The Actors Chapel

The Actors Chapel On-going acting training based in specific techniques and styles for actors of all levels. He discovered that he had a great passion for teaching and coaching.

website: www.theactorschapel.com
Phone Number: 778-891-5171
Audits Welcome The Actor's Chapel Vancouver was founded in 2010 by Scott Bromley, who began his acting career working alongside Jonny Depp on 21 Jump street here in Vancouver. At 18 years of age Scott moved to Los Angeles to pursue his acting career. It was there that he had the opportunity to study with some of the most respected instructors in the industry, among them Larry Moss, Ivana Chubbuck and Eric Morris. During his time in LA he honed his craft performing in over 50 plays, television shows, films and commercials. In 2005 Scott began teaching, and became interested in sharing his broad experience and knowledge with other actors. In 2010, he returned to Vancouver to open his own studio. Since then he has gone on to develop his own method, which is based on, but not limited to, the techniques of his past instructors. Scott is excited to be offering his on-going acting classes to the vibrant acting community here in Vancouver.

09/23/2026

READ CAPTION

Can’t fake being drunk?

Here’s the trick: alcohol doesn’t make everyone act the same.

Don’t start with the stereotype: slurred speech, stumbling, exaggerated movements.

Start with your character.

What happens when their inhibitions come down?

- Maybe they become more flirtatious.
- Maybe they overshare.
- Maybe they become overly confident.
- Maybe they get emotional.
- Maybe they stop listening.

Then let that affect your behavior, timing, focus, and physicality.

You’re not playing “drunk.”

You’re playing your character, with less control.

That’s what makes it believable.

Acting Tips - The Actors ChapelLearn How to Do the Work!Break down the script. Discover the character. Explore the circu...
09/15/2026

Acting Tips - The Actors Chapel

Learn How to Do the Work!

Break down the script. Discover the character. Explore the circumstances Make choices. And learn how to experience the scene instead of simply performing it.

At The Actors Chapel, we help actors get out of their heads and into the story through practical, professional actor training for Stage • Film • TV.

🌐theactorschapel.com
✉️[email protected]
📞778-891-5171

09/09/2026

09/08/2026

09/03/2026

09/01/2026

READ CAPTION

*I can't cry on command.*

Good.

You don't actually need to.

Crying is an emotional response, not an acting objective.

Instead of trying to *make yourself cry*, focus on what your character wants in the scene.

What are they fighting for?

What are they afraid of losing?

What are they trying not to feel?

The emotion comes from the circumstances.

Your job isn't to produce the tears.

Your job is to live the moment truthfully.

And sometimes, the most powerful choice is trying **not** to cry.

08/27/2026

Motivation & High Stakes - Acting Tip - The Actors Chapel

Looking to take your acting to the next level?
At The Actors Chapel, we help actors get out of their heads and into the
story through practical, professional actor training for Stage • Film • TV.

🌐 theactorschapel.com
📧 [email protected]
📞 778-891-5171

08/27/2026

Stop auditioning.

The biggest thing that gets in an actor’s way is getting stuck in their head , worrying about whether you’re doing it right, how you look, or what the casting director is thinking.

Instead, your job is to experience.

Break the scene down. Know your lines. Know the story and have a point of view about what’s happening. Know who you’re talking to, what you want, why you need it, and what’s at stake.

Then make it personal. Find your way into the circumstances and make strong choices.

And then , let yourself go. Go to a 12.

But don’t try to create the emotion.

The emotion is a byproduct of what you’re doing.

Go after what your character wants. Fight for it. Need it. Let what’s happening affect you.

If you’re trying to protect something you love, you may experience fear. If someone is standing in your way, you may become angry.

You don’t play the emotion. You go after what you want — and the emotion follows.

Use your imagination and personal experiences to make the circumstances real for you.

Then listen. Really listen to your reader. Let their words affect you and change what you think, feel, and want in the moment.

You’re not waiting for your next line.

You’re living through the scene.

And if you’re nervous, let the nerves be there. You don’t have to get rid of them to be present.

Prepare deeply. Make your choices.

Then get out of your head and own the experience.

Don’t show us that you can act.

Let us experience it with you.

Address

Vancouver, BC

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