Kongfu Technology of China OÜ

Building on the past, building on the future
I was thinking, why is it that GBD can establish a virtuous cycle of technical innovation and continuously improve teaching and practice, while all traditional Chinese arts, including martial arts, are heading towards a vicious circle? Is it because the inheritors of martial arts cannot keep up with the environment where economic interests are the priority, or is it because the recent brutal and even cultural decade-long catastrophe has destroyed the important lineage, books, and even the will of the inheritors? In fact, there is no practical meaning in seeking the cause by insisting on the fruit.
In fact, we did not have any role models and goals before, because even the taekwondo project, which entered the Olympic Games, was far less developed than the national standard dance, and we could find that taekwondo itself sacrificed a lot of philosophical connotations for the sake of Olympic competition results (probably because it has nothing too deep in itself). In contrast, although GBD is also full of groups, techniques and players are full of regional differences, but we can see the high degree of unity between its spirit and practice, not as unrealistic as Taijiquan's various "birds don't fly", "beating the bull across the mountain" this There is no unrealistic "the bird does not fly", "beating the bull from across the mountain", "winding silk strength", "shaking strength", which cannot even kill the chicken.
There are no martial arts associations that rely on the government and associations to promote the gymnastic "five methods and eight steps".
There are no fake masters who deceive the world and make martial arts routines look good but lose the soul of their movements, which is technical combat.
So we find that the same use of the human body, the same two sports approaching the limits of human beings: martial arts and dance, gradually evolved similar muscle application techniques, the primary is the chest with hands, cross with legs, regular practice of joints and ligaments can be stretched to near dislocation, bones can make the movement that ordinary people can not make.
In fact, as early as the Spring and Autumn Period, the Zuo Zhuan has recorded that "the great event of the state is in the rituals of the military", and the rituals are the process of uniting the spirits, usually with dance, while the military need martial arts. They are like Fuxi and Nuwa, brother and sister and husband and wife. Mutual intermingling gave rise to civilization.
Some people ask Shakyamuni Buddha what he taught in his 49 years of life, and what is it in a nutshell, "Karma"? This is only one of the thousands of answers.
Must the Buddha's teachings be found only in the Buddhist classics? Must the salvation of Jesus Christ be a prophecy in the Bible to be fulfilled in the world? Can we not approach the true God through meditation, except through prayer?
Similarly, must the power generation techniques of martial arts be found in the martial arts heritage? Organizational forms, evaluation systems, and training methods can all be taken from national standard dance.
Through my search for more than ten years, I have found that the only martial art that truly has the same profound ideological connotation as Confucianism, Buddhism and Taoism and that has withstood the test of practice is the "Tianjin Traditional Form of Yi Quan", an intangible cultural heritage of Tianjin. This system, which was handed down from Mr. Li Cunyi's disciple Han Ziheng to his grandson Han Wen, is already very vague and lacks the finishing touches of his descendants. But the good thing is that Mr. Han Wenwen has this art flowing through his body, which can be said to be a living fossil of martial arts.
The real development needs to simplify and find that one, not to make an already difficult to master system project more complicated through compilation, and we have a long way to go on this path

My curriculum system is divided into two parts: spiritual and physical. The spiritual part absorbs the content of meditation and meditation and requires a certain religious foundation. The body part is a secret technique passed on by the master and his disciples, which cannot be copied from the outside.

Kongfu Technology of China OÜ, for the past holy learning, for the peace No one has ever tried to break away from religion and fight to show traditional Chinese secrets and qigong to all mankind in a scientific form. In the next ten years, our curriculum system will grow at a geometric base.

No one has ever tried to break away from religion and fight to show traditional Chinese secrets and qigong to all mankind in a scientific form. In the next ten years, our curriculum system will grow at a geometric base. This is also our cultural confidence.

自由的帆——人的起源神话起源
创作声明：内容包含虚构创作
​听说，这片土地是个监狱。曾经囚禁着光音天的罪犯。他们挑战着天主的权威。于是被押解到被我们称为地球的这个星球。

他们的朋友来给他们送饭，天主发现后把这些送饭的朋友也留在了地球。没有光做食物，天人们的身体的光芒开始衰减，一步步衰落。朋友陪着朋友一对一对的开始寻找食物，“咱们喝一口这透明的东西吧”。大家围着海洋飞行，对这晶莹的神秘，充满着未知和恐惧。但是为了延续这分秒流逝直至湮灭的生命，他们不得不饮鸩止渴。任由光明纯洁的身体浸泡在这透明的液体里，他们的身形发生了变化，和朋友牵着手沉入了海底的淤泥，开始吞吃淤泥，“活下来了”欢呼着，手握的更紧。他们没能忘记自己曾有飞行的能力，只是感觉异常沉重。用着最后一股力气冲破了海面仿佛得到新生。

慢慢落在的地面上，天主把无数茅立在地上直指星空，从此这片土地将隐没于宇宙众生的视线。孤独的永远不能再见天日。沉重的身体再也无法飞行，原本的光亮纯洁，也如同泥土般肮脏的包在皮里。只能仰望星空，回忆曾经待过的天国，他们发现，牵着手的一对，再也不能分开，于是在其他同伴的帮助下扯断了连接的地方，断了之后，有的多了一块，有的少了一块。多一块的被称为男人，少一块的被称为女人。

朋友之间产生了隔阂，很矛盾，想再次合一，又心怀嫌隙，不像过去。

天主看这很好，原本同住一个巨大的牢笼，现在每个人都有了自己的牢笼。就放开了天地，让他们自己即使突破了茅的封锁，也突破不了自己暗淡的心，和沉重的身体。

但是，人们没有放弃发光和飞翔，没有忘记和朋友合一。以为曾经经历生死不曾放手。后来他们有些时候合在一起。缺失的那个，身体里，一道光进去，发现身体里有一片海，海底有一片陆地，ta重复着前人的经历，泡在水里，吃着泥土，最后从前人的身体里出来，一代又一代，后代忘了自己曾是光，忘了自己的前代经历的故事。踩着和自己身体同样是土的大地。面对太阳，船入海洋，扬起风帆，想着有一天能够像海鸥一样在风暴中————飞翔。