13/04/2026
All welcome to the NCAD Research Exhibition & Programme 2026 ๐ฎ๐ฟ๐๐ถ๐๐ ๐ฝ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐น๐ฒ๐ฐ๐๐๐ฟ๐ฒ ๐ฒ๐๐ฒ๐ปt, '๐๐'๐ ๐ก๐ผ๐ ๐ช๐ผ๐ฟ๐ธ๐ถ๐ป๐ด' ๐๐ถ๐๐ต ๐๐ฎ๐๐ต๐ฒ๐ฟ๐ถ๐ป๐ฒ ๐๐ฎ๐ฟ๐๐. ๐ฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ขฬฒ,ฬฒ ฬฒ๐ทฬฒ๐บฬฒ ฬฒ๐ฐฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ฬฒ ฬฒ๐ธฬฒ๐ถฬฒ๐ธฬฒ๐ผฬฒ,ฬฒ ฬฒ๐ทฬฒโฬฒ๐ทฬฒ.ฬฒ๐บฬฒ๐ปฬฒ๐ฟฬฒ๐ผฬฒ,ฬฒ ฬฒ๐ฝฬฒ๐ฒฬฒ๐ฐฬฒ๐ณฬฒ ฬฒ๐ถฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ฬฒ๐ขฬฒ.ฬฒ ฬฒ
๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
Serving as a point of entry into the artistโs practice, this performance-lecture considers two commentaries on Conceptual Art and administration: โArt 1962โ1969: From the Aesthetic of Administration to the Critique of Institutionsโ by Benjamin H. D. Buchloh, and โPaperwork: Conceptual Art and the โPink-Collarโ Workerโ by Anna Lovatt. Harty notes, despite Conceptual Artโs much-discussed โaesthetic of administrationโ, this movement hasn't been extensively analysed in relation to the changing conditions of clerical work during the United States post-war period. By the 1960s, administrative labour had shifted from a white-collar to a โpink-collarโ profession, confounding earlier categorizations of labour and social class. Buchlohโs essay implicitly understands administrative work as the domain of the Professional Managerial Class (PMC), whereas Lovattโs engages the experience of the ordinary administrative worker. Harty responds to these propositions reflecting on the spaces of work of the cultural / artist worker, and will include screenings of her works': Irish Jobs for Irish Robots, 2017 (video, 4โ57โ), Tech Guy Spiel, 2022 (video, 8โ40โ), and SOB and Real Abstraction, 2021 (video, 5โ25โ - Catherine Harty/ John Thompson).
๐ฆ๐ฒ๐ฒ ๐๐ต๐ฒ ๐ณ๐๐น๐น ๐ก๐๐๐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐๐
๐ต๐ถ๐ฏ๐ถ๐๐ถ๐ผ๐ป ๐ฎ๐ป๐ฑ ๐ฃ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ๐บ๐ฒ ๐ฎ๐ฌ๐ฎ๐ฒ ๐น๐ถ๐๐๐ถ๐ป๐ด๐ ๐ถ๐ป๐ธ๐ฒ๐ฑ ๐ต๐ฒ๐ฟ๐ฒ: www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026
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๐๐ฎ๐๐ต๐ฒ๐ฟ๐ถ๐ป๐ฒ ๐๐ฎ๐ฟ๐๐ is a practising artist and member of the Cork Artists Collective. Her work includes drawing, painting, photography, video and performance.
In 2025, she co-curated Kieran McBrideโs performance piece, '37 Reasons To Be Blue' shown at Butler Gallery, Kilkenny, participated in Printmaking Stories in conjunction with The Translation & Creative Practice Cluster (UCC), and was commissioned by Enclave magazine to write on the work of artist Melanie Bonajo. In 2024, her film, 'On the roof of a Skyscraper' was screened at CineSalon as part of the Experimental Film Festival, Cork.
Catherine holds an MA in Fine Art Practice from Birmingham School of Art, an MA in Art in the Contemporary World (Theory) from NCAD, as well as a Post-graduate Diploma in Digital Humanities from UCC.
09/04/2026
The ๐ก๐๐๐ ๐ฅ๐๐ฆ๐๐๐ฅ๐๐ ๐๐ซ๐๐๐๐๐ง๐๐ข๐ก & ๐๐ฉ๐๐ก๐ง๐ฆ ๐ฃ๐ฅ๐ข๐๐ฅ๐๐ ๐ ๐ ๐ฎ๐ฌ๐ฎ๐ฒ continues ๐๐ป๐๐ถ๐น ๐๐ฟ๐ถ๐ฑ๐ฎ๐๐ญ๐ณ ๐๐ฝ๐ฟ๐ถ๐น ๐ฎ๐ฌ๐ฎ๐ฒ, ๐ญ๐ญ๐๐ -๐ฒ๐ฃ๐ .
All events timed for Ireland (GMT+0) & located in the NCAD Gallery. No booking required.
RESEARCHER ๐ฃ๐ฅ๐๐๐ง๐๐ข๐ก๐๐ฅ๐ฆ / ๐๐๐๐๐๐๐๐๐๐
๐๐ช๐ฏ๐ฆ ๐๐บ๐ณ๐ฏ๐ฆ | Michelle Browne | John Conway | ๐๐ช๐ข๐ญ๐ญ ๐๐ถ๐ญ๐ญ๐ฆ๐ฏ | Yvonne Cullivan | ๐๐ข๐ฏ๐ช๐ฏ๐ฆ ๐๐ข๐ท๐ช๐ฅ๐ด๐ฐ๐ฏ | ๐๐ฆ๐ช๐ญ ๐๐ถ๐ฏ๐ฏ๐ฆ | ๐๐ข๐ณ๐ข๐ฉ ๐๐ถ๐ณ๐ค๐ข๐ฏ | Emma Finucane | ๐๐ข๐ณ๐บ ๐ ๐๐ช๐ต๐ป๐จ๐ฆ๐ณ๐ข๐ญ๐ฅ | Rory Hanrahan | ๐๐ช๐ท๐ช๐ข๐ฏ ๐๐ข๐ฏ๐ด๐ฃ๐ถ๐ณ๐บ | Catherine Harty | ๐๐ข๐ฎ๐ฐ๐ฏ ๐๐ข๐ด๐ด๐ข๐ฎ | Anne Kelly | Gareth Kennedy | Emma Mahony | Jamie Murphy | ๐๐ข๐ต๐ฉ๐บ ๐๐ฐ๐ฐ๐ฏ๐ฆ๐บ | Tom O'Dea | ๐๐ฐ๐ฏ๐ข๐ฏ ๐ ๐๐ข๐จ๐ฉ๐ข๐ญ๐ญ๐ข๐ช๐จ๐ฉ | Jye O'Sullivan & Renato Pera | Seoidรญn O'Sullivan | ๐๐ข๐ท๐ช๐ฅ ๐๐ช๐ฎ๐ฎ๐ฐ๐ฏ๐ด | ๐๐ข๐ค๐ฉ๐ฆ๐ญ ๐๐ถ๐ง๐ง๐บ | Fiona Whelan | ๐๐ฐ๐ช๐ง๐ฆ ๐๐ข๐ณ๐ฅ & ๐๐ท๐ฆ ๐๐ฐ๐ฐ๐ฅ๐ด.
