走路草農/藝團 Walking Grass Agriculture

🦭🦭🦭🦭🦭🦭🦭🦭🦭

《2026春季展－藝術家工作坊｜靜物與寫生》

為什麼學畫畫，總是從靜物開始？
為什麼，我們還需要走到戶外寫生？

這一次，我們把靜物搬進風景裡面，在光線、空氣與時間的流動裡，重新看看那些看似不動的事物，靜物不在桌上，在廣場上，我們四月四日兒童節，勤美術館廣場見。

活動講師｜策展團隊 走路草農藝團
活動費用｜購買當日展覽票券者即可參加
活動時間｜2026年4月4日(六)15:00-17:00
報到地點｜勤美術館 戶外水池區
報名連結｜https://reurl.cc/K2Q6Vq

你缺藝術家嗎？先「畫」再說！！！
「再」沒寫成「在」就先+100分！

https://www.facebook.com/share/p/1XC2EiyMvm/?mibextid=wwXIfr

「凹陷：我們的團體生活」
𝘞𝘪𝘵𝘩𝘥𝘳𝘢𝘸𝘢𝘭: 𝘖𝘶𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘌𝘹𝘪𝘴𝘵𝘦𝘯𝘤𝘦
2026 / 1 / 31 Sat. – 5 / 3 ​ Sun.
展覽介紹 https://mocatpe.tw/ca04ZQzEv

感謝自由藝文報導～

水果月曆藏10年祕辛！當代館「凹陷」展揭露12組藝術家 集體生活的餘痕 - 自由藝文網 台北當代藝術館（以下簡稱當代館）將於1月31日至5月3日推出2026年首檔大展「凹陷：我們的團體生活」，由藝評人簡子傑策劃，聚焦2000年後台灣當代藝術團體的生成與消散，邀請12組藝術家與團體透過作品呈現隱而未顯的集體生...

🌷🌷🌷🌊🌊🌊🦋🦋🦋🐝🐝🐝🐌🐌🐌

https://www.facebook.com/share/p/1H84Fbxjsz/?mibextid=wwXIfr

蛇全蛇美，就來高美😍
蛇蛇如意，蛇咪攏好😍
走路草祝大家蛇年快樂

https://www.facebook.com/share/1HGUJb7Wor/?mibextid=wwXIfr

「蛇全蛇美迎新年—新春版印活動」之斗方

三年前的土芒果樹苗，如今已在台南市美術館檨仔林公園長成小樹，為參與展覽「信仰迴路」中的作品《樹的回憶—檨仔林》劃下重要的里程碑。

《樹的回憶—檨仔林》不僅是走路草農藝團對自然與家鄉文化的詮釋，也象徵世代的情感傳遞與共生精神。路過的人們，見證了小樹的成長。

即使檨仔林很有可能是「海檬果」，而非是「土檨仔」，但仍然希望一棵樹可以成為自然與藝術的永恆橋樑，為檨仔林公園增添更多故事與生命力。

💪Kaohsiung International Steel & Iron Sculpture Festival

🏆Award-winning
💪2024 London Design Awards GOLD WINNER(Category:Conceptual Design - Exhibition & Events)
💪2024 GOOD DESIGN AWARD(Category ：Industry and Commercial Facility)

💡Kaohsiung is an international harbor city that started as an industrial city. Since 2002, Kaohsiung has organized a biennial event with "Steel" as the theme, inviting artists worldwide and local creators to gather in this beautiful city. With steel as their common medium, they presented Kaohsiung's metal manufacturing, factory scenes, labor stories, and industrial cityscape, interpreting Kaohsiung's culture and vitality.

The 10th festival is different from the previous ones in the concept of "interaction". For example, steel industry operators and artists were invited to create works together, domestic and foreign artists were invited to conduct research on-site and communicate with the residents, and the public was given a greater sense of participation through tourist ships, performances, seminars, and outdoor creations. The curatorial team hoped not to divide art and design but to strike a perfect balance between humanistic aesthetics and industrial industry, presenting a brand-new vision with strength and flexibility.

🔧Link
https://www.g-mark.org/zh-Hant/gallery/winners/24245?years=2024

https://thelondondesignawards.com/winner-info.php?id=1545

🔧Official website
https://23sisf.pier2.tw/intro