08/07/2021
Good Morning everyone!
Today’s piece of the week is quite a unique one so far. It is entitled, “In the Bleak Midwinter” and was originally a poem written be a poet name Christina Rossetti. This poem was then arranged into a choral work by a famous English composer named Gustav Holst, who is widely known for his “Planets” symphonic suite.
However, today we will be looking at a specific arrangement of this piece that was done by an English singer and music producer named Jacob Collier, who had his birthday on August 2nd. Collier is a Grammy award winning musician and is one of the most talented voices in the industry today. Having perfect pitch is the bare minimum for him as he is know for arranging pieces and adding incredibly complex harmony to whatever he sings. The chords he uses on the fly have so much to analyze and are so detailed and unconventional.
For a bit of background on music theory, the music we listen to generally has 12 different tones. On a piano, this appears as 7 white keys and 5 black keys. These 12 notes will repeat over and over again in different ranges. But, there do exist many other tones that actually lie in between these 12 tones called microtones. For example, between C an C sharp, there also exists a C half sharp. It’s widely unused in common music as our ears are now accustomed to hearing only the 12. Jacob Collier uses these microtones in his arrangement and creates a whole new soundscape, essentially changing his temperament in the middle of the piece! Another way to imagine this is if you were playing a piece on the piano, halfway through the piece you retune the entire piano.
The following video offers a score transcription so you can see the complexity of the harmony in the arrangement.
To support my projects, visit:https://www.patreon.com/JuneLeeIn the Bleak MidwinterPoem by Christina RossettiMusic by Harold DarkeArranged and Performed by J...