๐๐ข๐ฅ๐ง๐๐๐ข๐ ๐๐ก๐ ๐๐ฉ๐๐ก๐ง๐ฆ
๐ฒ. ๐๐ฟ๐๐ถ๐๐ ๐ฃ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐๐ฒ๐ฐ๐๐๐ฟ๐ฒ with ๐๐ฎ๐๐ต๐ฒ๐ฟ๐ถ๐ป๐ฒ ๐๐ฎ๐ฟ๐๐. Tuesday, 14 April, 1-2PM.
๐ณ. ๐๐ฒ๐ด๐ฎ๐ฐ๐ ๐ผ๐ณ ๐ฆ๐ฝ๐ฎ๐ฐ๐ฒ๐ซ-๐ฅ๐ถ๐๐ฒ with presenters: ๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐น๐ฒ ๐๐ฟ๐ผ๐๐ป๐ฒ, ๐๐ป๐ป๐ฒ ๐๐ฒ๐น๐น๐, ๐๐ฎ๐ฟ๐ฒ๐๐ต ๐๐ฒ๐ป๐ป๐ฒ๐ฑ๐, ๐๐บ๐บ๐ฎ ๐ ๐ฎ๐ต๐ผ๐ป๐, ๐ง๐ผ๐บ ๐ขโ๐๐ฒ๐ฎ, ๐ฆ๐ฒ๐ผ๐ถ๐ฑ๐ถ๐ป ๐ข'๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป, ๐๐ถ๐ผ๐ป๐ฎ ๐ช๐ต๐ฒ๐น๐ฎ๐ป. Wednesday, 15 April, 2-4PM.
๐ด. *ฬถ*ฬถ๐ฒฬถ๐ฐฬถ๐ฝฬถ๐ฒฬถ๐ดฬถ๐ปฬถ๐ปฬถ๐ดฬถ๐ณฬถ ฬถ๐ณฬถ๐ฬถ๐ดฬถ ฬถ๐ฬถ๐พฬถ ฬถ๐ฬถ๐ฝฬถ๐ตฬถ๐พฬถ๐ฬถ๐ดฬถ๐ฬถ๐ดฬถ๐ดฬถ๐ฝฬถ ฬถ๐ฒฬถ๐ธฬถ๐ฬถ๐ฒฬถ๐ฬถ๐ผฬถ๐ฬถ๐ฬถ๐ฐฬถ๐ฝฬถ๐ฒฬถ๐ดฬถ๐ฬถ ฬถ*ฬถ*ฬถ๐ฐฬถ ฬถ๐ฒฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ ฬถ๐ทฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ปฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฐฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ ฬถ&ฬถ ฬถ๐ดฬถ๐ฬถ๐ฬถ ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ๐ฬถ.ฬถ
๐ต. ๐๐๐ฟ๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐ช๐ฒ๐ฎ๐๐ถ๐ป๐ด & ๐๐ฒ๐ฝ๐ฎ๐ฟ๐๐บ๐ฒ๐ป๐๐ฎ๐น ๐ง๐ผ๐๐ฟ with ๐๐ถ๐ป๐ฒ ๐๐๐ฟ๐ป๐ฒ, ๐๐ฎ๐๐ต๐ ๐ ๐ผ๐ผ๐ป๐ฒ๐, ๐ฅ๐ฎ๐ฐ๐ต๐ฒ๐น ๐ง๐๐ณ๐ณ๐. Friday, 17 April 2026, 11AM-1PM.
Extensive listings information: https://lnkd.in/d7PeCtca
๐ฃ๐๐ฆ๐ง ๐๐ฉ๐๐ก๐ง๐ฆ
๐ญ. ๐ก๐๐๐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐๐
๐ต๐ถ๐ฏ๐ถ๐๐ถ๐ผ๐ป & ๐ฃ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ๐บ๐ฒ ๐๐ฎ๐๐ป๐ฐ๐ต (6-8PM) & ๐๐๐๐๐ ๐๐๐ถ๐ฑ๐ฒ ๐๐ฎ๐๐ป๐ฐ๐ต (4.30PM).Thursday, 19 March 2026. Opened by Dr Marcus Collier, associate Professor of Sustainability Science and project, TCD.
๐ฎ. ๐๐ ๐๐
๐ฝ๐ฒ๐ฟ๐ถ๐บ๐ฒ๐ป๐๐ ๐ง๐ฎ๐น๐ธ ๐ฃ๐ฟ๐ฒ๐๐ฒ๐ป๐๐ฎ๐๐ถ๐ผ๐ป with ๐ฅ๐ผ๐ฟ๐ ๐๐ฎ๐ป๐ฟ๐ฎ๐ต๐ฎ๐ป.
๐ฏ. ๐๐ผ๐ป๐๐ฒ๐บ๐ฝ๐น๐ฎ๐๐ถ๐ป๐ด ๐๐ฎ๐ฟ๐ฏ๐ผ๐ป: ๐ง๐๐ฝ๐ฒ, ๐ฃ๐ฎ๐ฝ๐ฒ๐ฟ ๐ฎ๐ป๐ฑ ๐๐ป๐ธ ๐ฃ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐๐ฒ๐ฐ๐๐๐ฟ๐ฒ with ๐๐ฎ๐บ๐ถ๐ฒ ๐ ๐๐ฟ๐ฝ๐ต๐.
๐ฐ. ๐ช๐ฒ๐ ๐๐ฝ๐ถ๐๐๐ฒ๐บ๐ผ๐น๐ผ๐ด๐ถ๐ฒ๐ ๐ฝ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐น๐ฒ๐ฐ๐๐๐ฟ๐ฒ with ๐๐๐ฒ ๐ขโ๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป.
๐ฑ. ๐๐ฟ๐๐ถ๐๐๐ถ๐ฐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ถ๐ป ๐๐ฒ๐ฎ๐น๐๐ต ๐๐ผ๐ป๐๐ฒ๐
๐๐ with presenters: ๐๐บ๐บ๐ฎ ๐๐ถ๐ป๐๐ฐ๐ฎ๐ป๐ฒ, ๐๐ผ๐ต๐ป ๐๐ผ๐ป๐๐ฎ๐, ๐ฌ๐๐ผ๐ป๐ป๐ฒ ๐๐๐น๐น๐ถ๐๐ฎ๐ป.
๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐, ๐ญ๐ฌ๐ฌ ๐ง๐ต๐ผ๐บ๐ฎ๐ ๐ฆ๐, ๐๐๐ฏ๐น๐ถ๐ป, ๐๐ฌ๐ด ๐๐ฑ๐ฎ๐ญ, ๐๐ฟ๐ฒ๐น๐ฎ๐ป๐ฑ. www.ncad.ie/about/gallery & ncad.gallery. Image: AK National College of Art & Design
26/03/2026
All welcome to NCAD's Research Exhibition 2026 programmed talks events >> ๐๐ฟ๐๐ถ๐๐๐ถ๐ฐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ถ๐ป ๐๐ฒ๐ฎ๐น๐๐ต ๐๐ผ๐ป๐๐ฒ๐
๐๐: ๐๐ป๐๐ฒ๐ฟ๐ฎ๐ฐ๐๐ถ๐๐ฒ ๐ฝ๐ฟ๐ฒ๐๐ฒ๐ป๐๐ฎ๐๐ถ๐ผ๐ป๐ ๐๐ต๐ผ๐๐ฐ๐ฎ๐๐ถ๐ป๐ด ๐ฎ๐ป ๐ฎ๐ฟ๐ฟ๐ฎ๐ ๐ผ๐ณ ๐ฎ๐ฟ๐ ๐ฎ๐ป๐ฑ ๐ต๐ฒ๐ฎ๐น๐๐ต ๐ฝ๐ฟ๐ฎ๐ฐ๐๐ถ๐ฐ๐ฒ ๐ฎ๐ป๐ฑ ๐ฎ๐ฟ๐๐ถ๐๐๐ถ๐ฐ ๐ฟ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐บ๐ฒ๐๐ต๐ผ๐ฑ๐ผ๐น๐ผ๐ด๐ถ๐ฒ๐, ๐๐ถ๐๐ต ๐๐บ๐บ๐ฎ ๐๐ถ๐ป๐๐ฐ๐ฎ๐ป๐ฒ, ๐๐ผ๐ต๐ป ๐๐ผ๐ป๐๐ฎ๐, ๐ฌ๐๐ผ๐ป๐ป๐ฒ ๐๐๐น๐น๐ถ๐๐ฎ๐ป.
Friday, 27 March 2026, ๐ธฬฒ๐ฟฬฒ๐ผฬฒ ฬฒโฬฒ ฬฒ๐บฬฒ๐ฟฬฒ๐ผฬฒ, NCAD Gallery. ๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
Through three distinct projects, the ๐๐ฟ๐๐ถ๐๐๐ถ๐ฐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ถ๐ป ๐๐ฒ๐ฎ๐น๐๐ต ๐๐ผ๐ป๐๐ฒ๐
๐๐ event examines how contemporary art practices can operate within healthcare contexts to create spaces for reflection, sensory engagement, and connection. The work foregrounds methodologies rooted in duration, attentiveness, and ethical engagement, and reflects on the role of the artist as collaborator, witness, and facilitator within clinical and community-based healthcare environments.
This event includes: A performance lecture by ๐๐บ๐บ๐ฎ ๐๐ถ๐ป๐๐ฐ๐ฎ๐ป๐ฒ that describes methodologies of artistic research within art and health contexts. Through the use of images and reading of excerpts from a responsive text written by Marielle MacLeman, Emma describes how an artist can work in this space.
An activation of ๐๐ผ๐ต๐ป ๐๐ผ๐ป๐๐ฎ๐โs work, The Ballad of a Care Centre, which weaves together verbatim oral histories of older Irish men and women that forms a newly distilled narrative of a comfortably familiar yet deeply unsettling Ireland.
A screening of a short documentary film unpacking the Arts & Health project You Are Here, a collaboration between ๐ฌ๐๐ผ๐ป๐ป๐ฒ ๐๐๐น๐น๐ถ๐๐ฎ๐ป and Manuela Corbari. This project brought the restorative power of nature into the hospital setting through an immersive sensory experience. With an opportunity for Q&A around project development, delivery and findings.
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๐๐บ๐บ๐ฎ ๐๐ถ๐ป๐๐ฐ๐ฎ๐ป๐ฒ https://lnkd.in/e_6vyYMa
๐๐ผ๐ต๐ป ๐๐ผ๐ป๐๐ฎ๐ https://lnkd.in/eGnUqnk9
๐ฌ๐๐ผ๐ป๐ป๐ฒ ๐๐๐น๐น๐ถ๐๐ฎ๐ป https://lnkd.in/eUYai69Z
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๐๐น๐น ๐๐ต๐ฟ๐ฒ๐ฒ ๐๐ฟ๐๐ถ๐๐๐ ๐ฐ๐๐ฟ๐ฟ๐ฒ๐ป๐๐น๐ ๐๐ฒ๐ฎ๐ฐ๐ต ๐ผ๐ป ๐๐ต๐ฒ ๐๐๐ ๐ฃ๐ฟ๐ผ๐ณ๐ฒ๐๐๐ถ๐ผ๐ป๐ฎ๐น ๐๐ถ๐ฝ๐น๐ผ๐บ๐ฎ ๐ถ๐ป ๐๐ฟ๐ ๐ฎ๐ป๐ฑ ๐๐ฒ๐ฎ๐น๐๐ต ๐๐ถ๐ฝ๐น๐ผ๐บ๐ฎ.
๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
26/03/2026
All welcome to today's NCAD's Research Exhibition 2026 programmed talks events >>
๐ช๐ฒ๐ ๐๐ฝ๐ถ๐๐๐ฒ๐บ๐ผ๐น๐ผ๐ด๐ถ๐ฒ๐, ๐ฃ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐๐ฒ๐ฐ๐๐๐ฟ๐ฒ with ๐๐๐ฒ ๐ขโ๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป.
Thursday, 26 March 2026, 1PM, NCAD Gallery. Duration: 45 minutes.
Jyeโs lecture preparation is inspired by the work he has completed with the State University of Rio de Janeiro on decolonial approaches to sound and the destablisation of bodies. This performance lecture with accompanying sound draws on an article that he is publishing for a special edition of Concinnitas (https://www.e-publicacoes.uerj.br/concinnitas/index) titled: Listening Practices: Body, Image, and Sound as Transdisciplinary Fields.
Situated in the NCAD Gallery/ Foyer, the work functions as a guided meditation through a soundscape that examines the porosity of bodies when confronted with sonic infrastructure. This will use a mixture of modular synthesis and field recordings collected between Dublin and Rio.
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๐๐๐ฒ ๐ขโ๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป is an art historian and researcher of visual cultures. Their research has previously focussed on the intersections between artistic practice and cybernetics, with a specific focus on the artistic uses of cybernetics within a Latin American context. Jyeโs present research interests include, art and cybernetics, contemporary art from Latin America, posthumanism, q***r ecology, ecological ethics and the philosophy of technology.
Jye is one of the editors of the 2026 book Visions of Scale, part of the Bloomsbury Biotechne series and has published in varying Latin American journals including on questions of ecological artistic practices and decolonial cybernetics (see here). Jye has also exhibited sound installation works at the MAD Lab (Limassol) in association with the ECT Lab+ and across Dublin including as part of The Liberties Festival.
He completed his BA in History of Art and MA in History of Art and the Theories and Histories of Architecture at the University of York (UK), before completing a PhD in History of Art at the Technological University of Dublin. Jye co-led a three-year Erasmus+ funded project aimed at developing ecological ethics for technological education, Ethico, in conjunction with Noel Fitzpatrick and the European Culture and Technology Laboratory (ECT Lab+). He has been the recipient of several Marie-Curie secondment grants to the Universidad de las Artes, Guayaquil and the Institut de Recherche et d'Innovation, Paris, as well as a Getty Institute travel grant to pursue research on the Centro de Arte y Comunicaciรณn.
