寶藏巖國際藝術村 Treasure Hill Artist Village

#寶藏巖駐村計畫 ▍2026第二季駐村藝術家介紹
2026 S2 Resident Artist's Introduction
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🎨 端潔普查納・普拉瑟
​ ​ ​ ​ ​ ​ Duenchayphoochana PHOOPRASERT

🏠 寶藏巖國際藝術村 X 泰國國際藝術大學
​ ​ ​ ​ ​ ​ Treasure Hill Artist Village X Silpakorn University, Thailand

⏰ 2025.06.08-08.24
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藝術家端潔普查納・普拉瑟的創作植基於對土壤、記憶與地景脆弱性長達超過15 年的研究。2025 年，她發展出一系列以地球表面同時作為「材料」與「隱喻」的作品。她的創作涵蓋了田野調查、現場採集土壤，並創作反映自然脆弱與韌性之間張力的裝置藝術。
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在她的藝術生涯中，自 2009 年起便屢獲泰國國家藝術展（National Exhibition of Art）的獎項肯定，並多次獲得泰國國家研究委員會及國際機構頒發關於土壤與媒材藝術研究的補助。這些資源支持了她以物質驅動的創作方法論及概念架構的發展。
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核心計畫「大地的記憶」（2025日本愛媛藝術探險節）與當地社群合作，並利用砥部黏土探索深植於土地中的記憶。她的博士研究則深入探討土壤表面如何作為跨越不同文化背景的時間檔案。
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Duenchayphoochana Phooprasert is an artist whose practice is grounded in long-term research on soil, memory, and the fragility of landscapes for more than 15 years. In 2025, she developed a body of work that uses the surface of the earth as both material and metaphor. Her practice involves field research, collecting soil from field sites, and creating installations that reflect the tension between nature’s fragility and resilience.
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Throughout her career, she has received awards from the National Exhibition of Art in Thailand since 2009 and multiple research grants related to soil and material based artistic research from the National Research Council of Thailand and international institutions, supporting the development of her material-driven methodology and conceptual framework.
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A key project is Memories of the Earth (Art Venture Ehime Fes 2025, Japan), where she collaborated with local communities and worked with Tobe clay to explore memory embedded within land. Her doctoral research investigates how soil surfaces function as archives of time across cultural contexts.
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📝 駐村計畫：詳見官網
​ ​ ​ ​ ​ ​ Residency Program — For details, please visit our official website.
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#視覺藝術

#寶藏巖駐村計畫 ▍2026 第一季駐村藝術家聯展活動｜蕭靖彤 Cassandra HSIAO 讀劇 演出回顧
2026 S1 Resident Artist Stage Reading/Performance：Alice in Hungerland Review
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5月9日、5月10日下午，讀劇選段〈Alice in Hungerland〉以臺灣視角重述《愛麗絲夢遊仙境》，聚焦年輕女性與食物、身體與文化認同的糾葛。
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故事跟隨18歲臺裔美籍大一新生愛麗絲：為迎合他人，她在暴食與節食間徘徊，身形劇烈起伏；母女通話、友情、戀情與交換、探親經驗交織其間。演出以荒誕與黑色幽默為語彙，透過 Rabbit、Maddie（帽子）、Cheshir（獅子舞形象）、院長 March, Blossom、Cato 等具象徵性的角色與多重意象—放大或縮小、淚流成海、中秋節、味精、猛吃、“沒女（nothing girls）”、不健康菜單等方面，突顯內在與文化壓力。
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最後，劇情以一場荒誕的法庭收場：愛麗絲被指控取走象徵母親的蛋塔，審判成為對女性身體與行為的隱喻性檢視。作品風格實驗且有力，語感與台詞處理細膩，Alice 的情感轉換層次分明；全劇深刻探討 #飲食失調、 #文化壓力 與 #身分認同 等複雜議題。
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On the afternoons of May 9 and May 10, the staged reading Alice in Hungerland reimagined Alice in Wonderland through a Taiwanese lens, centering on a young woman’s fraught relationship with food, body, and cultural identity.
