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NCAD Gallery | In Public programme prsents research, exhibition, talks and performance events from @ Anne Kelly Curator.

The NCAD Gallery, in accordance with the Collegeโ€™s agreement with Dublin City Council, operates as a public venue as well as a College Gallery. The programme is selected on the basis of invited proposals, open call opportunity, by the Gallery Committee, which is made up of staff from all Faculties and also welcomes proposals from staff and students. Proposals can be made by individuals or groups a

13/04/2026

All welcome to the NCAD Research Exhibition & Programme 2026 ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—น๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ปt, '๐—œ๐˜'๐˜€ ๐—ก๐—ผ๐˜ ๐—ช๐—ผ๐—ฟ๐—ธ๐—ถ๐—ป๐—ด' ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ๐—ถ๐—ป๐—ฒ ๐—›๐—ฎ๐—ฟ๐˜๐˜†. ๐šƒฬฒ๐šžฬฒ๐šŽฬฒ๐šœฬฒ๐šฬฒ๐šŠฬฒ๐šขฬฒ,ฬฒ ฬฒ๐Ÿทฬฒ๐Ÿบฬฒ ฬฒ๐™ฐฬฒ๐š™ฬฒ๐š›ฬฒ๐š’ฬฒ๐š•ฬฒ ฬฒ๐Ÿธฬฒ๐Ÿถฬฒ๐Ÿธฬฒ๐Ÿผฬฒ,ฬฒ ฬฒ๐Ÿทฬฒโ€“ฬฒ๐Ÿทฬฒ.ฬฒ๐Ÿบฬฒ๐Ÿปฬฒ๐™ฟฬฒ๐™ผฬฒ,ฬฒ ฬฒ๐™ฝฬฒ๐™ฒฬฒ๐™ฐฬฒ๐™ณฬฒ ฬฒ๐™ถฬฒ๐šŠฬฒ๐š•ฬฒ๐š•ฬฒ๐šŽฬฒ๐š›ฬฒ๐šขฬฒ.ฬฒ ฬฒ
๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.

Serving as a point of entry into the artistโ€™s practice, this performance-lecture considers two commentaries on Conceptual Art and administration: โ€œArt 1962โ€“1969: From the Aesthetic of Administration to the Critique of Institutionsโ€ by Benjamin H. D. Buchloh, and โ€œPaperwork: Conceptual Art and the โ€˜Pink-Collarโ€™ Workerโ€ by Anna Lovatt. Harty notes, despite Conceptual Artโ€™s much-discussed โ€œaesthetic of administrationโ€, this movement hasn't been extensively analysed in relation to the changing conditions of clerical work during the United States post-war period. By the 1960s, administrative labour had shifted from a white-collar to a โ€œpink-collarโ€ profession, confounding earlier categorizations of labour and social class. Buchlohโ€™s essay implicitly understands administrative work as the domain of the Professional Managerial Class (PMC), whereas Lovattโ€™s engages the experience of the ordinary administrative worker. Harty responds to these propositions reflecting on the spaces of work of the cultural / artist worker, and will include screenings of her works': Irish Jobs for Irish Robots, 2017 (video, 4โ€57โ€™), Tech Guy Spiel, 2022 (video, 8โ€40โ€™), and SOB and Real Abstraction, 2021 (video, 5โ€25โ€™ - Catherine Harty/ John Thompson).

๐—ฆ๐—ฒ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ณ๐˜‚๐—น๐—น ๐—ก๐—–๐—”๐—— ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—น๐—ถ๐˜€๐˜๐—ถ๐—ป๐—ด๐˜€ ๐—ถ๐—ป๐—ธ๐—ฒ๐—ฑ ๐—ต๐—ฒ๐—ฟ๐—ฒ: www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026
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๐—–๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ๐—ถ๐—ป๐—ฒ ๐—›๐—ฎ๐—ฟ๐˜๐˜† is a practising artist and member of the Cork Artists Collective. Her work includes drawing, painting, photography, video and performance.
In 2025, she co-curated Kieran McBrideโ€™s performance piece, '37 Reasons To Be Blue' shown at Butler Gallery, Kilkenny, participated in Printmaking Stories in conjunction with The Translation & Creative Practice Cluster (UCC), and was commissioned by Enclave magazine to write on the work of artist Melanie Bonajo. In 2024, her film, 'On the roof of a Skyscraper' was screened at CineSalon as part of the Experimental Film Festival, Cork.
Catherine holds an MA in Fine Art Practice from Birmingham School of Art, an MA in Art in the Contemporary World (Theory) from NCAD, as well as a Post-graduate Diploma in Digital Humanities from UCC.

09/04/2026

The ๐—ก๐—–๐—”๐—— ๐—ฅ๐—˜๐—ฆ๐—˜๐—”๐—ฅ๐—–๐—› ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ข๐—ก & ๐—˜๐—ฉ๐—˜๐—ก๐—ง๐—ฆ ๐—ฃ๐—ฅ๐—ข๐—š๐—ฅ๐—”๐— ๐— ๐—˜ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ continues ๐˜‚๐—ป๐˜๐—ถ๐—น ๐—™๐—ฟ๐—ถ๐—ฑ๐—ฎ๐˜†๐Ÿญ๐Ÿณ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐Ÿญ๐Ÿญ๐—”๐— -๐Ÿฒ๐—ฃ๐—  .
All events timed for Ireland (GMT+0) & located in the NCAD Gallery. No booking required.

RESEARCHER ๐—ฃ๐—ฅ๐—”๐—–๐—ง๐—œ๐—ข๐—ก๐—˜๐—ฅ๐—ฆ / ๐˜Œ๐˜Ÿ๐˜๐˜๐˜‰๐˜๐˜›๐˜–๐˜™๐˜š
๐˜ˆ๐˜ช๐˜ฏ๐˜ฆ ๐˜‰๐˜บ๐˜ณ๐˜ฏ๐˜ฆ | Michelle Browne | John Conway | ๐˜•๐˜ช๐˜ข๐˜ญ๐˜ญ ๐˜Š๐˜ถ๐˜ญ๐˜ญ๐˜ฆ๐˜ฏ | Yvonne Cullivan | ๐˜‘๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜ฆ ๐˜‹๐˜ข๐˜ท๐˜ช๐˜ฅ๐˜ด๐˜ฐ๐˜ฏ | ๐˜•๐˜ฆ๐˜ช๐˜ญ ๐˜‹๐˜ถ๐˜ฏ๐˜ฏ๐˜ฆ | ๐˜š๐˜ข๐˜ณ๐˜ข๐˜ฉ ๐˜‹๐˜ถ๐˜ณ๐˜ค๐˜ข๐˜ฏ | Emma Finucane | ๐˜”๐˜ข๐˜ณ๐˜บ ๐˜ˆ ๐˜๐˜ช๐˜ต๐˜ป๐˜จ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ฅ | Rory Hanrahan | ๐˜๐˜ช๐˜ท๐˜ช๐˜ข๐˜ฏ ๐˜๐˜ข๐˜ฏ๐˜ด๐˜ฃ๐˜ถ๐˜ณ๐˜บ | Catherine Harty | ๐˜™๐˜ข๐˜ฎ๐˜ฐ๐˜ฏ ๐˜’๐˜ข๐˜ด๐˜ด๐˜ข๐˜ฎ | Anne Kelly | Gareth Kennedy | Emma Mahony | Jamie Murphy | ๐˜’๐˜ข๐˜ต๐˜ฉ๐˜บ ๐˜”๐˜ฐ๐˜ฐ๐˜ฏ๐˜ฆ๐˜บ | Tom O'Dea | ๐˜™๐˜ฐ๐˜ฏ๐˜ข๐˜ฏ ๐˜– ๐˜™๐˜ข๐˜จ๐˜ฉ๐˜ข๐˜ญ๐˜ญ๐˜ข๐˜ช๐˜จ๐˜ฉ | Jye O'Sullivan & Renato Pera | Seoidรญn O'Sullivan | ๐˜‹๐˜ข๐˜ท๐˜ช๐˜ฅ ๐˜›๐˜ช๐˜ฎ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ด | ๐˜™๐˜ข๐˜ค๐˜ฉ๐˜ฆ๐˜ญ ๐˜›๐˜ถ๐˜ง๐˜ง๐˜บ | Fiona Whelan | ๐˜ˆ๐˜ฐ๐˜ช๐˜ง๐˜ฆ ๐˜ž๐˜ข๐˜ณ๐˜ฅ & ๐˜Œ๐˜ท๐˜ฆ ๐˜ž๐˜ฐ๐˜ฐ๐˜ฅ๐˜ด.

