27/05/2026
On 25th May 2025, the Department of History conducted a Special Lecture on “Record Keeping & Archive Management in India Over the Ages” in the presence of our esteemed speaker, Bidisha Chakraborty, Former Chief Archivist of the West Bengal State Archives. The lecture offered valuable insights into the history and evolution of archival practices in India, methodologies of archive management, conservation and preservation techniques and modern archival practices through digitisation.
Negating the long-borne misconception that archives in India emerged only with the advent of the British, she explained how India has always possessed its own systems of record keeping. Beginning with the indigenous Shruti-Smriti tradition of the Vedic age, now connoted as an 'Oral Archive', she traced the development of archival consciousness through the practices prevalent in the Buddhist Sanghas, the administrations of the Lichhavi Republic, the Maurya and Gupta Empires and later the Kagzi Raj of the Mughals and Marathas, before discussing the transformations introduced during the Colonial Period. Archives in India evolved through construction and reconstruction of civilizations, empires, and social life over centuries.
While discussing private and public records, she shared experiences from her years of archival work, including her engagement with Mrs. Supriya Laha of the renowned Lahabari family of North Kolkata in 2019, where she acquired a family diary, a private archive in its own, documenting valuable information concerning the household. She also spoke about working with few public records that revealed lesser-known narratives from post-Sepoy Mutiny Bengal, particularly Calcutta, illustrating how archives bridge the gap between the known and unknown tales of history. The concluding questionnaire session of the event encouraged the students to raise their queries and engage in an enriching discussion.
The Department of History extends its heartfelt gratitude to Smt. Bidisha Chakraborty for delivering such an illuminating lecture, truly a memorable learning experience for all present.
Content Courtesy: Titlee Sengupta & Poulomi Saha (Semester - II)
25/05/2026
The Department of History, Shri Shikshayatan College organizes a special lecture on “Record-Keeping and Archives Management in India Down the Ages” by Smt. Bidisha Chakraborty, Chief Archivist (Retired), West Bengal State Archives.
Join us as we explore the journey of history through archives and records.
25 May 2026 | 1:30 PM |Room 303
24/05/2026
The Smithsonian Institution is not merely a museum complex; it is one of the most ambitious intellectual projects in modern history — an attempt to preserve the memory of human civilization itself. Founded in 1846 through the bequest of British scientist James Smithson, the institution was envisioned as a centre dedicated to “the increase and diffusion of knowledge.” Over time, it evolved into a monumental archive where history, science, empire, art, exploration, spirituality, and technological ambition converge within a single cultural landscape.
Spread across multiple museums and research centres in Washington D.C., the Smithsonian houses objects that do not simply illustrate history — they embody it. Within its galleries rests the legendary Hope Diamond, originating from India and passing through centuries of royal courts, colonial networks, private collectors, and mythologies of wealth and misfortune. Nearby survives the Star-Spangled Banner, preserved not merely as a national flag, but as material evidence of war, political identity, and the construction of historical memory in the nineteenth century.
The Smithsonian’s collections move seamlessly between civilizations and centuries. Ancient Buddhist sculptures and Gandharan artefacts reveal the movement of artistic traditions across Asia through trade, pilgrimage, and cultural exchange, while Renaissance-inspired scientific instruments and Enlightenment-era collections reflect humanity’s growing desire to classify, measure, and understand the natural world. Within the National Air and Space Museum stands the Wright Brothers’ Flyer of 1903 — fragile in appearance, yet revolutionary in consequence — the machine that transformed humanity’s centuries-old dream of flight into technological reality.
Continued in the comments.
17/05/2026
Where Empires Learned to Paint Their Souls :
In the heart of Madrid stands the Museo del Prado — not merely as a museum, but as a living archive of monarchy, religion, conquest, fear, and artistic immortality. Founded in 1819 under King Ferdinand VII of Spain, largely through the efforts of Queen María Isabel de Braganza, the museum emerged at a moment when European empires sought to preserve their cultural authority through art and intellectual patronage. What began as the Royal Museum of Paintings and Sculptures would eventually transform into one of the most powerful artistic institutions in the world.
To enter the Prado is to enter centuries of European consciousness preserved in pigment and shadow. Its galleries are filled not only with paintings, but with political anxieties, theological imagination, imperial ambition, and human vulnerability. Unlike museums that merely celebrate beauty, the Prado confronts the viewer with civilization itself — glorious, fragile, violent, and deeply human.
Among its most celebrated masterpieces is Diego Velázquez’s Las Meninas, a painting that revolutionized the language of visual representation. At first glance, it appears to be a portrait of the Spanish royal court; yet beneath its surface lies a philosophical puzzle involving perspective, authority, and spectatorship. Velázquez places himself within the composition, while the viewer becomes implicated in the scene itself, blurring the boundary between observer and observed. Even centuries later, Las Meninas continues to be studied as one of the most intellectually complex works in Western art history.
The museum also houses Francisco Goya’s haunting Black Paintings, created during the final years of the artist’s life. Painted directly onto the walls of his home after Spain had been devastated by war and political instability, these works abandon the elegance of royal portraiture and descend into psychological darkness. In Saturn Devouring His Son, perhaps the most disturbing image within the collection, mythology becomes horror as Saturn consumes his own child in a terrifying meditation on power, madness, and destruction.