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The piece followed 18‑year‑old Taiwanese American freshman Alice as she oscillated between bingeing and restriction to please others, her body undergoing dramatic shifts, while mother‑daughter calls, friendships, romances, and exchange, visiting‑family experiences wove through the narrative. Using absurdist and darkly comic tones, the performance deployed symbolic figures—Rabbit, Maddie (Hat), Cheshir (lion‑dance imagery), Dean March, Blossom, Cato—and recurring motifs (growing, shrinking, tears as flood, Moon Festival, MSG, binge eating, “nothing girls,” unhealthy food menus) to foreground inner and cultural pressures.
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In the end, the reading culminated in a surreal courtroom: Alice was accused of taking a tart that symbolized her mother, a trial that served as a metaphorical scrutiny of women’s bodies and behaviors. Stylistically experimental and powerful, the work was finely attuned to rhythm and nuance, with Alice’s emotional shifts rendered in layered detail; it probed the complex intersections of , , and .
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#寶藏巖駐村計畫 ▍2026年第一季駐村藝術家 #北師美術館 參訪回顧
2026 S1 resident artists at Visit Review
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感知，能否跨越日常視覺的邊界？
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駐村藝術家們本週潛入北師美術館「 #遙視（Remote Viewing）」特展，
從 1930 年代的「月球背面攝影」出發，展開一場心靈實驗。
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◇ 現場藝術家的感官直覺
外星人是一場迷霧 ▸ 藝術家對展覽中的 UFO 與假訊息操作感到著迷，認為那些曖昧不明的「迷霧」正是影像最迷人之處。
靈魂攝影 ▸ 當靈魂與心靈感應被顯影在底片上，那種跨越百年的宇宙感，直擊感知的最深處。
處理器快燒壞了... ▸ 展覽展現的心理層面與多元檔案極其豐富，這種「難以理解」的複雜度，反而激發了大家的創作渴望！
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◇ 展覽核心觀點
本次展覽展出了當代國際藝術家的作品，以視覺圖像建構感知架構，並將這些作品與歷史藝術作品和檔案資料並置呈現。在這裡，圖像化為「心理介面」，讓時間、聲音與身份在跨越距離的狀態下被重新理解與感知。
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心靈本身就是一種影像生成的技術。
這場參訪不僅是視覺的饗宴，更是感知疆界的再擴張，期待這些靈感轉化為藝術家們創作養分！
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Can perception transcend the boundaries of everyday vision?
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This week, our resident artists delved into the exhibition at MoNTUE. Starting from the 1930s experiment to capture the "Moon’s Far Side," the group embarked on a journey of mental visualization.
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◇ Artists’ Perceptual Intuitions
"Aliens as a Mist" ▸ Some artists were fascinated by the intersection of UFOs and the "mist" of disinformation within the exhibition, finding this ambiguity to be the most captivating part of the imagery.
"Spirit Photography" ▸ Seeing spirits and telepathy registered on photographic plates evoked a century-old cosmic resonance that struck the deepest parts of our perception.
"Processor Overload..." ▸ The psychological layers and the sheer diversity of the archives were so rich that the "incomprehensible" complexity actually fueled everyone’s desire to create!
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◇ Core Exhibition Perspective:
The exhibition presents works by international contemporary artists who employ images to construct perceptual architectures, juxtaposed with historical artworks and archival materials. Here, the image functions as a "psychic interface," allowing time, voice, and identity to be re-perceived and understood across distance.
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The mind itself is a form of imaging technology. This visit was not only a visual feast but an expansion of our sensory frontiers.
We look forward to seeing these inspirations transform into creative fuel for our residency projects!
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#寶藏巖駐村計畫 ▍台北藝術進駐計畫—出訪海外機構｜歐洲篇
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⇥瑞士 𝗔𝘁𝗲𝗹𝗶𝗲𝗿 𝗠𝗼𝗻𝗱𝗶𝗮𝗹
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Atelier Mondial 是一項國際藝術家駐村計畫，計畫特別關注與不同文化背景地區的交流，積極促進藝術觀點不以西方為單一主導的多元對話，並持續拓展新的國際合作夥伴關係。
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Atelier Mondial 位於瑞士巴塞爾 Dreispitz 藝術園區內，工作室設於 2014 年落成的 Freilager Platz 藝術綜合建築中。該區域正逐步發展為重要的藝術聚落，周邊聚集許多獨立藝術空間、畫廊與藝術機構，並鄰近瑞士聯邦鐵路（SBB）車站。駐村空間所在的藝術校園與多個重要文化機構相鄰，提供來自世界各地藝術家的住宿與創作空間，形成充滿活力的國際藝術社群。
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機構優勢｜
➊ 國際藝術聚落環境
位於 Dreispitz 藝術園區，周邊聚集藝術機構、畫廊與藝術學院，形成活躍的藝術生態。
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➋ 歐洲藝術網絡連結
身處歐洲重要藝術城市巴塞爾，有機會接觸當地藝術資源並拓展國際藝術網絡。
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⇥台北德勒斯登交流計畫 𝗗𝗿𝗲𝘀𝗱𝗲𝗻 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝘆 𝗔𝗿𝘁 + 𝗡𝗲𝘁𝘄𝗼𝗿𝗸 𝗠𝗲𝗱𝗶𝗮 𝗔𝗿𝘁
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本計畫以 Media Art Network 為核心，由德勒斯登當代藝術協會策劃，專注於當代媒體藝術領域的創作與交流。藝術家將有機會於 德勒斯登（Dresden） 與 巴特尚道（Bad Schandau） 兩地進行駐村創作。
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計畫並與 Liquid Sound 合作，邀請新媒體藝術家為位於德勒斯登附近的特殊溫泉設施中的水下音響系統發展作品與裝置。透過結合聲音藝術、空間裝置與媒體技術，探索藝術、科技與環境之間的創新關係。
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機構優勢｜
➊ 跨機構國際合作
由台灣與德國多個文化機構共同合作，提供完善的駐村支持與交流平台。
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➋ 媒體藝術創作環境
計畫聚焦於新媒體與聲音藝術創作，鼓勵藝術家探索科技、聲音與空間的創新實踐。
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⇥英國 𝗣𝗹𝗮𝘁𝗳𝗼𝗿𝗺 𝗔𝘀𝗶𝗮 × 𝗘𝗮𝘀𝘁 𝗦𝘁𝗿𝗲𝗲𝘁 𝗔𝗿𝘁𝘀
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Platform Asia 致力於推廣亞洲當代藝術，透過展覽、討論與創作交流，為亞洲藝術家拓展國際舞台。期望對促進對當代亞洲藝術的理解與欣賞。
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East Street Arts 則為英國重要的藝術家支持機構之一，長期致力於提供可負擔的創作空間與藝術家發展資源。機構相信藝術能為社會帶來積極改變，透過藝術家培育計畫、公共參與活動與跨領域合作，持續支持藝術家創作與實踐。此外，East Street Arts 亦成立英國第一家由藝術家設計的藝術旅館，打造結合藝術與社群交流的創作環境。
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機構優勢｜
➊ 聚焦當代社會議題
鼓勵藝術家透過視覺藝術回應政治與社會環境的變動，探索藝術與社會之間的關係。
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➋ 藝術家發展支持
提供研究、創作發展與專業輔導機會，協助藝術家拓展國際創作視野。
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➌ 公共展示與交流機會
藝術家有機會於駐村期間舉辦展覽或公開活動，與當地藝術社群與觀眾互動。
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📅 徵件時間：即日起至 2026.06.30 中午 11:59:59 止
🔗 徵件辦法及報名方式：https://air-artistvillage.org.tw/
💬 聯絡方式：如需進一步了解，歡迎與我們聯繫 [email protected]

#寶編大聲公 ▍母親節，和家人一起來走走吧.ᐟ.ᐟ.ᐟ
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2026第一季駐村聯展中，
藝術家 Narisapongse Rakwattananont 展間中，
有個十分有趣的互動體驗區。
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「你認為是什麼建構了家庭？」
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是愛？
或是法律？
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相信每個人心中都有屬於自己的答案。
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這周日恰好是母親節。
若有時間也歡迎帶著家人一起來寶藏巖走走！順便把你的答案告訴藝術家。
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當然，若已經有其他安排了，也沒關係，
但請不要忘了在這個最溫暖的節日，給最愛你的他一個擁抱。
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📍寶藏巖國際藝術村 邊境54號 展間一樓
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✦ 展覽資訊 Exhibition Information
▹展期 Date｜2026.04.25-2026.05.10（日/Sun.）
▹開放時間 Opening Hours｜ 11:00-18:00 (周一休村 Closed on Mon.)