๐—™๐—ข๐—ฅ๐—ง๐—›๐—–๐—ข๐— ๐—œ๐—ก๐—š ๐—˜๐—ฉ๐—˜๐—ก๐—ง๐—ฆ
๐Ÿฒ. ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—Ÿ๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ with ๐—–๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ๐—ถ๐—ป๐—ฒ ๐—›๐—ฎ๐—ฟ๐˜๐˜†. Tuesday, 14 April, 1-2PM.
๐Ÿณ. ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐—ฆ๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐—ซ-๐—ฅ๐—ถ๐˜€๐—ฒ with presenters: ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—น๐—ฒ ๐—•๐—ฟ๐—ผ๐˜„๐—ป๐—ฒ, ๐—”๐—ป๐—ป๐—ฒ ๐—ž๐—ฒ๐—น๐—น๐˜†, ๐—š๐—ฎ๐—ฟ๐—ฒ๐˜๐—ต ๐—ž๐—ฒ๐—ป๐—ป๐—ฒ๐—ฑ๐˜†, ๐—˜๐—บ๐—บ๐—ฎ ๐— ๐—ฎ๐—ต๐—ผ๐—ป๐˜†, ๐—ง๐—ผ๐—บ ๐—ขโ€™๐——๐—ฒ๐—ฎ, ๐—ฆ๐—ฒ๐—ผ๐—ถ๐—ฑ๐—ถ๐—ป ๐—ข'๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป, ๐—™๐—ถ๐—ผ๐—ป๐—ฎ ๐—ช๐—ต๐—ฒ๐—น๐—ฎ๐—ป. Wednesday, 15 April, 2-4PM.
๐Ÿด. *ฬถ*ฬถ๐™ฒฬถ๐™ฐฬถ๐™ฝฬถ๐™ฒฬถ๐™ดฬถ๐™ปฬถ๐™ปฬถ๐™ดฬถ๐™ณฬถ ฬถ๐™ณฬถ๐š„ฬถ๐™ดฬถ ฬถ๐šƒฬถ๐™พฬถ ฬถ๐š„ฬถ๐™ฝฬถ๐™ตฬถ๐™พฬถ๐šฬถ๐™ดฬถ๐š‚ฬถ๐™ดฬถ๐™ดฬถ๐™ฝฬถ ฬถ๐™ฒฬถ๐™ธฬถ๐šฬถ๐™ฒฬถ๐š„ฬถ๐™ผฬถ๐š‚ฬถ๐šƒฬถ๐™ฐฬถ๐™ฝฬถ๐™ฒฬถ๐™ดฬถ๐š‚ฬถ ฬถ*ฬถ*ฬถ๐™ฐฬถ ฬถ๐™ฒฬถ๐šžฬถ๐š•ฬถ๐šฬถ๐šžฬถ๐š›ฬถ๐šŠฬถ๐š•ฬถ ฬถ๐šƒฬถ๐š˜ฬถ๐šžฬถ๐š›ฬถ ฬถ๐š˜ฬถ๐šฬถ ฬถ๐™ทฬถ๐š˜ฬถ๐šฬถ๐šŽฬถ๐š•ฬถ๐šœฬถ ฬถ๐š’ฬถ๐š—ฬถ ฬถ๐šฬถ๐š‘ฬถ๐šŽฬถ ฬถ๐™ปฬถ๐š’ฬถ๐š‹ฬถ๐šŽฬถ๐š›ฬถ๐šฬถ๐š’ฬถ๐šŽฬถ๐šœฬถ ฬถ๐š†ฬถ๐šŠฬถ๐š•ฬถ๐š”ฬถ๐š’ฬถ๐š—ฬถ๐šฬถ ฬถ๐šƒฬถ๐š˜ฬถ๐šžฬถ๐š›ฬถ ฬถ๐š ฬถ๐š’ฬถ๐šฬถ๐š‘ฬถ ฬถ๐™ฐฬถ๐š˜ฬถ๐š’ฬถ๐šฬถ๐šŽฬถ ฬถ๐š†ฬถ๐šŠฬถ๐š›ฬถ๐šฬถ ฬถ&ฬถ ฬถ๐™ดฬถ๐šŸฬถ๐šŽฬถ ฬถ๐š†ฬถ๐š˜ฬถ๐š˜ฬถ๐šฬถ๐šœฬถ.ฬถ
๐Ÿต. ๐——๐˜‚๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ฒ๐—ฎ๐˜ƒ๐—ถ๐—ป๐—ด & ๐——๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐˜๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—น ๐—ง๐—ผ๐˜‚๐—ฟ with ๐—”๐—ถ๐—ป๐—ฒ ๐—•๐˜†๐—ฟ๐—ป๐—ฒ, ๐—ž๐—ฎ๐˜๐—ต๐˜† ๐— ๐—ผ๐—ผ๐—ป๐—ฒ๐˜†, ๐—ฅ๐—ฎ๐—ฐ๐—ต๐—ฒ๐—น ๐—ง๐˜‚๐—ณ๐—ณ๐˜†. Friday, 17 April 2026, 11AM-1PM.

