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▞ 2025 關渡光藝術節《幻響》▚

▞ 展覽時間｜2025/10/17 - 10/25 10:00-17:00 週一休館
▚ 表演時間｜2025/10/17 19:00 - 21:30
2025/10/18 19:00 - 21:30
2025/10/19 14:30 - 17:00
▞ 閉幕表演｜2025/10/25 15:00 - 15:40
▚ 展演地點｜國立臺北藝術大學科技藝術館

25/10/2025

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

▌▌▌📢 展期只到今天 ▌▌▌

☄︎ 別錯過今日下午的閉幕演出 ✦
⏱︎ 10/25（六）15:00 – 15:40
ꚰ 北藝大科技藝術館 1F
— ⌁⌁⌁ —
╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ 周喚 x 陳彥齊 x 凌歆慧 x 林子晴《The mission DLC》✦

🕹️ 既上次周喚、陳彥齊合作的版本一之後，這次與ネクタイ（nekutai）合作推出續集。

🎮 以第三人稱雙人遊戲的形式推進敘事，並以Podcast電台主持人的身分帶領整體敘事結構與節奏。

🪢 場景虛實交錯，最終導向一場對演算法控制的荒謬回應與在音像中迴圈、逃跑的狀態。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ CHOU Huan, CHEN Yen-Chi, LING Hsin-Hui, LIN Tzu-Ching《The mission DLC》✦

🕹️ Following the first version created by Chou Huan and Chen Yenchi, this sequel is a collaboration with ネクタイ (Nekutai).

🎮 he narrative unfolds through a third-person two-player game, guided by podcast hosts who shape the overall storytelling structure and rhythm.

🪢 Blending virtual and real environments, the work ultimately leads to an absurd response to algorithmic control, portraying a state of looping and escape within sound and image.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

24/10/2025

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

▌▌▌📢 展期只到今天 ▌▌▌

☄︎ 別錯過今日下午的閉幕演出 ✦
⏱︎ 10/25（六）15:00 – 15:40
ꚰ 北藝大科技藝術館 1F
— ⌁⌁⌁ —
╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ 吳承儒《視感認知》✦

🖥 在數位世界中，我們如何去理解影像本身？
吳承儒以數位影像的結構為基底，展開一場音像表演——
畫面在眼前建構又解構，聲音與影像共振出認知與錯覺之間的臨界地帶。

🌫 當像素失序、噪訊浮現，觀者的感知也被迫重啟：
在這個生成影像遍布的時代，藝術家讓我們重新凝視每一個組成圖像的微小單位，引領觀者進入數位影像背後的解構思維與知覺縫隙。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ WU Cheng-Ru《Mind Fluid》✦

🖥 How do we perceive images in the digital world?
WU Cheng-Ru constructs a performance based on the structure of digital imagery—
where visuals are continuously assembled and dismantled before our eyes,
and sound resonates with image in a threshold space between perception and illusion.

🌫 When pixels fall out of order and noise emerges, perception must be recalibrated.
In an age overwhelmed by generative visuals, the artist invites us to reexamine each tiny unit that composes the digital image,
guiding the audience into the fractured logic and perceptual gaps behind the screen.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

24/10/2025

▌▌▌📢展期倒數1 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ Nigel Brown《Solo》✦

🪗 解構手風琴，展開聲音與身體的即興對話。
藝術家 Nigel Brown 操作一台自行改造的手風琴，透過電聲處理延展自由簧片的震動，創造出彎曲的群集持音、共鳴的低頻與金屬質地的聲響。

🎛 樂器的不穩定性，讓表演成為一場「控制與失控」之間的協商。
在聲響不完全可控的條件下，藝術家以聆聽回應，以身體形構動態的聲響場域。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ Nigel Brown《Solo》✦

🪗 A deconstructed accordion becomes a site for sound and bodily negotiation.
Artist Nigel Brown performs with a self-modified piano accordion, extending the vibration of free reeds through electroacoustic processing—generating bending drone clusters, resonant low frequencies, and piercing metallic textures.

