17/07/2019
Conheça os conferencistas com presença confirmada no EITAM 5!
Jean-Marc Chouvel, Université Paris-Sorbonne, IReMus, França.
Jean-Marc Chouvel is professor at the University Paris-Sorbonne and researcher at the “Institute for Musicological Research” IReMus (UMR 8223). He is a member of the administration board of the French Society for Music Analysis (SFAM) and has published numerous articles and books on the topic of music analysis and, more particularly, on its relationship with the cognitive sciences. He is the author of several essays including: Esquisse pour une pensée musicale (Outlines for a musical thinking); Analyse musicale, sémiologie et cognition des formes temporelles (Music Analysis, Semiology and Cognition of Temporal Musical Forms) both published by l’Harmattan as well as collective works: “L’espace: musique / philosophie (Space: Music-Philosophy) with Makis Solomos ; Observation, analyse, modèle :peut-on parler d’art avec les outils de la science ? (Observation, analysis model: can we talk about music with the tools of science) with Fabien Levy ; Esthétique et Cognition (Aesthetics and Cognition) with Xavier Hascher, Gilles Deleuze : La pensée musique (Gilles Deleuze: the Music Thought) with Pascale Criton. He participated to the foundation of the journal Filigrane and to that of the online journal Musimediane.
After studies in engineering and a masters degree in nuclear physics, Prof. Chouvel completed his PhD at the university of Paris 8 under the direction of Daniel Charles on the notion of form in contemporary music. All the while, he studies music composition with figures such as Iannis Xenakis, Alain Bancquart, Emmanuel Nunes and, in Spain, Francisco Guerrero. He graduated with the prestigious « agrégation » in Plastic Arts and has taught instrumental and electroacoustic creation at the University of Lille 3 where he founded the Studio de Musique Électroacoustique du Nord (Electroacoustic Music Studio of the North) together with Ricardo Mandolini. He later taught at the University of Reims where, together with Daniel D’Adamo and in partnership with the local conservatory, he founded the first master’s degree in music composition. He participated to the foundation of the contemporary music ensemble l’instant donné of which he is the current president and directs two collectives at the Editions Delatour « quatuor » on the relationships between poetry and music and, in collaboration with Jean Michel Bardez, « transversal » about visual arts by musicians and, more generally, about « polymorphous » creators.