Extensive listings information: https://lnkd.in/d7PeCtca

๐—ฃ๐—”๐—ฆ๐—ง ๐—˜๐—ฉ๐—˜๐—ก๐—ง๐—ฆ
๐Ÿญ. ๐—ก๐—–๐—”๐—— ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป & ๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต (6-8PM) & ๐—™๐—œ๐—˜๐—Ÿ๐—— ๐—š๐˜‚๐—ถ๐—ฑ๐—ฒ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต (4.30PM).Thursday, 19 March 2026. Opened by Dr Marcus Collier, associate Professor of Sustainability Science and project, TCD.
๐Ÿฎ. ๐—”๐—œ ๐—˜๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐—ง๐—ฎ๐—น๐—ธ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป with ๐—ฅ๐—ผ๐—ฟ๐˜† ๐—›๐—ฎ๐—ป๐—ฟ๐—ฎ๐—ต๐—ฎ๐—ป.
๐Ÿฏ. ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—น๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—–๐—ฎ๐—ฟ๐—ฏ๐—ผ๐—ป: ๐—ง๐˜†๐—ฝ๐—ฒ, ๐—ฃ๐—ฎ๐—ฝ๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—œ๐—ป๐—ธ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—Ÿ๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ with ๐—๐—ฎ๐—บ๐—ถ๐—ฒ ๐— ๐˜‚๐—ฟ๐—ฝ๐—ต๐˜†.
๐Ÿฐ. ๐—ช๐—ฒ๐˜ ๐—˜๐—ฝ๐—ถ๐˜€๐˜๐—ฒ๐—บ๐—ผ๐—น๐—ผ๐—ด๐—ถ๐—ฒ๐˜€ ๐—ฝ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—น๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ with ๐—๐˜†๐—ฒ ๐—ขโ€™๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป.
๐Ÿฑ. ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ถ๐—ป ๐—›๐—ฒ๐—ฎ๐—น๐˜๐—ต ๐—–๐—ผ๐—ป๐˜๐—ฒ๐˜…๐˜๐˜€ with presenters: ๐—˜๐—บ๐—บ๐—ฎ ๐—™๐—ถ๐—ป๐˜‚๐—ฐ๐—ฎ๐—ป๐—ฒ, ๐—๐—ผ๐—ต๐—ป ๐—–๐—ผ๐—ป๐˜„๐—ฎ๐˜†, ๐—ฌ๐˜ƒ๐—ผ๐—ป๐—ป๐—ฒ ๐—–๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป.

๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†, ๐Ÿญ๐Ÿฌ๐Ÿฌ ๐—ง๐—ต๐—ผ๐—บ๐—ฎ๐˜€ ๐—ฆ๐˜, ๐——๐˜‚๐—ฏ๐—น๐—ถ๐—ป, ๐——๐Ÿฌ๐Ÿด ๐—ž๐Ÿฑ๐Ÿฎ๐Ÿญ, ๐—œ๐—ฟ๐—ฒ๐—น๐—ฎ๐—ป๐—ฑ. www.ncad.ie/about/gallery & ncad.gallery. Image: AK National College of Art & Design

26/03/2026

All welcome to NCAD's Research Exhibition 2026 programmed talks events >> ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ถ๐—ป ๐—›๐—ฒ๐—ฎ๐—น๐˜๐—ต ๐—–๐—ผ๐—ป๐˜๐—ฒ๐˜…๐˜๐˜€: ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜€๐—ต๐—ผ๐˜„๐—ฐ๐—ฎ๐˜€๐—ถ๐—ป๐—ด ๐—ฎ๐—ป ๐—ฎ๐—ฟ๐—ฟ๐—ฎ๐˜† ๐—ผ๐—ณ ๐—ฎ๐—ฟ๐˜ ๐—ฎ๐—ป๐—ฑ ๐—ต๐—ฒ๐—ฎ๐—น๐˜๐—ต ๐—ฝ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—บ๐—ฒ๐˜๐—ต๐—ผ๐—ฑ๐—ผ๐—น๐—ผ๐—ด๐—ถ๐—ฒ๐˜€, ๐˜„๐—ถ๐˜๐—ต ๐—˜๐—บ๐—บ๐—ฎ ๐—™๐—ถ๐—ป๐˜‚๐—ฐ๐—ฎ๐—ป๐—ฒ, ๐—๐—ผ๐—ต๐—ป ๐—–๐—ผ๐—ป๐˜„๐—ฎ๐˜†, ๐—ฌ๐˜ƒ๐—ผ๐—ป๐—ป๐—ฒ ๐—–๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป.

Friday, 27 March 2026, ๐Ÿธฬฒ๐™ฟฬฒ๐™ผฬฒ ฬฒโ€“ฬฒ ฬฒ๐Ÿบฬฒ๐™ฟฬฒ๐™ผฬฒ, NCAD Gallery. ๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.

Through three distinct projects, the ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ถ๐—ป ๐—›๐—ฒ๐—ฎ๐—น๐˜๐—ต ๐—–๐—ผ๐—ป๐˜๐—ฒ๐˜…๐˜๐˜€ event examines how contemporary art practices can operate within healthcare contexts to create spaces for reflection, sensory engagement, and connection. The work foregrounds methodologies rooted in duration, attentiveness, and ethical engagement, and reflects on the role of the artist as collaborator, witness, and facilitator within clinical and community-based healthcare environments.

This event includes: A performance lecture by ๐—˜๐—บ๐—บ๐—ฎ ๐—™๐—ถ๐—ป๐˜‚๐—ฐ๐—ฎ๐—ป๐—ฒ that describes methodologies of artistic research within art and health contexts. Through the use of images and reading of excerpts from a responsive text written by Marielle MacLeman, Emma describes how an artist can work in this space.
An activation of ๐—๐—ผ๐—ต๐—ป ๐—–๐—ผ๐—ป๐˜„๐—ฎ๐˜†โ€™s work, The Ballad of a Care Centre, which weaves together verbatim oral histories of older Irish men and women that forms a newly distilled narrative of a comfortably familiar yet deeply unsettling Ireland.
A screening of a short documentary film unpacking the Arts & Health project You Are Here, a collaboration between ๐—ฌ๐˜ƒ๐—ผ๐—ป๐—ป๐—ฒ ๐—–๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป and Manuela Corbari. This project brought the restorative power of nature into the hospital setting through an immersive sensory experience. With an opportunity for Q&A around project development, delivery and findings.

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๐—˜๐—บ๐—บ๐—ฎ ๐—™๐—ถ๐—ป๐˜‚๐—ฐ๐—ฎ๐—ป๐—ฒ https://lnkd.in/e_6vyYMa
๐—๐—ผ๐—ต๐—ป ๐—–๐—ผ๐—ป๐˜„๐—ฎ๐˜† https://lnkd.in/eGnUqnk9
๐—ฌ๐˜ƒ๐—ผ๐—ป๐—ป๐—ฒ ๐—–๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป https://lnkd.in/eUYai69Z
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๐—”๐—น๐—น ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—ฐ๐˜‚๐—ฟ๐—ฟ๐—ฒ๐—ป๐˜๐—น๐˜† ๐˜๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—ผ๐—ป ๐˜๐—ต๐—ฒ ๐—–๐—™๐—” ๐—ฃ๐—ฟ๐—ผ๐—ณ๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐——๐—ถ๐—ฝ๐—น๐—ผ๐—บ๐—ฎ ๐—ถ๐—ป ๐—”๐—ฟ๐˜ ๐—ฎ๐—ป๐—ฑ ๐—›๐—ฒ๐—ฎ๐—น๐˜๐—ต ๐——๐—ถ๐—ฝ๐—น๐—ผ๐—บ๐—ฎ.

๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.

26/03/2026

All welcome to today's NCAD's Research Exhibition 2026 programmed talks events >>
๐—ช๐—ฒ๐˜ ๐—˜๐—ฝ๐—ถ๐˜€๐˜๐—ฒ๐—บ๐—ผ๐—น๐—ผ๐—ด๐—ถ๐—ฒ๐˜€, ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—Ÿ๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ with ๐—๐˜†๐—ฒ ๐—ขโ€™๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป.

Thursday, 26 March 2026, 1PM, NCAD Gallery. Duration: 45 minutes.

Jyeโ€™s lecture preparation is inspired by the work he has completed with the State University of Rio de Janeiro on decolonial approaches to sound and the destablisation of bodies. This performance lecture with accompanying sound draws on an article that he is publishing for a special edition of Concinnitas (https://www.e-publicacoes.uerj.br/concinnitas/index) titled: Listening Practices: Body, Image, and Sound as Transdisciplinary Fields.

