It's a Set Up

It's a Set Up Based in Blandford Forum I do guitar set ups as well as guitar and bass lessons.

12/06/2025

Good turn out

12/06/2025

👏👏👏

12/06/2025
08/05/2025

Spike Milligan, born Terence Alan Milligan on 16 April 1918 in Ahmednagar, British India, was a renowned Irish comedian, writer, musician, poet, playwright, and actor. He co-created and starred in the influential radio programme "The Goon Show," which significantly impacted British comedy. Milligan's humour often featured a blend of absurdity and wit, exemplified by his classic joke: "When I go, I want to go in my sleep like my grandfather—not screaming like the passengers in his car." This quip showcases his unique ability to juxtapose the serene with the chaotic, delivering humour that resonates with surprise and dark comedy. Throughout his career, Milligan's innovative comedic style left an indelible mark on the landscape of British entertainment.

Carol
30/04/2025

Carol

In 1959, Clint Eastwood was pouring drinks at a small bar in Burbank, California. He was 29, struggling to make rent, and questioning whether his acting dream had any real future. That night, the bar's door swung open, and in walked Frank Sinatra, already a superstar with a presence that quieted the room. Eastwood recognized him immediately, but didn’t expect Sinatra to recognize him. To his surprise, the singer slid onto a stool and looked him square in the eye.

Sinatra pointed a finger and said, “You were in that little movie, weren’t you? I saw it late one night.” Eastwood nodded, caught off guard. The film was a forgettable B movie, barely noticed even by those who made it. But Sinatra had seen something in the young man's eyes on screen. He stayed for about half an hour, sipping a whiskey and talking with Eastwood about film, perseverance, and how the town could chew up people who let it. Before leaving, Sinatra pulled out a wad of bills and handed Eastwood $200, a significant amount in 1959, especially to a part-time bartender barely getting by.

Eastwood never forgot that moment. In a 2004 interview, he said, “He told me, ‘You’ve got something. Don’t let the bastards wear you down.’ That stayed with me for decades.” The words came at a time when Eastwood was close to walking away from acting. The rejection and financial pressure were becoming unbearable, and he often found himself questioning if Hollywood had room for someone like him.

At the time, Eastwood had already done a few minor roles, but nothing had caught on. His tall, quiet demeanor didn’t fit the traditional mold, and he struggled to land meaningful auditions. He had taken the bartending job out of necessity, not choice. Hearing encouragement from someone like Sinatra wasn’t just a confidence boost, it was validation that his instincts weren’t wrong.

That same year, Eastwood landed the role of Rowdy Yates on "Rawhide". The show went into production soon after and premiered in 1959. It quickly became a hit, and by 1960, Eastwood was a television star. But even as fame found him, he often looked back on that night with Sinatra as a turning point. It was the moment someone with real Hollywood weight had acknowledged him, unprompted and without any agenda.

Frank Sinatra never mentioned the encounter publicly, and there’s no record of him following up with Eastwood afterward. It didn’t need to go any further. The gesture stood on its own. For Eastwood, it was the rare kind of moment that didn’t come from a script, didn’t need a camera, and didn’t demand applause. It was a private exchange between two men at vastly different stages of their careers, one who had seen it all, and one who was trying to hang on a little longer.

Years later, when Eastwood became one of the most powerful figures in the industry, directing and producing with the same intensity he once brought to the screen, he often reflected on early experiences that shaped his resilience. That quiet moment in a bar, with Sinatra offering a tip and a few words of strength, ranked near the top.

Clint Eastwood called it the kind of encouragement that changes a man, not with volume, but with timing. In a city built on illusion, one real moment made all the difference.

28/04/2025
28/04/2025
Oz’s acoustic had a high action (string height) and yet a low saddle at the bridge. It’s an old Yamaha. I realised that ...
22/01/2025

Oz’s acoustic had a high action (string height) and yet a low saddle at the bridge. It’s an old Yamaha. I realised that this was because the neck was at a high upward angle. This can be fixed with a neck reset which is a complex and very expensive procedure where you have to drill holes in the fretboard to inject compressed steam to melt the glue to take off the neck and re attach it at the correct angle!!
This is only really worth doing with Martins or Gibsons and most techs would never attempt it. I got round the issue by putting lighter strings, and when the bottom (thickest) string buzzed I put on a slightly heavier gauge. Did the trick!

Great jam club yesterday. Top tunes!
20/01/2025

Great jam club yesterday. Top tunes!

John bought a cheap acoustic from Gear 4 Music. With a bit of love, filing down the nut slots that the strings go throug...
19/01/2025

John bought a cheap acoustic from Gear 4 Music. With a bit of love, filing down the nut slots that the strings go through it’s gone from really difficult to play to playing really well.
Just shows you don’t have to spend a fortune to get a nice playing guitar as long as you know someone who can set it up!

Liv’s new second hand (?!) Yamaha bass. The action (string height) was off the scale and the truss rod (controls curvatu...
10/01/2025

Liv’s new second hand (?!) Yamaha bass. The action (string height) was off the scale and the truss rod (controls curvature of fretboard) was way out of whack. Adjusted all that and it all came together.
I’ve always loved Yamaha basses and this one is no exception. The flat wound strings feel ace and it’s a dream to play. Thanks Liv and Matt for letting me be part of your dream.

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Spetisbury
Blandford Forum
DT119DY

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