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๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
Link https://www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026
25/03/2026
All welcome to today's NCAD's Research Exhibition 2026 programmed talks events >> ๐๐ผ๐ป๐๐ฒ๐บ๐ฝ๐น๐ฎ๐๐ถ๐ป๐ด ๐๐ฎ๐ฟ๐ฏ๐ผ๐ป: ๐ง๐๐ฝ๐ฒ, ๐ฃ๐ฎ๐ฝ๐ฒ๐ฟ ๐ฎ๐ป๐ฑ ๐๐ป๐ธ, ๐ฃ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐๐ฒ๐ฐ๐๐๐ฟ๐ฒ with ๐๐ฎ๐บ๐ถ๐ฒ ๐ ๐๐ฟ๐ฝ๐ต๐.
๐ช๐ฒ๐ฑ๐ป๐ฒ๐๐ฑ๐ฎ๐ ๐ฎ๐ฑ ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฒ, ๐ญ๐ฃ๐ , ๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐. ๐๐๐ฟ๐ฎ๐๐ถ๐ผ๐ป: ๐ฐ๐ฑ ๐บ๐ถ๐ป๐๐๐ฒ๐.
๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
'Carbon is the basis for all life on earth, and the harbinger of our demise.'
๐๐๐ฅ๐๐ข๐ก is an artist book project Jamie has been developing for the last five years. From new wood type, to diamond infused papers and exhaust-soot-ink pochoirs, in this (image and film) illustrated talk Murphy will discuss this project's origins, research, experimentation and the multitude of collaborations and processes employed in its making.
Visitors to the NCAD Gallery Research Exhibition & Programme 2026 (20 March - 17 April) have the opportunity to view Jamie's CARBON artist book placed in a vitrine until 17 April 2026.
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๐๐ฎ๐บ๐ถ๐ฒ ๐ ๐๐ฟ๐ฝ๐ต๐ graduated from The History of Art & Design and Visual Communication (Joint Honours) from NCAD in 2006, after which he spent several years working on his own and with the studios of others before completing his MA in Design (NCAD, 2012). Following this he moved to the UK where he worked with Justin Knopp at the newly established letterpress workshop, Typoretum. Returning to Ireland he worked as an understudy to master printer Seรกn Sills in Distillers Press at the National College of Art & Design. He began as Designer in Residence there in 2013 before being appointed in 2015 where his focus is on book arts, typographic research and experimentation.
Jamieโs professional practice is mostly centred around The Salvage Press (thesalvagepress.com, est. 2012) a small imprint under which he collaborates with artists from diverse disciplines producing book projects which give particular attention to concept, materials and fine printing. He has been invited to exhibit, lecture, and discuss his work broadly. These award winning books reside in private, public and institutional collections across the globe.
Jamie's research interests lie in the book arts, hand-composed typography and letterpress printed design. He actively searches out and documents practitioners in Ireland, UK and USA. His other interests lie in fine press publishing, typo/graphic design history and education, antiquarian and private press books, papermaking and fine binding. He has been invited to exhibit, lecture, and discuss his work broadly. His award winning work resides in many of the most distinguished private, academic and institutional collections across the globe.
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๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
See future event listings here: www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026
24/03/2026
All welcome to the first of NCAD's Research Exhibition 2026 programmed talks events, ๐๐
๐ฝ๐ฒ๐ฟ๐ถ๐บ๐ฒ๐ป๐๐ ๐๐ถ๐๐ต ๐๐: ๐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ฃ๐ฟ๐ผ๐ท๐ฒ๐ฐ๐ ๐ฏ๐ ๐ฅ๐ผ๐ฟ๐ ๐๐ฎ๐ป๐ฟ๐ฎ๐ต๐ฎ๐ป (lecturer in Moving Image Design), ๐ง๐๐ฒ๐๐ฑ๐ฎ๐, ๐ฎ๐ฐ ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฒ, ๐ญ-๐ฎ๐ฃ๐ . ๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐.
๐๐
๐ฝ๐ฒ๐ฟ๐ถ๐บ๐ฒ๐ป๐๐ ๐๐ถ๐๐ต ๐๐: ๐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ฃ๐ฟ๐ผ๐ท๐ฒ๐ฐ๐ ๐ฏ๐ ๐ฅ๐ผ๐ฟ๐ ๐๐ฎ๐ป๐ฟ๐ฎ๐ต๐ฎ๐ป.
As a filmmaker & commercial director, Rory is interested in engaging with AI to better understand the tools, process and capabilities of the powerful emerging platforms that produce still & moving images.
In the summer of 2025, Rory spent a few months exploring high-quality, cinematic, and artistic image generation tools, Midjourney & Google Gemini to work out how he felt about these new tools, and how he might use them.
He created a suite of short films as he tried to understand the limitations and possibilities of generative AI. Over the summer Rory became increasingly aware how important it was to reflect on the content that has been used to train these tools - and how this content informs and limits what the AI platforms can produce.
As he experimented with these tools a series of bigger questions arose for him. What are these tools for? What is the purpose of generative AI video tools in the context of the broader AI picture? Can a machine create cinematic experiences? Will people ever want to see a two hour movie made with no people or cameras?!
๐ฅ๐ผ๐ฟ๐ ๐๐ฎ๐ป๐ฟ๐ฎ๐ต๐ฎ๐ป
Rory Hanrahan is a commercial director based in Ireland working for national & international brands. Rory also teaches at the National College of Art & Design where he is the co-head of Moving Image Design.
Rory is currently writing a feature film screenplay about a time machine and a slug. (Based on an award-winning short film he made in 2024 about a time machine and a slug). The project development is being funded by Screen Ireland.
๐๐น๐น ๐ฎ๐ฟ๐ฒ ๐๐ฒ๐น๐ฐ๐ผ๐บ๐ฒ ๐๐ผ ๐ฎ๐๐๐ฒ๐ป๐ฑ! ๐ก๐ผ ๐ฏ๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐ฟ๐ฒ๐พ๐๐ถ๐ฟ๐ฒ๐ฑ.
24/03/2026
The NCAD Gallery & NCAD Research Office are pleased to present the ๐ก๐๐๐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐๐
๐ต๐ถ๐ฏ๐ถ๐๐ถ๐ผ๐ป & ๐ฃ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ๐บ๐ฒ ๐ฎ๐ฌ๐ฎ๐ฒ.
Exhibition & Programme: Friday 20 March - Friday 17 April 2026, Monday-Friday 11am-6pm.
๐ฅ๐๐ฆ๐๐๐ฅ๐๐๐๐ฅ๐ฆ / ๐๐ซ๐๐๐๐๐ง๐ข๐ฅ๐ฆ
Aine Byrne | Michelle Browne | John Conway | Niall Cullen | Yvonne Cullivan | Janine Davidson | Neil Dunne | Sarah Durcan | Emma Finucane | Mary A Fitzgerald | Rory Hanrahan | Vivian Hansbury | Catherine Harty | Ramon Kassam | Anne Kelly | Gareth Kennedy | Emma Mahony | Jamie Murphy | Kathy Mooney | Tom O'Dea | Rรณnรกn ร Raghallaigh | Jye O'Sullivan & Renato Pera | Seoidรญn O'Sullivan | David Timmons | Rachel Tuffy | Fiona Whelan | Aoife Ward & Eve Woods.
