Void

‘Murmurings of the Skin’ by Olivia Arthur, published by Void.

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“I’m fascinated with the idea of physicality and of trying to find a way to capture the energy running through people’s bodies, the feeling of skin touching skin. Though the work looks at technology and its achievements, ultimately it is about people, love, the power of the body and strength of the mind, and our never-ending need for physical closeness.” — Olivia Arthur

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Link to store in bio

22,5 x 28 cm
160 pages
Softcover with dustjacket

Today on FT Weekend, ‘Responds Quickly, Friendly’ by Marens van Leunen – published by Void. Preorders are on.

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“What resulted was a series of staged, black-and-white images that are playful, even a little absurd: teacups assembled in towers, saucepans arranged in precarious stacks, sculptural pillow forts, which, alongside handwritten inventories, have become the subject of her new book ‘Responds Quickly, Friendly’. “When you view belongings as extensions of identity, discarding them abruptly can feel like an aggressive act,” says the artist. “Setting up and photographing them became a physical act... a process of letting go of my childhood.” — Inès Cross

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Link to store in Void’s bio

16,8 x 23,8 cm
64 pages
Softcover with French folds

Glad to present ‘Responds Quickly, Friendly’ by Marens van Leunen. ⚡️ The first 30 preorders come with a limited edition signed Riso print. Respond quickly!

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‘Responds Quickly, Friendly’ is the debut book from Dutch visual artist and photographer Marens van Leunen. The work brings together carefully constructed still life installations of her father’s belongings, taken before his apartment, where he had lived for thirty years, was sold. From coffee cups to computer screens, sofas to storage boxes, these staged photographs become playful inventories of belongings soon to be listed and uploaded, bought and sold. van Leunen’s work is a site where personal history, memory, and material culture intersect; it is both a gentle meditation on the relationship between a father and daughter and an intimate study of the significance of our daily objects and domestic interiors.

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Link to store in Void’s bio

16,8 x 23,8 cm
64 pages
Softcover with French folds

‘There is a Big River, in Which There is a Big Island, in Which There is a Lake, in Which There is an Island, in Which There is a Small House, Where a Life is Growing in a Womb’ by András Ladocsi. Published by Void.

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“Through my work, I want to bring to light the intensity and resilience of the human spirit, captured in the moments where we are pushing our bodies and minds to reach our highest potential. Ultimately, my work is a celebration of life and the interconnectivity of our shared existence.” — András Ladocsi

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Link to store in bio

24 x 32 cm
88 pages
Silkscreened Softcover

‘It’s hard to stop rebels that time travel’ by Raymond Thompson Jr — published by Void — has just been long-listed for the 2026 Kraszna-Krausz Photography Book Award.

Congratulations to Raymond!

The book can be seen on display at booth at

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Link to store in bio

17,4 x 24,6 cm
112 pages
Fully printed in 5 colours
Hardcover with dry deboss

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

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‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

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Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

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‘JJ VFF VV’ is an intimate documentation of the birth of Linneu's first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

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Link to store in bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

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Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
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Certificate of Authenticity
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Riso Print Obi
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Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

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Link to store in bio

‘Sistermoon’ by Siri Kaur. Published by Void.

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Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

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Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

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‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

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Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds