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Threads of Heritage: Indian Textiles – Day 4

Bringing the journey to a thoughtful close, Day 4 focused on the evolving narrative of craft in contemporary India. The masterclass on The New Craft Narrative explored designer interventions, co-creation with artisans, and pathways toward sustainable storytelling. The day culminated in an exhibition of student creations—stoles, scarves, and textile panels—celebrating process, innovation, and cultural continuity, in the presence of Indian Consul General Ms. Vishakha Yaduvanshi, MMU faculty, officials, and students.

Threads of Heritage: Indian Textiles – Day 3

A day dedicated to the beauty of slow processes and mindful making. The masterclass on Slow Stitch unfolded the depth and diversity of India’s hand embroidery traditions, celebrating craft as both technique and storytelling. This was followed by immersive workshops—creating theme-based wall panels through Dabu and Bagru block printing with natural dyes, and engaging in hands-on hand embroidery at the Stitch Studio—bringing together surface, texture, and narrative in every detail.
Pic 6: wall panel using Dabu and Bagru printing

Threads of Heritage: Indian Textiles – Day 3

A day dedicated to the beauty of slow processes and mindful making. The masterclass on Slow Stitch unfolded the depth and diversity of India’s hand embroidery traditions, celebrating craft as both technique and storytelling. This was followed by immersive workshops—creating theme-based wall panels through Dabu and Bagru block printing with natural dyes, and engaging in hands-on hand embroidery at the Stitch Studio—bringing together surface, texture, and narrative in every detail.

Threads of Heritage: Indian Textiles – Day 2

From understanding the artistry behind resist-dyed textiles to experiencing the process firsthand, Day 2 unfolded as a deep dive into India’s handcrafted traditions. The masterclass on Tied, Bound & Transformed explored the rich legacy of resist dyeing, followed by immersive, hands-on workshops in block printing, natural dyeing, and tie & dye—bringing craft, process, and storytelling together in every thread.

Day 1 at Manchester Metropolitan University marked the beginning of Threads of Heritage – Indian Textile Module, bringing together history, craft, and hands-on learning. The day featured an insightful masterclass on “How India Clothed the World,” tracing the global influence of Indian traded textiles, alongside immersive sessions in traditional techniques like Dabu resist printing and two-colour Bagru printing. It was a rich exploration of India’s textile legacy, blending cultural narratives with practical engagement.

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Weaved through skill, tradition, and community, the textiles of India  hold the stories of countless generations. At the Manchester Metropolitan University, United  Kingdom, NIFT
hosts Indian Textile Week—Threads of Heritage, bringing these stories to a globalclassroom.
The program is scheduled to take place from March 30th to the 2 nd  April, 2026, and it is an initiative that has been designed by Ms. Tanu Kashyap, Director General of NIFT, and
spearheaded by Ms. Neelam Shami Rao, Secretary Textiles, GoI. The module will be led by Prof. Purva Khurana and Dr. Sasmita Panda, with the assistance of Master Craftsman
Roshan Chhipa, a well-known Hand Block printing  craftsmen  from Bagru, Rajasthan.
As part of their coursework, students at Whitecliffe College of Arts & Design will investigate Indian textile history, practice, and sustainability through the lens of modern design.

Slide 1, Dabu printing, a traditional mud-resist hand-block printing technique from Bagru, Rajasthan.

Slide 2: From Craft Cluster Initiative of NIFT

Five days, countless stories of Indian Textiles and heritage!

Our Indian Textile Module was a vibrant journey through tradition, technique, and contemporary design. From exploring the rich spectrum of handlooms and painting with natural dyes in Kalamkari, to experimenting with block printing, students at Whitecliffe College of Arts and Design, Auckland, New Zealand, immersed themselves in the beauty of craft.

The week unfolded with conversations on sustainability, cultural sensitivity, and the evolving narrative of textiles, culminating in a stunning student showcase of original creations and interpretation in Kalamkari technique.

This is an initiative of the Ministry of Textiles to introduce international design students to the diversity of Indian Textiles and facilitate cross-cultural exchange through academic collaboration. A special thanks to Dr Madan Mohan Sethi, Consul General of India, who was accompanied by his wife. A heartfelt thank you to everyone -faculty and students of Whitecliffe, who made this experience meaningful, celebrating heritage, creativity, and the future of design together.

Every thread tells a story. Every weave carries a legacy.

Stay tuned as Whitecliffe College of Arts and Design, New Zealand celebrates the richness of Indian textile traditions through Indian Textiles Week. Design students from across cultures come together to explore the artistry behind Indian textiles.

Through workshops, discussions, and textile explorations, the module- Threads of Heritage transforms Indian Textile heritage into a global learning experience.

This week entails a vibrant exchange of knowledge, design thinking, and textile traditions between India and New Zealand through the collaboration of NIFT and Whitecliffe.

India’s textiles carry centuries of stories, woven through craft, culture, and community. NIFT brings these stories to a global classroom through an Indian Textile Week -Threads of Heritage at the Whitecliffe college of Arts and Design, Auckland, New Zealand.
An initiative spearheaded by Ms Neelam Shami Rao, Secretary Textiles, GoI and shaped by Ms Tanu Kashyap, Director General-NIFT, the module will be held from 16th-20th March 2026. Master craftsman Niranjan Jonnalagadda, a renowned Kalamkari artist from Srikalahasti, along with Prof Dr Sudha Dhingra and Dr Aditi Mertia will conduct the module.
Students of Whitecliffe College of Arts and Design will explore the traditions, techniques, and sustainability of Indian textiles while connecting heritage with contemporary design.
TexminIndia

Pic 1- Tree of Life Kalamkari with gold foiling by J Niranjan.
Pic 2- Double Ikat Patola of Gujarat, from resource centre NIFT, New Delhi.

A proud moment for the NIFT community. ✨
Ms Tanu Kashyap IAS, Director General of National Institute of Fashion Technology, has been honoured as one of the Women Torchbearers of Viksit Bharat by Outlook Magazine.
Her visionary leadership continues to strengthen design education, institutional governance, and the future of India’s fashion and textile ecosystem. This recognition celebrates her commitment to purposeful leadership and transformative impact in shaping a progressive and creative India. 🇮🇳

Scan the QR code to read the full article featured in Outlook

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