Paula Nicoletto - Adjudicator

10/05/2026

The recent production of "Accidental Death of An Anarchist", Written by Dario Fo & Franca Rame, (Limelight Theatre) delivered an entertaining and well-structured performance, supported by strong direction, effective staging and committed performances from the cast. Owen Philips was a standout as “The Maniac,” demonstrating exceptional adaptability and comedic control as he transitioned effortlessly between multiple characters, each portrayed with clarity and conviction. Interestingly, Owen previously played the role of Inspector Bertozzo in 2020 through KADS Town Square Theatre, adding another layer of understanding and experience to his performance within this production. His performance anchored the show and created many of the evening’s most engaging moments.

The supporting cast worked cohesively, with Michael Balmer bringing professionalism and commitment to his role as Inspector Bertozzo,, while Jack Riches (Inspector Pissani) displayed impressive athleticism and stage presence, particularly in a memorable window sequence that genuinely captivated the audience. Shayla Morgan also emerged as a promising new talent, showing confidence, strong articulation and a commanding stage presence throughout her performance as Miss Feletti.

The production elements complemented the work effectively. The set design was clever and functional, using subtle Italian influences, painted floor tiles and shifting window backdrops to establish location and suggest the different levels of the building. Wardrobe, led by Shelley McGinn, captured the style and period appropriately, with the costuming of “The Maniac” especially assisting the audience in identifying the character’s many disguises and personalities.

While the direction maintained clean pacing and emotional control, some aspects of the script felt slightly dated in their political commentary and could perhaps have been adapted further to resonate more strongly with contemporary audiences. Personally, the satirical comedy style of the piece itself left me somewhat unimpressed; however, this reflects more the nature and genre of the work rather than the efforts of the performers, who approached the material with energy, professionalism and commitment throughout. Minor sound balance issues at the beginning of the show also caused movement on stage to occasionally overpower dialogue. Despite this, the production was polished, engaging and showcased the strength and potential of the performers and creative team alike.

23/03/2025

When serving as a judge or adjudicator, it’s crucial to uphold fairness for all contestants. This means avoiding any bias or favouritism and refraining from creating drama solely for entertainment purposes. The focus should always remain on assessing performances objectively and ensuring a respectful and supportive environment for all participants.

23/02/2025

17/02/2025

A dedicated dance professional with a passion for shaping talent, inspiring creativity, and fostering excellence on and off the stage.

• Postgraduate Diploma Education (Dance Teaching)
• Cert IV Dance Teaching & Management
• Cert IV Training & Assessment
• Cert IV Dance (Adjudication)
• Diploma in Dance (Tap, Theatrical)
• Certificate in Dance (Classical)

Recipient of Australasian Dance Education Award – School Teacher of the Year (2024).

With over three decades dedicated to the art of dance teaching, Paula emerges as a luminary figure in the realm of dance education, choreography, and mentorship. Her multifaceted career encapsulates her roles as a distinguished dance teacher, visionary choreographer, and esteemed educator, who is both trained and educated in all genres of dance.

Currently serving as the dance coordinator at Trinity College, Paula not only shapes the artistic landscape within the institution but also pioneers a shift in the perception of gender roles in dance. Her progressive approach fosters inclusivity and empowers students to challenge traditional norms, embracing their individuality and expression.

As the co-founder of Project Arrival, Paula spearheads a groundbreaking initiative that empowers aspiring dancers through a contemporary lens. This youth dance company serves as a platform for talent and creativity, nurturing the next generation of artists while instilling in them a fervent dedication to artistic excellence.

Her contributions extend beyond the confines of a single institution. Paula is a senior teacher at Valerie Heston School of Dance and her influence extends to the academic sphere, where she serves as a sessional lecturer at the renowned Western Australian Academy of Performing Arts (WAAPA).

Paula's dedication to dance transcends borders, as evidenced by her instrumental role in establishing the dance curriculum at Mercedes College and her engagements as a teacher and adjudicator in international locales such as Singapore and Kuala Lumpur. Through her global endeavours, she enriches the dance community with her unique perspective and unwavering commitment to the art form.

Paula's illustrious career stands as a testament to her unwavering passion for dance and her steadfast commitment to nurturing the next generation of dance artists. With her visionary leadership and boundless creativity, she continues to shape the future of dance education and performance, leaving an indelible mark on the world of dance.