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New Unit appeared today in our Latin learning section! — Pars IV.This Unit includes reading texts from quarta et vicensi...
21/09/2026

New Unit appeared today in our Latin learning section! — Pars IV.

This Unit includes reading texts from quarta et vicensima lectio and up to septima et vicensima lectio from the textbook 'Primus Annus' by W. L. Payne and C. L. Mainwaring, edited first in 1912. Having studied fundamental syntactic rules in the previous unit (Pars III), we are approaching another big and important part of Latin syntax: syntax of cases (syntaxis casuum). We shall see how Accusative and Ablative cases work in Latin. What's more, two new tenses will be added: Imperfect and Future. What a rich Unit awaits you – get ready! As to our custom, grammar sections include also reading paraphrasis of authentic ancient grammars.

Audacibus fortuna iuvat!

🟧 AKRO website: https://akro-greek.com/?locale=en

🟧 AKRO LIVE courses: https://akro-greek.com/courses?locale=en

🟧 AKRO Herodotus: https://akro-greek.com/app/books/8

There are words in which labor and suffering do not merely coexist but seem to arise from the same human experience: har...
09/09/2026

There are words in which labor and suffering do not merely coexist but seem to arise from the same human experience: hard work turns into suffering, while suffering becomes the body’s constant labor against pain. It is therefore no accident that many languages draw only a fine line between “to work” and “to suffer.”

1. Latin laborare originally combined the semantics of effort, strain, and exertion—and, by extension, suffering, illness, or even oppression. Cicero explicitly distinguishes labor (arduous effort) from dolor (physical pain), while acknowledging their proximity. More neutral terms, though not without caveats and not exclusively classical, include operam do, (ad)ministro, exerceo, servio, and operor. In Late Latin, laboro became established, later passing into Romance forms such as Italian lavorare and lavoro, or Romansh elavurar.

2. Yet several Romance languages—notably French, Spanish, and Romanian—borrowed their “work–suffering” verbs not from the well-known Latin laboro, but from the much rarer, reconstructed *tripaliare (from tripalium, “three stakes,” i.e., tied to three posts). Around 1100, this yielded Old French travailler, meaning “to torment, cause mental suffering,” later “to tire,” “to exert oneself,” and finally “to engage in demanding activity,” giving modern le travail (“work”). Here, suffering does not result from work; rather, a painful state is gradually reinterpreted as effort, and effort as useful, professional activity. The same *tripaliare produced Spanish trabajar, now a neutral term for physical or mental activity, profession, or even the operation of a mechanism. However, the old painful nuance has not vanished entirely: the RAE dictionary still lists “to torment, afflict” among its meanings, and in technical usage trabajar can denote a part “undergoing stress.” Within a single word, the entire chain persists: torture → suffering → effort → work. Romanian travaliu adds another layer, meaning “labor pains.”

3. Russian follows a somewhat different path. Old Russian страда denoted the intense season of haymaking and harvest, while the dialectal verb страдать could mean “to mow hay, reap crops.” In Old Russian texts, страдати also meant “to strive, to endeavor.” Alongside these coexisted meanings of torment, hardship, and calamity, which over time became dominant for the literary verb страдать (“to suffer”). It would be crude to claim that suffering literally derives from harvesting; rather, the ancient word was more syncretic, and the modern language has separated these meanings while preserving their kinship in the pair страда — страдать.

4. Especially in connection with Russian, the fate of Latvian strādāt is striking: today’s ordinary verb “to work,” etymologically derived from the same Old Russian страдати (“to strive; to work hard; to suffer”), attested in dictionaries since the 17th century. This creates a curious semantic crossroads: Russian fixed this verb’s meaning as “suffering,” while Latvian fixed it as “work.”

5. Ancient Greek stands apart with the verb πονέω, which could mean both “to work hard” and “to endure hardships.” The related noun πόνος united labor, effort, calamity, suffering, and pain. This is not necessarily a sequential shift of meanings: ancient texts show their long-term coexistence. The polysemy of Greco-Roman vocabulary warns against translating such words too simplistically with a single modern equivalent.