๐๐ฉ๐๐ก๐ง๐ฆ ๐ฃ๐ฅ๐ข๐๐ฅ๐๐ ๐ ๐ โ ๐๐ฟ๐ฒ๐น๐ฎ๐ป๐ฑ (๐๐ ๐ง+๐ฌ) & ๐น๐ผ๐ฐ๐ฎ๐๐ฒ๐ฑ ๐ถ๐ป ๐๐ต๐ฒ ๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐.
1. ๐๐ซ๐๐๐๐๐ง๐๐ข๐ก ๐ข๐ฃ๐๐ก๐๐ก๐ (๐ฒ๐ฃ๐ ) & ๐๐๐๐๐ ๐๐จ๐๐๐ ๐๐ฎ๐๐ป๐ฐ๐ต ๐ง๐ต๐๐ฟ๐, ๐ญ๐ต ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฒ, ๐ฐ.๐ฏ๐ฌ๐ฃ๐ . Opened by Dr Marcus Collier, Associate Professor of Sustainability Science and project lead on Noveleco project with Gareth Kennedy and Seoidรญn O'Sullivan.
2. ๐๐
๐ฝ๐ฒ๐ฟ๐ถ๐บ๐ฒ๐ป๐๐ ๐๐ถ๐๐ต ๐๐: ๐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ฃ๐ฟ๐ผ๐ท๐ฒ๐ฐ๐ ๐ฏ๐ ๐ฅ๐ผ๐ฟ๐ ๐๐ฎ๐ป๐ฟ๐ฎ๐ต๐ฎ๐ป (Moving Image Design): Tuesday, 24 March, 1-2PM.
3. ๐๐ผ๐ป๐๐ฒ๐บ๐ฝ๐น๐ฎ๐๐ถ๐ป๐ด ๐๐ฎ๐ฟ๐ฏ๐ผ๐ป: ๐ง๐๐ฝ๐ฒ, ๐ฃ๐ฎ๐ฝ๐ฒ๐ฟ ๐ฎ๐ป๐ฑ ๐๐ป๐ธ: Wednesday, 25 March, 1-2PM. ๐๐ฎ๐บ๐ถ๐ฒ ๐ ๐๐ฟ๐ฝ๐ต๐, (Dept. Communication Design), Performance Lecture.
4. ๐ช๐ฒ๐ ๐๐ฝ๐ถ๐๐๐ฒ๐บ๐ผ๐น๐ผ๐ด๐ถ๐ฒ๐: Thurs, 26 March, 1-2PM.
๐๐๐ฒ ๐ขโ๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป (School of Visual Culture), Performance Lecture.
5. ๐๐ฟ๐๐ถ๐๐๐ถ๐ฐ ๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ถ๐ป ๐๐ฒ๐ฎ๐น๐๐ต ๐๐ผ๐ป๐๐ฒ๐
๐๐: Friday, 27 March, 2-4PM.
๐๐บ๐บ๐ฎ ๐๐ถ๐ป๐๐ฐ๐ฎ๐ป๐ฒ, ๐๐ผ๐ต๐ป ๐๐ผ๐ป๐๐ฎ๐, ๐ฌ๐๐ผ๐ป๐ป๐ฒ ๐๐๐น๐น๐ถ๐๐ฎ๐ป (Dept. Fine Art Print & Creative Futures Academy).
6. ๐๐ฎ๐๐ต๐ฒ๐ฟ๐ถ๐ป๐ฒ ๐๐ฎ๐ฟ๐๐ ๐๐ฟ๐๐ถ๐๐ ๐ฃ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ฎ๐ป๐ฐ๐ฒ ๐๐ฒ๐ฐ๐๐๐ฟ๐ฒ: Tuesday, 14 April, 1-2PM. (NIVAL Regional Collector).
7. ๐๐ฒ๐ด๐ฎ๐ฐ๐ ๐ผ๐ณ ๐ฆ๐ฝ๐ฎ๐ฐ๐ฒ๐ซ-๐ฅ๐ถ๐๐ฒ: Wednesday, 15 April, 2-4PM.
Introduced by ๐๐บ๐บ๐ฎ ๐ ๐ฎ๐ต๐ผ๐ป๐ with 10 minute presentations by ๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐น๐ฒ ๐๐ฟ๐ผ๐๐ป๐ฒ, ๐๐ป๐ป๐ฒ ๐๐ฒ๐น๐น๐, ๐๐ฎ๐ฟ๐ฒ๐๐ต ๐๐ฒ๐ป๐ป๐ฒ๐ฑ๐, ๐ง๐ผ๐บ ๐ขโ๐๐ฒ๐ฎ, ๐ฆ๐ฒ๐ผ๐ถ๐ฑ๐ถ๐ป ๐ข'๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป, ๐๐ถ๐ผ๐ป๐ฎ ๐ช๐ต๐ฒ๐น๐ฎ๐ป. (School of Visual Culture, Dept.'s Sculpture & Expanded Practice, NCAD Gallery, First Year Studies, MA/ MFA Art & Social Action).
8. ๐ ๐๐๐น๐๐๐ฟ๐ฎ๐น ๐ง๐ผ๐๐ฟ ๐ผ๐ณ ๐๐ผ๐๐ฒ๐น๐ ๐ถ๐ป ๐๐ต๐ฒ ๐๐ถ๐ฏ๐ฒ๐ฟ๐๐ถ๐ฒ๐: Thurs, 16 April, 1-2PM. ๐๐ผ๐ถ๐ณ๐ฒ ๐ช๐ฎ๐ฟ๐ฑ & ๐๐๐ฒ ๐ช๐ผ๐ผ๐ฑ๐ (NCAD Library) Walking Tour.
9. ๐๐๐ฟ๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐ช๐ฒ๐ฎ๐๐ถ๐ป๐ด in the NCAD Gallery: Fri, 17 April, 11AM-1PM. ๐๐ถ๐ป๐ฒ ๐๐๐ฟ๐ป๐ฒ, ๐๐ฎ๐๐ต๐ ๐ ๐ผ๐ผ๐ป๐ฒ๐, ๐ฅ๐ฎ๐ฐ๐ต๐ฒ๐น ๐ง๐๐ณ๐ณ๐ (Dept. Textile and Surface Design).
๐ฃ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ๐บ๐ฒ ๐๐๐ก๐ https://www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026
Image Credit: Sarah Durcan The Invisibles 2023, film still, Platform Commissions, EVA International and part funded by the NCAD Research Office. Curated by Anne Kelly.
21/02/2026
Event: ๐๐ก๐ฆ๐ง๐๐ง๐จ๐ง๐๐ก๐ ๐๐ข๐ ๐ ๐ข๐ก๐๐ก๐ ๐ฆ๐ฌ๐ ๐ฃ๐ข๐ฆ๐๐จ๐
Wed, 25 Feb 2026, 10:00 - 17:00 (GMT+ 00:00 Dublin) NCAD Gallery, D08K521. ๐๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐๐ถ๐ป๐ธ: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2081721
๐ฆ๐ฝ๐ฒ๐ฎ๐ธ๐ฒ๐ฟ๐ / ๐๐
๐ต๐ถ๐ฏ๐ถ๐๐ผ๐ฟ๐
๐ฅ๐ถ๐ฐ๐ต๐ฎ๐ฟ๐ฑ ๐. ๐๐ฎ๐ฟ๐๐ฒ๐ฟ, ๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐ฒ ๐๐ผ๐ฟ๐ฟ๐ถ๐ด๐ฎ๐ป, ๐๐บ๐ฒ๐ฒ๐ฟ๐ฎ ๐๐ฎ๐๐ฎ๐๐ต.