🎛 The instrument’s inherent instability turns the performance into a dynamic interplay of control and surrender.
Through listening and improvisation, the artist shapes a fluid soundscape where body and sound constantly respond to one another.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

24/10/2025

▌▌▌📢展期倒數1 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ 劉東昱 x 莊勝凱《殘稿》✦

🪶 痕跡在數位與自然之間游移。筆畫被時間不斷寫入、抹去、又再生成；像記憶在轉譯中失真、鬆動。

📡 類比與數位資料彼此滲流，留下連續卻不穩定的脈動；每一次觀看都使殘留的文本產生偏移，讓意義在偏移中被重組、再塑。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ WhereIsChappie (Liu Dong-Yu) x ShengKai《Remaining Manuscript》✦

🪶 Traces drift between the digital and the natural.
Strokes are written, erased, and written again by time—like memory loosening and distorting in translation.

📡 Analog and digital data seep into one another, leaving a continuous yet unstable pulse;
each act of viewing shifts the residual text, reorganizing and reshaping meaning within that deviation.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

24/10/2025

▌▌▌ 展期進入最後 2 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ 蕭力綺《漸進式》✦

🧤 雙手成為演出的核心語言
藝術家配戴感測手套，將每一次手部移動即時轉化為聲音與影像，讓觀眾得以同步感知肢體與聲景的變化。

🎛 在這場以「身體為介面」的演出中，傳統的操控裝置被取代，展現科技與直覺互動的嶄新形式。
觀眾彷彿置身一場視聽與動作彼此呼應的共感現場，體驗從控制到表達的自然過渡。

🎥 蕭力綺以動作為語彙、以科技為橋樑，開展一場在感知邊界上的動態對話。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ HSIAO Li-Chi《Progression》✦

🧤 When hands become conductors of sound and light
Wearing sensor gloves, the artist captured hand movements and translated them into live audio and visual rhythms.

🌀 Gestures were no longer just body language—they became real-time interfaces for generating a vibrant audiovisual landscape.
Through visual perception and auditory connection, the audience entered an interaction guided by bodily intuition.

🎛 In this performance, the body became the instrument, and movement the language.
HSIAO Li-Chi extended perception through technology, composing a dynamic audiovisual poem with her hands.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

24/10/2025

▌▌▌ 展期進入最後 2 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ Félix-Antoine Morin x Alexandre Larose《Magnetic Space》✦

🧲 聲音與影像如何召喚感知的臨界狀態？
來自加拿大的聲音藝術家 Félix-Antoine Morin，透過聲響心理學與儀式邏輯建構出詩性的沉浸場域，導引觀眾進入一場關於「深度聆聽」與「知覺再構」的旅程。

🎥 本次他攜手加拿大實驗電影導演 Alexandre Larose，共同打造視聽交織的現場組合，將聲波與光影層疊，召喚出如夢似幻的空間感知。

📼 Larose 的類比影像創作手法，捨棄數位特效，以自製裝置與實驗膠片技術，形塑記憶與幻覺交錯的視覺敘事。

🎛 當聲音如咒、影像如夢，Magnetic Space 為觀眾開啟一場穿越現實與潛意識的詩性旅程。

📍2025 關渡光藝術節現場演出
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ Félix-Antoine Morin x Alexandre Larose《Magnetic Space》✦

🧲 How can sound and image evoke altered states of perception?
Canadian sound artist Morin crafted a poetic immersive space using psychoacoustic strategies and ritual-inspired structures—inviting audiences into a journey of deep listening and perceptual reimagination.

🎥 For this performance, he collaborated with experimental filmmaker Larose, whose analog techniques avoid CGI in favor of handmade devices and chemical processes to shape a tactile, dreamlike visual world.

📼 Together, their live composition interwove sound and vision into a hypnotic sensory encounter, blurring the threshold between memory, reality, and illusion.