▹地點｜寶藏巖國際藝術村 Treasure Hill Artist Village
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#寶藏巖駐村計畫 ▍藝術家介紹
Featured Artist Introduction
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🎨 派瑞莎・巴巴埃 Parisa BABAEI
🏠 寶藏巖國際藝術村 X 法國在台協會-福爾摩沙藝術駐村計畫
​ ​ ​ ​ ​ Treasure Hill Artist Village X French office in Taipei - Villa Formose
⏰ 2025.04.15-05.14
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派瑞莎・巴巴埃出生於伊朗德黑蘭，在巴黎生活與創作。她的作品探究影像與文本是如何被建構的，以及它們如何在語言、社會、政治與文化框架中流通。她探索形塑集體想像中形式與觀念流動的信仰與再現系統，並特別關注記憶與語言政治。
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她的創作以「拼貼」為核心：作品如同視覺字謎，由碎片、缺失和閱讀的中斷所組成，對多重詮釋總是保持開放。她結合了不同的語言、日常或質樸的材料，以及取自流行文化的影像與物件。學術文獻、民俗傳說、在地符號與神話敘事，在複雜的組合中交織，轉移了材料的象徵意義，並創造出多義性的空間。
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藉此，她發展出一種充滿幽默感的批判性實踐，其中的編碼過程與語言滑轉（linguistic slippage）促成了一種「社會超現實主義」。她的裝置藝術匯集了物件、影像與文本，透過多層次的聯想，揭示個人政治史中隱藏的維度。
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Parisa Babaei 是一位跨領域藝術家，在德黑蘭出生長大。她先後畢業於德黑蘭藝術建築大學、巴黎國立高等美術學院（Beaux-Arts de Paris），以及里昂國立高等美術學院（ENSBA Lyon）的研究生計畫（2024）。她目前居住並工作於巴黎近郊。其作品曾於多個機構展覽中展出，包括法蘭西島當代藝術基金會（Frac Île-de-France）和斯圖加特 IFA 畫廊。
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Parisa Babaei was born in Tehran, Iran, and lives and works in Paris. Her work examines how images and texts are constructed and how they circulate through language, as well as through social, political, and cultural frameworks. She explores systems of belief and representation that shape the movement of forms and ideas within collective imaginaries, with a particular focus on memory and the politics of language.
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Her practice is rooted in collage: her works function like visual rebuses, composed of fragments, absences, and disruptions in reading, always open to multiple interpretations. She combines different languages, everyday or modest materials, and images and objects drawn from popular culture. Scholarly references and folklore, vernacular symbols, and mythological narratives intersect within complex assemblages that shift the symbolic charge of materials and create polysemic spaces.
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She thus develops a critical practice infused with humor, in which processes of encoding and linguistic slippage contribute to a form of “social surrealism.” Her installations bring together objects, images, and texts to reveal—through layered associations—the hidden dimensions of intimate political histories.
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Parisa Babaei is a multidisciplinary artist, born and raised in Tehran. She graduated from the University of Art and Architecture of Tehran, the Beaux-Arts de Paris, and the ENSBA Lyon postgraduate program (2024). She currently lives and works in the Paris region. Her work has been shown in a range of institutional exhibitions, including the Frac Île-de-France and the IFA Gallery in Stuttgart.
