04/23/2026
Las Vegas Fur Con 2026 with .box
Working with niche communities means adapting the process to the subject, not the other way around.
Large format forces that conversation and process. Slower pace, more collaboration, more intention behind each frame.
Shot on a Toyo 45CF with a Rodenstock 180mm lens.
Lit with Westcott FJ strobes.
Ilford HP5+ and developed in Rodinal.
This is what 4x5 looks like when it’s built around the people in front of the lens.
03/13/2026
Testing out latex specific lighting using a 7ft brolli and silver bounced up-light.
Color: Canon r5 with 24-105 f2.8
B&W: Mamiya 645 with Ilford HP5+
03/01/2026
A private, intimate moment before the ceremony.
Alissa and Andreas chose to share their vows without cameras or guests present. They agreed to have one analog shot taken to remember the moment.
Photographed on my Toyo 45CF 4x5 using X-ray film and a 180mm lens.
Sometimes one frame is enough.
02/04/2026
Birthday in New Orleans 🎭
Caught the Krewe du Vieux parade, wandered the streets, and met some of the most colorful souls along the way.
Grateful for another year around the sun.
Shot on the Leica and Lomo LC-A with Portra, Ultramax, and HP5+.
11/14/2025
Strapped Tight.
Gear by
Shot with Westcott FJ400s
Canon EOS R5 · RF 24-105mm f/2.8
Processed in Capture One
08/26/2025
Summer in Japan 🇯🇵✨ From temple gates to quiet streets and curious deer — all captured on my Canon R5 with vintage Voigtländer 35mm f1.4 + Canon 50mm f1.2. Swipe for more 📸
07/01/2025
The body that inspires me to keep creating.
A muse in every sense—strength, form, and presence—painted in silver like something out of Warhol’s Silver Factory.
Q***r, unapologetic, and a little feral.
Captured on the R5 with the RF 24-105 f/2.8, softened by a Black Pro Mist 1/4.
Lit with FJ400 & FJ200 to carve every detail.
Finished in .
***rArt
05/22/2025
Body paint meets the iconic British S10 Gas Mask.
Contrast study. Drone Logic.
05/02/2025
Brought my Leica M4-P with a Canon 50mm f/1.2 (with a Black Pro-Mist) into to see — who has been one of my favorite artists for almost 20 years.
Shot on two rolls of Kodak Portra 800 and a roll of Ilford HP5+ pushed to 800. No flash, no special VIP access — just film, sweat, and whatever I could grab from the floor.
If you were around for early 2000s electro, house or techno— Boys Noize, Steve Aoki, Justice, etc. — you already know. With Indie Sleaze creeping back to the modern mainstream, the energy hit hard — messy, euphoric, and honest.
Swipe through — full 10-frame set of 35mm grain, soft glow, and a whole lot of movement.
Also met and picked up a signed photobook. Awesome guy and also a great photographer!
➕ More analog sets and film dumps over at .