๐ฅ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต๐ฒ๐ฟ๐
๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐น๐ฒ ๐๐ฟ๐ผ๐๐ป๐ฒ, ๐๐ป๐ป๐ฒ ๐๐ฒ๐น๐น๐, ๐๐ฎ๐ฟ๐ฒ๐๐ต ๐๐ฒ๐ป๐ป๐ฒ๐ฑ๐, ๐๐ฟ ๐๐บ๐บ๐ฎ ๐ ๐ฎ๐ต๐ผ๐ป๐, ๐๐ฟ ๐ง๐ผ๐บ ๐ขโ๐๐ฒ๐ฎ, ๐ฆ๐ฒ๐ผ๐ถ๐ฑ๐ถ๐ป ๐ข'๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป.
The INSTITUTING COMMONING SYMPOSIUM emerges from research conducted during the Marie Skลodowska-Curie Horizon 2020 RISE transdisciplinary research action, Spatial Practices in Art and Architecture for Empathetic Exchange (SPACEX), 2022โ26. See full programme information at the ticket link.
10-11AM ๐จ๐ป/๐๐ฒ๐ฎ๐ฟ๐ป๐ถ๐ป๐ด ๐ช๐ผ๐ฟ๐ธ๐๐ต๐ผ๐ฝ ๐ฃ๐ฎ๐ฟ๐ ๐ญ - Introduction to Unlearning with Emma Mahony & Tom O'Dea. NCAD Gallery Link & Foyer
11AM-12PM ๐๐น๐ฒ๐๐ฒ๐ป๐๐ฒ๐ ๐ณ๐ผ๐ฟ ๐๐ต๐ฒ โ๐๐๐ป๐ด๐ฟ๐ ๐ ๐ผ๐ป๐๐ต๐โ with Gareth Kennedy & FIELD Students. ** This session is capped at a capacity of 40 persons ~ after ticket selection, there will be an option to select this as an additional 'product'. ** Location: NCAD FIELD.
12-1PM ๐จ๐ป/๐๐ฒ๐ฎ๐ฟ๐ป๐ถ๐ป๐ด ๐ช๐ผ๐ฟ๐ธ๐๐ต๐ผ๐ฝ ๐ฃ๐ฎ๐ฟ๐ ๐ฎ - Developing & Testing Exercises with Emma Mahony & Tom O'Dea. NCAD Gallery & Foyer
1-2PM ๐๐จ๐ก๐๐ Goodies
2-3PM ๐๐
๐ต๐ถ๐ฏ๐ถ๐๐ถ๐ป๐ด ๐ฃ๐ฟ๐ฎ๐ฐ๐๐ถ๐๐ถ๐ผ๐ป๐ฒ๐ฟ๐ ๐๐ผ๐ป๐๐ฒ๐ฟ๐๐ฎ๐๐ถ๐ผ๐ป ๐ฎ๐ป๐ฑ ๐ค&๐, ๐ฅ๐ถ๐ฐ๐ต๐ฎ๐ฟ๐ฑ ๐. ๐๐ฎ๐ฟ๐๐ฒ๐ฟ, ๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐ฒ ๐๐ผ๐ฟ๐ฟ๐ถ๐ด๐ฎ๐ป, ๐๐บ๐ฒ๐ฒ๐ฟ๐ฎ ๐๐ฎ๐๐ฎ๐๐ต with Anne Kelly. NCAD Gallery
3-4PM โ๐ฃ๐น๐ฎ๐๐ณ๐๐น ๐ฃ๐ผ๐๐๐ถ๐ฏ๐ถ๐น๐ถ๐๐ถ๐ฒ๐โ with Seoidรญn OโSullivan & Dominic Thorpe.. NCAD Gallery & Foyer
4-5PM โ๐ง๐ต๐ฒ ๐๐ฟ๐๐ถ๐๐ ๐๐ผ๐น๐น๐ฒ๐ฐ๐๐ถ๐๐ฒ ๐๐ฎ๐บ๐ฒโ with Tom O'Dea & Michelle Browne. NCAD Gallery & Foyer
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The INSTITUTING COMMONING SYMPOSIUM event in the National College of Art and Design (Gallery), Dublin, is programmed as part of ๐๐ก๐ฆ๐ง๐๐ง๐จ๐ง๐๐ก๐ ๐๐ข๐ ๐ ๐ข๐ก๐๐ก๐: ๐ ๐ฃ๐๐๐ง๐๐ข๐ฅ๐ ๐๐ข๐ฅ ๐จ๐ก/๐๐๐๐ฅ๐ก๐๐ก๐, an exhibition programme bringing together a network of artistic and academic practices through the exchange of viewpoints, and the creation of new social bonds, ๐ฏ๐ฌ ๐๐ฎ๐ป๐๐ฎ๐ฟ๐ - ๐ฎ๐ณ ๐๐ฒ๐ฏ๐ฟ๐๐ฎ๐ฟ๐, ๐ฎ๐ฌ๐ฎ๐ฒ, Mon-Fri, 11AM - 6PM.
๐๐๐ฟ๐ฎ๐๐ฒ๐ฑ ๐ฏ๐ ๐๐ป๐ป๐ฒ ๐๐ฒ๐น๐น๐ and ๐ฝ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ๐บ๐ฒ๐ฑ ๐๐ถ๐๐ต ๐๐บ๐บ๐ฎ ๐ ๐ฎ๐ต๐ผ๐ป๐, ๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐น๐ฒ ๐๐ฟ๐ผ๐๐ป๐ฒ, ๐๐ฎ๐ฟ๐ฒ๐๐ต ๐๐ฒ๐ป๐ป๐ฒ๐ฑ๐, ๐ง๐ผ๐บ ๐ข'๐๐ฒ๐ฎ, ๐ฆ๐ฒ๐ผ๐ถ๐ฑ๐ถ๐ป ๐ข'๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป, ๐ฎ๐ป๐ฑ ๐๐ถ๐ผ๐ป๐ฎ ๐ช๐ต๐ฒ๐น๐ฎ๐ป.
Full Programme LINK: https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning
National College of Art & Design, Dublin
21/02/2026
Event: ๐ช๐ ๐๐๐ก๐ก๐ข๐ง ๐ช๐๐๐ง ๐๐ข๐ฅ ๐ข๐จ๐ฅ ๐๐จ๐ง๐จ๐ฅ๐ ๐๐ฅ๐ง ๐๐ก๐ฆ๐ง๐๐ง๐จ๐ง๐๐ข๐ก๐ฆ
Tue, 24 Feb 2026, 17:00 - 19:00 (GMT+ 00:00 Dublin) NCAD Gallery, D08K521. ๐๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐๐ถ๐ป๐ธ: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2080084
โThe dominant system doesnโt dominate because most people agree with it, it dominates because we canโt imagine an alternativeโ
(Duncombe and Lambert, 2021: 319).
โWE CANNOT WAIT FOR OUR FUTURE ART INSTITUTIONSโ is both a statement and a demand that responds to the urgency of the polycrisis the art institution faces.