Thus, in highly schematic form, two main lexical routes emerge:
A. Work → Suffering: Russian, Latvian
B. Suffering → Work: Latin, Romance languages

* * *

Encouraged to learn more about classical languages? Follow us!

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From Homer to medieval scholastics, AKRO brings centuries of reading traditions into one beautiful library, where sound, text, and image harmonize on every page to create a complete learning experience.

“We put up with it — now it’s your turn.”On this first image, featuring a donkey, is a graffito from the so-called Paeda...
07/09/2026

“We put up with it — now it’s your turn.”

On this first image, featuring a donkey, is a graffito from the so-called Paedagogium on Rome’s Palatine Hill: a distinct section of the imperial complex where enslaved people lived and received training. It dates to the late second or early third century CE. The graffito was found in Room 8; the original has since been lost, so what survives is a reproduction and line drawing. In the modern scholarly edition, it is catalogued as Graffiti del Palatino I, no. 289 = CLE 1798. The Paedagogium yielded hundreds of Latin and Greek graffiti, offering a rare glimpse into the unofficial lives of people attached to the imperial household.

LABORA ASELLE QVOMODO EGO LABORAVI
ET PRODERIT TIBI = Labora, aselle, quomodo ego laboravi, et proderit tibi.

“Work, little donkey, as I worked — it will do you good.”

For Latin enthusiasts:

🟧 labora — the imperative of laboro, laborare: “work!”, “toil!” A small linguistic caveat: in Classical Latin, laboro often means “I suffer” or “I am in distress”; its straightforward sense of “work” becomes firmly established in later Latin. Think of “ora et labora”: “pray and work.”

🟧 aselle — the regular vocative of the diminutive asellus (< asinus), literally “little donkey.” The address is therefore almost affectionate — “my little donkey” — though the image itself makes that tenderness feel unmistakably barbed.

🟧 quomodo — “how,” “in what manner,” etymologically connected with quis/qui and modus. Here it functions as a conjunction: “just as,” “in the same way as.”

🟧 ego laboravi — the personal pronoun plus the perfect tense of the verb already used: “I worked” or “I toiled.”

🟧 et proderit tibi — literally, “and it will be of benefit to you.” Proderit is the third-person singular future of prosum, “to be useful; to benefit,” while tibi is the second-person dative. In other words, it carries the timeless tone of a parent or teacher: “You’ll thank me later.”

The drawing makes the joke much harsher. We see a donkey harnessed to a hand mill. Animals of this kind—like enslaved people—were indeed used to turn millstones (mola, -ae, feminine; Greek μύλη). For a Roman viewer, the donkey was an obvious emblem of exhausting, repetitive labour. A modern scholarly discussion of this graffito likewise connects the image with Roman slave labour and reads the writer’s phrase “as I worked” as a deliberate self-comparison with the animal.

So the author is telling the donkey: “Come on, pal. Work your guts out. I did too. It’s good for you.”

But the line was written by someone from the social world of the emperor’s enslaved household. That gives it an edge. The anonymous author may have compared his own life and training with the donkey’s endless circuit around the mill. The graffito can hold both self-mockery and a sharp parody of the educational maxim that labour is inherently beneficial. One recent reading proposes that the writer had experienced hard manual work and used the donkey as an image of his own earlier condition.

Still, it would be too confident to call this the complaint of a schoolboy bored by his lessons. That interpretation has long been popular: Rodolfo Lanciani, for one, saw it as a joke about the burdens of study. Yet the social function of the Paedagogium was more complicated than that of an ordinary school. It seems to have housed and trained enslaved members of the imperial household, a population of varied ages, roles, origins, and degrees of literacy. The author of the graffito remains unknown.

There is also an entertaining, if unprovable, possibility: Asellus may have been the name or nickname of a particular person. If so, the inscription becomes a potentially personal jab: “All right then, Asellus—work, just as I worked.”

The same Paedagogium produced another celebrated image: the Alexamenos graffito (second image), showing a man worshipping a crucified figure with a donkey’s head, accompanied by the Greek caption Alexamenos sebete theon—usually rendered “Alexamenos worships [his] god.” It is generally interpreted as a mockery of a Christian and is often dated to the Severan period, around the late second or early third century CE.

