04/09/2026
If you haven't yet, check this article by Vinciane Lacroix.
This fourth article in the series written for ICA-Belgium explores the major Gerhard Richter retrospective held at the Fondation Louis Vuitton in Paris (October 17, 2025 – March 2, 2026).
Spanning nearly 270 works from 1962 to 2024, the exhibition offered a remarkable chronological journey through the artist’s multifaceted career, set within Frank Gehry’s iconic architecture.
From early photo-paintings and blurred grey works to radical colour charts, systematic abstractions, and explorations of chance, reflection, and memory, Richter consistently defies categorization while maintaining an instantly recognizable signature.
The retrospective highlighted his technical mastery, his oscillation between neutrality and emotional depth, and his lifelong interrogation of colour - from the pursuit of indifference through grey monochromes to explosive chromatic experiments.
Particularly striking are his inversions of photographic codes, his use of constraint and randomness, and his reflections on reality through mirrors and glass. Even after announcing his retirement from painting, Richter continues to surprise and inspire with ongoing exhibitions worldwide.
A thoughtful and richly illustrated reflection on one of the most important artistic voices of our time.
Read the article at https://www.ica-belgium.org/p/parisian-colours-ii-richter
1. Gerhard Richter, Lilak 1982, photograph by V. Lacroix (© G. Richter, courtesy of the Gerhard Richter Archive Dresden)
2. Gerhard Richter retrospective at the Fondation Louis Vuitton, Paris, photograph by V. Lacroix.