It is also a refusal. It refuses to accept that there is no alternative, that we cannot imagine things otherwise.
The participants will debate emergent practices and make propositions for the future art institution that encompass values that are anathema to those that shape our current cultural policies.
These alternative values include (but are not limited to): collectivity, solidarity, sustainability, study, the undercommons, situated knowledge and infrastructural critique.
๐ฃ๐ฎ๐ฟ๐๐ถ๐ฐ๐ถ๐ฝ๐ฎ๐ป๐๐:
๐ ๐ฎ๐ฟ๐๐๐ถ๐ฎ ๐ช๐ถ๐ฒ๐ฐ๐ธ๐ถ๐ฒ๐๐ถ๐ฐ๐, Curator, Project Arts Centre, Dublin, Ireland.
๐ซ๐ฒ๐ป๐ถ๐ฎ ๐๐ฎ๐น๐ฝ๐ฎ๐ธ๐๐๐ผ๐ด๐น๐ผ๐, Curator, Laboratory for the Urban Commons (LUC), Athens, Greece.
๐๐ป๐ป๐ฒ ๐๐ฒ๐น๐น๐, Curator, NCAD Gallery, Dublin, Ireland.
Moderator: ๐๐บ๐บ๐ฎ ๐ ๐ฎ๐ต๐ผ๐ป๐, Lecturer in Visual Culture, NCAD, Dublin, Ireland.
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The ๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐ event in the National College of Art and Design (Gallery), Dublin, is programmed as part of ๐๐ก๐ฆ๐ง๐๐ง๐จ๐ง๐๐ก๐ ๐๐ข๐ ๐ ๐ข๐ก๐๐ก๐: ๐ ๐ฃ๐๐๐ง๐๐ข๐ฅ๐ ๐๐ข๐ฅ ๐จ๐ก/๐๐๐๐ฅ๐ก๐๐ก๐, an exhibition programme bringing together a network of artistic and academic practices through the exchange of viewpoints, and the creation of new social bonds, ๐ฏ๐ฌ ๐๐ฎ๐ป๐๐ฎ๐ฟ๐ - ๐ฎ๐ณ ๐๐ฒ๐ฏ๐ฟ๐๐ฎ๐ฟ๐, ๐ฎ๐ฌ๐ฎ๐ฒ, Mon-Fri, 11AM - 6PM.
๐๐๐ฟ๐ฎ๐๐ฒ๐ฑ ๐ฏ๐ ๐๐ป๐ป๐ฒ ๐๐ฒ๐น๐น๐ and ๐ฝ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ๐บ๐ฒ๐ฑ ๐๐ถ๐๐ต ๐๐บ๐บ๐ฎ ๐ ๐ฎ๐ต๐ผ๐ป๐, ๐ ๐ถ๐ฐ๐ต๐ฒ๐น๐น๐ฒ ๐๐ฟ๐ผ๐๐ป๐ฒ, ๐๐ฎ๐ฟ๐ฒ๐๐ต ๐๐ฒ๐ป๐ป๐ฒ๐ฑ๐, ๐ง๐ผ๐บ ๐ข'๐๐ฒ๐ฎ, ๐ฆ๐ฒ๐ผ๐ถ๐ฑ๐ถ๐ป ๐ข'๐ฆ๐๐น๐น๐ถ๐๐ฎ๐ป, ๐ฎ๐ป๐ฑ ๐๐ถ๐ผ๐ป๐ฎ ๐ช๐ต๐ฒ๐น๐ฎ๐ป.
Full Programme LINK: https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning
12/02/2026
๐ ๐๐น๐๐ถ-๐ฆ๐๐ผ๐ฟ๐ ๐๐ฐ๐ ๐๐: ๐ง๐ต๐ฒ ๐๐ฟ๐ฒ๐ฎ๐ ๐๐ผ๐๐๐ถ๐ป๐ด ๐๐ฟ๐ถ๐๐ถ๐ ๐๐ฎ๐ฟ๐ฎ๐๐ฎ๐ป๐ฒ๐๐๐ฒ ๐ผ๐ณ ๐ฅ๐ฒ๐๐ผ๐น๐: Saturday, 21 February, 2026, 10:00-14:00, ๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐.
๐๐ผ๐๐๐ถ๐ป๐ด ๐๐ฐ๐๐ถ๐ผ๐ป ๐ก๐ผ๐ (๐๐๐ก) invites you to:
๐๐ฐ๐ฎ๐ฆ ๐ข๐ฏ๐ฅ ๐๐ฐ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐๐ณ๐ฆ๐ข๐ต ๐๐ฐ๐ถ๐ด๐ช๐ฏ๐จ ๐๐ณ๐ช๐ด๐ช๐ด ๐๐ข๐ณ๐ข๐ท๐ข๐ฏ ๐ฐ๐ง ๐๐ฆ๐ท๐ฐ๐ญ๐ต - ๐ฎ๐ข๐ฌ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ ๐ด๐ต๐ฐ๐ณ๐ช๐ฆ๐ด ๐ข๐ฏ๐ฅ ๐ช๐ฎ๐ข๐จ๐ฆ๐ด ๐ง๐ฐ๐ณ ๐ณ๐ฆ๐ท๐ฐ๐ญ๐ถ๐ต๐ช๐ฐ๐ฏ๐ข๐ณ๐บ ๐ฉ๐ฐ๐ถ๐ด๐ช๐ฏ๐จ ๐ค๐ฉ๐ข๐ฏ๐จ๐ฆ.
