https://www.dalcrozemusicalarts.com/summer
02/15/2026
I’m excited to offer 2 Dalcroze sessions at the CU guitar summer academy this year! This will be a wonderful event for high school guitar players.
2026 CU Boulder Guitar Summer Academy May 30-June 3, 2026 Boulder, ColoradoThe College of Music at the University of Colorado Boulder is thrilled to host the 2026 Guitar Summer Academy!
02/15/2026
See you there!
10/23/2025
Central Park Eurhythmics mini-session starting November 13. Sign up link in bio.
10/20/2025
✨ New Episode Alert! ✨
In Episode 11 of Play Now, Play for Life, we dive into the world of Dalcroze education with Lori Forden & Dr. Jeremy Dittus. 🎶💃
👉 Listen now: https://bit.ly/3ZXBVxL
Dalcroze Society of America
10/20/2025
Dalcroze music education: making music with movement
08/29/2025
Registration is open! Classes start on September 8, 2025. dalcrozemusicalarts.com/classes
Registration is open! Classes start on September 8, 2025. dalcrozemusicalarts.com/classes
Class Experiences Music classes offered in the Denver metro area
08/25/2025
https://www.dalcrozemusicalarts.com/classes
Classes begin September 8. Enrollment is open for youth 4+ .
05/11/2025
This workshop was fun and informative!
02/02/2024
Registration is OPEN! Come join us in July!
10/04/2023
One of the biggest misconceptions about reading music, I think, is that we learn what the individual notes are and then painstakingly, like some kind of paint by numbers, transfer that to our instrument or voice.
That’s tantamount to trying to read a Dickens novel by each letter alone!
As someone who’s a pretty decent sight reader, I’m often fascinated about the process of reading music (which, of course, is different from “sight reading” music).
There are four things to consider:
1. Fluent music readers see patterns, not individual notes. So effective sight reading is all about the ability to take in and analyse music in an incredibly short amount of time, seeing in an instant if the passage is moving up or down or by what interval; whether there are chords involved and whether they’re root position, first inversion or second inversion. And, of course, we make instant harmonic judgments, which presupposes a very solid understanding of tonality and harmony via scales and arpeggios. And yes, we continually teach these skills!
2. Good sight reading involves fantastic physical awareness of keyboard geography. That means that it’s fundamentally important to be able to keep the eyes on the music and not to have to check the hands to see if they’re in the right place. This comes about through consistent practice, a deep, rich and varied repertoire, and MUCH time spent doodling and improvising at the piano.
3. It also involves excellent musicianship and aural skills. Most of the time, when sight reading, little slips need to be perceived aurally and adjusted without even looking at the keys to see what’s wrong. So it’s imperative that teachers instil excellent musicianship in their students. Aural skills are NEVER something separate from playing, merely to be treated as some kind of irritating add-on like the aural test of an exam!
4. Rhythm is everything. But everything! You play the wrong note in the right place, and you’re still 50% right. Get the rhythm wrong, though, and it’s ALL wrong! Pulse is something physical, visceral and driving. Remember that music exists in time, and the beats are merely markers of time. The music happens between the beats, but it is always forward-moving and never static. It’s as if every single beat immediately kickstarts the anticipation of the next. It’s amazing when students finally start to perceive that unfailing momentum in their playing and their reading!
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