Situated in the NCAD Gallery/ Foyer, the work functions as a guided meditation through a soundscape that examines the porosity of bodies when confronted with sonic infrastructure. This will use a mixture of modular synthesis and field recordings collected between Dublin and Rio.

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๐—๐˜†๐—ฒ ๐—ขโ€™๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป is an art historian and researcher of visual cultures. Their research has previously focussed on the intersections between artistic practice and cybernetics, with a specific focus on the artistic uses of cybernetics within a Latin American context. Jyeโ€™s present research interests include, art and cybernetics, contemporary art from Latin America, posthumanism, q***r ecology, ecological ethics and the philosophy of technology.

Jye is one of the editors of the 2026 book Visions of Scale, part of the Bloomsbury Biotechne series and has published in varying Latin American journals including on questions of ecological artistic practices and decolonial cybernetics (see here). Jye has also exhibited sound installation works at the MAD Lab (Limassol) in association with the ECT Lab+ and across Dublin including as part of The Liberties Festival.

He completed his BA in History of Art and MA in History of Art and the Theories and Histories of Architecture at the University of York (UK), before completing a PhD in History of Art at the Technological University of Dublin. Jye co-led a three-year Erasmus+ funded project aimed at developing ecological ethics for technological education, Ethico, in conjunction with Noel Fitzpatrick and the European Culture and Technology Laboratory (ECT Lab+). He has been the recipient of several Marie-Curie secondment grants to the Universidad de las Artes, Guayaquil and the Institut de Recherche et d'Innovation, Paris, as well as a Getty Institute travel grant to pursue research on the Centro de Arte y Comunicaciรณn.
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๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.
Link https://www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026

25/03/2026

All welcome to today's NCAD's Research Exhibition 2026 programmed talks events >> ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—น๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—–๐—ฎ๐—ฟ๐—ฏ๐—ผ๐—ป: ๐—ง๐˜†๐—ฝ๐—ฒ, ๐—ฃ๐—ฎ๐—ฝ๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—œ๐—ป๐—ธ, ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—Ÿ๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ with ๐—๐—ฎ๐—บ๐—ถ๐—ฒ ๐— ๐˜‚๐—ฟ๐—ฝ๐—ต๐˜†.
๐—ช๐—ฒ๐—ฑ๐—ป๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐Ÿฎ๐Ÿฑ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐Ÿญ๐—ฃ๐— , ๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†. ๐——๐˜‚๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: ๐Ÿฐ๐Ÿฑ ๐—บ๐—ถ๐—ป๐˜‚๐˜๐—ฒ๐˜€.
๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.

'Carbon is the basis for all life on earth, and the harbinger of our demise.'

๐—–๐—”๐—ฅ๐—•๐—ข๐—ก is an artist book project Jamie has been developing for the last five years. From new wood type, to diamond infused papers and exhaust-soot-ink pochoirs, in this (image and film) illustrated talk Murphy will discuss this project's origins, research, experimentation and the multitude of collaborations and processes employed in its making.

Visitors to the NCAD Gallery Research Exhibition & Programme 2026 (20 March - 17 April) have the opportunity to view Jamie's CARBON artist book placed in a vitrine until 17 April 2026.

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๐—๐—ฎ๐—บ๐—ถ๐—ฒ ๐— ๐˜‚๐—ฟ๐—ฝ๐—ต๐˜† graduated from The History of Art & Design and Visual Communication (Joint Honours) from NCAD in 2006, after which he spent several years working on his own and with the studios of others before completing his MA in Design (NCAD, 2012). Following this he moved to the UK where he worked with Justin Knopp at the newly established letterpress workshop, Typoretum. Returning to Ireland he worked as an understudy to master printer Seรกn Sills in Distillers Press at the National College of Art & Design. He began as Designer in Residence there in 2013 before being appointed in 2015 where his focus is on book arts, typographic research and experimentation.

Jamieโ€™s professional practice is mostly centred around The Salvage Press (thesalvagepress.com, est. 2012) a small imprint under which he collaborates with artists from diverse disciplines producing book projects which give particular attention to concept, materials and fine printing. He has been invited to exhibit, lecture, and discuss his work broadly. These award winning books reside in private, public and institutional collections across the globe.

Jamie's research interests lie in the book arts, hand-composed typography and letterpress printed design. He actively searches out and documents practitioners in Ireland, UK and USA. His other interests lie in fine press publishing, typo/graphic design history and education, antiquarian and private press books, papermaking and fine binding. He has been invited to exhibit, lecture, and discuss his work broadly. His award winning work resides in many of the most distinguished private, academic and institutional collections across the globe.
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๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.
See future event listings here: www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026

24/03/2026

All welcome to the first of NCAD's Research Exhibition 2026 programmed talks events, ๐—˜๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐—”๐—œ: ๐—” ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜ ๐—ฏ๐˜† ๐—ฅ๐—ผ๐—ฟ๐˜† ๐—›๐—ฎ๐—ป๐—ฟ๐—ฎ๐—ต๐—ฎ๐—ป (lecturer in Moving Image Design), ๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜†, ๐Ÿฎ๐Ÿฐ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐Ÿญ-๐Ÿฎ๐—ฃ๐— . ๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†.

๐—˜๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐—”๐—œ: ๐—” ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜ ๐—ฏ๐˜† ๐—ฅ๐—ผ๐—ฟ๐˜† ๐—›๐—ฎ๐—ป๐—ฟ๐—ฎ๐—ต๐—ฎ๐—ป.

As a filmmaker & commercial director, Rory is interested in engaging with AI to better understand the tools, process and capabilities of the powerful emerging platforms that produce still & moving images.

In the summer of 2025, Rory spent a few months exploring high-quality, cinematic, and artistic image generation tools, Midjourney & Google Gemini to work out how he felt about these new tools, and how he might use them.

He created a suite of short films as he tried to understand the limitations and possibilities of generative AI. Over the summer Rory became increasingly aware how important it was to reflect on the content that has been used to train these tools - and how this content informs and limits what the AI platforms can produce.

As he experimented with these tools a series of bigger questions arose for him. What are these tools for? What is the purpose of generative AI video tools in the context of the broader AI picture? Can a machine create cinematic experiences? Will people ever want to see a two hour movie made with no people or cameras?!

๐—ฅ๐—ผ๐—ฟ๐˜† ๐—›๐—ฎ๐—ป๐—ฟ๐—ฎ๐—ต๐—ฎ๐—ป
Rory Hanrahan is a commercial director based in Ireland working for national & international brands. Rory also teaches at the National College of Art & Design where he is the co-head of Moving Image Design.

Rory is currently writing a feature film screenplay about a time machine and a slug. (Based on an award-winning short film he made in 2024 about a time machine and a slug). The project development is being funded by Screen Ireland.

๐—”๐—น๐—น ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐—ฑ! ๐—ก๐—ผ ๐—ฏ๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ.

24/03/2026

The NCAD Gallery & NCAD Research Office are pleased to present the ๐—ก๐—–๐—”๐—— ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป & ๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ.
Exhibition & Programme: Friday 20 March - Friday 17 April 2026, Monday-Friday 11am-6pm.