🎛 With sound as incantation and visuals as dream, Magnetic Space opened a poetic passage between consciousness and the subconscious.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

24/10/2025

▌▌▌ 展期進入最後 2 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ 陳智彥《Epsilon: 溯》✦

🧲 以身為軸，建構記憶的迴路。
三組手工電磁感測裝置與穿戴式介面組構出身體驅動的聲光系統；
指尖在電路上落筆，姿態在光場裡暈開——
觀者看見的，不只是動作所產生的聲音與影像，亦是身體與記憶交錯、溯行、重構的歷程。

🌀 在「無盡重來」的規律中，演出不斷寫入與覆寫：
以指為筆，以姿態為刷，在裝置與聲光的閉環中——
捕獲當下、操作記憶、回放、擦除。
於無盡的重複裡，完成刻印與回響。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ Huginn C.《Epsilon: Recur》✦

🧲 A body-centered circuit of memory.
Three hand-crafted electromagnetic sensors and a wearable interface construct a sound-light system driven by movement.
Fingertips sketch across circuits; postures diffuse through fields of light—
What the audience witnesses is more than just sound and visuals generated by gestures.
It’s the overlapping, rewinding, and reconstruction of body and memory in motion.

🌀 Within the law of eternal recurrence, the performance continuously inscribes and overwrites:
Fingers as pens, postures as brushes—
In the closed loop of installation, light, and sound,
they capture the now, operate on memory, replay, and erase.
Through endless repetition, impressions and echoes are formed.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

23/10/2025

◆◇◆ 𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥 ◆◇◆
✦ 海闊拉帝 Hi-Quality ✦

📷 攝影: 王世邦

23/10/2025

▌▌▌ 展期進入最後 3 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ 海闊拉帝 ✦

📼 動畫影像 × 3D列印 × 動力裝置
海闊拉帝（Hi-Quality）由閔詩涵與陳誌陽於 2023 年共同創立，團名取自「High Quality」的中文諧音。在他們的創作中，地獄文化、台灣民俗與當代敘事交織出充滿台味的視覺語彙。

⚙️ 他們擅長以動畫、3D 模型與動力裝置打造獨特場景，結合台式美學與表演，探索文化如何在當代轉譯與再生。

📍2025 關渡光藝術節現場演出
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ Hi-Quality ✦

📼 Animation × 3D-printed sculpture × Kinetic installation
Founded in 2023 by Min Shih-Han and Chen Chih-Yang, Hi-Quality (a pun on “High Quality” in Mandarin) creates performances that reimagine Taiwanese hell imagery and local folk traditions.

⚙️ Through animation, kinetic sculptures, and site-specific installations, the duo transforms these cultural elements into contemporary narratives with a distinctively Taiwanese visual language.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

23/10/2025

◆◇◆ 𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥 ◆◇◆
✦ Peter Kutin feat. Florian Kindlinger《An Endless Golden Braid – A Variations》✦

📷 攝影: 王世邦

23/10/2025

▌▌▌ 展期進入最後 3 天 ▌▌▌

2025 關渡光藝術節《幻響 Illusonic》
2025 Kuan Du Light Art Festival

╭─── ⋅ ✦ ⋅ ───╮
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙍𝙚𝙘𝙖𝙥
╰─── ⋅ ✦ ⋅ ───╯

✦ Peter Kutin feat. Florian Kindlinger《An Endless Golden Braid – A Variations》✦

🔦 一道冷白色的 LED 光成為本場演出的主角。
在現場，光不只是照明，它成了樂器，也是指揮——發出變動電壓並即時轉譯為聲音，觸發多重聲響處理程序。

🎛 這場特定場域創作，探索視覺與聽覺的動態關係，讓感官體驗在聲與光的交會中不斷轉化。

🎥 Kutin 與 Kindlinger 合作，以技術結合場域，構築一場沉浸的視聽儀式。

📍2025 關渡光藝術節演出現場
📷 攝影: 王世邦
🌐 展覽&節目｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —
✦ Peter Kutin feat. Florian Kindlinger《An Endless Golden Braid – A Variations》✦

🔦 A line of cold-white LED light became the protagonist of this performance.
Generating fluctuating voltages, the light is instantly converted into raw audio, which activates a cascade of sound processes.

🎛 This site-specific composition investigates the dynamic tension between visual and auditory perception, with light acting both as instrument and conductor.

🎥 Together, Kutin and Kindlinger shape a sensory experience where technology, space, and resonance converge.

📍Live at the 2025 Kuan Du Light Art Festival
📷 Photo by
🌐 More Info｜ https://kdlaf.tnua.edu.tw/
— ⌁⌁⌁ —

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https://kdlaf.tnua.edu.tw/, https://linktr.ee/KOLAF2025

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