Taken together, the graffiti of the Palatine Paedagogium preserve a small but extraordinarily vivid archive of unofficial speech, humour, labour, faith, resentment, and social life within the imperial household.

🟧 AKRO: https://akro-greek.com/

🟧 LIVE COURSES: https://akro-greek.com/courses?locale=en

For our Russian translation of Tacitus’ Annals, we have chosen the work attributed to A. Kroneberg.Yet perhaps not every...
01/09/2026

For our Russian translation of Tacitus’ Annals, we have chosen the work attributed to A. Kroneberg.

Yet perhaps not everyone knows that the initial “A.” in fact conceals not one person but two: Andrei and Aleksei Kroneberg.

Among the two other pre-Revolutionary translations—those by Modestov and Klevanov—the Kroneberg translation is both the most literary and the earliest; consequently, certain stylistic currents of its period are particularly clearly discernible in it.

Andrei Ivanovich Kroneberg (1815–1855), a translator and graduate of Moscow University, began publishing his translations of European literature in the first half of the 1830s. He became known chiefly through his translations of Shakespeare. In 1838 he met Vissarion Belinsky in Moscow. Nearly all the translations published in Sovremennik between 1847 and 1852 were the work of Andrei Ivanovich Kroneberg.

Andrei Ivanovich did not complete his translation of the Annals, owing to his death; most of the second volume was therefore translated by his brother, Aleksei Ivanovich, who was trained as a mathematician. From 1848 onwards, Aleksei served as editorial secretary of Sovremennik.

Tacitus’ Annals—or Chronicle—are themselves preceded by an introductory historical survey, which outlines the condition of the Roman Empire under Augustus, concentrating chiefly on its administrative, military, and financial systems. We have posted this useful—and not altogether devoid of rhetorical elegance—essay separately in the Acroarchive. Do take a look 👉 https://akro-greek.com/archive/latin/articles/sostoyanie-rima-pri-avguste-kroneberg-1858?locale=ru

🟧 AKRO: https://akro-greek.com/

🟧 TACITI Annales: https://akro-greek.com/app/books/25

Urbem Romam a principio reges habuere — this line, written in dactylic hexameter, is probably familiar to anyone who has...
31/08/2026

Urbem Romam a principio reges habuere

— this line, written in dactylic hexameter, is probably familiar to anyone who has ever ventured into Roman historical prose. It belongs to one of the greatest—and at the same time most stylistically refined—Latin authors: Publius Cornelius Tacitus.

And we are absolutely delighted to introduce him to you in AKRO!

The audio recording, commentary, and translations have been prepared under the guidance of the brilliant young scholar Andrey A. Torbin: an outstanding connoisseur of Tacitus and a kindred friend of our project.

We wish you an enjoyable listen!

🟧 AKRO: https://akro-greek.com/

🟧 TACITI ANNALES: https://akro-greek.com/app/books/25

🟧 AKRO Archive: https://akro-greek.com/archive?locale=en

We have anticipated things a bit, while saying “familiar-to-the-reader publishing house” yesterday… One might think of L...
29/08/2026

We have anticipated things a bit, while saying “familiar-to-the-reader publishing house” yesterday…

One might think of Loeb classical series… But our edition was in Català — and the publishing house that we have mentioned is Bernat Metge, with its two classical series: Escriptors llatins (Latin authors) and Escriptors grecs (Greek authors).

Beautiful translation in català, apparatus criticus, short commentaries — and everything in a clothbound hardcover for only 8 to 10 EUR! Amazing alternative for those who additionally want to practice their català!

We were using this edition while preparing our AKRO’s Cesar, who recently appeared in the app's Latin library, thanks to our collaboration with the wonderful Olga Alieva. You can rediscover that:

> Gallia est omnis divisa in partes tres… <
> All Gaul is divided into three parts… <

Many begin their journey into Latin literature precisely with Caesar — which is why we're incredibly excited that he's now conquering not just Gaul, but our app as well!