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📝 駐村計畫：詳見官網
​ ​ ​ ​ ​ Residency Program — For details, please visit our official website.
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#駐村藝術家

#寶藏巖駐村計畫 ▍2026 年第一季駐村藝術家聯合發表 ✦ 展覽倒數中
2026 Season 1 Resident Artist Exhibition ✦ Closing Soon
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在寶藏巖有機交錯的巷弄間，
2026第一季駐村藝術家們透過影像、裝置與文學，
溫柔地挖掘土地記憶、身體流動與社會邊界。
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這場關於時空與感知的對話將於 5/10（日） 劃下句點，
誠摯邀請大家在展期結束前，走入展間細細品味。
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此外，藝術家 蕭靖彤 Cassandra HSIAO 將於本周末午後帶來限時兩場的現場演出。
蕭靖彤與在地演員合作，從臺灣視角重新詮釋路易斯·卡羅的〈愛麗絲夢遊仙境〉，
探討一位年輕女性與食物之間的關係，透過文字與身體的轉譯，在歷史空間中開啟感官的新篇章。
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Within the organic, winding alleys of Treasure Hill, our first season of resident artists has unearthed stories of land memory, bodily movement, and social boundaries through film, installation, and literature. This dialogue of time and perception concludes on Sunday, May 10th. We warmly invite you to explore these spaces and experience their work before the exhibition closes.
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This weekend, resident artist Cassandra HSIAO will present two exclusive performances. The work explores the relationship between a young woman and food, inviting audiences to step into Alice’s world in a Taiwanese reinterpretation of Alice in Wonderland. ​ Through the translation of ​ text and body, she opens a new sensory chapter within this historic space.
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✦ 展覽資訊 Exhibition Information
▹展期 Date｜2026.04.25-2026.05.10（日/Sun.）
▹開放時間 Opening Hours｜ 11:00-18:00 (周一休村 Closed on Mon.)
▹地點｜寶藏巖國際藝術村 Treasure Hill Artist Village
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✦ 週末特別活動：讀劇演出 Weekend Event: Staged Reading
▹劇目 Stage Reading｜《Alice in Hungerland》
▹藝術家｜ 蕭靖彤 Cassandra HSIAO、顧乃驊 Sharlene KU、丁冠愉 Alice TING、潘朗賢 Longyin P**n Alex、陳聖文 Sam CHEN、黃友聞 Melody HWANG
▹日期 Dates｜2026.05.09（六/Sat.）、05.10（日/Sun.）
▹時間 Time｜16:00 - 17:00
▹地點 Venue｜邊境71號展間 Frontier Gallery No. 71
▹Accupass報名｜https://www.accupass.com/event/2603300645485805896100
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#寶藏巖駐村計畫 ▍2026第一季駐村藝術家聯展活動｜李雅英 LEE Ah-Young 研究座談：以日常實踐為映照——從韓國實驗藝術視角建構臺灣複合藝術圖譜 回顧
2026 Season 1 Resident Artist Exhibition Event｜LEE Ah-Young Research Talk：Research as Mirroring through Everyday Practices: Toward an Atlas of Taiwanese Complex Art as Reflected in Korean Experimental Art ​ Review
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5月2日下午，寶藏巖國際藝術村駐村策展人暨研究員李雅英進行了她的駐村研究座談，與大家分享她此次的研究成果。
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從對臺灣前衛藝術的興趣出發，李雅英的研究從多個層面分析20世紀的臺灣歷史與藝術發展。在此次的駐村計畫中，她選擇以製作圖譜的方式呈現，結合實驗性的檔案書寫，突破文字研究的線性敘事所帶來的侷限。
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透過她建構的藝術圖譜，她探討了韓國和臺灣相似的殖民與威權統治背景，在民族主義的興起之下如何產生不同的回應方法，這些結果也為她往後的工作提供可能的起點。
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On the afternoon of May 2, resident curator&researcher LEE Ah-Young held a research talk to share the results of her residency in Treasure Hill Artist Village.