๐—ฅ๐—˜๐—ฆ๐—˜๐—”๐—ฅ๐—–๐—›๐—˜๐—ฅ๐—ฆ / ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—ข๐—ฅ๐—ฆ
Aine Byrne | Michelle Browne | John Conway | Niall Cullen | Yvonne Cullivan | Janine Davidson | Neil Dunne | Sarah Durcan | Emma Finucane | Mary A Fitzgerald | Rory Hanrahan | Vivian Hansbury | Catherine Harty | Ramon Kassam | Anne Kelly | Gareth Kennedy | Emma Mahony | Jamie Murphy | Kathy Mooney | Tom O'Dea | Rรณnรกn ร“ Raghallaigh | Jye O'Sullivan & Renato Pera | Seoidรญn O'Sullivan | David Timmons | Rachel Tuffy | Fiona Whelan | Aoife Ward & Eve Woods.

๐—˜๐—ฉ๐—˜๐—ก๐—ง๐—ฆ ๐—ฃ๐—ฅ๐—ข๐—š๐—ฅ๐—”๐— ๐— ๐—˜ โ€“ ๐—œ๐—ฟ๐—ฒ๐—น๐—ฎ๐—ป๐—ฑ (๐—š๐— ๐—ง+๐Ÿฌ) & ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†.

1. ๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ข๐—ก ๐—ข๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š (๐Ÿฒ๐—ฃ๐— ) & ๐—™๐—œ๐—˜๐—Ÿ๐—— ๐—š๐—จ๐—œ๐——๐—˜ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต ๐—ง๐—ต๐˜‚๐—ฟ๐˜€, ๐Ÿญ๐Ÿต ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐Ÿฐ.๐Ÿฏ๐Ÿฌ๐—ฃ๐— . Opened by Dr Marcus Collier, Associate Professor of Sustainability Science and project lead on Noveleco project with Gareth Kennedy and Seoidรญn O'Sullivan.

2. ๐—˜๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ป๐˜๐˜€ ๐˜„๐—ถ๐˜๐—ต ๐—”๐—œ: ๐—” ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ฃ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜ ๐—ฏ๐˜† ๐—ฅ๐—ผ๐—ฟ๐˜† ๐—›๐—ฎ๐—ป๐—ฟ๐—ฎ๐—ต๐—ฎ๐—ป (Moving Image Design): Tuesday, 24 March, 1-2PM.

3. ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—บ๐—ฝ๐—น๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—–๐—ฎ๐—ฟ๐—ฏ๐—ผ๐—ป: ๐—ง๐˜†๐—ฝ๐—ฒ, ๐—ฃ๐—ฎ๐—ฝ๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—œ๐—ป๐—ธ: Wednesday, 25 March, 1-2PM. ๐—๐—ฎ๐—บ๐—ถ๐—ฒ ๐— ๐˜‚๐—ฟ๐—ฝ๐—ต๐˜†, (Dept. Communication Design), Performance Lecture.

4. ๐—ช๐—ฒ๐˜ ๐—˜๐—ฝ๐—ถ๐˜€๐˜๐—ฒ๐—บ๐—ผ๐—น๐—ผ๐—ด๐—ถ๐—ฒ๐˜€: Thurs, 26 March, 1-2PM.
๐—๐˜†๐—ฒ ๐—ขโ€™๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป (School of Visual Culture), Performance Lecture.

5. ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ ๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ถ๐—ป ๐—›๐—ฒ๐—ฎ๐—น๐˜๐—ต ๐—–๐—ผ๐—ป๐˜๐—ฒ๐˜…๐˜๐˜€: Friday, 27 March, 2-4PM.
๐—˜๐—บ๐—บ๐—ฎ ๐—™๐—ถ๐—ป๐˜‚๐—ฐ๐—ฎ๐—ป๐—ฒ, ๐—๐—ผ๐—ต๐—ป ๐—–๐—ผ๐—ป๐˜„๐—ฎ๐˜†, ๐—ฌ๐˜ƒ๐—ผ๐—ป๐—ป๐—ฒ ๐—–๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป (Dept. Fine Art Print & Creative Futures Academy).

6. ๐—–๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ๐—ถ๐—ป๐—ฒ ๐—›๐—ฎ๐—ฟ๐˜๐˜† ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—Ÿ๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ: Tuesday, 14 April, 1-2PM. (NIVAL Regional Collector).

7. ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐—ฆ๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐—ซ-๐—ฅ๐—ถ๐˜€๐—ฒ: Wednesday, 15 April, 2-4PM.
Introduced by ๐—˜๐—บ๐—บ๐—ฎ ๐— ๐—ฎ๐—ต๐—ผ๐—ป๐˜† with 10 minute presentations by ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—น๐—ฒ ๐—•๐—ฟ๐—ผ๐˜„๐—ป๐—ฒ, ๐—”๐—ป๐—ป๐—ฒ ๐—ž๐—ฒ๐—น๐—น๐˜†, ๐—š๐—ฎ๐—ฟ๐—ฒ๐˜๐—ต ๐—ž๐—ฒ๐—ป๐—ป๐—ฒ๐—ฑ๐˜†, ๐—ง๐—ผ๐—บ ๐—ขโ€™๐——๐—ฒ๐—ฎ, ๐—ฆ๐—ฒ๐—ผ๐—ถ๐—ฑ๐—ถ๐—ป ๐—ข'๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป, ๐—™๐—ถ๐—ผ๐—ป๐—ฎ ๐—ช๐—ต๐—ฒ๐—น๐—ฎ๐—ป. (School of Visual Culture, Dept.'s Sculpture & Expanded Practice, NCAD Gallery, First Year Studies, MA/ MFA Art & Social Action).

8. ๐—” ๐—–๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐—ง๐—ผ๐˜‚๐—ฟ ๐—ผ๐—ณ ๐—›๐—ผ๐˜๐—ฒ๐—น๐˜€ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—Ÿ๐—ถ๐—ฏ๐—ฒ๐—ฟ๐˜๐—ถ๐—ฒ๐˜€: Thurs, 16 April, 1-2PM. ๐—”๐—ผ๐—ถ๐—ณ๐—ฒ ๐—ช๐—ฎ๐—ฟ๐—ฑ & ๐—˜๐˜ƒ๐—ฒ ๐—ช๐—ผ๐—ผ๐—ฑ๐˜€ (NCAD Library) Walking Tour.

9. ๐——๐˜‚๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ฒ๐—ฎ๐˜ƒ๐—ถ๐—ป๐—ด in the NCAD Gallery: Fri, 17 April, 11AM-1PM. ๐—”๐—ถ๐—ป๐—ฒ ๐—•๐˜†๐—ฟ๐—ป๐—ฒ, ๐—ž๐—ฎ๐˜๐—ต๐˜† ๐— ๐—ผ๐—ผ๐—ป๐—ฒ๐˜†, ๐—ฅ๐—ฎ๐—ฐ๐—ต๐—ฒ๐—น ๐—ง๐˜‚๐—ณ๐—ณ๐˜† (Dept. Textile and Surface Design).

๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ ๐—Ÿ๐—œ๐—ก๐—ž https://www.ncad.ie/gallery-event/view/NCADResearchExhibitionProgramme2026

Image Credit: Sarah Durcan The Invisibles 2023, film still, Platform Commissions, EVA International and part funded by the NCAD Research Office. Curated by Anne Kelly.

