Pip Edwards Creative

Pip Edwards Creative Auditions, self-tapes, and industry/life coach. NLP, Life Coaching, Teaching, and Somatic Trauma Certs Fear disappears in her presence.

Clients book roles in film, TV andTVCs
Break through resistance, elevate your craft, pursue your goals
Training: NIDA and Melbourne Uni Bachelor. Pip Edwards - Screen Acting & Audition Coach, Career & Mindset Coach

I'm passionate about empowering actors to step into their fullest potential - both on screen and in life. Through my tailored coaching, I help clients break through barriers, unlock t

heir authentic expression, and actualise their dreams. With a holistic approach grounded in my Bachelor of Dramatic Arts (Acting) from NIDA & a Bachelor of Creative Arts (filmmaking, philosophy & arts law) from Melbourne Uni, and certifications such as NLP, Life Coaching, Somatic Trauma Coaching, and Teaching (Training and Assessment), I guide actors to develop the skills, mindset, and self-awareness needed to thrive. My honest, detailed, and approachable style creates a safe space for deep personal, creative, and career growth. I understand the highs and lows of the industry, having worked extensively as an actor, director, presenter, and in casting. My own experience allows me to empathise with the challenges actors face, while inspiring them to step into their power. Whether coaching for auditions, self-tapes, or broader career/life goals, I'm passionate about helping clients access their full creative expression. By cultivating self-empowerment and emotional intelligence, I empower actors to navigate this exciting, yet demanding field with resilience and fulfillment. My clients have booked roles in top film, TV, and commercial projects, both nationally and globally. Testimonials highlight my ability to instill confidence, unlock authenticity, and guide transformative breakthroughs. If you're an actor seeking to elevate your craft, expand your career, and deepen your self-actualization, I'd be honored to support you on that journey. Let's connect and explore how I can help you achieve your goals. ACTOR
Pip’s television credits include “ANZAC Girls”, “Paper Dolls”, “Criminal Incident”, “Home & Away”, “Les Norton”, “Miss Fisher’s Murder Mysteries”, “Wonderland” and “Forever Young”. Her film credits include “June Again”, “Carmen”, “Who’s That Boy”, and “A Few Less Men”, as well as numerous short films. Pip’s MainStage theatre credits include Beverly in “Abigail’s Party” and “Ghosts” with The Melbourne Theatre Company. She is committed to ongoing training in a range of areas and has extensive training in both Australia and the US, including with Ivana Chubbuck, Larry Moss, and at SNL’s Upright Citizen’s Brigade Improvisation School in L.A. PRESENTER
Her presenting credits include "The Today Show Extra", "The Naughty Rude Show" and "Chefs In The Raw." TESTIMONIALS
"Pip has this... uncanny ability to make an actor feel relaxed in front of the camera. I would not have been cast in a number of roles including“Truth” (Cate Blanchett/Robert Redford) or Mel Gibson’s “Hacksaw Ridge” if not for her.” - Philip Quast

"Pip is absolutely incredible. She is a dedicated & insightful mentor, and her methods encourage a much deeper & authentic connection to the character. Not very often do you stumble upon a mentor as kind & passionate as Pip" - Alex Dilley

24/02/2026

You cannot control when the opportunity you really want will arrive. It might come when you feel strong and ready. It might come when you are exhausted, sick, busy, or doubting yourself. That is the nature of acting. The timing is rarely convenient.

Feeling nervous when it lands does not mean you cannot do it. Thinking “I’m not enough” is not evidence. It is just fear talking because something matters. You do not need perfect conditions to be capable. You need preparation, craft, and the willingness to show up as you are that day.

Acting asks you to work inside uncertainty. That flutter in your stomach, that spike of pressure, even that “oh God” feeling is part of the job. It is not a stop sign. It is a signal that you care. Breathe. Do the work. Tell the story.

27/01/2026

If your training stops at self-tapes, auditions, or neat little mid-shots in class, you’re not set-ready. Real sets are messy. Blocking is awkward. Your scene partner might be off-camera, across the room, or nowhere near you. You’re working in heat, cold, rain, early calls, late nights — and the camera is never where you rehearsed it.

Scripts change fast. Marks matter. You wait for hours, then shoot immediately. You may get no notes. You’re expected to adjust on the fly and deliver anyway. Audition training teaches you how to book the role. Set training teaches you how to survive — and work well — once you’re there.

11/01/2026

When you are nervous about an audition or shoot, your brain goes into protection mode.
It tries to keep you safe by thinking that the scene should look a certain way.

But that’s not what the scene is acting of you. It’s not asking you to play it a certain way, be a certain version of the character, or hit an exact emotion.

It is asking you to be a human being in a specific situation, talking to another human being, trying to get something that matters.

When you let go of what you think the scene should be, it’s simpler. One human being needing something from another human being in this moment.

The more you trust that simple human exchange, the less room there is for nerves to hijack your choices, the more you can connect with your listening instinct, and the more natural, grounded, reactive and compelling you become to watch.

05/01/2026

As you step into the new year, don’t just set goals — choose the person you want to become. This year, think less about “fixing yourself” and more about casting yourself in the role you want to grow into. Every decision you make is a quiet vote for that future you — and it doesn’t have to be big or dramatic. Small choices count. Showing up counts. Backing yourself counts. Keep choosing that version of you, gently and consistently. That’s where the real change happens

13/12/2025

There might be others in your age range, your height, your casting bracket — but there is only one you.

One way of listening, reacting, thinking, holding silence, landing humour, carrying pain, or offering warmth. Presence, energy, point of view and lived experience can’t be duplicated, even when the brief looks generic.

The work is not to compete or compare, but to clarify.
The clearer you are in who you are, how you think, and how you show up, the easier it is for the right people to recognise you.

JOIN ME TO GET SOME RAD PRACTICE AND NINJA TIPS And start to fall in love with booking more TVCs Head to  to book🕺🕺🕺Part...
31/10/2025

JOIN ME TO GET SOME RAD PRACTICE AND NINJA TIPS
And start to fall in love with booking more TVCs
Head to to book🕺🕺🕺

Party Time

Overwhelmed with your to do list?    🎬
18/10/2025

Overwhelmed with your to do list?
🎬

TOP 10 TIPS (and a few extras) for BOOKING MORE TV COMMERCIALS Out now in  magazine What’s your biggest tvc Selftape str...
15/10/2025

TOP 10 TIPS (and a few extras) for BOOKING MORE TV COMMERCIALS
Out now in magazine

What’s your biggest tvc Selftape struggle?

13/10/2025

Busy” sounds like progress, but often it’s just noise — a cover for feeling productive without actually moving forward. A full calendar doesn’t mean a full career. Instead of saying you’re busy, ask: What are my priorities? What’s actually getting me closer to the work, the craft, and the people who matter?

Make a to-do list if you like, but always rank it by impact, not volume. Your list might be long, but your priorities should be short — a handful of things that truly shift your career forward. Rehearse that scene. Update your reel. Follow up with someone who can hire you. Rest. “Busy” scatters your energy. Priorities direct it.

04/10/2025

Your slate’s not just information. It tells casting you’re professional, you’re switched on, you’re comfortable of camera, and can follow simple instructions.

But it’s also your one chance to show who you are — that you’re someone they’d actually want on set for a 10–12 hour day. Good energy.

It’s the Selftape version of walking into the room and saying ‘Hi, nice to meet you’.

Stop hating on it. Use those few seconds to show a bit of charm, warmth, and confidence… and YOU

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Melbourne, VIC

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