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Based on her interest in Taiwanese avant-garde art, LEE Ah-Young’s research examines Taiwan’s 20th-century history and artistic development from multiple perspectives. In this residency, she presented her work through a series of atlases and experimental archival writing, going beyond the limits of linear narrative.
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Through the atlases she constructed, she explored the shared histories of colonialism and authoritarian rule in Korea and Taiwan, as well as the different responses that emerged with the rise of nationalism. This project also provides possible starting points for her future work.On the afternoon of May 2, resident curator&researcher LEE Ah-Young held a research talk to share the results of her residency in Treasure Hill Artist Village.
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Based on her interest in Taiwanese avant-garde art, LEE Ah-Young’s research examines Taiwan’s 20th-century history and artistic development from multiple perspectives. In this residency, she presented her work through a series of atlases and experimental archival writing, going beyond the limits of linear narrative.
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Through the atlases she constructed, she explored the shared histories of colonialism and authoritarian rule in Korea and Taiwan, as well as the different responses that emerged with the rise of nationalism. This project also provides possible starting points for her future work.
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#寶藏巖駐村計畫 ▍策展人與2026 S1 藝術家交流會回顧 — 鐵道×寶藏巖
Curator Visit & 2026 S1 Artist Exchange Recap — Railway × Treasure Hill
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新竹市鐵道藝術村總監 李育萱（Yu‑Husuan Lee）與 2026 寶藏巖第一季駐村藝術家交流圓滿！🎨
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從新竹鐵道聚落2001年轉型為藝術場域，到 Accton Arts Foundation 自2016年起管理，堅守「Making Partnership Work」：支持藝術家、擴大公眾接觸、打造包容文化空間。駐村不是單向輸出，而是藝術家與場域互惠共生，帶來創作、對話與社群能量，並延伸為社區共創、跨國合作與產業轉化等成果。
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感謝所有參與者，期待更多跨場域的共創與延伸。
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備註：寶藏巖自2004年被登錄為歷史聚落，2010年成為國際藝術村。策展人與駐村藝術家的交流常創造意外連結，我們為此欣喜並期待更多合作！
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Yu‑Hsuan Lee, Director of the Art Site of Railway Warehouse, Hsinchu City, joined the 2026 Treasure Hill (AIR Taipei) S1 resident artists for a successful exchange! 🎨
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From the Hsinchu railway settlement’s rebirth as an art site in 2001 to management by the Accton Arts Foundation since 2016, we uphold the core value “Making Partnership Work”: supporting artists, expanding public access to art, and creating inclusive cultural spaces. Residency is not one‑way — artists and sites mutually sustain each other, bringing projects, dialogue, and community energy that extend into community co-creation, international collaborations, and industry partnerships.
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Thanks to everyone who participated. Looking forward to more cross‑site co-creation and growth.
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Note: Treasure Hill was registered as a historic settlement in 2004 and opened as an international artist village in 2010. Curator–resident artist exchanges often spark unexpected connections — we’re delighted and look forward to more collaborations!
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#鐵道藝術村 #寶藏巖 #駐村交流 #藝術共生

#寶藏巖光節 ▍2026寶藏巖光節「微光之城」回顧
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為期數週的光節，已在 5/3 完美地畫下句點。
那些沿著巷弄展開的微光及在夜裡緩慢發生的對話，
都已然在不知不覺中，成為了這段時間共同的記憶。
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這段時間裡，
光節作品不只是被「觀看」
也存在於人與人之間的交流與互動之中。
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謝謝所有參展的藝術家、合作夥伴與工作人員，
以及所有來訪的觀眾朋友們！
讓這些微小而真實的瞬間，得以持續地發生。
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2026寶藏巖光節雖然結束了，
但那些被點亮的片刻，它們將會在我們各自的日常裡，繼續發光。
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今年，你最喜歡哪件作品呢？
歡迎留言告訴我們！並好好期待2027的寶藏巖光節🌟
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#2026寶藏巖光節 #微光之城