Photos from NCAD Gallery's post 21/02/2026

Event: ๐—œ๐—ก๐—ฆ๐—ง๐—œ๐—ง๐—จ๐—ง๐—œ๐—ก๐—š ๐—–๐—ข๐— ๐— ๐—ข๐—ก๐—œ๐—ก๐—š ๐—ฆ๐—ฌ๐— ๐—ฃ๐—ข๐—ฆ๐—œ๐—จ๐— 
Wed, 25 Feb 2026, 10:00 - 17:00 (GMT+ 00:00 Dublin) NCAD Gallery, D08K521. ๐—•๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—Ÿ๐—ถ๐—ป๐—ธ: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2081721

๐—ฆ๐—ฝ๐—ฒ๐—ฎ๐—ธ๐—ฒ๐—ฟ๐˜€ / ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ผ๐—ฟ๐˜€
๐—ฅ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฑ ๐—”. ๐—–๐—ฎ๐—ฟ๐˜๐—ฒ๐—ฟ, ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—ฒ ๐—›๐—ผ๐—ฟ๐—ฟ๐—ถ๐—ด๐—ฎ๐—ป, ๐—”๐—บ๐—ฒ๐—ฒ๐—ฟ๐—ฎ ๐—ž๐—ฎ๐˜„๐—ฎ๐˜€๐—ต.
๐—ฅ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต๐—ฒ๐—ฟ๐˜€
๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—น๐—ฒ ๐—•๐—ฟ๐—ผ๐˜„๐—ป๐—ฒ, ๐—”๐—ป๐—ป๐—ฒ ๐—ž๐—ฒ๐—น๐—น๐˜†, ๐—š๐—ฎ๐—ฟ๐—ฒ๐˜๐—ต ๐—ž๐—ฒ๐—ป๐—ป๐—ฒ๐—ฑ๐˜†, ๐——๐—ฟ ๐—˜๐—บ๐—บ๐—ฎ ๐— ๐—ฎ๐—ต๐—ผ๐—ป๐˜†, ๐——๐—ฟ ๐—ง๐—ผ๐—บ ๐—ขโ€™๐——๐—ฒ๐—ฎ, ๐—ฆ๐—ฒ๐—ผ๐—ถ๐—ฑ๐—ถ๐—ป ๐—ข'๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป.

The INSTITUTING COMMONING SYMPOSIUM emerges from research conducted during the Marie Skล‚odowska-Curie Horizon 2020 RISE transdisciplinary research action, Spatial Practices in Art and Architecture for Empathetic Exchange (SPACEX), 2022โ€“26. See full programme information at the ticket link.

10-11AM ๐—จ๐—ป/๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป๐—ถ๐—ป๐—ด ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ ๐—ฃ๐—ฎ๐—ฟ๐˜ ๐Ÿญ - Introduction to Unlearning with Emma Mahony & Tom O'Dea. NCAD Gallery Link & Foyer

11AM-12PM ๐—˜๐—น๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜€๐—ฒ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ โ€œ๐—›๐˜‚๐—ป๐—ด๐—ฟ๐˜† ๐— ๐—ผ๐—ป๐˜๐—ต๐˜€โ€ with Gareth Kennedy & FIELD Students. ** This session is capped at a capacity of 40 persons ~ after ticket selection, there will be an option to select this as an additional 'product'. ** Location: NCAD FIELD.

12-1PM ๐—จ๐—ป/๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป๐—ถ๐—ป๐—ด ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ ๐—ฃ๐—ฎ๐—ฟ๐˜ ๐Ÿฎ - Developing & Testing Exercises with Emma Mahony & Tom O'Dea. NCAD Gallery & Foyer

1-2PM ๐—Ÿ๐—จ๐—ก๐—–๐—› Goodies

2-3PM ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ป๐—ด ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฒ๐—ฟ๐˜€ ๐—–๐—ผ๐—ป๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ค&๐—”, ๐—ฅ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฑ ๐—”. ๐—–๐—ฎ๐—ฟ๐˜๐—ฒ๐—ฟ, ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—ฒ ๐—›๐—ผ๐—ฟ๐—ฟ๐—ถ๐—ด๐—ฎ๐—ป, ๐—”๐—บ๐—ฒ๐—ฒ๐—ฟ๐—ฎ ๐—ž๐—ฎ๐˜„๐—ฎ๐˜€๐—ต with Anne Kelly. NCAD Gallery

3-4PM โ€˜๐—ฃ๐—น๐—ฎ๐˜†๐—ณ๐˜‚๐—น ๐—ฃ๐—ผ๐˜€๐˜€๐—ถ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐—ถ๐—ฒ๐˜€โ€™ with Seoidรญn Oโ€™Sullivan & Dominic Thorpe.. NCAD Gallery & Foyer

4-5PM โ€˜๐—ง๐—ต๐—ฒ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—š๐—ฎ๐—บ๐—ฒโ€™ with Tom O'Dea & Michelle Browne. NCAD Gallery & Foyer
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The INSTITUTING COMMONING SYMPOSIUM event in the National College of Art and Design (Gallery), Dublin, is programmed as part of ๐—œ๐—ก๐—ฆ๐—ง๐—œ๐—ง๐—จ๐—ง๐—œ๐—ก๐—š ๐—–๐—ข๐— ๐— ๐—ข๐—ก๐—œ๐—ก๐—š: ๐—” ๐—ฃ๐—Ÿ๐—”๐—ง๐—™๐—ข๐—ฅ๐—  ๐—™๐—ข๐—ฅ ๐—จ๐—ก/๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š, an exhibition programme bringing together a network of artistic and academic practices through the exchange of viewpoints, and the creation of new social bonds, ๐Ÿฏ๐Ÿฌ ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† - ๐Ÿฎ๐Ÿณ ๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜†, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, Mon-Fri, 11AM - 6PM.

๐—–๐˜‚๐—ฟ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—”๐—ป๐—ป๐—ฒ ๐—ž๐—ฒ๐—น๐—น๐˜† and ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ๐—ฑ ๐˜„๐—ถ๐˜๐—ต ๐—˜๐—บ๐—บ๐—ฎ ๐— ๐—ฎ๐—ต๐—ผ๐—ป๐˜†, ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—น๐—ฒ ๐—•๐—ฟ๐—ผ๐˜„๐—ป๐—ฒ, ๐—š๐—ฎ๐—ฟ๐—ฒ๐˜๐—ต ๐—ž๐—ฒ๐—ป๐—ป๐—ฒ๐—ฑ๐˜†, ๐—ง๐—ผ๐—บ ๐—ข'๐——๐—ฒ๐—ฎ, ๐—ฆ๐—ฒ๐—ผ๐—ถ๐—ฑ๐—ถ๐—ป ๐—ข'๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป, ๐—ฎ๐—ป๐—ฑ ๐—™๐—ถ๐—ผ๐—ป๐—ฎ ๐—ช๐—ต๐—ฒ๐—น๐—ฎ๐—ป.

Full Programme LINK: https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning
National College of Art & Design, Dublin

21/02/2026

Event: ๐—ช๐—˜ ๐—–๐—”๐—ก๐—ก๐—ข๐—ง ๐—ช๐—”๐—œ๐—ง ๐—™๐—ข๐—ฅ ๐—ข๐—จ๐—ฅ ๐—™๐—จ๐—ง๐—จ๐—ฅ๐—˜ ๐—”๐—ฅ๐—ง ๐—œ๐—ก๐—ฆ๐—ง๐—œ๐—ง๐—จ๐—ง๐—œ๐—ข๐—ก๐—ฆ
Tue, 24 Feb 2026, 17:00 - 19:00 (GMT+ 00:00 Dublin) NCAD Gallery, D08K521. ๐—•๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—Ÿ๐—ถ๐—ป๐—ธ: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2080084

โ€˜The dominant system doesnโ€™t dominate because most people agree with it, it dominates because we canโ€™t imagine an alternativeโ€™
(Duncombe and Lambert, 2021: 319).