🟧 AKRO website: https://akro-greek.com/

🟧 Caesaris De bello Gallico: https://akro-greek.com/app/books/24

🟧 AKRO archive: https://akro-greek.com/archive?locale=en

AKRO Archive: a searchable reading room for Greek and Latin texts, grammars, commentary, and scholarship.

28/08/2026

Every morning starts more or less the same for me. I wake up, shove down a sandwich, pour myself a mug of coffee—and off we go, my daughter and I, for our morning walk. The goal? To run ourselves ragged, wear ourselves out, and head home for her afternoon nap. Her, of course: that way, Dad gets a bit of time to read, work, and, if I'm lucky, actually rest.

But today in Madrid—and across Spain, for that matter—it's the Feast of the Assumption of the Virgin Mary, so most cafés were closed.

No place to work, fortunately I had with me Caesar's Gallic War in Catalan, from the now-familiar-to-the-reader publishing house—and suddenly I felt curious to compare it with what we'd recently published in the app.

Eventually managing to track down the one single café that was open, stylishly named "Loft" (you know the type—trendy, young, all that), I pulled out my book, my tablet, and settled in to read.

That's when the waiter approaches and asks what I'd like to order. I order a coffee, to which he replies:

— You know, you're not allowed to work here.

Somewhat embarrassed, I explain that I'm not exactly working—just reading a book—and show him my Caesar.

With greater confidence, the waiter says:

— Caesar? No, you're not fooling me. Latin—that's serious work.

Then, in a tone that left no room for argument, he concludes:

— So here's the deal: while we don't have customers yet, you can keep reading. But once people arrive, you'll need to move to the other tables, where other working people are doing serious business.

And so, once again, I was reminded that reading Caesar is no laughing matter—it's work, and serious business at that.

🟧 AKRO: https://akro-greek.com/

🟧 Cesar’s Gallic War: https://akro-greek.com/app/books/24

🟧 LATIN & HEBREW & GREEK courses 🟧Dear Friends, We are happy to announce second part of our SUMMER LIVE COURSES in AKRO ...
27/07/2026

🟧 LATIN & HEBREW & GREEK courses 🟧

Dear Friends,

We are happy to announce second part of our SUMMER LIVE COURSES in AKRO which will be held from August, 3rd, during 5 weeks.

Our goal is to read authentic texts on the last week: no dictionaries, no tedious translations — only pure joy of reading Apollodorus, Hyginus, Baebus and others.

We are implementing natural method to progress as smoothly and efficiently as possible. Haven’t heard of it before? — Try out our short interactive demo:

🟧 Latin: https://akro-greek.com/latin/first-reading

🟧 Greek: https://akro-greek.com/greek/heracles

——————————————————
SIGN-UP FOR COURSES ON-LINE:

https://akro-greek.com/courses
——————————————————

ἔχων ὦτα ἀκροῶ!

© AKRO

AKRO helps beginners read Ancient Greek, Latin, and Biblical Hebrew through guided lessons, real texts, and a reader built for classical languages.

14/07/2026
Something big is coming this Friday.We've spent a long time building AKRO around one idea — that learning Ancient Greek ...
04/06/2026

Something big is coming this Friday.

We've spent a long time building AKRO around
one idea — that learning Ancient Greek and Latin
should lead somewhere real.

Not just grammar drills. Not isolated vocabulary.
Real texts. Myths. Philosophy. Classical literature.

This Friday at 15:30 CET, we're going live —
and we're announcing something we've been
working on for a while.

Join us and find out:

→ How our live Ancient Greek and Latin courses work
→ What level you need to start
→ What texts you'll actually read
→ How AKRO supports you between sessions
→ How this is different from anything else out there

We'll also do a live demo — so you can see exactly
what the path from first grammar to real reading
looks like in practice.

And yes — there will be giveaways.

During the stream you can win:
🎁 Premium access to AKRO

The stream is completely free.
No commitment. Just come, watch, ask questions,
and see if this is right for you.

Leave your email to get the stream link 👇
akro-greek.com/read-ancient-greek/trial

Or DM us directly and we'll send it to you.

See you Friday.
— Roman & Nicetas, AKRO



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