๐๐ฆ๐ตโ๐ด ๐๐ฐ๐ฎ๐ฆ ๐ต๐ฐ๐จ๐ฆ๐ต๐ฉ๐ฆ๐ณ ๐ต๐ฐ ๐ค๐ฉ๐ข๐ฏ๐จ๐ฆ ๐ต๐ฉ๐ฆ ๐ฉ๐ฐ๐ถ๐ด๐ช๐ฏ๐จ ๐ค๐ณ๐ช๐ด๐ช๐ด ๐ฏ๐ข๐ณ๐ณ๐ข๐ต๐ช๐ท๐ฆ. ๐๐ฆ๐ต๐ด ๐ฎ๐ข๐ฌ๐ฆ ๐ฉ๐ฐ๐ถ๐ด๐ช๐ฏ๐จ ๐ฉ๐ข๐ฑ๐ฑ๐ฆ๐ฏ ๐๐ฐ๐ณ ๐๐ญ๐ญ. ๐ฃ๐๐ฏ๐น๐ถ๐ฐ ๐ง๐ถ๐ฐ๐ธ๐ฒ๐๐ ๐๐ผ๐ผ๐ธ๐ถ๐ป๐ด ๐๐๐ก๐: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2060102
๐๐ผ๐๐๐ถ๐ป๐ด ๐๐ฐ๐๐ถ๐ผ๐ป ๐ก๐ผ๐ will occupy the ๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐, with a half day of workshops, film, activist art and open discussion around the potential of artistic responses to the housing emergency, asking critical questions such as: ๐๐ผ๐ฒ๐ ๐๐ต๐ฒ ๐๐ฟ๐ถ๐๐ต ๐๐ผ๐๐๐ถ๐ป๐ด ๐ฆ๐๐๐๐ฒ๐บ ๐๐ผ๐ฟ๐ธ ๐ณ๐ผ๐ฟ ๐๐ผ๐? The workshops will be facilitated by ๐ฎ๐ฟ๐๐ถ๐๐๐ ๐๐๐ฒ๐น๐๐ป ๐๐ฟ๐ผ๐ฑ๐ฒ๐ฟ๐ถ๐ฐ๐ธ and ๐๐ฒ๐ป๐ด๐๐ ๐๐ฒ๐ป๐ป๐ฒ๐๐๐, working with ๐๐ผ๐๐๐ถ๐ป๐ด ๐๐ฐ๐๐ถ๐ผ๐ป ๐ก๐ผ๐ as part of the long term project ๐ ๐๐น๐๐ถ-๐ฆ๐๐ผ๐ฟ๐ โ ๐๐ฟ๐ฒ๐ฎ๐๐ถ๐๐ฒ ๐๐ป๐ด๐ฎ๐ด๐ฒ๐บ๐ฒ๐ป๐ ๐ณ๐ผ๐ฟ ๐๐ผ๐๐๐ถ๐ป๐ด ๐๐ต๐ฎ๐ป๐ด๐ฒ. There will be activists from Housing Action Now, ๐๐ผ๐บ๐บ๐๐ป๐ถ๐๐ ๐๐ฐ๐๐ถ๐ผ๐ป ๐ง๐ฒ๐ป๐ฎ๐ป๐๐ ๐จ๐ป๐ถ๐ผ๐ป (๐๐๐ง๐จ), ๐ ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐ ๐ผ๐ณ ๐๐๐๐น๐๐บ ๐ฆ๐ฒ๐ฒ๐ธ๐ฒ๐ฟ๐ ๐ถ๐ป ๐๐ฟ๐ฒ๐น๐ฎ๐ป๐ฑ (๐ ๐๐ฆ๐) and other housing activist groups. All are welcome.
Programmed as part of ๐๐ก๐ฆ๐ง๐๐ง๐จ๐ง๐๐ก๐ ๐๐ข๐ ๐ ๐ข๐ก๐๐ก๐: ๐ ๐ฃ๐๐๐ง๐๐ข๐ฅ๐ ๐๐ข๐ฅ ๐จ๐ก/๐๐๐๐ฅ๐ก๐๐ก๐, 30 January - 27 February, 2026, Mon-Fri, 11AM - 6PM, ๐ก๐๐๐_๐๐ฎ๐น๐น๐ฒ๐ฟ๐. LINK https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning
Multi-Story Act II is supported by Create Ireland โ the National Development Agency for Collaborative Arts, through the AIC Project Realisation Award 2025.
NCAD Gallery National College of Art & Design, Dublin
06/02/2026
๐ฃ๐จ๐๐๐๐ ๐๐ฉ๐๐ก๐ง: ๐ง๐ต๐ฒ ๐ก๐๐๐ ๐ฆ๐๐๐ข๐ข๐ ๐ณ๐ผ๐ฟ ๐จ๐ก/๐๐๐๐ฅ๐ก๐๐ก๐, ๐จ๐ก/๐๐๐๐ฅ๐ก๐๐ก๐ ๐ช๐ผ๐ฟ๐ธ๐๐ต๐ผ๐ฝ๐ ~ ๐ช๐ฒ๐ฑ, ๐ญ๐ญ ๐๐ฒ๐ฏ, ๐ฎ๐ฌ๐ฎ๐ฒ, ๐ญ๐ณ:๐ฌ๐ฌ-๐ญ๐ต:๐ฌ๐ฌ, NCAD Gallery, Foyer, Street, D08K521. Workshop capacity is for 50 participants, who in rotation will experience 4 Un/Learning exercises.
Programmed as part of ๐๐ป๐๐๐ถ๐๐๐๐ถ๐ป๐ด ๐๐ผ๐บ๐บ๐ผ๐ป๐ถ๐ป๐ด: ๐ ๐ฃ๐น๐ฎ๐๐ณ๐ผ๐ฟ๐บ ๐ณ๐ผ๐ฟ ๐จ๐ป/๐๐ฒ๐ฎ๐ฟ๐ป๐ถ๐ป๐ด exhibition, ๐ฏ๐ฌ ๐๐ฎ๐ป-๐ฎ๐ณ ๐๐ฒ๐ฏ ๐ฎ๐ฌ๐ฎ๐ฒ, ๐ก๐๐๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐. Events are fixed in the time zone in Ireland (GMT+0).
๐ก๐๐๐ ๐ ๐/๐ ๐๐ ๐๐ฟ๐ & ๐ฆ๐ผ๐ฐ๐ถ๐ฎ๐น ๐๐ฐ๐๐ถ๐ผ๐ป ๐๐๐๐ฑ๐ฒ๐ป๐๐, working with Dr Emma Mahony, have devised four unlearning exercises specifically for NCAD. They will deliver these exercises with the participation of staff and students who are invited to enrol in the NCAD School for Un/learning. Upon completion of the exercises participants will be awarded a certificate of failure.
Unlearning is both a discourse and a practice that involves the critical appraisal of accepted โtruthsโ, power relations and practices, as well as an appraisal of the role the individual plays within this matrix.
The purpose of The NCAD School for Unlearning is to apply unlearning to NCAD to unpack, unsettle and undo any unjust habits and attitudes. Workshops are additionally supported by Anne Kelly, Curator.
๐ญ. ๐จ๐ก๐๐๐๐ฅ๐ก๐๐ก๐ ๐๐ซ๐๐ฅ๐๐๐ฆ๐ #6: ๐ฆ๐ง๐๐ก๐๐๐ฅ๐๐๐ฆ๐๐ง๐๐ข๐ก
Devised and facilitated by: Linda Hederman, Anne Reilly and Ludwig Schaible.
๐ฎ. ๐จ๐ก๐๐๐๐ฅ๐ก๐๐ก๐ ๐๐ซ๐๐ฅ๐๐๐ฆ๐ #7: ๐๐๐ก๐๐๐ก๐ ๐๐ข๐ ๐ ๐ข๐ก ๐๐ฅ๐ข๐จ๐ก๐.
Devised and facilitated by: Megan Atkinson, Anna Ebeling and Christopher Roman.
๐ฏ. ๐จ๐ก๐๐๐๐ฅ๐ก๐๐ก๐ ๐๐ซ๐๐ฅ๐๐๐ฆ๐ #4: ๐ฆ๐ข๐๐๐๐ ๐๐๐ฃ๐๐ง๐๐.
Devised and facilitated by: Romane Glas, Karen Matias and Leyette Moll.
๐ฐ. ๐จ๐ก๐๐๐๐ฅ๐ก๐๐ก๐ ๐๐ซ๐๐ฅ๐๐๐ฆ๐ #๐ฑ: ๐จ๐ก๐ช๐ข๐ฅ๐๐๐ก๐ ๐.๐ฉ.
Devised by/ Facilitators: Loor Amin, Cรบan Cusack and Leanne Dooley.
Select your free tickets: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2056698
Find the Instituting Commoning: A Platform for Un/Learning, full programme link here: https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning
Image credit: Cรบan Cusack.
National College of Art & Design, Dublin