โ€œWE CANNOT WAIT FOR OUR FUTURE ART INSTITUTIONSโ€ is both a statement and a demand that responds to the urgency of the polycrisis the art institution faces.
It is also a refusal. It refuses to accept that there is no alternative, that we cannot imagine things otherwise.

The participants will debate emergent practices and make propositions for the future art institution that encompass values that are anathema to those that shape our current cultural policies.
These alternative values include (but are not limited to): collectivity, solidarity, sustainability, study, the undercommons, situated knowledge and infrastructural critique.

๐—ฃ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐—ป๐˜๐˜€:
๐— ๐—ฎ๐—ฟ๐˜†๐˜€๐—ถ๐—ฎ ๐—ช๐—ถ๐—ฒ๐—ฐ๐—ธ๐—ถ๐—ฒ๐˜„๐—ถ๐—ฐ๐˜‡, Curator, Project Arts Centre, Dublin, Ireland.
๐—ซ๐—ฒ๐—ป๐—ถ๐—ฎ ๐—ž๐—ฎ๐—น๐—ฝ๐—ฎ๐—ธ๐˜๐˜€๐—ผ๐—ด๐—น๐—ผ๐˜‚, Curator, Laboratory for the Urban Commons (LUC), Athens, Greece.
๐—”๐—ป๐—ป๐—ฒ ๐—ž๐—ฒ๐—น๐—น๐˜†, Curator, NCAD Gallery, Dublin, Ireland.
Moderator: ๐—˜๐—บ๐—บ๐—ฎ ๐— ๐—ฎ๐—ต๐—ผ๐—ป๐˜†, Lecturer in Visual Culture, NCAD, Dublin, Ireland.
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The ๐˜ž๐˜Œ ๐˜Š๐˜ˆ๐˜•๐˜•๐˜–๐˜› ๐˜ž๐˜ˆ๐˜๐˜› ๐˜๐˜–๐˜™ ๐˜–๐˜œ๐˜™ ๐˜๐˜œ๐˜›๐˜œ๐˜™๐˜Œ ๐˜ˆ๐˜™๐˜› ๐˜๐˜•๐˜š๐˜›๐˜๐˜›๐˜œ๐˜›๐˜๐˜–๐˜•๐˜š event in the National College of Art and Design (Gallery), Dublin, is programmed as part of ๐—œ๐—ก๐—ฆ๐—ง๐—œ๐—ง๐—จ๐—ง๐—œ๐—ก๐—š ๐—–๐—ข๐— ๐— ๐—ข๐—ก๐—œ๐—ก๐—š: ๐—” ๐—ฃ๐—Ÿ๐—”๐—ง๐—™๐—ข๐—ฅ๐—  ๐—™๐—ข๐—ฅ ๐—จ๐—ก/๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š, an exhibition programme bringing together a network of artistic and academic practices through the exchange of viewpoints, and the creation of new social bonds, ๐Ÿฏ๐Ÿฌ ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† - ๐Ÿฎ๐Ÿณ ๐—™๐—ฒ๐—ฏ๐—ฟ๐˜‚๐—ฎ๐—ฟ๐˜†, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, Mon-Fri, 11AM - 6PM.

๐—–๐˜‚๐—ฟ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—”๐—ป๐—ป๐—ฒ ๐—ž๐—ฒ๐—น๐—น๐˜† and ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ๐—บ๐—ฒ๐—ฑ ๐˜„๐—ถ๐˜๐—ต ๐—˜๐—บ๐—บ๐—ฎ ๐— ๐—ฎ๐—ต๐—ผ๐—ป๐˜†, ๐— ๐—ถ๐—ฐ๐—ต๐—ฒ๐—น๐—น๐—ฒ ๐—•๐—ฟ๐—ผ๐˜„๐—ป๐—ฒ, ๐—š๐—ฎ๐—ฟ๐—ฒ๐˜๐—ต ๐—ž๐—ฒ๐—ป๐—ป๐—ฒ๐—ฑ๐˜†, ๐—ง๐—ผ๐—บ ๐—ข'๐——๐—ฒ๐—ฎ, ๐—ฆ๐—ฒ๐—ผ๐—ถ๐—ฑ๐—ถ๐—ป ๐—ข'๐—ฆ๐˜‚๐—น๐—น๐—ถ๐˜ƒ๐—ฎ๐—ป, ๐—ฎ๐—ป๐—ฑ ๐—™๐—ถ๐—ผ๐—ป๐—ฎ ๐—ช๐—ต๐—ฒ๐—น๐—ฎ๐—ป.

Full Programme LINK: https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning

12/02/2026

๐— ๐˜‚๐—น๐˜๐—ถ-๐—ฆ๐˜๐—ผ๐—ฟ๐˜† ๐—”๐—ฐ๐˜ ๐—œ๐—œ: ๐—ง๐—ต๐—ฒ ๐—š๐—ฟ๐—ฒ๐—ฎ๐˜ ๐—›๐—ผ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—–๐—ฟ๐—ถ๐˜€๐—ถ๐˜€ ๐—–๐—ฎ๐—ฟ๐—ฎ๐˜ƒ๐—ฎ๐—ป๐—ฒ๐˜๐˜๐—ฒ ๐—ผ๐—ณ ๐—ฅ๐—ฒ๐˜ƒ๐—ผ๐—น๐˜: Saturday, 21 February, 2026, 10:00-14:00, ๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†.

๐—›๐—ผ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—”๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ก๐—ผ๐˜„ (๐—›๐—”๐—ก) invites you to:
๐˜Š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‘๐˜ฐ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Ž๐˜ณ๐˜ฆ๐˜ข๐˜ต ๐˜๐˜ฐ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜Š๐˜ณ๐˜ช๐˜ด๐˜ช๐˜ด ๐˜Š๐˜ข๐˜ณ๐˜ข๐˜ท๐˜ข๐˜ฏ ๐˜ฐ๐˜ง ๐˜™๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ต - ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ฆ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ณ๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ณ๐˜บ ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ.
๐˜“๐˜ฆ๐˜ตโ€™๐˜ด ๐˜Š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฐ๐˜จ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ค๐˜ณ๐˜ช๐˜ด๐˜ช๐˜ด ๐˜ฏ๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ. ๐˜“๐˜ฆ๐˜ต๐˜ด ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ฉ๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ฏ ๐˜๐˜ฐ๐˜ณ ๐˜ˆ๐˜ญ๐˜ญ. ๐—ฃ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐—ง๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜๐˜€ ๐—•๐—ผ๐—ผ๐—ธ๐—ถ๐—ป๐—ด ๐—Ÿ๐—œ๐—ก๐—ž: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2060102

๐—›๐—ผ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—”๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ก๐—ผ๐˜„ will occupy the ๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†, with a half day of workshops, film, activist art and open discussion around the potential of artistic responses to the housing emergency, asking critical questions such as: ๐——๐—ผ๐—ฒ๐˜€ ๐˜๐—ต๐—ฒ ๐—œ๐—ฟ๐—ถ๐˜€๐—ต ๐—›๐—ผ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—ฆ๐˜†๐˜€๐˜๐—ฒ๐—บ ๐˜„๐—ผ๐—ฟ๐—ธ ๐—ณ๐—ผ๐—ฟ ๐˜†๐—ผ๐˜‚? The workshops will be facilitated by ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—˜๐˜ƒ๐—ฒ๐—น๐˜†๐—ป ๐—•๐—ฟ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ถ๐—ฐ๐—ธ and ๐—”๐—ฒ๐—ป๐—ด๐˜‚๐˜€ ๐—›๐—ฒ๐—ป๐—ป๐—ฒ๐˜€๐˜€๐˜†, working with ๐—›๐—ผ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—”๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ก๐—ผ๐˜„ as part of the long term project ๐— ๐˜‚๐—น๐˜๐—ถ-๐—ฆ๐˜๐—ผ๐—ฟ๐˜† โ€“ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—˜๐—ป๐—ด๐—ฎ๐—ด๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ณ๐—ผ๐—ฟ ๐—›๐—ผ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—–๐—ต๐—ฎ๐—ป๐—ด๐—ฒ. There will be activists from Housing Action Now, ๐—–๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐˜๐˜† ๐—”๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ง๐—ฒ๐—ป๐—ฎ๐—ป๐˜๐˜€ ๐—จ๐—ป๐—ถ๐—ผ๐—ป (๐—–๐—”๐—ง๐—จ), ๐— ๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ผ๐—ณ ๐—”๐˜€๐˜†๐—น๐˜‚๐—บ ๐—ฆ๐—ฒ๐—ฒ๐—ธ๐—ฒ๐—ฟ๐˜€ ๐—ถ๐—ป ๐—œ๐—ฟ๐—ฒ๐—น๐—ฎ๐—ป๐—ฑ (๐— ๐—”๐—ฆ๐—œ) and other housing activist groups. All are welcome.

Programmed as part of ๐—œ๐—ก๐—ฆ๐—ง๐—œ๐—ง๐—จ๐—ง๐—œ๐—ก๐—š ๐—–๐—ข๐— ๐— ๐—ข๐—ก๐—œ๐—ก๐—š: ๐—” ๐—ฃ๐—Ÿ๐—”๐—ง๐—™๐—ข๐—ฅ๐—  ๐—™๐—ข๐—ฅ ๐—จ๐—ก/๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š, 30 January - 27 February, 2026, Mon-Fri, 11AM - 6PM, ๐—ก๐—–๐—”๐——_๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†. LINK https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning

Multi-Story Act II is supported by Create Ireland โ€“ the National Development Agency for Collaborative Arts, through the AIC Project Realisation Award 2025.
NCAD Gallery National College of Art & Design, Dublin

06/02/2026

๐—ฃ๐—จ๐—•๐—Ÿ๐—œ๐—– ๐—˜๐—ฉ๐—˜๐—ก๐—ง: ๐—ง๐—ต๐—ฒ ๐—ก๐—–๐—”๐—— ๐—ฆ๐—–๐—›๐—ข๐—ข๐—Ÿ ๐—ณ๐—ผ๐—ฟ ๐—จ๐—ก/๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š, ๐—จ๐—ก/๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ๐˜€ ~ ๐—ช๐—ฒ๐—ฑ, ๐Ÿญ๐Ÿญ ๐—™๐—ฒ๐—ฏ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐Ÿญ๐Ÿณ:๐Ÿฌ๐Ÿฌ-๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ, NCAD Gallery, Foyer, Street, D08K521. Workshop capacity is for 50 participants, who in rotation will experience 4 Un/Learning exercises.
Programmed as part of ๐—œ๐—ป๐˜€๐˜๐—ถ๐˜๐˜‚๐˜๐—ถ๐—ป๐—ด ๐—–๐—ผ๐—บ๐—บ๐—ผ๐—ป๐—ถ๐—ป๐—ด: ๐—” ๐—ฃ๐—น๐—ฎ๐˜๐—ณ๐—ผ๐—ฟ๐—บ ๐—ณ๐—ผ๐—ฟ ๐—จ๐—ป/๐—Ÿ๐—ฒ๐—ฎ๐—ฟ๐—ป๐—ถ๐—ป๐—ด exhibition, ๐Ÿฏ๐Ÿฌ ๐—๐—ฎ๐—ป-๐Ÿฎ๐Ÿณ ๐—™๐—ฒ๐—ฏ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐—ก๐—–๐—”๐—— ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†. Events are fixed in the time zone in Ireland (GMT+0).

๐—ก๐—–๐—”๐—— ๐— ๐—”/๐— ๐—™๐—” ๐—”๐—ฟ๐˜ & ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฎ๐—น ๐—”๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜€๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜๐˜€, working with Dr Emma Mahony, have devised four unlearning exercises specifically for NCAD. They will deliver these exercises with the participation of staff and students who are invited to enrol in the NCAD School for Un/learning. Upon completion of the exercises participants will be awarded a certificate of failure.

Unlearning is both a discourse and a practice that involves the critical appraisal of accepted โ€œtruthsโ€, power relations and practices, as well as an appraisal of the role the individual plays within this matrix.

The purpose of The NCAD School for Unlearning is to apply unlearning to NCAD to unpack, unsettle and undo any unjust habits and attitudes. Workshops are additionally supported by Anne Kelly, Curator.

๐Ÿญ. ๐—จ๐—ก๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š ๐—˜๐—ซ๐—˜๐—ฅ๐—–๐—œ๐—ฆ๐—˜ #6: ๐—ฆ๐—ง๐—”๐—ก๐——๐—”๐—ฅ๐——๐—œ๐—ฆ๐—”๐—ง๐—œ๐—ข๐—ก
Devised and facilitated by: Linda Hederman, Anne Reilly and Ludwig Schaible.
๐Ÿฎ. ๐—จ๐—ก๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š ๐—˜๐—ซ๐—˜๐—ฅ๐—–๐—œ๐—ฆ๐—˜ #7: ๐—™๐—œ๐—ก๐——๐—œ๐—ก๐—š ๐—–๐—ข๐— ๐— ๐—ข๐—ก ๐—š๐—ฅ๐—ข๐—จ๐—ก๐——.
Devised and facilitated by: Megan Atkinson, Anna Ebeling and Christopher Roman.
๐Ÿฏ. ๐—จ๐—ก๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š ๐—˜๐—ซ๐—˜๐—ฅ๐—–๐—œ๐—ฆ๐—˜ #4: ๐—ฆ๐—ข๐—–๐—œ๐—”๐—Ÿ ๐—–๐—”๐—ฃ๐—œ๐—ง๐—”๐—Ÿ.
Devised and facilitated by: Romane Glas, Karen Matias and Leyette Moll.
๐Ÿฐ. ๐—จ๐—ก๐—Ÿ๐—˜๐—”๐—ฅ๐—ก๐—œ๐—ก๐—š ๐—˜๐—ซ๐—˜๐—ฅ๐—–๐—œ๐—ฆ๐—˜ #๐Ÿฑ: ๐—จ๐—ก๐—ช๐—ข๐—ฅ๐—ž๐—œ๐—ก๐—š ๐—–.๐—ฉ.
Devised by/ Facilitators: Loor Amin, Cรบan Cusack and Leanne Dooley.

Select your free tickets: https://www.tickettailor.com/events/nationalcollegeofartanddesigngallery/2056698

Find the Instituting Commoning: A Platform for Un/Learning, full programme link here: https://www.ncad.ie/gallery-event/view/instituting-commoning-a-platform-for-un-learning

Image credit: Cรบan Cusack.

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